Here are 81 books that The Friends of Eddie Coyle fans have personally recommended if you like
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I have loved crime fiction since encountering it in college. After seeing the Bogart-Bacall version of The Big Sleep, I read the underlying Raymond Chandler novel and was hooked. I devoured Chandler’s other works and moved on to James M. Cain, Jim Thompson, John D. MacDonald, and others. Later I discovered the crime novels of Charles Williams, Day Keene, Gil Brewer, and other “pulp masters.” Loving those novels led me to try my hand at writing crime fiction, and Stark House Press has now published five of my novels with another on the way. My crime-writing career is an unusual path for someone whose M.A. thesis is on Jane Austen!
I think The Hot Spot is perhaps the best of several noir novels by Charles Williams, a writer who deserves to be better known.
Originally published as Hell Hath No Fury, The Hot Spot, well filmed under that title in 1990, chillingly illustrates the claimed truth of the proverb about a woman scorned. As readers, we cannot help but like Harry Madox, a clever but semi-sleazy used-car salesman who robs a bank in a small Texas town and sleeps with his boss’s boozy wife before falling in love with a younger, more innocent woman.
Then Harry learns to his dismay that the boss’s wife is determined to keep him from having the things he now realizes he really wants. Re-reading this novel, I always root for Harry to escape from the deep pit he has dug for himself, and I keep turning the pages, hoping he will.
A dark, brooding masterpiece of guilt, greed, and lust in a town ripe for felony.
Madox wasn't all bad. He was just half-bad. But trap a man like Madox in a dead-end job in a stultifying small town, introduce him to a femme fatale like the Harshaw woman, and give him a shot at a fast fifteen thousand dollars--in a bank just begging to be knocked over--and his better nature doesn't stand a chance.
Merciless in its suspense, flawless in its grasp of the ways in which ordinary people hurtle over the edge, The Hot Spot is a superb example…
Growing up on a diet of The Godfather, The Sopranos, thrillers, and gangster novels, and living in New York City with eye-opening trips to Sicily, I became slightly obsessed with the Mafia. I came to see the American Mafia as a quintessentially American fabric, woven of family, power, immigrants, money, history, loyalty, legacy, and, yes, crime.
A history of the early 1960s in America, leading up to the assassination of JFK, seen through the eyes of the mobsters and criminals, crooked cops, spies, and sleazos who power the machines of history.
A comprehensive romp through the underbelly of American crime and politics (and you might, after reading this book, wonder what’s the difference), it’s a novel about characters you don’t like—but they’re vivid and fascinating.
Much more than a gritty gangster novel, it’s a tale about the people in history’s shadows, and, ultimately, history and the “never innocent” America itself.
The first novel in Ellroy's extraordinary Underworld USA Trilogy as featured on BBC Radio 4's A Good Read.
1958. America is about to emerge into a bright new age - an age that will last until the 1000 days of John F Kennedy's presidency.
Three men move beneath the glossy surface of power, men allied to the makers and shakers of the era. Pete Bondurant - Howard Hughes's right-hand man, Jimmy Hoffa's hitman. Kemper Boyd - employed by J Edgar Hoover to infiltrate the Kennedy clan. Ward Littell - a man seeking redemption in Bobby Kennedy's drive against organised crime.…
I’ve always loved a good crime drama/suspense thriller novel–the way they keep you glued to the pages, and you think you’ll just sit down for a quick couple of chapters before dinner, and the next thing you realize, it's 12am, and you’re on the last chapter. The depth of the character studies that you get with this genre is the other reason I enjoy it so much, there’s nothing worse than having main characters that are one dimensional and unreachable as a reader. I have always tried to create this kind of character depth and gripping narrative in my own books.
I really liked the way Puzo really nails the intricate plot with his straightforward writing style. He takes you through intricate events that jump around in time, keeping you hooked and on the edge of your seat.
