Here are 100 books that I Confess fans have personally recommended if you like
I Confess.
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I am a biographer, and my biography of E.E. Cummings centers on his unjust imprisonment in France during the Great War in dangerously brutal conditions—cold, underfed, and subject to the sadism of the prison guards. It is hard to imagine anything more imperative than writing about injustice. But perhaps for that very reason, it is difficult to write without the consciousness of a deep inadequacy to the task. I feel therefore an enormous gratitude towards those writers, five of whom I have chosen here, whose honesty and courage in writing about injustice serves as an inspiration and a beacon.
Cummings and his friend William Slater Brown were imprisoned in a detention center for foreign ‘undesirables,’ and to this day we are guilty of locking people up because they are stateless or nationals of another country. Behrouz Boochani’s No Friend but the Mountains, translated by Omid Tofighian,recounts his imprisonment along with fellow refugees on Manus Island. It is a visceral and vivid account, and it speaks in an unrefusable voice. I think it is an act of true human generosity that someone who has suffered so much at our collective hands would still choose to reach out and tell his own story; simply choosing to speak is an act of great hope and belief.
The Award-winning International Bestselling Story of One Man's Six Year Detention in Australia
'A powerfully vivid account of the experiences of a refugee: desperation, brutality, suffering, and all observed with an eye that seems to see everything and told in a voice that's equal to the task.' - Phillip Pullman
In 2013, Kurdish journalist Behrouz Boochani sought asylum in Australia but was instead illegally imprisoned in the country's most notorious detention centre on Manus Island. This book is the result.
Boochani spent nearly five years typing passages of this book one text at a time from a secret mobile phone…
When called a badass, I say thank you. Though I was raised to say and do the right thing, I’ve spent a lifetime speaking my truth, on radio and now on podcasts, being both reverent and irreverent. It took losing three immediate family members and getting hit by a car as a pedestrian for me to learn that I don’t have to be in perpetual motion. I went from being the baby of my family to being the matriarch in a heartbeat and am honored to share what I’ve learned about resilience and authenticity in my first book, By Accident: A Memoir of Letting Go.
I cannot imagine sitting at the bedside of one of my children in a coma.
Isabel Allende not only did that, but used her grief, fear, pain, hope, optimism, memory, and humor to write an extraordinarily compelling book. We come to know not only Paula, Isabel’s gravely ill daughter, but a colorful cast of characters from the family’s past.
We learn about Chilean history and somehow find ourselves laughing and crying in the same chapter. At least I did. Allende is a master with words – and English is not her first language. Do yourself a favor and read this gem.
"Beautiful and heartrending. . . . Memoir, autobiography, epicedium, perhaps even some fiction: they are all here, and they are all quite wonderful."-Los Angeles Times
In this literary classic, New York Times bestselling author Isabel Allende recalls the story of her beloved daughter and her remarkable family's past.
When her daughter, Paula, became gravely ill and fell into a coma, Isabel Allende began to write the story of her family for her unconscious child. Bizarre ancestors are introduced; delightful and bitter childhood memories are shared; amazing anecdotes of youthful years are relived, and the most intimate secrets are quietly passed…
I began writing Ali’s incredible international odyssey as a film, but once I discovered the epic breadth of his journey, I decided on a book first.
For 3 years I worked intensely with Ali. Not only was it a passionate and personal epic tale about love and loss, overcoming insurmountable odds, endurance and survival, but it hit a chord with readers from all walks of life, bringing understand to why people fled their countries, and help to change attitudes on refugees from fear to compassion. After three years on the road with the book I have now completed the screenplay.
This wonderfully written true story is told as a wild madcap, can’t put it down, tragic comedy, which is incredibly funny but carries with it an underbelly of loss and heartbreak.
As he struggles to straddle the demands of his Iraqi-Iranian cultural mix as a refugee in Australia, Osamah makes some disastrous choices, that lead him down a complex maze to the truth of where his own heart lies.
Good Muslim Boy tells the story of Osamah Sami's journey from Iran during the Iraq war to the suburbs of Australia and his quest to fit into his new life whilst trying to stay a good Muslim boy. In turns comic and tragic, Osamah's story explores the universal truths of growing up, falling in love, marriage, family and following one's dream; whilst also telling the immigrant's story of straddling two cultures and the difficult expectations of family and faith versus fitting in. Osamah begins by recounting his youth under Islamic rule in Iran: the mischievous antics that he and his…
I began writing Ali’s incredible international odyssey as a film, but once I discovered the epic breadth of his journey, I decided on a book first.
