Here are 100 books that Gentlemen of the Road fans have personally recommended if you like
Gentlemen of the Road.
Shepherd is a community of 10,000+ authors and super readers sharing their favorite books with the world.
Shepherd is reader supported. When you buy books, we may earn an affiliate commission.
I never outgrew the curiosity of wanting to know more about the things we fear. Plenty of monsters are just neat! But the more you learn about them, whether they’re animals like bears and sharks or figures of myth like werewolves and dragons, the more interesting they become. I wanted to take audiences deep inside a skin unlike their own so they could understand how it feels to be cast out and how much a monster might look down on us. Because the more you look at monsters, the more you recognize us in them.
One of the classic novels about monsters having internal lives. Grendel doesn’t even survive the first half of the Beowulf poem.
But what was his life like? This creature who went into rages over music and merriment? This outsider who clearly had no one to commune with? Where there could just be pathos, Gardner injects surprising dorkiness and humor that further round out Grendel’s existence. And there’s a huge bonus in the poem’s dragon also showing up as an utter weirdo neighbor.
This classic and much lauded retelling of Beowulf follows the monster Grendel as he learns about humans and fights the war at the center of the Anglo Saxon classic epic.
"An extraordinary achievement."—New York Times
The first and most terrifying monster in English literature, from the great early epic Beowulf, tells his own side of the story in this frequently banned book. This is the novel William Gass called "one of the finest of our contemporary fictions."
I've always been fascinated by the way history feels inherently uncanny, as we inhabit the same places as people long dead. I suppose that’s why the novels I write tend to be in historical settings, and they tend to have a speculative twist. For much of my working life, I was a journalist, so I love the research part of writing historical fiction. I tend to be drawn to old stories, and I especially love looking at those stories from angles I haven't seen before. Two of my novels bookend the European Middle Ages: The Valkyrie, set in the 5th century CE, and The Chatelaine, set in the 14th century CE.
Some novels lean into the alienness of their historical settings, making them feel almost like secondary worlds.
The Buried Giant is one of those. It takes place partly in legend, after the death of King Arthur, and follows an elderly married couple in a society that has quite literally lost its memory. I struggled with this book at first because the prose is so unassuming, but it got under my skin.
Ishiguro's simple prose creates a feeling of unsettling ordinariness, like the way your dreaming brain accepts a logic your waking brain never could.
*Kazuo Ishiguro's new novel Klara and the Sun is now available*
The Romans have long since departed, and Britain is steadily declining into ruin.
The Buried Giant begins as a couple, Axl and Beatrice, set off across a troubled land of mist and rain in the hope of finding a son they have not seen for years. They expect to face many hazards - some strange and other-worldly - but they cannot yet foresee how their journey will reveal to them dark and forgotten corners of their love for one another.
I've always been fascinated by the way history feels inherently uncanny, as we inhabit the same places as people long dead. I suppose that’s why the novels I write tend to be in historical settings, and they tend to have a speculative twist. For much of my working life, I was a journalist, so I love the research part of writing historical fiction. I tend to be drawn to old stories, and I especially love looking at those stories from angles I haven't seen before. Two of my novels bookend the European Middle Ages: The Valkyrie, set in the 5th century CE, and The Chatelaine, set in the 14th century CE.
I’m a sucker for any story about a real woman in history.
Hildis the story of Hilda of Whitby, whom we meet as a child in 7th-century Britain. It's a novel that revels in language and sensory detail, when it comes to both the natural world and the human one. It is particularly interested in relationships between women.
This novel puts us into the mindset of a girl growing up in an age of political ferment, in the context of a whole set of traditions and stories, and helps us understand why she makes the choices she does.
Hild is born into a world in transition. In seventh-century Britain, small kingdoms are merging, usually violently. A new religion is coming ashore; the old gods' priests are worrying. Edwin of Northumbria plots to become overking of the Angles, ruthlessly using every tool at his disposal: blood, bribery, belief. Hild is the king's youngest niece. She has the powerful curiosity of a bright child, a will of adamant, and a way of seeing the world - of studying nature, of matching cause with effect, of observing human nature and predicting what will happen next - that can seem uncanny, even…
I've always been fascinated by the way history feels inherently uncanny, as we inhabit the same places as people long dead. I suppose that’s why the novels I write tend to be in historical settings, and they tend to have a speculative twist. For much of my working life, I was a journalist, so I love the research part of writing historical fiction. I tend to be drawn to old stories, and I especially love looking at those stories from angles I haven't seen before. Two of my novels bookend the European Middle Ages: The Valkyrie, set in the 5th century CE, and The Chatelaine, set in the 14th century CE.
This is a slim book and it's told in an intimate, lyrical voice that feels like it's speaking directly to you from the period – which, in this case, is the 9th century CE.
