I've always been fascinated by the way history feels inherently uncanny, as we inhabit the same places as people long dead. I suppose that’s why the novels I write tend to be in historical settings, and they tend to have a speculative twist. For much of my working life, I was a journalist, so I love the research part of writing historical fiction. I tend to be drawn to old stories, and I especially love looking at those stories from angles I haven't seen before. Two of my novels bookend the European Middle Ages: The Valkyrie, set in the 5th century CE, and The Chatelaine, set in the 14th century CE.
The Valkyrie is a retelling of an old cycle of stories, best known in the Nibelungenlied in the Germanic tradition, and the Volsunga Saga in the Norse ones. There is a core of historical fact in these tales: the coming of Attila in the 5th century CE. And there are threads that still run through modern fantasy: dragons with cursed gold, heroes with magic swords, mysterious potions, and journeys to the lands of the dead. My version looks at the story through the eyes of two of the women: Brynhild, an exiled shieldmaiden of Odin, and Gudrun, a princess in what is now Germany.
I first encountered John Gardner on the recommendation of my mentor, the late Canadian novelist Paul Quarrington, as he was teaching me about voice.
I love all of Gardner's work, but Grendelis my favourite. It's set in northern Europe in the 6th century CE. Through the eyes of the monster of the old poem "Beowulf", we see a natural world punctuated by the graves of dead kings and the halls of living ones.
It's a book about what it means to exist, told in precise, unnerving sentences. Grendel's voice is a howl on the wind, and it will echo in your memory long after you finish the book.
This classic and much lauded retelling of Beowulf follows the monster Grendel as he learns about humans and fights the war at the center of the Anglo Saxon classic epic.
"An extraordinary achievement."—New York Times
The first and most terrifying monster in English literature, from the great early epic Beowulf, tells his own side of the story in this frequently banned book. This is the novel William Gass called "one of the finest of our contemporary fictions."
This is a slim book and it's told in an intimate, lyrical voice that feels like it's speaking directly to you from the period – which, in this case, is the 9th century CE.
All the Horses of Iceland follows a Norse trader through Rus to Mongolia in the company of Khazars. It's a ghost story, with notes of sadness mixed with wonder. And while it is possible to trace the journey and pick up on historical signposts, the book doesn't acknowledge that it knows when and where its reader might be – which bolsters the illusion of reading something very old.
A hypnotic historical fantasy with gorgeous and unusual literary prose, from the captivating author of The Fourth Island.
Everyone knows of the horses of Iceland, wild, and small, and free, but few have heard their story. Sarah Tolmie’s All the Horses of Iceland weaves their mystical origin into a saga for the modern age. Filled with the magic and darkened whispers of a people on the cusp of major cultural change, All the Horses of Iceland tells the tale of a Norse trader, his travels through Central Asia, and the ghostly magic that followed him home to the land of…
Gentlemen of the Road features two Jewish traders in the 10th century CE, in and around Khazaria (roughly the area around the Caspian and Black seas).
This one is told by an omniscient narrator who glories in long sentences full of the sights, sounds, and smells around the fire. The first book I read by Chabon was the masterful The Yiddish Policemen’s Union, and I read this one soon after.
A spellbinding yarn set a thousand years ago along the ancient Silk Road, by the Pulitzer Prize-winning author of The Amazing Adventures of Kavalier & Clay
'It's been a while since I had such fun reading a book' Daily Telegraph
'Readers might feel they have reached the book equivalent of the Promised Land' The Times
GENTLEMEN OF THE ROAD is set in the Kingdom of Arran, in the Caucasus Mountains, between the Black Sea and the Caspian Sea, A.D. 950. It tells the tale of two wandering adventurers and unlikely soulmates, variously plying their trades as swords for hire, horse…
Some novels lean into the alienness of their historical settings, making them feel almost like secondary worlds.
The Buried Giant is one of those. It takes place partly in legend, after the death of King Arthur, and follows an elderly married couple in a society that has quite literally lost its memory. I struggled with this book at first because the prose is so unassuming, but it got under my skin.
Ishiguro's simple prose creates a feeling of unsettling ordinariness, like the way your dreaming brain accepts a logic your waking brain never could.
*Kazuo Ishiguro's new novel Klara and the Sun is now available*
The Romans have long since departed, and Britain is steadily declining into ruin.
The Buried Giant begins as a couple, Axl and Beatrice, set off across a troubled land of mist and rain in the hope of finding a son they have not seen for years. They expect to face many hazards - some strange and other-worldly - but they cannot yet foresee how their journey will reveal to them dark and forgotten corners of their love for one another.
I’m a sucker for any story about a real woman in history.
Hildis the story of Hilda of Whitby, whom we meet as a child in 7th-century Britain. It's a novel that revels in language and sensory detail, when it comes to both the natural world and the human one. It is particularly interested in relationships between women.
This novel puts us into the mindset of a girl growing up in an age of political ferment, in the context of a whole set of traditions and stories, and helps us understand why she makes the choices she does.
Hild is born into a world in transition. In seventh-century Britain, small kingdoms are merging, usually violently. A new religion is coming ashore; the old gods' priests are worrying. Edwin of Northumbria plots to become overking of the Angles, ruthlessly using every tool at his disposal: blood, bribery, belief. Hild is the king's youngest niece. She has the powerful curiosity of a bright child, a will of adamant, and a way of seeing the world - of studying nature, of matching cause with effect, of observing human nature and predicting what will happen next - that can seem uncanny, even…
Born Nameless. Raised in ice and snow. Destined to rule.
Arya Nameless has sidestepped her destiny in favour of joining House Ravenstrike and helping Thiara Ravenstrike become High Warlord of Dunidaen. First, Arya must ensure that Thiara’s only son, Rorin, succeeds in running the Dreadwater Gate into Khadini, a deadly rite of passage that none have survived for decades. If they triumph, Arya will be named general of Ravenstrike’s army and land a political blow against their powerful adversary, Warlord Mathas Crowtalon.
Yet Khadini holds challenges far beyond what they expected. And while Arya contends with wild jungles, fierce enemy warriors, and potential new allies, the Nightstalker continues to seek her with relentless intensity. The monsters hunting her wield a dark magic she has no way of countering. Survival relies on staying hidden, secret.
Yet, when Arya’s wyvern calls, the time for hiding is over.
Born Nameless. Raised in ice and snow. Destined to rule.
Arya Nameless has sidestepped her destiny in favour of joining House Ravenstrike and helping Thiara Ravenstrike become High Warlord of Dunidaen. First, Arya must ensure that Thiara's only son, Rorin, succeeds in running the Dreadwater Gate into Khadini, a deadly rite of passage that none have survived for decades. If they triumph, Arya will be named general of Ravenstrike's army and land a political blow against their powerful adversary, Warlord Mathas Crowtalon.
Yet Khadini holds challenges far beyond what they expected. And while Arya contends with wild jungles, fierce enemy…
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