Here are 100 books that American Tabloid fans have personally recommended if you like
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Life is taking a bite of the comedy/tragedy sandwich, savoring the mix of flavors, deciding how you feel about the taste, and taking another bite. I love writing that can gather experiences from across the emotional spectrum and incorporate them into a narrative that is absurd and all the more true because of it. These five books do it better than the rest.
Overstuffed and labyrinthine, Eco’s novel dives into a highly academic rabbit hole of conspiracy theories that toss me head over heels like a strong wave in the ocean. It reads a bit like The DaVinci Code written by Thomas Pynchon (who we’ll get to in a minute), the paranoias stemming from historical entities like the Knights Templar and the Rosicrucians.
I’d be hard-pressed to provide an accurate summary of events, but it all makes for a pleasantly bewildering reading experience.
Three book editors, jaded by reading far too many crackpot manuscripts on the mystic and the occult, are inspired by an extraordinary conspiracy story told to them by a strange colonel to have some fun. They start feeding random bits of information into a powerful computer capable of inventing connections between the entries, thinking they are creating nothing more than an amusing game, but then their game starts to take over, the deaths start mounting, and they are forced into a frantic search for the truth
I read all kinds of thrillers, but the ones that intrigue me the most are those where you’re not only uncertain of who murdered who, or what happened when, but of whether what you’re reading is real or not. For me, those kinds of mysteries elevate the genre to something profound – philosophical problems worked out through the medium of murder and mayhem. Covering both conspiracy narratives and those strange stories where everything feels like a dream, here are some of my favourites.
This is Agatha Christie's creepiest novel. A love story between a chauffeur and an heiress, who move to a majestic house in the countryside and find themselves the victims of a local curse. Strange things start to happen. But is any of it real? The shocking truth doesn't become clear until the last few pages.
- combining love, death and melodrama blended together as only Agatha Christie can.
Gipsy's Acre was a truly beautiful upland site with views out to sea - and in Michael Rogers it stirred a child-like fantasy.
There, amongst the dark fir trees, he planned to build a house, find a girl and live happily ever after.
Yet, as he left the village, a shadow of menace hung over the land. For this was the place where accidents happened. Perhaps Michael should have heeded the locals' warnings: 'There's no luck for them as meddles with Gipsy's Acre.'
I am the author of the Black Viking and Hellbent Riffraff Thrillers and several volumes of dirty realism poetry. I am also the Founder and editor-in-chief of Bristol Noir, an indie publisher and ezine specialising in curiously dark fiction and crime noir. Since 2017 Bristol Noir has been publishing up-and-coming and best-selling authors from around the world. I’m a writer originally from Northumberland in Northern England. In the late 90s, I studied in Greater Manchester when the IRA bomb went off and during the infamous years of the Hacienda club. I now live in Bristol. I’ve devoted my writing to exploring my heritage and the environments I’ve been in.
This is Auster exploring all the themes he’s well known for now, and crafting them into a beautifully absurd almost surreal tale. Not strictly a noir book this has a protagonist struggling with his place in the world and his identity, whilst getting drawn into situations out of their control—all tropes which are seminal to the genre.
Auster’s first book released under the pseudonym Paul Benjamin, called Squeeze Play, is a more typical crime, or pulp noir. And it's easy to see his blend into literary fiction whilst holding the noir handles close for The Music of Chance.
Often writers start out literary then a genre attaches itself. Here, Auster appears to have hit big by penning a commercially aimed work, then shifting back to where his core themes ring out.
I’m a huge fan of these themes he’s so good at; stories within stories, back-tales of characters,…
Nashe comes into an inheritance and decides to pursue a life of freedom. He meets Pozzi, a gambler, who exerts a terrible fascination over, him and together they take a desperate gamble. By the author of "The New York Trilogy", "Moon Palace" and "The Invention of Solitude".
I read all kinds of thrillers, but the ones that intrigue me the most are those where you’re not only uncertain of who murdered who, or what happened when, but of whether what you’re reading is real or not. For me, those kinds of mysteries elevate the genre to something profound – philosophical problems worked out through the medium of murder and mayhem. Covering both conspiracy narratives and those strange stories where everything feels like a dream, here are some of my favourites.
