100 books like American Tabloid

I have read Foucault’s Pendulum several times and never tire of reading it again. The book takes me – through the main character, Casaubon – on a quest, delving into a place where the maybe possible, even probable, becomes reality and into that mysterious world where conspiracy theory laps around the edges of the real world.

It is a thought experiment, of sorts, and the perfect example of being careful what you wish for… or expect… or deem to be true. It’s also a fantastic read – as you might expect from Umberto Eco.

This is Agatha Christie's creepiest novel. A love story between a chauffeur and an heiress, who move to a majestic house in the countryside and find themselves the victims of a local curse. Strange things start to happen. But is any of it real? The shocking truth doesn't become clear until the last few pages.

This is Auster exploring all the themes he’s well known for now, and crafting them into a beautifully absurd almost surreal tale. Not strictly a noir book this has a protagonist struggling with his place in the world and his identity, whilst getting drawn into situations out of their control—all tropes which are seminal to the genre. 

Auster’s first book released under the pseudonym Paul Benjamin, called Squeeze Play, is a more typical crime, or pulp noir. And it's easy to see his blend into literary fiction whilst holding the noir handles close for The Music of Chance.

Often writers start out literary then a genre attaches itself. Here, Auster appears to have hit big by penning a commercially aimed work, then shifting back to where his core themes ring out.

I’m a huge fan of these themes he’s so good at; stories within stories, back-tales of characters,… show more.

A short, mind-bending novel about a young woman writing a story who starts to encounter incidents from her story in real life. This book is a delight. From that intriguing opening, it evolves into a tale of sadness and isolation, set against the backdrop of a fading British seaside town.

The Godfather portrays the classic conflict between loyalty to a family and the desire to escape it for a better life.

Michael is a former marine who wants to stay out of the crime business and have a normal relationship with his girlfriend. But family loyalty trumps principle when his father is attacked, his brother killed, and his wife in Italy murdered. It wonderfully shows his slow fall to unfeeling coldness as the price for avenging his family and protecting their empire.

The book has great and colorful characters, especially Don Corleone. He is fascinating because he offsets his violence with principle and a love for his family.

Walter Mosley’s Devil in a Blue Dress, the first of his novels to feature Black WWII-veteran-turned-detective Ezekiel ’Easy’ Rawlins, reads like a hard-boiled blues song.

The prose is both terse and descriptive, flowing easily on the page with Mosley’s fantastic ear for dialogue and the workings of Easy’s inner voice.

Again, we’re in postwar Los Angeles, in 1948, following Easy on a trail of misadventures as he runs afoul of both cops and crooks in his quest to track down a mysterious blonde.

And while Devil in a Blue Dress is most certainly a detective novel, Mosley’s wit and insight into the human condition elevate it into something more.

It’s tough, it’s sexy, and it’s not to be missed.

Few writers inhabit history, distill it, and convey the feeling of an era with the verve or immediacy of E.L. Doctorow.

In Billy Bathgate, he trains his lens on the 1930s and introduces us to Billy Behan, a fatherless Irish-Jewish kid from the Bronx, who has a chance encounter with New York gangster Dutch Schultz and decides “whatever my life was going to be in this world it would have something to do with Mr. Schultz.”

Add a love triangle, a colorful cast of mobsters, murder, blackmail, a special prosecutor, and you have the propulsive plot and rich characters that power this unforgettable novel.   

Ace Atkins has written a number of excellent historical crime novels based on true stories, and Devil’s Garden is my favorite of the bunch. 

The 1921 murder trial of Roscoe “Fatty” Arbuckle created headlines around the world, and Devil’s Garden illustrates the fall from grace of one of Hollywood’s biggest stars. Atkins brings to life Prohibition-era Hollywood, real-life Pinkerton operative Dashiell Hammett who investigates the murder, William Randolph Hearst, actress Marion Davies, and a large cast of grifters, B-girls, politicians, and hangers-on revolving around Fatty’s trial for the murder of actress Virginia Rappe.

You have to love this book if only because the author, Loren D. Estleman, pounded out the words on a manual typewriter. Why would he do that in the 21st century? So he can keep working during power outages, that’s why.

There’s not a single one of Estleman’s books or stories I would not recommend. However, I chose Whiskey River for this review because it is historical crime fiction, taking place in the days of Prohibition. 

Whiskey River is the story of a young, ambitious reporter who risks his life to expose police and city hall corruption.

As always, Estleman brings his characters and settings to life in a way few others can.

I regard The Friends of Eddie Coyle as the best American crime novel of the 20th century. 

This noir Friends is a fast-moving slither through Boston’s underworld with its colorful cast of bank robbers and victims, cops, and informers, and, above all, Eddie “Fingers” Coyle. Facing a long prison stretch, Coyle, a small-time gunrunner, is willing to do anything, including informing on a fellow armorer, to stay on the street. 

Told largely through realistic dialogue Higgins picked up as a federal prosecutor, Friends had huge influence, including on crime-novel master Elmore Leonard. I find that the novel passes the ultimate test of a great book: it not only bears but invites re-reading, rewarding me each time with something I had not previously seen in this short but beautifully layered novel.

I think that this novel is a must-read for aspiring writers of crime fiction.