Here are 100 books that Colored People fans have personally recommended if you like
Colored People.
Shepherd is a community of 12,000+ authors and super readers sharing their favorite books with the world.
I was born and raised in Nyack, New York, and all of my degrees are from colleges and universities in New York. I have always been interested in race relations in America and understanding their causes and consequences. Hope and despair are two themes that run through the experiences of people of African ancestry in America. The books I selected include fiction and nonfiction works that highlight promises made and promises unfulfilled.
I think WEB DuBois is one of the greatest scholars ever to live. I recommend this book because DuBois eloquently tackles some of American society's greatest challenges. I like that DuBois is not satisfied with contemporary explanations about racial inequities. I am grateful to DuBois for encouraging American society to explore the roles of race and racism and explaining the experiences of people of African ancestry in America.
The Souls of Black Folk: Essays and Sketches is a 1903 work of American literature by W. E. B. Du Bois. It is a seminal work in the history of sociology and a cornerstone of African-American literature.
The book contains several essays on race, some of which had been published earlier in The Atlantic Monthly. To develop this work, Du Bois drew from his own experiences as an African American in American society. Outside of its notable relevance in African-American history, The Souls of Black Folk also holds an important place in social science as one of the early works…
As an American who writes about the history of the Soviet Union, I am constantly trying to understand people separated from me by identity, ideology, language—and time. Applying strategies for empathizing across political, cultural, and linguistic boundaries is, in many ways, the basic task of historical research. At a moment of intense political polarization, the task has become more necessary than ever. My most recent book examines this process by retracing the American journey of two Soviet travelers. Their willingness to laugh at themselves allowed them, at least sometimes, to set aside their presuppositions and see the alien land of the capitalists and the world of socialism anew.
The poet Langston Hughes’s autobiography engagingly recounts his travels to Cuba, Haiti, Japan, and Spain during the Civil War. The book's centerpiece is his 1931-1932 trip to the Soviet Union. He visited as part of a contingent of twenty-two African Americans hired to make a film on race relations in the United States.
The film project never panned out, but Hughes took advantage of the situation to visit Soviet Central Asia. He understood that his hosts tried too hard to convince American visitors of the progress made under the Soviet regime. But his autobiography also conveys the wonderful strangeness of being in a country officially committed to antiracism, where people of color had opportunities for education and advancement.
In I Wonder as I Wander, Langston Hughes vividly recalls the most dramatic and intimate moments of his life in the turbulent 1930s.
His wanderlust leads him to Cuba, Haiti, Russia, Soviet Central Asia, Japan, Spain (during its Civil War), through dictatorships, wars, revolutions. He meets and brings to life the famous and the humble, from Arthur Koestler to Emma, the Black Mammy of Moscow. It is the continuously amusing, wise revelation of an American writer journeying around the often strange and always exciting world he loves.
When I was eight, my mother was called in to see the principal…yet again. He pulled me out of class, stood me in the hall for maximum intimidation value, then said to my mom, “Your son has no respect for authority.” Mom asked, “What about that, Larry?” My reply—and this is totally true—was, “He doesn’t mean respect. He means courtesy. You can demand courtesy, but you have to earn respect.” Those sentiments have not changed, which is why, I suppose, I have an extremely critical eye for history, especially American history, that deifies the winners. I don’t think we make ourselves stronger as a nation by pretending our leaders were somehow not as human in their flaws as the rest of us. I prefer to look under what is called “conventional wisdom,” because that’s where the real story often lies.
A brilliant hypnotic novel that almost no one read. Albert French was the victim of a publishing nightmare—his editor and his publisher, both of whom had primed his novel for a major publicity push, left for new jobs before the pub date, after which his book was orphaned and abandoned. For anyone not in the book business, it might seem hard to believe that a terrific novel would be left to languish, but, sadly, such an event is not uncommon in American publishing.
Set in an African American section of Pittsburgh in 1950,I Can’t Wait on God evokes both the day-to-day lives of ordinary people and the striving and hopelessness of African Americans trying to escape the doomed existence to which so many are condemned. French weaves a tale that is starkly realistic, yet with a mystical overtone that creates a sort of intoxicating haze. The narrative seems straightforward,…
The crowded joys and familiar despair of poor, back-alley life in 1950 Pittsburgh have a hold on most people there, but there are those who need to escape. Jeremiah Henderson and his woman, Willet Mercer, set their sights on New York City - but making good is easier said than done. Left with no choice but to give in to the pimp who'd like to try Willet on for size before selling her to his clientele, Jeremiah and Willet try to focus on the future. But just before the pimp has his way with her, Willet balks, stabbing him to…
When I was eight, my mother was called in to see the principal…yet again. He pulled me out of class, stood me in the hall for maximum intimidation value, then said to my mom, “Your son has no respect for authority.” Mom asked, “What about that, Larry?” My reply—and this is totally true—was, “He doesn’t mean respect. He means courtesy. You can demand courtesy, but you have to earn respect.” Those sentiments have not changed, which is why, I suppose, I have an extremely critical eye for history, especially American history, that deifies the winners. I don’t think we make ourselves stronger as a nation by pretending our leaders were somehow not as human in their flaws as the rest of us. I prefer to look under what is called “conventional wisdom,” because that’s where the real story often lies.