All the Horses of Iceland follows a Norse trader through Rus to Mongolia in the company of Khazars. It's a ghost story, with notes of sadness mixed with wonder. And while it is possible to trace the journey and pick up on historical signposts, the book doesn't acknowledge that it knows when and where its reader might be – which bolsters the illusion of reading something very old.
A hypnotic historical fantasy with gorgeous and unusual literary prose, from the captivating author of The Fourth Island.
Everyone knows of the horses of Iceland, wild, and small, and free, but few have heard their story. Sarah Tolmie’s All the Horses of Iceland weaves their mystical origin into a saga for the modern age. Filled with the magic and darkened whispers of a people on the cusp of major cultural change, All the Horses of Iceland tells the tale of a Norse trader, his travels through Central Asia, and the ghostly magic that followed him home to the land of…
I am a physician assistant and paramedic with ten brothers and sisters, an all-consuming love of the outdoors and adventure, and a fascination with history, particularly early US history. I love reading and writing the kind of books that I would like to read. My debut novel, Firefax, was written in large part as an escape from the horrors of serving in the hospital as a physician assistant during the delta wave of the COVID-19 pandemic. I hope it provides my readers with an escape from their own struggles as well.
A dark, twisted story of intrigue within the walls of an abbey in the fourteenth century.
Every character has some dark past that they are hiding, and everyone is part of the ever-deepening mystery, riddles piling upon riddles, as bodies pile upon bodies. The further into the abbey’s maze of secrets you become entangled, the more you’ll love it. The characters are deep and complicated, the world in which they live is richly imagined, and the final denouement will leave you breathless.
A book whose mysteries and philosophical dialogues will stay with you long after you close the final page.
The year is 1327. Franciscans in a wealthy Italian abbey are suspected of heresy, and Brother William of Baskerville arrives to investigate. When his delicate mission is suddenly overshadowed by seven bizarre deaths, Brother William turns detective.
William collects evidence, deciphers secret symbols and coded manuscripts, and digs into the eerie labyrinth of the abbey where extraordinary things are happening under the cover of night. A spectacular popular and critical success, The Name of the Rose is not only a narrative of a murder investigation but an astonishing chronicle of the Middle Ages.
I'm a professor of philosophy in Munich who has been working on various aspects of medieval philosophy for nearly three decades. My own research is on philosophy in the Islamic world but I've always been fascinated by philosophy in medieval Christian Europe. What I find most interesting is the way medieval philosophy constantly overturns our expectations: we imagine that this was a deeply conservative and highly controlled society where it was almost impossible to explore new ideas. Yet, it was an incredibly diverse and innovative time in the history of human thought. Thanks to my History of Philosophy podcast project I had the chance to delve deeply into medieval philosophy in Latin Christendom.
This choice might surprise you: it’s a famous book in medieval studies circles but not the sort of thing a historian of philosophy would usually pick up. But its exploration of the role of the body in writings by female medieval authors is foundational for understanding what is sometimes called “affective mysticism.” That topic expands our sense of what medieval philosophy could be. Other scholars whose work is worth checking out on this topic include Amy Hollywood and Christina Van Dyke.
In the period between 1200 and 1500 in western Europe, a number of religious women gained widespread veneration and even canonization as saints for their extraordinary devotion to the Christian eucharist, supernatural multiplications of food and drink, and miracles of bodily manipulation, including stigmata and inedia (living without eating). The occurrence of such phenomena sheds much light on the nature of medieval society and medieval religion. It also forms a chapter in the history of women. Previous scholars have occasionally noted the various phenomena in isolation from each other and have sometimes applied modern medical or psychological theories to them.…
I am a historian of medieval women, especially women in the Iberian peninsula, and royal women. I became interested in Berenguela of Castile through studying her sister, Blanche, who was queen and regent of France. I learned about Blanche through studying Cistercian architecture – I remain really interested in material culture, memorialization, interpersonal relationships (like motherhood!), and political life in the medieval world, all of which I study primarily through the lens of gender. I still turn to these classic, foundational works on medieval women when I want to teach students how the field developed, and when I want to understand essential premises about Iberia, motherhood, religion, queenship, and historiography.
Heath Dillard uses a very special source, the Castilian municipal codes known as the fueros, to tell us about the lives of ordinary women in Castile in the twelfth and thirteenth centuries. These municipal codes were given to settler communities during the Christian conquest of southern Iberia, and so reveal the value and roles of all community members: married women and girls, Muslim and Jewish women, widows, and outsiders like prostitutes, concubines, and sorceresses. This book was published just before I began my graduate study and became my constant companion once I settled on Iberian women’s history.
