Here are 90 books that Edwin of the Iron Shoes fans have personally recommended if you like
Edwin of the Iron Shoes.
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Around age thirteen I discovered Perry Mason and put Nancy Drew on a back shelf. By the time I discovered Raymond Chandler’s mean streets, I was hooked. A vastly over-protected child, I longed to explore places that would make my mother faint. To paraphrase Chandler, I wanted to read about the best woman of her world and a good enough woman for any world. The kind of woman (or yes, a man) who would never ever need to be rescued. And when I sat down to write, I wanted to write about men and women who could handle themselves on those mean streets without turning mean themselves.
I fell in love with Sue Grafton’s Kinsey Milhone in the first paragraph of this book. She’s learned to protect her heart from significant damage, and she’s got a toughness that makes her equal to any drug lord or cold-blooded killer in the streets of L.A. or anywhere else.
She’s hired by a woman who was convicted of killing her husband. She swears she didn’t do it. Of course, right? Kinsey is tasked with finding out who actually did it, and yes, she takes it with the proverbial grain of salt—until the bodies start piling up. Her investigation ranges from Beverly Hills to Las Vegas. Who says rich streets aren’t mean? Trust me, the lady can handle herself while keeping her ethics intact.
`My name is Kinsey Millhone. I'm a private investigator, licensed by the state of California. I'm thirty-two years old, twice divorced, no kids. The day before yesterday I killed someone and the fact weighs heavily on my mind . . .'
When Laurence Fife was murdered, few cared. A slick divorce attorney with a reputation for ruthlessness, Fife was also rumoured to be a slippery ladies' man. Plenty of people in the picturesque Southern California town of Santa Teresa had reason to want him dead. Including, thought the cops, his young and beautiful wife, Nikki. With motive, access and opportunity,…
Cozy mysteries tend to exist in a simpler world, one without extreme violence and heavy swearing. They are often set in bucolic settings, but they deal with murder! I love many of the cozy tropes—tea, cats, dogs or other pets, family shenanigans, food. I think it’s family nuances that draw me the most to cozies. Whether it’s a romantic comedy or just one full of capers and laughter, cozies are my favorite genre.
One of the first modern cozy mysteries I have ever read, Stephanie Plum is zany, ridiculous, and laugh-out-loud funny. Basically, she’s a bounty hunter, and she gets her man and solves mysteries despite herself. Her Grandma Mazur is quite possibly one of the best sidekick characters ever invented. Funerals may or may not involve dead bodies, but Granny Mazur will be there anyway, even if it means stealing a corpse. Especially if it means stealing a corpse! Stephanie has a habit of losing cars and getting stuck driving a very old boat of a car (Big Buick), which deprives her of looking as cool as she’d like. Well, she isn’t exactly a put-together gal, so that’s okay.
The initial books in the series are almost a coming of age—a chance at a career, a chance or two at romance, and family shenanigans that almost kill her with good intentions. This…
Stephanie Plum is down on her luck. She's lost her job, her car's on the brink of repossession, and her apartment is fast becoming furniture-free.
Enter Cousin Vinnie, a low-life who runs a bail-bond company. If Stephanie can bring in vice cop turned outlaw Joe Morelli, she stands to pick up $10,000. But tracking down a cop wanted for murder isn't easy . . .
And when Benito Ramirez, a prize-fighter with more menace than mentality, wants to be her friend Stephanie soon knows what it's like to be pursued. Unfortunately the best person to protect her just happens to…
I’m the author of over thirty novels, including two mystery series. One is a cozy, small-town series, the Roger and Bess mysteries, the other a series that features a smart, resilient, courageous, sometimes bumbling women sleuth, Ricky Steele. I hope that she is loveable to readers. They often write to tell me she feels like their best friend. I tend to read the kinds of books I’ve recommended. Devour them actually. I also write in the genre. Sue Grafton, Sara Paretsky, Janet Evanovich, and Marcia Mueller have inspired and entertained me throughout both my reading and writing life.
Number twenty-five in Grafton’s alphabet series, and sadly her last, was published shortly before her death, Y Is For Yesterdayexplores dark deeds from the past that haunt characters in present day. I personally recommend the entire series, but this title bookends A Is For Alibi as it illustrates the author’s and Kinsey’s growth over 25 titles. I was blown away, as I always am, by Kinsey’s self-deprecating humor, warmth, and intelligence as she fends off a vicious sociopath from her past while investigating a ten-year-old murder.
Y is for Yesterday is the twenty-fifth in the Kinsey Millhone mystery series by Sue Grafton.
The darkest and most disturbing case report from the files of Kinsey Millhone, Y begins in 1979, when four teenage boys from an elite private school sexually assault a fourteen-year-old classmate - and film the attack. Not long after, the tape goes missing and the suspected thief, a fellow classmate, is murdered. In the investigation that follows, one boy turns in evidence for the state and two of his peers are convicted. But the ringleader escapes without a trace.