The progression of the characters is another great bit. As a reader, you watch as Michael turns from a war hero with the potential to be a great guy into a ruthless mafia boss, almost as if it were destiny or repercussions for his father’s mistakes.
_________________________________ The classic novel that inspired 'the greatest crime film of all time'
Tyrant, blackmailer, racketeer, murderer - his influence reaches every level of American society. Meet Don Corleone, a friendly man, a just man, a reasonable man. The deadliest lord of the Cosa Nostra. The Godfather.
But no man can stay on top forever, not when he has enemies on both sides of the law. As the ageing Vito Corleone nears the end of a long life of crime, his sons must step up to manage the family business. Sonny Corleone is an old hand, while World War II…
Truth told, folks still ask if Saul Crabtree sold his soul for the perfect voice. If he sold it to angels or devils. A Bristol newspaper once asked: “Are his love songs closer to heaven than dying?” Others wonder how he wrote a song so sad, everyone who heard it…
It’s all my father-in-law’s fault. Before I ran into him, I was a card-carrying “literary” high-brow. Shoot, I was reading Faulkner’s “The Bear” in high school and thought I would be the next generation Steinbeck if I ever got around to writing novels. But one weekend, while visiting my wife’s folks, I found myself with nothing to read—a problem solved by my father-in-law’s complete collection of Richard Stark novels. Those books knocked me head-over-heels, which is why when I did get around to writing novels, the first six were hard-edged crime fiction.
This book pulled me from classical American literature (think Steinbeck, Faulkner, and Hemingway) to hardboiled crime fiction, and I haven’t come up for air since.
I was captured by both the substance and the style—the rich possibilities of an antihero protagonist delivered in a prose as direct and compelling as a bullet to the brain. After this one, I couldn’t stop until I had devoured the entire series!
You probably haven't ever noticed them. But they've noticed you. They notice everything. That's their job. Sitting quietly in a nondescript car outside a bank making note of the tellers' work habits, the positions of the security guards. Lagging a few car lengths behind the Brinks truck on its daily rounds. Surreptitiously jiggling the handle of an unmarked service door at the racetrack.They're thieves. Heisters, to be precise. They're pros, and Parker is far and away the best of them. If you're planning a job, you want him in. Tough, smart, hardworking, and relentlessly focused on his trade, he is…
The roots of my debut novel Charlesgate Confidentialare in the time I spent in Boston, most notably the three years I lived in the Charlesgate building when it was an Emerson College dormitory. I always wanted to find a way to write about that time, but it wasn’t until I immersed myself in the world of Boston crime—not only the novels of Higgins, Lehane, and company but nonfiction works like Black Massand movies like The Departedand The Town—that I hit on the way to tell my story. I’ll always be excited for new Boston-based crime fiction, and I’m happy to share these recommendations with you.
After Robert B. Parker, Lehane is the most successful and skilled descendant of Eddie Coyle (a debt he acknowledges in his introduction to a reissue of the Higgins book). While you can’t go wrong with any of the entries in his Kenzie/Gennaro detective series (or his later historically-based trilogy), this stand-alone novel about three childhood friends brought back together by a crime one of them may have committed is his most powerful work, as well as the novel that first spurred my interest in trying my hand at Boston-based crime fiction.
This New York Times bestseller from Dennis Lehane is a gripping, unnerving psychological thriller about the effects of a savage killing on three former friends in a tightly knit, blue-collar Boston neighborhood.
When they were children, Sean Devine, Jimmy Marcus, and Dave Boyle were friends. But then a strange car pulled up to their street. One boy got into the car, two did not, and something terrible happened—something that ended their friendship and changed all three boys forever.