For 3 years I worked intensely with Ali. Not only was it a passionate and personal epic tale about love and loss, overcoming insurmountable odds, endurance and survival, but it hit a chord with readers from all walks of life, bringing understand to why people fled their countries, and help to change attitudes on refugees from fear to compassion. After three years on the road with the book I have now completed the screenplay.
With its roots in truth, this powerful novel brings us face to face with the insanity of war and how humans deal with the heartbreak of being torn from their homes, horrific deprivation, and betrayal.
Cleverly structured and beautifully written with tenderly articulated characters, it presents a fresh eye on the Holocaust and its consequences, and had me continually asking myself how I would have endured, and what choices I would have found myself making, in that situation.
Moving from wartime Europe to modern day Australia, The Deceptions is a powerful story of old transgressions, unexpected revelations and the legacy of lives built on lies and deceit.
Prague, 1943. Taken from her home in Prague, Hana Lederova finds herself imprisoned in the Jewish ghetto of Theresienstadt, where she is forced to endure appalling deprivation and the imminent threat of transportation to the east. When she attracts the attention of the Czech gendarme who becomes her guard, Hana reluctantly accepts his advances, hoping for the protection she so desperately needs.
Sydney, 2010. Manipulated into a liaison with her married…
Over the course of my so-called career as a travel writer, the ‘I’ve-Got-A Big-One’ school favoured by the male of the species has ceded ground. Women, less interested in ‘conquering,’ have pioneered a kind of creative non-fiction that suits the travel genre. I prefer it to the blokeish business of seeing how dead you can get. It notices more. As the decades unfurled – Pole to Pole, via Poland – I realised, more and more, the debt I owe to the other women who not only set sail but also unsparingly observed the world that turns within each self.
In many books, Freya Stark (1893 to 1993) covered mostly what we used to call the Middle and Near East – Turkey, Iran, Iraq, Syria, Egypt, Afghanistan.
In The Lycian Shore she sails in a small yacht along the coast of south-west Turkey. I love this book – it shows what women travel writers can do when they blend history and personal observation. I used to take her chapters apart when I started out to learn how she did it.
I have always been interested in political and social events around me, and being from Turkey, it was inevitable not to be surrounded by the news of the conflict between the Turkish state and the PKK that has been going on for decades. However, perhaps due to being a member of the non-Muslim minority community of Turkey myself, I have always been interested in the ‘non-mainstream’ explanations of a state-ethnic group conflict. This interest in alternative explanations led me to study an MSc in Nationalism Studies and to a PhD in Sociology at the University of Edinburgh, with the focus of my thesis being Kurdishness in Turkey.
It is safe to say that this book was like a holy book to me when I was doing my MSc and during my early PhD years.
Martin van Bruinessen is a scholar that everyone who has an interest in Kurdish studies should be familiar with, and this book, which is a collection of his earlier articles, is a good introduction to get acquainted with Kurds and their history.
Even though the articles in this book date back to the 1980s and to the 1990s, it is a classic book for those who want to familiarise themselves with Kurds.
The articles here are not only about Kurds of Turkey but also those of Iran and Iraq.
A collection of articles by Martin van Bruinessen on Kurds, Kurdish history and identity from the perspective of nationalism and nation-building in the Middle East.
A combination of things led me to this topic: My father was forced to leave his home in northern India during partition and was therefore a child refugee. In 2016, I was filming in Ukraine and became hugely interested in what was happening there. I have looked for a way to help ever since then. Discovering Monica Stirling’s novel about refugees from East Europe, I realised that here was an opportunity to help give voice to the refugee experience; to help raise funds for Ukraine, and to help bring back to life an incredible story written by an author who deserves to be rediscovered.
When his mother disappears, ten-year-old Enaiatollah Akbari embarks on what would end up being a five-year journey that would take him from Afghanistan, through Iran, Greece, and Turkey, and eventually to Italy where he would meet and be befriended by the family of the book’s author, Fabio Geda.
This is a novelisation of a true story – one that beggars belief – as young Enaiatollah works dangerous jobs and has to deal with unscrupulous people-traffickers as well as making perilous crossings across several borders. This is a story, nevertheless, of hope and so I feel it is something that will inspire as well as inform, and yes, entertain.