I’ve been fascinated by crime since I was young, at first reading historical true crime and then reading widely in the crime fiction genre. What intrigues me about crime is the sense of the world being broken, and although the perpetrator might be caught and punished, their actions forever change the world. I was a member of a crime book group that focused on crime novels, and I’ve reviewed a number of true crime books. I’ve also attended and spoken at the Bristol Crime Fest–an annual festival of crime writing. I regularly give talks on crime writing and how, as a crime writer, I go about picking the perfect poison.
I love the character of VI Warshawski: tough, brave, capable, and utterly loyal to her friends. VI (as she is known) is the archetypal ‘tart noir’–a female investigator in the mold of the hardboiled noir detectives but with empathy, vulnerability, and great style. VI can pack a punch, handle a gun, and is tenacious to the point of stubbornness, often at great personal risk, yet we also see her moments of self-doubt, her humanity, and her compassion towards others.
Meeting an anonymous client on a sizzling summer night is asking for trouble. Especially when the client lies and tells V.I. Warshawski he's the prominent banker John Thayer, looking for his son's missing girlfriend. But V.I. soon discovers the real John Thayer's son - and he's dead.
As V.I. begins to question her mysterious client's motives, she sinks deeper into Chicago's darker side: a world of gangsters, insurance fraud and contract killings. And while she must concentrate on saving the life of someone she has never met, it becomes clear that she is in danger of losing her own.
I’ve been a journalist who’s focused on culture, particularly film, and especially classic film and film noir. That sparked me to write two crime novels, with a third on the way, for Level Best Books. The first came out in February. The next will reach the market in May 2025. The third will come out in 2026. For more information, please go to my website.
Did this book give birth to hardboiled literature? No, but I feel it mothered and fathered it.
Did this book—when filmed in 1941—give rise to film noir? I would say yes or “oui.”
This book lives on in libraries and bookstores, in minds and memories, on screens big and small, as a cultural masterpiece. But please don’t get me wrong about masterpiece. Hammett’s existential story of antiheroic private detective Sam Spade wriggling out of death as he fends off the cagey but crazed pursuers of a worthless “jeweled” bird breathes more deeply, more compellingly every time I re-read it. Through the book, I face the dark—and find the gloom almost charming.
One of the greatest crime novels of the 20th century.
'His name remains one of the most important and recognisable in the crime fiction genre. Hammett set the standard for much of the work that would follow' Independent
Sam Spade is hired by the fragrant Miss Wonderley to track down her sister, who has eloped with a louse called Floyd Thursby. But Miss Wonderley is in fact the beautiful and treacherous Brigid O'Shaughnessy, and when Spade's partner Miles Archer is shot while on Thursby's trail, Spade finds himself both hunter and hunted: can he track down the jewel-encrusted bird, a…
I’ve been a writer of nonfiction and fiction and full-time editor since my college years, and a publisher (Smart Rhino Publications). I’ve read horror and suspense fiction all my life, but it’s only been in the past decade or so that my reading has turned more and more toward police procedurals, noir, and crime fiction. It was only natural that I’d turn to writing a police procedural series, starting with Harvester of Sorrow. I hope you’ll read all the wonderful books I’ve recommended!
I’ve always enjoyed Bill Pronzini’s work (including his work with wife Marcia Muller). The Flimflam Affair is the first book I read from his Carpenter and Quincannon series. This is a perfect example of how to embed historical fact into crime fiction. Although this is not a police procedural novel (the lead characters are private detectives), procedural elements are certainly included throughout. I’m envious of Pronzini’s ability to use the beginning of the 20th century as a backdrop for this fine series.
The Flimflam Affair is the latest charming historical mystery in Mystery Writers of America Grand Master Bill Pronzini's detective series.
Carpenter and Quincannon, Professional Detective Services is a fixture in San Francisco at the dawn of a new century. While the future is unclear, Sabina and John know one thing for certain; they will protect their clients from flimflammers, thieves, and murderers, and do whatever it takes to run these dregs of society into the arms of the law.
Sometimes, that requires a subtle touch. Professor A. Vargas, self-styled medium extraordinaire, and his partner Annabelle, use guile and trickery to…
I write the West Investigations series, a romantic thriller series, centered around the men and women running a private investigations firm. When I began the series I knew I wanted it to be set in an urban city, not just because I’m a city girl at heart, but because of the eclectic nature, diversity, and color that can be found in the big city. Each of the books I’ve recommended below features a big city PI that jumps off the page, grabs you, and doesn’t let go for 200+ pages.
I was shocked when I realized S.A. Lelchuck was male.
