Fans pick 11 books like The Hoax

Vietnam vet William Queen was capping a 20-year law enforcement career in 1998 when the ATF agent wangled an invitation to join the San Fernando Valley chapter of the notorious Mongols motorcycle club under the code name Billy St. John. He spent the next 28 months rising undercover to the rank of treasurer and vice president, allowing him to provide documents for the arrest and indictment of 54 members by 700 officers in four different states. Queen’s 2005 bestselling true crime memoir of his Mongols days ranges from bone-chilling to side-splitting for terror and laughs. Although Mel Gibson reportedly bought the screen rights, a movie has yet to appear.

When I was writing my book, I reached out to Frank Abagnale to thank him for writing Catch Me If You Can. Indeed, I dedicated my book to him. To my great surprise, he asked to read my book and then offered an incredible blurb which the publishers put on the cover. So I must admit that any review I write of Catch Me If You Can will be biased. Plus, what can you say about someone who faked being a doctor, a lawyer, and an airplane pilot? I’ll tell you what. Mr. A is a great writer, storyteller, and a hell of a good guy too!

Although presented as a novel, this book is a memoir of Brown’s life growing up as a Black boy in Harlem in the 1940s and 50s amid poverty, violence, and addiction.

Marlene was in Paris in the summer of 1969 when a young white American man gave her a book to read. Brown’s story smacked me in the face. He lived in an America that was foreign to me—poverty, addiction, violence, incarceration. His experiences growing up on the streets of Harlem were so different from mine in suburban New Jersey.

What I remember most is my wonder at Brown’s description of “conking” his hair—straightening it with chemical relaxers that damaged his hair and burned his scalp. His description has stayed with me for all these years as a reminder of how little I knew and know about the lives of Blacks and their position in a white world.

Best known for Helter Skelter--his classic 1975 true crime memoir on prosecuting the Manson family, former Los Angeles deputy DA Vincent Bugliosi wrote this book later about a complicated but lesser-known double-homicide case he tried in 1966, three years before the Manson murders occurred. As the prosecutor on these cases, Bugliosi boasted access to background details that only an insider can share, merging psychological analysis with trial strategy concerns. Echoing themes of the noir thriller Double Indemnity, this true account unveils the plot of two lovers to murder their respective spouses and explains the complex police work required to catch them.

This roman à clef about billionaire Howard Hughes has everything you covet in a great beach read: money, power, sex, betrayal.

The rugged tycoon Jonas Cord and the screen siren Rita Marlowe tussle, tangle, couple, uncouple, and everything in between over decades and continents, and Robbins’s talent for saucy dialogue and spicier plotlines furiously bubbles to the surface in perhaps the last great book he wrote before his own life—as dramatic as anything he penned—and his work both began to crumble.

It’s hardly short (the original hardback clocks in at a hefty 650-plus pages), but I could not get enough of its blazing, take-no-prisoners leads as they barreled through the worlds of show business, aviation, and business to conquer the world.   

A history of the early 1960s in America, leading up to the assassination of JFK, seen through the eyes of the mobsters and criminals, crooked cops, spies, and sleazos who power the machines of history.

A comprehensive romp through the underbelly of American crime and politics (and you might, after reading this book, wonder what’s the difference), it’s a novel about characters you don’t like—but they’re vivid and fascinating.

Much more than a gritty gangster novel, it’s a tale about the people in history’s shadows, and, ultimately, history and the “never innocent” America itself. 


I am especially fond of this book because I edited it with a dear friend of mine, Prof. Mauro Baranzini, who, despite our different analytical backgrounds has always supported and encouraged my research in monetary macroeconomics.

The book lays the foundations for a fruitful collaboration among economists who share the same objective: to explain satisfactorily and comprehensively the disequilibria hampering the smooth development of our economies.

The works presented in this volume are a serious attempt to clarify the terms of the problem of inflation and unemployment.

They must be seen as contributions to building a modern theory of monetary and structural macroeconomics.

Maybe it’s because the protagonist and her group of amateur sleuths in my series manage to make every mistake imaginable before they finally succeed in bringing the real killer to justice, that I am tickled pink by Donald E. Westlake’s cast of over-the-top-miscreants.

Starring in Bank Shot, Westlake’s zany characters are more like the gang that couldn’t shoot straight. Gang leader John Dortmunder and the most inept group of criminals ever to stumble and bumble their way through an ill-fated caper are a rollicking treat that combines fast-moving suspense with laugh-out-loud wit as they attempt to steal a temporarily relocated bank that is inside a mobile home.

All Dortmunder has to do is get past seven security guards, put the bank-on-wheels in gear, and drive away. It’s a simple plan, until it all goes wrong… 

This book starts in the same moment as Slayground, but follows Alan Grofield as he flees the scene, instead of Parker.

Grofield is more of a grifter than a straight-out thief, and his roles in the thieving scams tend to reflect that. I love that his true love is acting and him taking scores is simply a means to allow him to pursue that passion.

I enjoy the slightly lighter tone of the Grofield novels, though they are still what I’d call gritty. And I love how Stark created a “Parker-verse” long before the idea of an IP universe was commonplace.

The author, Richard Price, is a street reporter trapped in the body of a novelist. He takes firsthand observation and research on life in urban America and spins it into incredibly realistic and moving works of fiction.

Freedomland, my favorite of his novels, was inspired by the case of Susan Smith, who blamed the disappearance of her two sons on a fictitious black carjacker.

Though billed as a crime novel, it is also absolutely a horror story—and it’s fantastic.