I’ve been writing crime stories since I was a child. They entertained me and helped me cope with a lot of family strife. My first novel was published in college and sold to the movies, which got me into screenwriting, leading to writing hundreds of hours of TV and fifty novels to date. The one thing all of my stories share is humor because I believe it’s an essential part of life–and of memorable story-telling. Humor makes characters come alive, revealing shades of personality and depths of emotion you wouldn’t otherwise see. Here are five books that taught me that it’s true and that continue to influence me as a writer.
This book changed my life. Honest to God. I always wanted to be a novelist and TV writer, but this book made me believe I could. I can still remember exactly where I was when I read it–late at night, in a sleeping bag in an old wooden cabin at Loon Lake, Washington.
I marveled at how the characters and story emerged almost entirely through the dialogue, which is so snappy, clever, and funny that the original book cover was just an excerpt of it against a black background. But MacDonald also manages to strike a perfect balance between laugh-out-loud humor and the mystery-crime story he’s telling without sacrificing the puzzle's suspense or pleasure.
I didn’t know if I could ever be a prose stylist, but this book showed me that I didn’t have to be. I just needed to capture how people talked, how they saw the world, and where they found the humor in life or in themselves. Ten minutes after I finished the book, I started reading it again. I had to know how he pulled it off…and if I could do the same thing.
Book one in the bestselling mystery series that brought to life an iconic literary antihero of subversion and schemes Fletch, investigative reporter extraordinaire, can’t be bothered with deadlines or expense-account budgets when it comes to getting his story.
Working undercover at the beach to dig up a drug-trafficking scheme for his next blockbuster piece, Fletch is invited into a much deeper narrative. Alan Stanwyk, CEO of Collins Aviation and all-around family man, mistakes the reporter for a strung-out vagabond and asks him for a favor: kill him and escape to Brazil with $50,000. Intrigued, Fletch can’t help but dig into…
Spy novels, especially the British ones, are densely plotted, densely written, densely serious stories full of politics and betrayals…without a smile to be had by the characters or the reader. The only funny ones are satires. But this book is different.
I could enjoy all the pleasures of a spy novel, with all the betrayals and plot twists, and find myself laughing even as I was caught up in the suspense and surprises. If anything, the laughs made the twists more twisty and the tragedies more tragic.
This book revitalized an entire genre for me…by knowing where to find the humor in what was always portrayed as a humorless job in a humorless world.
'To have been lucky enough to play Smiley in one's career; and now go and play Jackson Lamb in Mick Herron's novels - the heir, in a way, to le Carre - is a terrific thing' Gary Oldman
Slough House is the outpost where disgraced spies are banished to see out the rest of their derailed careers. Known as the 'slow horses' these misfits have committed crimes of drugs and drunkenness, lechery and failure, politics and betrayal while on duty.
In this drab and mildewed office these highly trained spies don't run…
This is my favorite book of all time, by far. It’s a sprawling, epic Western for people who don’t like Westerns. But that’s just one of the many things it does brilliantly.
McMurtry was the master at finding humor in every character, no matter how loathsome or pitiful, and in every situation, no matter how heart-breaking or violent, without sacrificing or undercutting anything for a laugh. He makes the humor seem as natural as breathing, crying, or bleeding, which is a vital coping mechanism for dealing with life…it certainly is in my own.
But McMurtry taught me how to incorporate that into my storytelling and how important humor is in humanizing characters. It’s how he got me to emotionally invest in his characters and almost believe they are real. Perhaps that’s why this novel is the only one I have re-read multiple times in my life that I still wish would never end. And each time I read it, I fall in love again with reading and writing fiction.
Larry McMurtry's Pulitzer Prize winning novel is a powerful, triumphant portrayal of the American West as it really was. From Texas to Montana, it follows cowboys on a grueling cattle drive through the wilderness.
It begins in the office of The Hat Creek Cattle Company of the Rio Grande. It ends as a journey into the heart of every adventurer who ever lived . . .
More than a love story, more than an adventure, Lonesome Dove is an epic: a monumental novel which embraces the spirit of the last defiant wilderness of America.