'[This] vivid and sensitive portrayal of Castilian townswomen ... provides an important source for any comparative study of the social changes that urbanism engendered'. -- Diane Owen Hughes, Journal of Interdisciplinary History 'Heath Dillard demonstrates how living on the frontiers of Christian Europe influenced women's position within urban settlements of the Reconquest ... [Her] study is not of an interesting sidelight of political expansion, but of a critical aspect of that expansion ... This is an important book because it does an in-depth analysis of sources and a topic that needed to be brought to the forefront of Hispanic studies.'…
I have been known to read a book a day, and I read widely: all the classics, mystery and suspense, science fiction, future fiction, and fantasy. My favorite novels in any genre take me to a place or time far away. My favorite characters are like hobbits; they are caught up in big adventures but fun to have a beer with and don’t take themselves too seriously. And all the protagonists in the novels I have chosen are women, because women my age have spent enough time reading about men who have adventures.
This book is both future fiction and historical. An Oxford historian journeys back in time and ends up by accident in a plague-filled village in the Middle Ages.
What I love about this novel is the bravery of the characters and their commitment to the good. Willis makes me a believer that humans have not changed much in a thousand years. Ties of love, faith, and humor are the stronghold for confused humans in the past, present, or future, and Willis’ universe is a benevolent one that responds to reward those acts of faith.
Although this book could be classified as science fiction, it is lovingly historical with a deeply researched and rich experience of our past. I absolutely love this book.
"Ambitious, finely detailed and compulsively readable" - Locus
"It is a book that feels fundamentally true; it is a book to live in" - Washington Post
For Kivrin Engle, preparing an on-site study of one of the deadliest eras in humanity's history was as simple as receiving inoculations against the diseases of the fourteenth century and inventing a bullet-proof backstory. For her instructors in the twenty-first century, it meant painstaking calculations and careful monitoring of the rendezvous location where Kivrin would be received.
My interest in medieval history comes from a love of language. My favourite Old English word is wordhord, which refers to a poet’s mental stockpile of words and phrases. My word hoarding (and sharing) started with tweeting the Old English word of the day in 2013. This spread to other social media platforms, a blog, an app, and now two books. I have a PhD in English from King’s College London (my thesis was on blood in Old English, even though blood actually makes me squeamish). I enjoy histories that make me think about the past from a different perspective.
This is a medieval history unlike any other you’ll read, literally bringing the past into the present. How do medieval thoughts and practices relate to modern life, from the usefulness of minimalism to church "vision boards" to the healing properties of green spaces?
Cybulskie is lightheartedly critical of certain practices of the past but is always respectful, never treating people as strange or backward.
Illustrated with images from medieval manuscripts, this book covers everything from Easter ball games to party saint Brigid to Benedict’s vision of a room for communal undies. We see medieval religious folks interested in science and innovation, as well as history and ritual, and connected to the world around them in ways we might not have imagined.
We know that they prayed, sang, and wore long robes, but what was it really like to be a monk? Though monastic living may seem unimaginable to us moderns, it has relevance for today. This book illuminates the day-to-day of medieval European monasticism, showing how you can apply the principles of monastic living, like finding balance and peace, to your life.
With wit and insight, medievalist and podcaster Daniele Cybulskie dives into the history of monasticism in each chapter and then reveals applications for today, such as the benefits of healthy eating, streamlining routines, gardening, and helping others. She shares…
From my earliest memories I’ve always been interested in military history, and as a young man I served in the U.S. Navy on a nuclear submarine. As an ardent bibliophile, my home and office overflows with books. As a professor, for the past 25 years I’ve been fortunate enough to teach a broad survey on western military history, which gives me the opportunity to experiment with many books for my own and the students’ enjoyment. The books on this list are perennial favorites of the traditional-age undergraduates (18-22) I teach, but will appeal to any reader interested in premodern military history.
In English at least, there aren’t many historians who cover this neglected period.
Bachrach not only provides a nice military survey of an unfamiliar era, but he includes innovative and imaginative analytical chapters on military education, leadership, and training, suggesting that Medieval armies were far better organized, trained, led, and equipped than we give them credit for.
Bachrach gamely tries to provide answers for things we take for granted but nobody ever considers, like, “how hard is it to climb a ladder with heavy objects?” That was an important consideration at a siege. Well, 21st-century handbooks on firefighting answer that question, and the same answer worked for human beings in the tenth century too.
A complete survey of the military campaigns of the early Saxons, tactics, strategy, and logistics, demonstrating in particular the sophistication of the administration involved.
Over the course of half a century, the first two kings of the Saxon dynasty, Henry I (919-936) and Otto I (936-973), waged war across the length and breadth of Europe. Ottonian armies campaigned from the banks of the Oder in the east to the Seine in the west, and from the shores of the Baltic Sea in the north, to the Adriatic and Mediterranean in the south. In the course of scores of military operations,…
Interested in
the Middle Ages,
the Black Sea,
and
Europe?
10,000+ authors have recommended their favorite books and what they love about them.
Browse their picks for the best books about
the Middle Ages,
the Black Sea,
and
Europe.