Kenneth Mack, a professor at Harvard Law School, has chronicled the lives and careers of a series of African American lawyers, most totally unknown to white America, who, although forced to ply their trade in a legal system that was totally white and aggressively unwelcoming, managed to permanently impact American jurisprudence. Some, like Charles Hamilton Houston, Thurgood Marshall’s mentor, and the founder of the prestigious Howard University Law School, saw their impact ripple out nationally; others, merely by demonstrating competence and dedication, fought bigotry on a more local scale. Each of these men and women was forced to navigate between loyalty to their cause and a willingness to adopt the demeanor and professional skills of their adversaries in order to succeed, leaving them distrusted on both sides of the racial divide. Their willingness to cut themselves adrift, however, set the stage for the great civil rights battles of the second…
"A wonderful excavation of the first era of civil rights lawyering."-Randall L. Kennedy, author of The Persistence of the Color Line
"Ken Mack brings to this monumental work not only a profound understanding of law, biography, history and racial relations but also an engaging narrative style that brings each of his subjects dynamically alive."-Doris Kearns Goodwin, author of Team of Rivals
Representing the Race tells the story of an enduring paradox of American race relations through the prism of a collective biography of African American lawyers who worked in the era of segregation. Practicing the law and seeking justice for…
She really gets at the heart of how Brown and Black bodies are seen, and what is fascinating to me is the approach through current “technical art” and a good discussion of architecture. I had a class focus on her discussion—lengthy—about surveillance and race. It’s extremely poignant, and something whites especially just don’t think about. I will never again go through an airport without thinking about her book.
In Dark Matters Simone Browne locates the conditions of blackness as a key site through which surveillance is practiced, narrated, and resisted. She shows how contemporary surveillance technologies and practices are informed by the long history of racial formation and by the methods of policing black life under slavery, such as branding, runaway slave notices, and lantern laws. Placing surveillance studies into conversation with the archive of transatlantic slavery and its afterlife, Browne draws from black feminist theory, sociology, and cultural studies to analyze texts as diverse as the methods of surveilling blackness she discusses: from the design of the…
Sometimes you need to search for the next roads to take in your life; other times these roads approach you. I was looking for new ways to use my long-term communication and mental health advocacy skills and then, sadly, the Sandy Hook shooting occurred. I immediately wanted to help community members ease their pain and assist cities nationwide to greatly improve their disaster mental health response. I never expected a pandemic would arrive only two months after I published, making my book all the more important. Now climate change is exacerbating our already stressful times, and we must act to stem mental health issues before they become out of hand.
This classic award-winning book is a must-read for anyone interested in traumatic events. Sociologist Kai Erikson was the first to equate a major disaster with individual and community upheaval, based on the 1976 Buffalo Creek dam flood. He details how this event traumatized individuals and caused a breakdown of community relationships and a rise in crime, unethical behavior, and major out-migration. Many of the emotional and social effects of disasters had not been discussed or treated when this book was written. Much has been learned since. However, Erikson stresses that many of the psychological and sociological problems continue to exist when calamities occur today and must be resolved.
The 1977 Sorokin Award–winning story of Buffalo Creek in the aftermath of a devastating flood.
On February 26, 1972, 132-million gallons of debris-filled muddy water burst through a makeshift mining-company dam and roared through Buffalo Creek, a narrow mountain hollow in West Virginia. Following the flood, survivors from a previously tightly knit community were crowded into trailer homes with no concern for former neighborhoods. The result was a collective trauma that lasted longer than the individual traumas caused by the original disaster.
Making extensive use of the words of the people themselves, Erikson details the conflicting tensions of mountain life…
I saw my first horse before I could walk or talk – a humble mare with flies in her eyes and a feed basket tied to her nose. I was drawn to her with a magnetic force, and that attraction to horses never diminished. Over the years I’ve presided over their birth, raised them, and conditioned them to various disciplines. When it exists, the bond between horse and human is undeniable. In my novels—through family disfunction, hardship, adventure, and mystery – I explore how this connection gives young people confidence and the courage to overcome any obstacles.
Jaimy Gordon has written a beautiful, unforgettable novel that takes place at a run-down racecourse in West Virginia, where a has-been trainer forms a get-rich-quick plan with used-up racehorses. The story of Lord of Misrule, the legendary stakes winner, brings us into the heart of it, where everybody’s searching for something, everything has a price and what’s truly valuable is right in front of your nose.
