Here are 100 books that No Friend but the Mountains fans have personally recommended if you like
No Friend but the Mountains.
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Like the main character in my book, I went to Kurdish Iraq as a well-meaning (but admittedly naive) teacher, and fell in love with the Kurdish people and their culture. To be more specific, it was village women I really bonded with. Listening to their stories, and watching them try to cope with so many practical restrictions, tore at my heart. Part of me wanted to “liberate” them from the seemingly outdated traditions that held them back. Simultaneously, I couldn’t help but envy them for the solaces their tight community offered them -- and which Western society denied me. Rather than claiming to be an expert on Kurds, I am now someone who studies them with the greatest respect. The humble Kurdish villagers gave me moral examples that I wish every Westerner could be fortunate enough to have.
History, culture, politics, plus the zing of real personalities. This book has it all, presented by a gutsy but sensitive journalist. Bird traveled through the four nations that are home to Kurds -- Iraq, Iran, Syria, and Turkey -- in 2003. Although a lot has changed since then, her book remains the gold standard for nonfiction about these fascinating and little-understood people. You’ll wish you could have stowed away in her backpack.
Though the Kurds played a major military and tactical role in the United States’ recent war with Iraq, most of us know little about this fiercely independent, long-marginalized people. Now acclaimed journalist Christiane Bird, who riveted readers with her tour of Islamic Iran in Neither East Nor West, travels through this volatile part of the world to tell the Kurds’ story, using personal observations and in-depth research to illuminate an astonishing history and vibrant culture.
For the twenty-five to thirty million Kurds, Kurdistan is both an actual and a mythical place: an isolated, largely mountainous homeland that has historically offered…
Like the main character in my book, I went to Kurdish Iraq as a well-meaning (but admittedly naive) teacher, and fell in love with the Kurdish people and their culture. To be more specific, it was village women I really bonded with. Listening to their stories, and watching them try to cope with so many practical restrictions, tore at my heart. Part of me wanted to “liberate” them from the seemingly outdated traditions that held them back. Simultaneously, I couldn’t help but envy them for the solaces their tight community offered them -- and which Western society denied me. Rather than claiming to be an expert on Kurds, I am now someone who studies them with the greatest respect. The humble Kurdish villagers gave me moral examples that I wish every Westerner could be fortunate enough to have.
I read newspaper reports about ISIS capturing and enslaving Yazidi women in Iraq, but had a hard time imagining day-to-day life within the Caliphate. Murad gives us an insider’s view. She was just 21 when ISIS overran her village. She survived repeated beatings, rapes, and other forms of degradation until risking a dare-devil escape. Although Yazidis are ethnically distinct from Kurds, they have lived surrounded and protected by Kurds for centuries. Murad’s story helps us understand why Kurds fought so valiantly against ISIS, and illustrates the tolerance for diversity in the Autonomous Region of Kurdistan.
`Telling my story of first, surviving genocide and then, as a captive of ISIS is not easy, but people must know.' The remarkable and courageous story of Nadia Murad, a twenty-three-year-old Yazidi woman who is working with Amal Clooney to challenge the world to fight ISIS on behalf on her people.
With a foreword by Amal Clooney
A Nobel Peace Prize nominee and the first Goodwill Ambassador the Dignity of Survivors of Human Trafficking of the United Nations and winner of the Vaclav Havel Human Rights Prize, Nadia Murad is a courageous young woman who has endured unimaginable tragedy (losing…
Like the main character in my book, I went to Kurdish Iraq as a well-meaning (but admittedly naive) teacher, and fell in love with the Kurdish people and their culture. To be more specific, it was village women I really bonded with. Listening to their stories, and watching them try to cope with so many practical restrictions, tore at my heart. Part of me wanted to “liberate” them from the seemingly outdated traditions that held them back. Simultaneously, I couldn’t help but envy them for the solaces their tight community offered them -- and which Western society denied me. Rather than claiming to be an expert on Kurds, I am now someone who studies them with the greatest respect. The humble Kurdish villagers gave me moral examples that I wish every Westerner could be fortunate enough to have.
I have immense admiration for Ava Homa, the first female Iranian Kurd to publish in English. Her novel is part political expose, part history, and part feminist coming-of-age story, all wrapped up in a nail-biter of an adventure. The narrator is a woman, adding unexpected plot twists. Given the repression faced by Kurds in Iran, and the wall of silence maintained by the regime, Homa’s book is an important and courageous plea to the world for empathy and action -- plus it’s a downright riveting read.