A short, mind-bending novel about a young woman writing a story who starts to encounter incidents from her story in real life. This book is a delight. From that intriguing opening, it evolves into a tale of sadness and isolation, set against the backdrop of a fading British seaside town.
With an abandoned degree behind her and a thirtieth birthday approaching, amateur writer Bonnie Falls moves out of her parents' home into a nearby flat. Her landlady, Sylvia Slythe, takes an interest in Bonnie, encouraging her to finish one of her stories, in which a young woman moves to the seaside, where she comes under strange influences. As summer approaches, Sylvia suggests to Bonnie that, as neither of them has anyone else to go on holiday with, they should go away together - to the seaside, perhaps.
The new novel from the author of the Man Booker-shortlisted The Lighthouse is…
I’ve always loved a good crime drama/suspense thriller novel–the way they keep you glued to the pages, and you think you’ll just sit down for a quick couple of chapters before dinner, and the next thing you realize, it's 12am, and you’re on the last chapter. The depth of the character studies that you get with this genre is the other reason I enjoy it so much, there’s nothing worse than having main characters that are one dimensional and unreachable as a reader. I have always tried to create this kind of character depth and gripping narrative in my own books.
I really liked the way Puzo really nails the intricate plot with his straightforward writing style. He takes you through intricate events that jump around in time, keeping you hooked and on the edge of your seat.
The progression of the characters is another great bit. As a reader, you watch as Michael turns from a war hero with the potential to be a great guy into a ruthless mafia boss, almost as if it were destiny or repercussions for his father’s mistakes.
_________________________________ The classic novel that inspired 'the greatest crime film of all time'
Tyrant, blackmailer, racketeer, murderer - his influence reaches every level of American society. Meet Don Corleone, a friendly man, a just man, a reasonable man. The deadliest lord of the Cosa Nostra. The Godfather.
But no man can stay on top forever, not when he has enemies on both sides of the law. As the ageing Vito Corleone nears the end of a long life of crime, his sons must step up to manage the family business. Sonny Corleone is an old hand, while World War II…
I’ve been a journalist who’s focused on culture, particularly film, and especially classic film and film noir. That sparked me to write two crime novels, with a third on the way, for Level Best Books. The first came out in February. The next will reach the market in May 2025. The third will come out in 2026. For more information, please go to my website.
In the dark world of hardboiled literature, anything can happen at any time for any reason—or no reason at all. In my view, that makes things easy for this debut novel about an unemployed LA factory worker named Easy Rawlins, and that makes things challenging for the story—for the character—as well.
A man with money and power offers Easy a job looking for a missing blond-haired, white-skinned beauty. Rawlins faces only two problems: He has no experience as a private detective, and he needs to do the detecting with black skin in a segregated, remarkably unequal 1948 America.
But I think Mosley has found the perfect genre for his character, one whose tough and humane and even psychologically insightful qualities have enabled him to adjust to, learn from, and survive in a place where laws can break out or disappear, depending on the color of his skin. Rawlins finds it…
Devil in a Blue Dress honors the tradition of the classic American detective novel by bestowing on it a vivid social canvas and the freshest new voice in crime writing in years, mixing the hard-boiled poetry of Raymond Chandler with the racial realism of Richard Wright to explosive effect.
Growing up on a diet of The Godfather, The Sopranos, thrillers, and gangster novels, and living in New York City with eye-opening trips to Sicily, I became slightly obsessed with the Mafia. I came to see the American Mafia as a quintessentially American fabric, woven of family, power, immigrants, money, history, loyalty, legacy, and, yes, crime.
Few writers inhabit history, distill it, and convey the feeling of an era with the verve or immediacy of E.L. Doctorow.
In Billy Bathgate, he trains his lens on the 1930s and introduces us to Billy Behan, a fatherless Irish-Jewish kid from the Bronx, who has a chance encounter with New York gangster Dutch Schultz and decides “whatever my life was going to be in this world it would have something to do with Mr. Schultz.”
Add a love triangle, a colorful cast of mobsters, murder, blackmail, a special prosecutor, and you have the propulsive plot and rich characters that power this unforgettable novel.
