100 books like Devil's Garden

A history of the early 1960s in America, leading up to the assassination of JFK, seen through the eyes of the mobsters and criminals, crooked cops, spies, and sleazos who power the machines of history.

A comprehensive romp through the underbelly of American crime and politics (and you might, after reading this book, wonder what’s the difference), it’s a novel about characters you don’t like—but they’re vivid and fascinating.

Much more than a gritty gangster novel, it’s a tale about the people in history’s shadows, and, ultimately, history and the “never innocent” America itself. 


In Mosely’s first Easy Rawlins novel, Easy is in the thick of it. He’s a war-scarred veteran living in 40s Los Angeles who has to contend with brutal racist cops and white men who wish to harm him for the sole offense of talking to a white woman. He lost his factory job, his mortgage is due, and he finds himself on shifting terrain where it’s nearly impossible to tell allies from enemies.

When the phone rings, it’s never good news. So Easy has to play it smart. Bide his time. Enlist help from his memorably violent associate, Mouse. His foes have more power, more money, and more guns and like to remind him that they’re no one to be trifled with. But then again, neither is Easy.

Few writers inhabit history, distill it, and convey the feeling of an era with the verve or immediacy of E.L. Doctorow.

In Billy Bathgate, he trains his lens on the 1930s and introduces us to Billy Behan, a fatherless Irish-Jewish kid from the Bronx, who has a chance encounter with New York gangster Dutch Schultz and decides “whatever my life was going to be in this world it would have something to do with Mr. Schultz.”

Add a love triangle, a colorful cast of mobsters, murder, blackmail, a special prosecutor, and you have the propulsive plot and rich characters that power this unforgettable novel.   

You have to love this book if only because the author, Loren D. Estleman, pounded out the words on a manual typewriter. Why would he do that in the 21st century? So he can keep working during power outages, that’s why.

There’s not a single one of Estleman’s books or stories I would not recommend. However, I chose Whiskey River for this review because it is historical crime fiction, taking place in the days of Prohibition. 

Whiskey River is the story of a young, ambitious reporter who risks his life to expose police and city hall corruption.

As always, Estleman brings his characters and settings to life in a way few others can.

I fell in love with Sue Grafton’s Kinsey Milhone in the first paragraph of this book. She’s learned to protect her heart from significant damage, and she’s got a toughness that makes her equal to any drug lord or cold-blooded killer in the streets of L.A. or anywhere else.

She’s hired by a woman who was convicted of killing her husband. She swears she didn’t do it. Of course, right? Kinsey is tasked with finding out who actually did it, and yes, she takes it with the proverbial grain of salt—until the bodies start piling up. Her investigation ranges from Beverly Hills to Las Vegas. Who says rich streets aren’t mean? Trust me, the lady can handle herself while keeping her ethics intact.

Smarmy personals ads. Daring declarations of love. Freelance writer Jaine Austen has penned them all. But no one needs her help more than geeky, gawky Howard Murdoch. His request is simple enough: a letter proclaiming his undying love for Stacy Lawrence, a gorgeous aerobics instructor. The fact that he's never actually met the woman gives Jaine pause—yet she soon overcomes her misgivings, and the unlikely Romeo lands a date! But his triumph is short-lived. On Valentine's Day, Howard finds Stacy bludgeoned to death with a Thigh Master—and is quickly named the prime suspect.

Jaine is shocked. Sure, Howard's awkward and eccentric. But a murderer? That's hard to believe. Especially after a little sleuthing reveals a plethora of people who harbored less-than-loving feelings towards the svelte Stacy. Now Jaine had better wrangle her clues quickly, before a crafty killer catches on—and puts a whole new spin on her ghost-writing career....

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There isn’t a Robert Crais novel I haven’t thoroughly enjoyed, but I especially like the ones featuring PI Elvis Cole and his no-nonsense, stoic buddy Joe Pike. What is especially good about this novel is the character development of the two antagonists. Their personalities, often clashing with each other, make them more than one-dimensional killers, adding spice to the story—something I try to do in my own books.

In many ways, Marcia Mueller started it all by introducing readers to Sharon McCone, a modern-day woman sleuth and staff investigator for All Souls Legal Cooperative. In Edwin of the Iron Shoes, she works to solve the murder of antiques dealer Joan Albritton. Her investigation takes Sharon from the antiques and curios shops of San Francisco’s Salem Street to a museum frequented by the city’s social elite. I love strong, self-deprecating women characters of which Sharon is one. From my observation, Sharon McCone became a role model for Kinsey Milhone, V.I. Warshawski, Stephanie Plum, and so many others including my sleuth, Ricky Steele.

To my mind, Macdonald is the greatest of American mystery writers, yet he appears to be all but forgotten. Writing in the tradition of Chandler and Hammett—and sharing their California setting—he surpasses them both as a writer and a student of human nature. I find his detective, Lew Archer, a believable and appealing character. A decent and compassionate man, he’s as tough as needs be, but no tougher. The Underground Man is Macdonald’s best, a complex and haunting story in which a routine search for a missing person leads Archer into a twisted family heritage of death and betrayal that has festered, hidden, for decades, and has now burst forth in deadly fashion. 

I not only loved this book (and all of Ross Macdonald’s writing) but he wrote his only screenplay for me as a producer in Hollywood, based on this book, The Instant Enemy. Working with him closely on this book taught me a great deal about writing complicated character-driven thrillers. He was a master at that, and it was an extraordinary education for me.