The unforgettable, haunting story of a young woman's perilous fight for freedom and justice for her brother, the first novel published in English by a female Kurdish writer
Set primarily in Iran, this extraordinary debut novel weaves 50 years of modern Kurdish history through a story of a family facing oppression and injustices all too familiar to the Kurds. Leila dreams of making films to bring the suppressed stories of her people onto the global stage, but obstacles keep piling up. Her younger brother, Chia, influenced by their father's past torture, imprisonment, and his deep-seated desire for justice, begins to…
Like the main character in my book, I went to Kurdish Iraq as a well-meaning (but admittedly naive) teacher, and fell in love with the Kurdish people and their culture. To be more specific, it was village women I really bonded with. Listening to their stories, and watching them try to cope with so many practical restrictions, tore at my heart. Part of me wanted to “liberate” them from the seemingly outdated traditions that held them back. Simultaneously, I couldn’t help but envy them for the solaces their tight community offered them -- and which Western society denied me. Rather than claiming to be an expert on Kurds, I am now someone who studies them with the greatest respect. The humble Kurdish villagers gave me moral examples that I wish every Westerner could be fortunate enough to have.
A Californian woman travels to Iraq to visit her Kurdish boyfriend’s family. It’s during Saddam Hussein’s regime, when just being a Kurd can get you tortured or imprisoned. The author perfectly captures the smells, sounds and cultural details that fascinate a Western newcomer to Kurdistan -- including markets, weddings, dancing, and foods. All is not what it appears, however, and murky secrets lurk beneath the smiling faces. Like most books about Kurds, this one is disturbing in parts. But the romantic subplot keeps you turning pages. It also has great insights into the complexity of cross-cultural relationships, both pros and cons.
An aspiring photographer follows her dreams and faces her fears in a poignant novel about finding beauty, promise, and love amid the chaos of war-torn Kurdistan.
It's 1979. Olivia Murray, a secretary at a Los Angeles newspaper, is determined to become a photojournalist and make a difference with her work. When opportunity arrives, she seizes it, accompanying her Kurdish boyfriend, Delan, to northern Iraq for a family wedding, hoping to capture an image that lands her a job in the photo department. More important, though, the trip is a chance to understand Delan's childhood and bridge the differences of their…
When called a badass, I say thank you. Though I was raised to say and do the right thing, I’ve spent a lifetime speaking my truth, on radio and now on podcasts, being both reverent and irreverent. It took losing three immediate family members and getting hit by a car as a pedestrian for me to learn that I don’t have to be in perpetual motion. I went from being the baby of my family to being the matriarch in a heartbeat and am honored to share what I’ve learned about resilience and authenticity in my first book, By Accident: A Memoir of Letting Go.
I cannot imagine sitting at the bedside of one of my children in a coma.
Isabel Allende not only did that, but used her grief, fear, pain, hope, optimism, memory, and humor to write an extraordinarily compelling book. We come to know not only Paula, Isabel’s gravely ill daughter, but a colorful cast of characters from the family’s past.
We learn about Chilean history and somehow find ourselves laughing and crying in the same chapter. At least I did. Allende is a master with words – and English is not her first language. Do yourself a favor and read this gem.
"Beautiful and heartrending. . . . Memoir, autobiography, epicedium, perhaps even some fiction: they are all here, and they are all quite wonderful."-Los Angeles Times
In this literary classic, New York Times bestselling author Isabel Allende recalls the story of her beloved daughter and her remarkable family's past.
When her daughter, Paula, became gravely ill and fell into a coma, Isabel Allende began to write the story of her family for her unconscious child. Bizarre ancestors are introduced; delightful and bitter childhood memories are shared; amazing anecdotes of youthful years are relived, and the most intimate secrets are quietly passed…
I began writing Ali’s incredible international odyssey as a film, but once I discovered the epic breadth of his journey, I decided on a book first.
For 3 years I worked intensely with Ali. Not only was it a passionate and personal epic tale about love and loss, overcoming insurmountable odds, endurance and survival, but it hit a chord with readers from all walks of life, bringing understand to why people fled their countries, and help to change attitudes on refugees from fear to compassion. After three years on the road with the book I have now completed the screenplay.
Kooshyar Karimi wrote this stunning memoir so beautifully it blew me away. Now a Sydney-based doctor and writer, he grew up as a Jew in Muslim Iran, hiding his origins from a brutal regime, always with a humorous eye.
It is such a powerful story of survival, torture, and spying, plus forced deceptions and betrayal of others for helping desperate female rape victims. The struggle for redemption and eventual escape make his journey an unforgettable one.
Whilst many stories have come out of Iran in the last few decades, nothing matches the grittiness of this portrayal of life in the crumbling alleyways and damp cellars of an Iranian slum district--the extreme poverty and desperation, and the regular betrayals and compromises, even within families, in the fight for survival. Born on the back seat of a police car in the subzero temperatures of a bleak and icy winter's night, Karimi summons extraordinary and unwavering dedication throughout his childhood to break free of this hopeless existence, culminating in the achievement of his dream to become a surgeon. But…
I began writing Ali’s incredible international odyssey as a film, but once I discovered the epic breadth of his journey, I decided on a book first.
For 3 years I worked intensely with Ali. Not only was it a passionate and personal epic tale about love and loss, overcoming insurmountable odds, endurance and survival, but it hit a chord with readers from all walks of life, bringing understand to why people fled their countries, and help to change attitudes on refugees from fear to compassion. After three years on the road with the book I have now completed the screenplay.