'I was living in even greater circles of gangsterdom than I had dreamed, latitudes and longitudes of gangsterdom'
It's 1930's New York and fifteen-year-old streetkid Billy, who can juggle, somersault and run like the wind, has been taken under the wing of notorious gangster Dutch Schultz. As Billy learns the ways of the mob, he becomes like a son to Schultz - his 'good-luck kid' - and is initiated into a world of glamour, death and danger that will consume him, in this vivid, soaring epic of crime and betrayal.
I am the author of the Will Anderson Detroit mystery series, which began with The Detroit Electric Scheme. I love vivid novels, those that pull me inside the pages and into the story. My interests balance between crime, historical fiction, and literary fiction. In short, I like a good story, and I don’t much care what label is placed on it. I live in Michigan with my wife and a pair of reasonably friendly cats.
Ace Atkins has written a number of excellent historical crime novels based on true stories, andDevil’s Gardenis my favorite of the bunch.
The 1921 murder trial of Roscoe “Fatty” Arbuckle created headlines around the world, and Devil’s Garden illustrates the fall from grace of one of Hollywood’s biggest stars. Atkins brings to life Prohibition-era Hollywood, real-life Pinkerton operative Dashiell Hammett who investigates the murder, William Randolph Hearst, actress Marion Davies, and a large cast of grifters, B-girls, politicians, and hangers-on revolving around Fatty’s trial for the murder of actress Virginia Rappe.
From the New York Times bestselling author of the Quinn Colson series comes a noir crime classic about one of the most notorious trials in American history.
San Francisco, September 1921: Silent-screen comedy star Roscoe “Fatty” Arbuckle is throwing a wild party in his suite at the St. Francis Hotel-girls, jazz, bootleg hooch...and a dead actress named Virginia Rappe.
The D.A. says it was Arbuckle who killed her—crushed her under his weight—and brings him up on manslaughter charges. William Randolph Hearst's newspapers stir up the public and demand a guilty verdict.
In desperation, Arbuckle's defense team hires an operative from…
Crime fiction, true crime, mystery, and suspense books allow us to brush up against the worst society has to offer without getting hurt. There’s a lot to be said for vicarious thrills, isn’t there. I am just a simple man telling simple stories about good vs. evil. And sometimes, in my stories, fiction or not, the bad guys win. But I do love telling stories, and when I find a good one, I can’t wait to tell you aboutit. That’s what I have done here.
You have to love this book if only because the author, Loren D. Estleman, pounded out the words on a manual typewriter. Why would he do that in the 21st century? So he can keep working during power outages, that’s why.
There’s not a single one of Estleman’s books or stories I would not recommend. However, I chose Whiskey River for this review because it is historical crime fiction, taking place in the days of Prohibition.
Whiskey River is the story of a young, ambitious reporter who risks his life to expose police and city hall corruption.
As always, Estleman brings his characters and settings to life in a way few others can.
In Detroit in 1925 prohibition has been in force for a year longer than the rest of the States, police corruption is so rampant no-one notices the stench in City Hall. Into this scene comes Constantine Minor, a young and ambitious reporter. The author has twice won the Shamus Award.
I retired from the Metropolitan Police Department in Washington, DC, as a detective assigned to the Major Crimes Unit, but I’ve always been a writer at heart and an avid reader. I graduated from California State University in Long Beach, CA, with a major in Film. I am the author of six crime fiction books, three of which involve retired detective turned PI Frank Marr. This trilogy was critically acclaimed.
George V. Higgins was an Assistant U.S. Attorney who specialized in organized crime. He may not have been a cop, but as a prosecutor, he was responsible for taking a lot of bad guys off the street, so he knew the underworld well.
I have read this book several times. It is inspiring and one of my favorite books of all time. It is a classic example of a totally dialogue-driven book, and it had a huge influence on my writing.
Eddie Coyle is a small-time punk with a big-time problem - who to sell out to avoid being sent up again. Eddie works for Jimmy Scalisi, supplying him with guns for a couple of bank jobs. But a cop named Foley is onto Eddie, and he's leaning on him to finger Scalisi, a gang leader with a lot to hide. These and others make up the bunch of hoods, gunmen, thieves, and executioners who are wheeling, dealing, chasing, and stealing in the underworld of Eddie Coyle.