Twenty-five years later, Sean is a homicide detective. Jimmy is an ex-con who owns a corner store. And Dave is trying to…
I have loved crime fiction since encountering it in college. After seeing the Bogart-Bacall version of The Big Sleep, I read the underlying Raymond Chandler novel and was hooked. I devoured Chandler’s other works and moved on to James M. Cain, Jim Thompson, John D. MacDonald, and others. Later I discovered the crime novels of Charles Williams, Day Keene, Gil Brewer, and other “pulp masters.” Loving those novels led me to try my hand at writing crime fiction, and Stark House Press has now published five of my novels with another on the way. My crime-writing career is an unusual path for someone whose M.A. thesis is on Jane Austen!
I have loved this novel since first reading it in college—probably when I should have been studying for exams!
Double Indemnity is one of the first and best American noir novels and served as the basis for the 1944 film by the same name. The novel taught me about the classic noir trap: a basically good but flawed man helps a basically bad but attractive woman in an effort to murder her husband, the good/flawed man hoping to end up with both the woman and the money.
But things seem fated to go wrong, and what starts out as a bleak tale ends up even bleaker—at the dark end of a one-way street. Since reading this powerful novel—and seeing the equally powerful film with its crackling dialogue by famed hardboiled crime writer Raymond Chandler—I have never looked at life quite the same way again.
Walter Huff is an insurance investigator like any other until the day he meets the beautiful and dangerous Phyllis Nirdlinger and falls under her spell. Together they plot to kill her husband and split the insurance. It'll be the perfect murder ...
Liza O’Connell was a horror buff in every sense of the word. But there was one deadly nightmare she would never be able to talk about … her own. A friend murdered. A business in trouble. A marriage struggling to survive. And that’s just the beginning.
My family moved frequently and, as a result, I was raised in a number of different small towns in Montana, Nebraska, Kansas, Texas, and Massachusetts. I now live in a large city but the experience has never left me. There was always a certain amount of crime and corruption in the towns I grew up in, but I only had a child’s eye view of it. However, a child’s eye view is usually the most vivid. This experience and the books that I have listed above all had a direct influence on Blue Hotel.
Road to
Perdition takes place during the Great Depression. Like my book,
it concerns a man who betrays his Chicago Irish-American mob boss and is forced
to flee for his life (accompanied by his young son in this case), pursued by a
relentless killer sent by his former boss. Superficially, what appealed to me
was the Depression-era atmosphere that the author of Road to Perdition created.
On a deeper level, it appealed to me as a story of a man in a battle for the
soul of his son. The man, an enforcer for his gangland boss, considers his own
soul to be irredeemably lost because of the crimes he has committed, not only
survive but to thrive.
First there was Max Allan Collins' legendary graphic novel...then came the Academy Award winning movie and his bestselling screenplay novelization. Now Collins presents an epic new novel, combining and expanding upon all that came before, to create the ultimate version of his unforgettable story.;
Depression-era Chicago is awash in liquor and blood, ruled by guns, graft, and gangsters like John Looney. His most feared enforcer is Michael O'Sullivan, known as the "Angel of Death." But when O'Sullivan's twelve-year-old son witnesses a gangland murder committed by Looney's brutal son, O'Sullivan's entire family is marked for execution to cover up the crime.…
Richard Vetere’s screenplay Caravaggio won The Golden Palm for the Best Screenplay at the 2021 Beverly Hills Film Festival. He co-wroteThe Third Miraclescreenplay adaptation of his own novel. The movie was produced by Francis Ford Coppola, starring Ed Harris and Anne Heche and directed by Agnieszka Holland released by Sony Pictures Classics. His teleplay adaptation of his stage playThe Marriage Foolstarring Walter Matthau and Carol Burnett is the most viewed CBS movie ever and is currently running on Amazon. He also wrote the cult classic film Vigilantecalled by BAM as one of the “best indies of the 1980s.”
Richard Condon shows the mob as a family of degenerates, violent felons who are still human beings who also fall in love. The focus on the novel is how a hit man, looking to embellish his career, dates a big mob guy’s daughter, only to fall in love with another killer who is a woman. She has been hired to kill him but she also is in love with him. Published in 1982 , the novel captures the entanglements of a soap opera with real bite. The movie with Jack Nicholson is also top rate.
