Fans pick 100 books like Tsotsi

I am a biographer, and my biography of E.E. Cummings centers on his unjust imprisonment in France during the Great War in dangerously brutal conditions—cold, underfed, and subject to the sadism of the prison guards. It is hard to imagine anything more imperative than writing about injustice. But perhaps for that very reason, it is difficult to write without the consciousness of a deep inadequacy to the task. I feel therefore an enormous gratitude towards those writers, five of whom I have chosen here, whose honesty and courage in writing about injustice serves as an inspiration and a beacon. 

In 2006, I told a friend I wanted to write a book about grieving the death of a friend. Despite the fact that I’d never written a book before, she gave me her enthusiastic approval. Six months later she was dead. She inspired me to turn that book idea into a series of little books: the Friend Grief series. Just as I was finishing the last one, I began work on a full-length book that took me back to my work in the early days of AIDS. When COVID began, I returned to writing about friend grief. And I lost over a dozen friends while I wrote the book.

As a young girl and aspiring writer, I was shocked when I learned how recently women had been afforded the right to publish under our own names. As a life-long reader of female authors, and lover of complex female protagonists, I’m passionate about supporting and sharing stories by and about women. As an author and playwright, I love to seek out buried narratives or minor characters, and put them center stage. I hope you enjoy these extraordinary books by these extraordinary women.

Growing up in a house filled with books – my father was a publisher –  meant that I fell in love with the written word at an early age. Growing up in apartheid South Africa and witnessing the brutal regime at work meant that I was sensitised to issues of injustice and racial prejudice at an early age too, issues which would come to inform much of my writing. I’ve always been drawn to the underdog’s story and often write to shine a light on the lives of the marginalised. My first literary heroes were brave authors such as Nadine Gordimer, Athol Fugard, and Alan Paton, who used their pens to provoke change. 

Michael Stanley is actually two people—Michael Sears and Stanley Trollip both South Africans, passionate about Africa and its cultures. We read a lot of books set in or concerning Africa. We think of African thrillers as Sunshine Noir—things are always at their most deadly in the glare of the sun! The diverse cultures generate complex character clashes and intriguingly original plots. We believe some of the best thrillers anywhere are set in Africa and written by African writers. Michael writes an article every month titled Africa Scene for the International Thrillers Writers magazine (The Big Thrill) where he interviews an author about a new thriller set in Africa.

I grew up hearing stories about Mexico City from my grandmother, who spent her childhood in the 1930s there after emigrating from the Soviet Union. I fell in love with the city’s neighborhoods during my first visit in 2006, and I am still mesmerized by its scale and its extremes. I am especially interested in the city’s public spaces and the ways people have used them for work and pleasure over the centuries. Those activities often take place in the gray areas of the law, a dynamic I explored in the research for my Ph.D. in History and in my book, Black Market Capital. 

I have been researching and writing about 19th-century American murders since 2009, and my blog, Murder by Gaslight (murderbygaslight.com), includes illustrated stories of more than 500 murder cases. My book, The Bloody Century: True Tales of Murder in 19th Century America, compiled fifty of the most famous murders. In researching these stories, I prefer to use primary sources such as newspaper articles, pamphlets, and books from the time of the murder. They present the attitudes surrounding the crime without modern analysis and preserve details that tend to disappear over time. My latest book, So Far from Home: The Pearl Bryan Murder, draws almost exclusively from newspaper accounts in 1896 and 1897.

Having grown up in Minnesota, I didn’t even know about the existence of the Mafia until I saw The Godfather! After I moved to New York to work in journalism, I was stunned to see how intertwined mob guys were with every facet of life, from government to entertainment to grocery stores. I became a passionate reader (and now writer) of Mafia history so that I could understand it. I find mob stories endlessly fascinating because of what they reveal about human nature. Organized crime hasn’t gone away, and we ignore it at our peril. I think you'll enjoy these recommendations.

I don’t think I’m alone in considering cults and those who join cults fascinating, but I’ve also always found it frustrating when non-fiction accounts or documentaries focus on the logistics of how the communes operate rather than finding out the why. Why do people join a cult, why do they stay, why do they follow increasingly erratic and dangerous instruction? For me, researching cults for my new novel The Sleepless – about a commune whose disciples believe that sleep is a social construct – was about finding out about the characters, the individuals, who are drawn into organisations which often ask you to relinquish that self-same sense of individuality.

During my 45-year career as a newspaper and magazine journalist, I covered a wide range of events on a daily basis. As a police and courts reporter for two daily newspapers, I spent many hours researching and writing about crime and legal affairs. As a reader, I’ve enjoyed true crime. As the target of a true-crime myself in 1980, however, I became more fascinated with the sub-genre of the true-crime memoir in which a participant in a true-crime shares insider details of the story without seeking pity or glorification from the reader through objectivity and self-deprecating humor. It’s a fine line. When an author manages to walk it, however, the result proves inspirational.