Nikki Griffin, a hardnosed San Francisco detective slash bookstore owner, is such a dynamic, fleshed-out female character I just assumed she’d been penned by a woman. Well, you know what they say about assuming. Nikki is a kick butt, take no prisoner’s PI with an agenda.
Like the PIs in the books above, she veers onto the wrong side of the tracks often. Actually, she jumps over them and runs along the wrong side of the tracks while brandishing brass knuckles and a baton.
Even when she’s breaking the law, you’re kinda okay with it because, well, Lelchuck’s bad guys are really bad.
Do you want women to do the rescuing? Are you craving a strong, independent heroine who can save herself? Did you love Killing Eve? Then this book is for you. Nikki Griffin is Villanelle - but she's on your side. * Bookseller by day. Bad ass by night.
Nikki Griffin owns a bookshop in California that has a resident cat, Bartleby. She drinks neat Jameson and rides an Aprilia motorcycle. She's a Private Investigator who spends her days talking about books and her nights fighting for women - and she could beat you in a fight, blindfolded.
Janet and I have traveled extensively and found inspiration and story ideas at every destination. As writers for more than 10 years and as fans of classic detective stories, we feel qualified to tackle this genre.
Ross MacDonald is one of the classic detective series that features a damaged leading character who finds more trouble than he knows. Many people have told us our writing style is similar to his. If you want to read classic noir, read this book. His books are hidden gems that beg to be discovered.
In a rundown house in Santa Monica, Mrs. Samuel Lawrence presses fifty crumpled bills into Lew Archer's hand and asks him to find her wandering daughter, Galatea. Described as ‘crazy for men’ and without discrimination, she was last seen driving off with small-time gangster Joe Tarantine, a hophead hood with a rep for violence. Archer traces the hidden trail from San Francisco slum alleys to the luxury of Palm Springs, traveling through an urban wilderness of drugs and viciousness. As the bodies begin to pile up, he finds that even angel faces can mask the blackest of hearts.Filled with dope,…
I’ve been a journalist who’s focused on culture, particularly film, and especially classic film and film noir. That sparked me to write two crime novels, with a third on the way, for Level Best Books. The first came out in February. The next will reach the market in May 2025. The third will come out in 2026. For more information, please go to my website.
Like other private detectives, LA-based Lew Archer sees too much—too much bad or at least questionable behavior. Here, it seems to take the form of a runaway—a rich kid who has “escaped” confinement from his exclusive 60’s reform school. Despite his lack of style and color, Archer acts confident he’ll find him. The only problem: The parents—his client—aren’t helping him very much.
His disappearance case threatens to disappear, providing an especially clever irony and supporting what I believe is author Macdonald’s favorite insight: The problem begins and ends in the family. The only question is, with all the darkness the parents create and Archer encounters, will he see enough to solve the case? I love this story, in part, becomes it’s more noir than any other Lew Archer story.
In The Far Side of the Dollar, private investigator Lew Archer is looking for an unstable rich kid who has run away from an exclusive reform school—and into the arms of kidnappers. Why are his desperate parents so loath to give Archer the information he needs to find him? And why do all trails lead to a derelict Hollywood hotel where starlets and sailors once rubbed elbows with two-bit grifters—and where the present clientele includes a brand-new corpse? The result is Ross Macdonald at his most exciting, delivering 1,000-volt shocks to the nervous system while uncovering the venality and depravity…
As a thriller writer, I have a simple goal: I want to entertain. I'm not the kind of writer whose name is coupled with the Pulitzer Prize or the National Book Award. I write the kind of stories people read to divert themselves on a rainy afternoon or on the beach or on airplanes.My hope is that I can divert and delight my readers. Help them forget the real world for a while. Give them an enjoyable reading break. If people have fun while reading my thrillers, I've done my job.
Ross Macdonald’s Lew Archer books were my introduction to the American private-detective novel. Macdonald’s work is psychologically and morally complex, with the sins of previous generations cascading through time to horrific, homicidal effects on Archer’s clients.
In Sleeping Beauty, Archer tries to help a wealthy family with more trouble than any single family should have to deal with—including a missing girl, an oil spill, a ransom demand, and a corpse floating off a private beach. As Archer works his case, he untangles long-lost memories, the results of arrogant decisions, and the pained, twisted relations between parents and children. Sleeping Beauty is gritty and taut. Terrific detective fiction.
In Sleeping Beauty, Lew Archer finds himself the confidant of a wealthy, violent family with a load of trouble on their hands--including an oil spill, a missing girl, a lethal dose of Nembutal, a six-figure ransom, and a stranger afloat, face down, off a private beach. Here is Ross Macdonald's masterful tale of buried memories, the consequences of arrogance, and the anguished relations between parents and their children. Riveting, gritty, tautly written, Sleeping Beauty is crime fiction at its best.
If any writer can be said to have inherited the mantle of Dashiell Hammett and Raymond Chandler, it is Ross…