A darkly funny novel of mobsters, murder, and marriage: “The surprise ending will knock your reading glasses off.” —The New York Times
Charley Partanna works as a hitman for the Prizzis, New York’s most dangerous crime family. When he meets Irene Walker, an LA-based tax consultant, it’s pretty much love at first sight.
But Irene also moonlights as a hit woman—and had a hand in a big-money heist in Vegas. Now Charley has been told that she’s got to go. Faced with divided loyalties, he must make a choice—between the only family he’s ever known and the woman he loves.…
I’ve been a long-form journalist for more than 50 years, a voracious reader of both nonfiction and fiction for even longer, and am the author of three true-crime books (as William Swanson) and five suspense novels (as W.A. Winter). I especially love noir fiction, the darker and grittier the better, with complex story lines, multiple characters, adult situations and language, and no happy endings. I’m currently at work on another thriller, this one, like its predecessors, set in post-World War II Minneapolis, where and when I grew up.
Just about any of Leonard’s several dozen suspense novels could have a top spot in this reckoning, including the better known Get Shorty, Freaky Deaky, and Glitz. My vote for the best goes, however, to Killshot, his dark, deftly plotted, highly comedic 1989 thriller about two bumbling killers and a ballsy middle-aged married couple the killers mistake for easy marks. Armand Degas, a soulful Ojibway known as the Blackbird, has grown tired of being a hit man for the Detroit mob. He’s befriended by a moronic thug named Richie Nix, whose bucket list includes robbing a bank in every state. When they decide that Carmen, a real estate agent, and her steelworker husband Wayne Colson hold the keys to a fortune, they learn that, like the Bible says, the wages of sin is death.
The King of Cool returns with another thrilling tale of crime capers.
Arman 'The Blackbird' Degas is a professional hitman: one shot, one kill. But when he's carjacked by ex-con Richie Nix, he finds himself with a lethal partner.
Nix is on his way to shake down a realtor and the Blackbird is along for the ride. But they don't count on Carmen and Wayne Colson getting in their way. Exposed as eyewitnesses, the Colsons are placed in witness protection but soon discover the program contains as many predators as the underworld they're hiding from. But can they outrun the…
Riley Masterson has moved to Greenbrier, SC, anxious to escape the chaos that has overwhelmed her life.
Questioned in a murder in Alabama, she has spent eighteen months under suspicion by a sheriff’s office, unable to make an arrest. But things in gentrifying Greenbrier are not as they seem. As…
I’ve been writing crime stories since I was a child. They entertained me and helped me cope with a lot of family strife. My first novel was published in college and sold to the movies, which got me into screenwriting, leading to writing hundreds of hours of TV and fifty novels to date. The one thing all of my stories share is humor because I believe it’s an essential part of life–and of memorable story-telling. Humor makes characters come alive, revealing shades of personality and depths of emotion you wouldn’t otherwise see. Here are five books that taught me that it’s true and that continue to influence me as a writer.
Creative writing instructors (and later TV showrunners and network executives) taught me that the protagonist in a crime story can be flawed, but he has to be likable, someone you want to spend time with and who you will root for.
They were all wrong. The detective hero of this book borders on repulsive, and the world he lives in is dark, violent, and a touch grotesque…but also very, very funny. The humor not only makes it all palatable but somehow even more vivid and powerful. And entertaining, oh, how entertaining.
There may not be a single likable character in the whole book, and I don’t care. I love every word.
After a brutal day investigating a quadruple homicide, Detective Hoke Moseley settles into his room at the un-illustrious El Dorado Hotel and nurses a glass of brandy. With his guard down, he doesn’t think twice when he hears a knock on the door. The next day, he finds himself in the hospital, badly bruised and with his jaw wired shut. He thinks back over ten years of cases wondering who would want to beat him into unconsciousness, steal his gun and badge, and most importantly, make off with his prized dentures. But the pieces never quite add up to revenge,…