Fans pick 100 books like Devil's Garden

A history of the early 1960s in America, leading up to the assassination of JFK, seen through the eyes of the mobsters and criminals, crooked cops, spies, and sleazos who power the machines of history.

A comprehensive romp through the underbelly of American crime and politics (and you might, after reading this book, wonder what’s the difference), it’s a novel about characters you don’t like—but they’re vivid and fascinating.

Much more than a gritty gangster novel, it’s a tale about the people in history’s shadows, and, ultimately, history and the “never innocent” America itself. 


In the dark world of hardboiled literature, anything can happen at any time for any reason—or no reason at all. In my view, that makes things easy for this debut novel about an unemployed LA factory worker named Easy Rawlins, and that makes things challenging for the story—for the character—as well. 

A man with money and power offers Easy a job looking for a missing blond-haired, white-skinned beauty. Rawlins faces only two problems: He has no experience as a private detective, and he needs to do the detecting with black skin in a segregated, remarkably unequal 1948 America. 

But I think Mosley has found the perfect genre for his character, one whose tough and humane and even psychologically insightful qualities have enabled him to adjust to, learn from, and survive in a place where laws can break out or disappear, depending on the color of his skin. Rawlins finds it… show more.

Few writers inhabit history, distill it, and convey the feeling of an era with the verve or immediacy of E.L. Doctorow.

In Billy Bathgate, he trains his lens on the 1930s and introduces us to Billy Behan, a fatherless Irish-Jewish kid from the Bronx, who has a chance encounter with New York gangster Dutch Schultz and decides “whatever my life was going to be in this world it would have something to do with Mr. Schultz.”

Add a love triangle, a colorful cast of mobsters, murder, blackmail, a special prosecutor, and you have the propulsive plot and rich characters that power this unforgettable novel.   

You have to love this book if only because the author, Loren D. Estleman, pounded out the words on a manual typewriter. Why would he do that in the 21st century? So he can keep working during power outages, that’s why.

There’s not a single one of Estleman’s books or stories I would not recommend. However, I chose Whiskey River for this review because it is historical crime fiction, taking place in the days of Prohibition. 

Whiskey River is the story of a young, ambitious reporter who risks his life to expose police and city hall corruption.

As always, Estleman brings his characters and settings to life in a way few others can.

I fell in love with Sue Grafton’s Kinsey Milhone in the first paragraph of this book. She’s learned to protect her heart from significant damage, and she’s got a toughness that makes her equal to any drug lord or cold-blooded killer in the streets of L.A. or anywhere else.

She’s hired by a woman who was convicted of killing her husband. She swears she didn’t do it. Of course, right? Kinsey is tasked with finding out who actually did it, and yes, she takes it with the proverbial grain of salt—until the bodies start piling up. Her investigation ranges from Beverly Hills to Las Vegas. Who says rich streets aren’t mean? Trust me, the lady can handle herself while keeping her ethics intact.

In many ways, Marcia Mueller started it all by introducing readers to Sharon McCone, a modern-day woman sleuth and staff investigator for All Souls Legal Cooperative. In Edwin of the Iron Shoes, she works to solve the murder of antiques dealer Joan Albritton. Her investigation takes Sharon from the antiques and curios shops of San Francisco’s Salem Street to a museum frequented by the city’s social elite. I love strong, self-deprecating women characters of which Sharon is one. From my observation, Sharon McCone became a role model for Kinsey Milhone, V.I. Warshawski, Stephanie Plum, and so many others including my sleuth, Ricky Steele.

There isn’t a Robert Crais novel I haven’t thoroughly enjoyed, but I especially like the ones featuring PI Elvis Cole and his no-nonsense, stoic buddy Joe Pike. What is especially good about this novel is the character development of the two antagonists. Their personalities, often clashing with each other, make them more than one-dimensional killers, adding spice to the story—something I try to do in my own books.

Like other private detectives, LA-based Lew Archer sees too much—too much bad or at least questionable behavior. Here, it seems to take the form of a runaway—a rich kid who has “escaped” confinement from his exclusive 60’s reform school. Despite his lack of style and color, Archer acts confident he’ll find him. The only problem: The parents—his client—aren’t helping him very much.  

His disappearance case threatens to disappear, providing an especially clever irony and supporting what I believe is author Macdonald’s favorite insight: The problem begins and ends in the family. The only question is, with all the darkness the parents create and Archer encounters, will he see enough to solve the case? I love this story, in part, becomes it’s more noir than any other Lew Archer story. 

Although many fans consider Crais’s preceding book, L.A. Requiem, to be his masterpiece, I’ve chosen this because it perfectly encapsulates the relationship between flamboyant Elvis Cole and his partner, the enigmatic Joe Pike.

Pike is the ultimate sidekick. He’s taciturn, monosyllabic, and extremely complex. Dangerous as hell and completely loyal to Cole and anyone in Cole’s life; he’s taken bullets, knives—a whole bunch of weapons during the nineteen-book series.

In The Last Detective, the son of Cole’s girlfriend gets kidnapped and the evidence points to Cole’s service in Vietnam. Cole’s first call isn’t to the LAPD, it’s to Joe Pike. His message: ‘Joe, I’m scared.’ Pike drops everything and together they start hunting...

Pike is the third sidekick on my list to get his own series.

Ross Macdonald’s Lew Archer books were my introduction to the American private-detective novel. Macdonald’s work is psychologically and morally complex, with the sins of previous generations cascading through time to horrific, homicidal effects on Archer’s clients.

In Sleeping Beauty, Archer tries to help a wealthy family with more trouble than any single family should have to deal with—including a missing girl, an oil spill, a ransom demand, and a corpse floating off a private beach. As Archer works his case, he untangles long-lost memories, the results of arrogant decisions, and the pained, twisted relations between parents and children. Sleeping Beauty is gritty and taut. Terrific detective fiction.