What would you do if, when you were ten, you were left to fend for yourself, and, in order to survive, you had to undertake a harrowing journey all the way from Afghanistan to Italy?
In early 2002, Enaiatollah Akbari’s village fell prey to the Taliban. His mother, fearing for his life, led him across the border. So began Enaiat’s remarkable and often publishing five-year ordeal—trekking across bitterly cold mountains, riding the suffocating false bottom of a truck, steering an inflatable raft in violent waters—through Iran, Turkey, Pakistan, and Greece, before he eventually sought political asylum in Italy, all before…
Growing up, I hardly ever saw books written by people who looked like me, about people who looked like me. When I did, the Asians were often side characters, typecast as nerds (and not in a good way). I didn’t get to see Asians being “cool” kids, and I definitely didn’t see them as love interests. When I went to a performing arts boarding school, it was the first time I wasn’t the only Asian student in my class, and it was life-changing. I think if I had had these books when I was a kid, it would’ve been easier to be confident about who I was.
Growing up during the Islamic Revolution in Iran in 1979, Marji is outspoken and brave and one of several strong female characters in this book who challenges stereotypes and kicks ass. I loved following her political, spiritual, and personal growth.
Persepolis is a much-needed history lesson in the form of a comic book. It deals with heavy themes, but not without a generous dose of humor and heart. My students and I often spent several minutes dissecting one panel—and the last panel made some of us weep.
Wise, often funny, sometimes heart-breaking, Persepolis tells the story of Marjane Satrapi's life in Tehran from the ages of six to fourteen, growing up during the Iranian Revolution.
The intelligent and outspoken child of radical Marxists, and the great-grandaughter of Iran's last emperor, Satrapi bears witness to a childhood uniquely entwined with the history of her country. Persepolis paints an unforgettable portrait of daily life in Iran and of the bewildering contradictions between home life and public life.
Amidst the tragedy, Marjane's child's eye view adds immediacy and humour, and her story of a childhood at once outrageous and ordinary,…
Lois Pryce is a British author who has travelled extensively in Iran. Her book, Revolutionary Ride tells the story of her 2013 solo motorcycle tour of the country and was shortlisted for the Edward Stanford ‘Adventure Book of the Year’ Award. Her travels have taken her to over fifty countries and her writing has featured in The New York Times, The Guardian, CNN, BBC, The Telegraph and The Independent.
An astounding 20th century life-story told with honesty and warmth by one of Iran’s most impressive and pioneering women. From growing up as part of her father’s harem before setting sail for the USA during WWII to attend university, then returning to Iran to create a national social care system and finally, the unbearable tragedy of her life’s work being destroyed by the Islamic regime, this is an inspiring but heartbreaking story of bravery and humanity at its best.
Sattareh Farman Farmaian, the daughter of a once-powerful and wealthy Iranian prince, was raised and educated in the 1920s and 1930s in a Persian harem compound, along with numerous mothers and more than 30 brothers and sisters. As a young woman, she broke with Muslim tradition and travelled to America, where she became the first Persian to study at the University of Southern California. Her new life in the West fired a vision to lift her own people out of backwardness and poverty, and she returned to Iran to found the Tehran School of Social Work. For more than 20…
Nearly 50 years ago I was completely taken with the patterns drawn, woven, or embroidered by the Indigenous Peoples of the Upper Amazon of Peru. This was my first experience with the power of pattern and led to a career in collecting and curating the pottery and textiles from that area. By the end of the 1980s, I was ready to start a family and a more settled job. The Design Library was the perfect segue. The patterns created in Europe, Africa, and Asia over the past 250 years are also important cultural statements and are continually re-interpreted by our clients for today's market.
This scholarly book accompanied the enlightening exhibition of the same name at the MET 2013-2014. The way we learn how trade in textiles united the world is fascinating. One revelation for me was discovering that the first non-noble wealth was generated in the 18th century through textile trade.
Beginning in the 16th century, the golden age of European navigation created a vigorous textile trade, and a breathtaking variety of textile designs subsequently spread across the globe. Trade textiles blended the traditional designs, skills, and tastes of their cultures of origin, with new techniques learned through global exchange, creating beautiful new works that are also historically fascinating. Interwoven Globe is the first book to analyze these textiles within the larger history of trade and design. Richly illustrated texts explore the interrelationship of textiles, commerce, and taste from the age of discovery to the 19th century, including a detailed discussion…