Longlisted for the Orange Prize 2012. He planned to steal with these horses, who were all better than they looked on paper. The trick was to get in and get out fast. But could he really pull it off? Could he be that sure, could he count on being that lucky? Listen carefully my dear. Lord of Misrule, he whispered loudly. Lord of Misrule, Margaret. Memorize that name.
I’m a seventh-generation West Virginian. My husband and I own the farm that’s been in my family since before the Civil War. My Appalachian roots are sunk deep, so when it comes to “writing what you know,” this is it! I was baptized in stories by my father who transformed my ancestors and my history into a living, breathing cast of characters I longed to meet. So, I began to write their stories in the guise of novels about made-up people. My seven novels (and two novellas) are love letters to the place that shaped me.
Mary and I both grew up in West Virginia. And while her family life was rougher than mine, I recognize so many of the characters she writes about in her bittersweet memoir. This is Mary's story of trying to move past poverty, shame, and those doggone hillbilly stereotypes to discover who she really is. And in doing so, she reminds us all of who we are too—broken people trying to get the dirt out from under our fingernails before anyone sees. If you've ever struggled to embrace your roots, this is the book for you!
Dirt is a story about the places where we start. From a single-wide trailer in the mountains of rural West Virginia to the halls of Yale Law School, Mary Marantz's story is one of remembering our roots while turning our faces to the sky. From growing up in that trailer, where it rained just as hard inside as out and the smell of mildew hung thick in the air, Mary has known what it is to feel broken and disqualified because of the muddy scars leaving smudged fingerprints across our lives. Generations of her family lived and logged in those…
I’ve been obsessed with space exploration since watching the Apollo missions as a child. As an adult, I devoured every book I could find on the subject while nursing my own desire to create “what if” stories that were not too far removed from present day. A career in managing flight operations gave me some appreciation of the technical challenges and personality types, experiences which I’ve extrapolated into my fiction. Some of my novels have been described as “Airportfor the 21st century” and “Apollo 13 meets The Hunt for Red October.” The books on this list were the foundation of my early research and remain favorites to this day.
The basis for the movie October Sky, this isn’t an account of the space program so much as it is a study of the types of people drawn to it, in particular a young man in 1950s West Virginia striving for something more than a life in the coal mines. The culture shock of Sputnik sets him and his friends off into increasingly dangerous—and often hilarious—experiments in amateur rocketry.
Set against an awkward adolescence in a small coal town, it’s a vivid illustration of the obstacles that must be overcome to break free of the cycles life can impose. The screen adaptation takes some liberties, most notably with Hickam’s father. The book portrays him as being cautiously supportive, if understandably skeptical, of his teenage son’s unlikely obsession.
Three years in the life of Homer 'Sonny' Hickam, from the moment he sees the Sputnik satellite overhead in West Virginia to his successful launch of a prizewinning rocket.
In 1957, Coalwood, West Virginia, was a town the post-war boom never quite reached, and dominated by the black steel towers of the mine. For fourteen-year-old Homer 'Sonny' Hickam there are only two routes in life: a college football scholarship, or a life underground. But from the moment the town turns out to watch the world's first space satellite, Sputnik, as it passes overhead,…
I’ve always loved books about outsiders and stories that make you palpably feel what others do. In real life and fiction, the characters that interest me most are often outsiders. Because characters on the outside of social groups and norms are often isolated and lonely, there is something so powerful about works that can bring you inside their experience and relate what their inner life is like. Interiority is the great strength of literature, and stories that convey the inner architecture of outsiders have always attracted me. I love books that make me feel deeply connected and that linger in my subconscious long after I’ve read them.
The characters and stories in this book carved out a permanent place in my inner life. It took me a long time to read the book because I wanted to savor each sentence. I have rarely found a book that combined such an emotional impact, compulsive readability, and such striking, polished sentences.
Every story has the raw, ringing truth of felt experience, and this experience worked its way into my consciousness like a dream or memory. There is a universal quality of aloneness and separateness among all of Pancake’s characters. The Appalachian settings in this book are as symbolic, arresting, and affecting as the characters. Character and setting are inseparable, both bearing an emotional weight and haunting quality that is rarely found in even the best literature. There is no other book like this.
A collection of short stories that memorably capture American life in rural Appalachia by Breece D'J Pancake, the brilliant writer praised by Joyce Carol Oates as "a young writer of such extraordinary gifts that one is tempted to compare his debut to Hemingway's."
Breece D'J Pancake cut short a promising career when he took his own life at the age twenty-six. Published posthumously, this is a collection of stories that depict the world of Pancake's native rural West Virginia with astonishing power and grace.
"Breece D'J Pancake's is an exceptional voice: gritty, mordant, invested with the texture of stroked reality,…