This wonderfully written true story is told as a wild madcap, can’t put it down, tragic comedy, which is incredibly funny but carries with it an underbelly of loss and heartbreak.
As he struggles to straddle the demands of his Iraqi-Iranian cultural mix as a refugee in Australia, Osamah makes some disastrous choices, that lead him down a complex maze to the truth of where his own heart lies.
Good Muslim Boy tells the story of Osamah Sami's journey from Iran during the Iraq war to the suburbs of Australia and his quest to fit into his new life whilst trying to stay a good Muslim boy. In turns comic and tragic, Osamah's story explores the universal truths of growing up, falling in love, marriage, family and following one's dream; whilst also telling the immigrant's story of straddling two cultures and the difficult expectations of family and faith versus fitting in. Osamah begins by recounting his youth under Islamic rule in Iran: the mischievous antics that he and his…
I began writing Ali’s incredible international odyssey as a film, but once I discovered the epic breadth of his journey, I decided on a book first.
For 3 years I worked intensely with Ali. Not only was it a passionate and personal epic tale about love and loss, overcoming insurmountable odds, endurance and survival, but it hit a chord with readers from all walks of life, bringing understand to why people fled their countries, and help to change attitudes on refugees from fear to compassion. After three years on the road with the book I have now completed the screenplay.
With its roots in truth, this powerful novel brings us face to face with the insanity of war and how humans deal with the heartbreak of being torn from their homes, horrific deprivation, and betrayal.
Cleverly structured and beautifully written with tenderly articulated characters, it presents a fresh eye on the Holocaust and its consequences, and had me continually asking myself how I would have endured, and what choices I would have found myself making, in that situation.
Moving from wartime Europe to modern day Australia, The Deceptions is a powerful story of old transgressions, unexpected revelations and the legacy of lives built on lies and deceit.
Prague, 1943. Taken from her home in Prague, Hana Lederova finds herself imprisoned in the Jewish ghetto of Theresienstadt, where she is forced to endure appalling deprivation and the imminent threat of transportation to the east. When she attracts the attention of the Czech gendarme who becomes her guard, Hana reluctantly accepts his advances, hoping for the protection she so desperately needs.
Sydney, 2010. Manipulated into a liaison with her married…
In 2006, I told a friend I wanted to write a book about grieving the death of a friend. Despite the fact that I’d never written a book before, she gave me her enthusiastic approval. Six months later she was dead. She inspired me to turn that book idea into a series of little books: the Friend Grief series. Just as I was finishing the last one, I began work on a full-length book that took me back to my work in the early days of AIDS. When COVID began, I returned to writing about friend grief. And I lost over a dozen friends while I wrote the book.
Since long before COVID, Ruth Coker Burks has lived a life of service to people who were abandoned by their families after being diagnosed with AIDS.
In the dark days of that epidemic, she cared for them, advocated for them, even buried them in her own family plot in Arkansas. She persevered despite relentless bigotry and hatred that included cross-burnings on her front lawn. Nothing stopped her.
Coker Burks earned the nickname ‘cemetery angel’ by proving that everyone can make a difference in the lives of others. I’m honored that we have become friends, because she inspires me every day.
"A renegade Florence Nightingale cares for the ill in a remarkable tale of compassion and combating prejudice" The Guardian
'Breath-taking courage and compassion [...]a beautiful book' The Sunday Times
'An extraordinary tale' Evening Standard
'If I have one message with this book it's that we all have to care for one another. Today, not just in 1986. Life is about caring for each other, and I learned more about life from the dying than I ever learned from the living. It's in an elephant ride, it's in those wildflowers dancing on their way to the shared grave of two men…
I've always been fascinated by the way history feels inherently uncanny, as we inhabit the same places as people long dead. I suppose that’s why the novels I write tend to be in historical settings, and they tend to have a speculative twist. For much of my working life, I was a journalist, so I love the research part of writing historical fiction. I tend to be drawn to old stories, and I especially love looking at those stories from angles I haven't seen before. Two of my novels bookend the European Middle Ages: The Valkyrie, set in the 5th century CE, and The Chatelaine, set in the 14th century CE.
Some novels lean into the alienness of their historical settings, making them feel almost like secondary worlds.
The Buried Giant is one of those. It takes place partly in legend, after the death of King Arthur, and follows an elderly married couple in a society that has quite literally lost its memory. I struggled with this book at first because the prose is so unassuming, but it got under my skin.
Ishiguro's simple prose creates a feeling of unsettling ordinariness, like the way your dreaming brain accepts a logic your waking brain never could.
*Kazuo Ishiguro's new novel Klara and the Sun is now available*
The Romans have long since departed, and Britain is steadily declining into ruin.
The Buried Giant begins as a couple, Axl and Beatrice, set off across a troubled land of mist and rain in the hope of finding a son they have not seen for years. They expect to face many hazards - some strange and other-worldly - but they cannot yet foresee how their journey will reveal to them dark and forgotten corners of their love for one another.