If you have a lot of things you want to say about war, sexism, rape, homosexuality, feminism, bears, hookers, literature, marriage, Vienna, politics and wrestling…or anything else in your fiction, you’d better do it with humor.
Irving had a LOT he wanted to say, but he made it entertaining and unforgettable with his shrewd humor. I was so busy laughing and crying that I didn’t realize how much I was absorbing thematically and politically from the wonderful, epic story…or how memorable it would be for me, even decades after I read it.
This was brilliant alchemy I could use myself…if I could figure out out how it worked. Irving taught me that if I wanted to communicate ideas and get someone to sit through a book that weighs ten pounds, then humor is the way to do it because the message gets through even deeper, perhaps even insidiously.
A masterpiece from one of the great contemporary American writers.
'A wonderful novel, full of energy and art, at once funny and heartbreaking...terrific' WASHINGTON POST
Anniversary edition with a new afterword from the author.
A worldwide bestseller since its publication, Irving's classic is filled with stories inside stories about the life and times of T. S. Garp, struggling writer and illegitimate son of Jenny Fields - an unlikely feminist heroine ahead of her time.
Beautifully written, THE WORLD ACCORDING TO GARP is a powerfully compelling and compassionate coming-of-age novel that established John Irving as one of the most imaginative writers…
Creative writing instructors (and later TV showrunners and network executives) taught me that the protagonist in a crime story can be flawed, but he has to be likable, someone you want to spend time with and who you will root for.
They were all wrong. The detective hero of this book borders on repulsive, and the world he lives in is dark, violent, and a touch grotesque…but also very, very funny. The humor not only makes it all palatable but somehow even more vivid and powerful. And entertaining, oh, how entertaining.
There may not be a single likable character in the whole book, and I don’t care. I love every word.
After a brutal day investigating a quadruple homicide, Detective Hoke Moseley settles into his room at the un-illustrious El Dorado Hotel and nurses a glass of brandy. With his guard down, he doesn’t think twice when he hears a knock on the door. The next day, he finds himself in the hospital, badly bruised and with his jaw wired shut. He thinks back over ten years of cases wondering who would want to beat him into unconsciousness, steal his gun and badge, and most importantly, make off with his prized dentures. But the pieces never quite add up to revenge,…
Barstow, California, is a decaying city in the scorching Mojave desert, but it's the only place where ex-LAPD detective Beth McDade, after a staggering fall from grace, could get another badge and a shot at redemption.
Over a century ago, and just a few miles further into the bleak landscape, a desperate stranger ended up in Calico, a struggling mining town, hoping for a second chance. His fate, all those years ago, and hers today are linked in ways they could never imagine…and that could change the world.
I have been writing for many years, and my main preference is political thrillers with criminal overtones. I first became interested in politics when I worked at several political conferences in the 60’s and 70’s. I have been involved in several criminal cases, including my own, and within my family, I have a nephew in the police force. For many years I have had the opportunity to mix with the upper tiers of society as well as the criminal classes and this has given me great insight into creating my characters and plots.
Pete West, a political columnist, travels to Prague to find a missing diplomat, later found murdered. He attempts to discover more about a cryptic note received from the diplomat and is immediately entangled in the secret Bilderberg Club’s strategy to form a world federation.
Pete meets a Czechian agent who wants asylum. She has a murdered EU Commissioner’s diary containing clues to the civil unrest planned by the club, encrypted in algebraic chess notations. West seeks answers and links up with retired MI6 officer Tosh. While escaping would-be captors, they decode enough chess moves to reveal the anarchy of the…
Pete West, a political columnist, travels to Prague to find a missing diplomat, later found murdered. He attempts to discover more about a cryptic note received from the diplomat and is immediately entangled in the secret Bilderberg Club’s strategy to form a world federation.
Pete meets a Czechian agent who wants asylum. She has a murdered EU Commissioner’s diary containing clues to the civil unrest planned by the club, encrypted in algebraic chess notations. West seeks answers and links up with retired MI6 officer Tosh. While escaping would-be captors, they decode enough chess moves to reveal the anarchy of the…
