11 books like The Hoax

Vietnam vet William Queen was capping a 20-year law enforcement career in 1998 when the ATF agent wangled an invitation to join the San Fernando Valley chapter of the notorious Mongols motorcycle club under the code name Billy St. John. He spent the next 28 months rising undercover to the rank of treasurer and vice president, allowing him to provide documents for the arrest and indictment of 54 members by 700 officers in four different states. Queen’s 2005 bestselling true crime memoir of his Mongols days ranges from bone-chilling to side-splitting for terror and laughs. Although Mel Gibson reportedly bought the screen rights, a movie has yet to appear.

When I was writing my book, I reached out to Frank Abagnale to thank him for writing Catch Me If You Can. Indeed, I dedicated my book to him. To my great surprise, he asked to read my book and then offered an incredible blurb which the publishers put on the cover. So I must admit that any review I write of Catch Me If You Can will be biased. Plus, what can you say about someone who faked being a doctor, a lawyer, and an airplane pilot? I’ll tell you what. Mr. A is a great writer, storyteller, and a hell of a good guy too!

Although presented as a novel, this book is a memoir of Brown’s life growing up as a Black boy in Harlem in the 1940s and 50s amid poverty, violence, and addiction.

Marlene was in Paris in the summer of 1969 when a young white American man gave her a book to read. Brown’s story smacked me in the face. He lived in an America that was foreign to me—poverty, addiction, violence, incarceration. His experiences growing up on the streets of Harlem were so different from mine in suburban New Jersey.

What I remember most is my wonder at Brown’s description of “conking” his hair—straightening it with chemical relaxers that damaged his hair and burned his scalp. His description has stayed with me for all these years as a reminder of how little I knew and know about the lives of Blacks and their position in a white world.

Best known for Helter Skelter--his classic 1975 true crime memoir on prosecuting the Manson family, former Los Angeles deputy DA Vincent Bugliosi wrote this book later about a complicated but lesser-known double-homicide case he tried in 1966, three years before the Manson murders occurred. As the prosecutor on these cases, Bugliosi boasted access to background details that only an insider can share, merging psychological analysis with trial strategy concerns. Echoing themes of the noir thriller Double Indemnity, this true account unveils the plot of two lovers to murder their respective spouses and explains the complex police work required to catch them.

Our cultural moment practically demands that we cancel Harold Robbins. He’s been dragged as “the forgotten dirty old man of American letters,” a sexist purveyor of trashy, soapy potboilers. But in his time, 750 million readers in 32 languages proved he had nailed them dead to rights. The main characters in this sprawling, unabashedly vulgar 1961 novel are based on Silent Era western superstar Tom Mix, moviemaker/zillionaire Howard Hughes, and '30s platinum blonde movie siren Jean Harlow. That alone made the book and the 1964 movie version cultural phenoms. And today? Well, aren’t Robbins’ swaggering, rags-to-riches cocksman heroes, way-too-compliant beauties, and plots seething with passion, betrayal, vengeance also the stuff of modern classics like The Godfather, Scarface, Mad Men, and Succession?

A history of the early 1960s in America, leading up to the assassination of JFK, seen through the eyes of the mobsters and criminals, crooked cops, spies, and sleazos who power the machines of history.

A comprehensive romp through the underbelly of American crime and politics (and you might, after reading this book, wonder what’s the difference), it’s a novel about characters you don’t like—but they’re vivid and fascinating.

Much more than a gritty gangster novel, it’s a tale about the people in history’s shadows, and, ultimately, history and the “never innocent” America itself. 


I am especially fond of this book because I edited it with a dear friend of mine, Prof. Mauro Baranzini, who, despite our different analytical backgrounds has always supported and encouraged my research in monetary macroeconomics.

The book lays the foundations for a fruitful collaboration among economists who share the same objective: to explain satisfactorily and comprehensively the disequilibria hampering the smooth development of our economies.

The works presented in this volume are a serious attempt to clarify the terms of the problem of inflation and unemployment.

They must be seen as contributions to building a modern theory of monetary and structural macroeconomics.

This book starts in the same moment as Slayground, but follows Alan Grofield as he flees the scene, instead of Parker.

Grofield is more of a grifter than a straight-out thief, and his roles in the thieving scams tend to reflect that. I love that his true love is acting and him taking scores is simply a means to allow him to pursue that passion.

I enjoy the slightly lighter tone of the Grofield novels, though they are still what I’d call gritty. And I love how Stark created a “Parker-verse” long before the idea of an IP universe was commonplace.

Maybe it’s because the protagonist and her group of amateur sleuths in my series manage to make every mistake imaginable before they finally succeed in bringing the real killer to justice, that I am tickled pink by Donald E. Westlake’s cast of over-the-top-miscreants.

Starring in Bank Shot, Westlake’s zany characters are more like the gang that couldn’t shoot straight. Gang leader John Dortmunder and the most inept group of criminals ever to stumble and bumble their way through an ill-fated caper are a rollicking treat that combines fast-moving suspense with laugh-out-loud wit as they attempt to steal a temporarily relocated bank that is inside a mobile home.

All Dortmunder has to do is get past seven security guards, put the bank-on-wheels in gear, and drive away. It’s a simple plan, until it all goes wrong… 

A stand-alone installment of the Miss Marple series, I chose The Moving Finger for this list because it involves letters and neighborhood gossip.

Set in the seemingly placid village of Lymstock, the story unfolds when a series of vicious poison-pen letters shatter the village’s quiet charm. The situation escalates when one recipient commits suicide, a death that requires justice.

Miss Marple enters the plot as the vicar’s houseguest and ultimately outsmarts the mystery. Her strength comes from the way others dismiss her as a harmless little old lady. To most she is unimportant and insubstantial, if they notice her at all. These assumptions free her to do detective work unnoticed.

If you like Miss Marple, there are 12 full-length books and 20 short stories that feature her shrewd adventures—enjoy!