Fans pick 100 books like Death and the Seaside

Overstuffed and labyrinthine, Eco’s novel dives into a highly academic rabbit hole of conspiracy theories that toss me head over heels like a strong wave in the ocean. It reads a bit like The DaVinci Code written by Thomas Pynchon (who we’ll get to in a minute), the paranoias stemming from historical entities like the Knights Templar and the Rosicrucians.

I’d be hard-pressed to provide an accurate summary of events, but it all makes for a pleasantly bewildering reading experience.

This is Agatha Christie's creepiest novel. A love story between a chauffeur and an heiress, who move to a majestic house in the countryside and find themselves the victims of a local curse. Strange things start to happen. But is any of it real? The shocking truth doesn't become clear until the last few pages.

This is Auster exploring all the themes he’s well known for now, and crafting them into a beautifully absurd almost surreal tale. Not strictly a noir book this has a protagonist struggling with his place in the world and his identity, whilst getting drawn into situations out of their control—all tropes which are seminal to the genre. 

Auster’s first book released under the pseudonym Paul Benjamin, called Squeeze Play, is a more typical crime, or pulp noir. And it's easy to see his blend into literary fiction whilst holding the noir handles close for The Music of Chance.

Often writers start out literary then a genre attaches itself. Here, Auster appears to have hit big by penning a commercially aimed work, then shifting back to where his core themes ring out.

I’m a huge fan of these themes he’s so good at; stories within stories, back-tales of characters,… show more.

A history of the early 1960s in America, leading up to the assassination of JFK, seen through the eyes of the mobsters and criminals, crooked cops, spies, and sleazos who power the machines of history.

A comprehensive romp through the underbelly of American crime and politics (and you might, after reading this book, wonder what’s the difference), it’s a novel about characters you don’t like—but they’re vivid and fascinating.

Much more than a gritty gangster novel, it’s a tale about the people in history’s shadows, and, ultimately, history and the “never innocent” America itself. 


I first met Laura at Theakston’s Crime Writing Festival in Harrogate not long after reading her debut novel, Friend Request and I’ve been a fan of her writing ever since.

And so, when I was offered an advance copy of My Husband’s Killer, I jumped at the chance. Laura does interpersonal relationships brilliantly and I knew I was in for an intriguing read.

The novel opens as the victim’s widow prepares for his funeral, having learned a shocking secret about her husband who drowned off the Amalfi coast.

What she thought had been an accident now looks very different and so we go back in time, gradually filling in the gaps until the truth emerges.

At the age of seventy-two, William Golding, British author of Lord of the Flies, set off on a trip down the Nile with his wife and an Egyptian guide. Golding had long had a burning passion for Egypt, stating that ". . . for the last sixty years I must have read every popular book ever written about Egypt." But as his journalistic observations illustrate, there was still so much more to be learned by personal experience. I love this book for Golding's wry, gentle sensibility, his cozy erudition, his intellectual warmth, his wisdom about life and interpersonal relationships in general, and his wonderful sense of humor. I laughed aloud at many points in this book.

I appreciated how this book took on the challenge of applying advanced mathematical modeling and simulation techniques to gain new insights into the social evolution of norms and institutions in societies, which is a critical topic in many fields, including conflict and peace economics.

I learned much from the book’s coverage of selected conflict and peace topics such as riots, revolutions, the 2010 Arab Spring movement, and the social evolution of cooperation. I especially like how the mathematical models in the book are described intuitively using wonderfully imaginative diagrams.

In this way, both the mathematically and non-mathematically inclined can come away with a richer understanding of human behavior in dynamically changing social systems.

Leavitt’s story is a fairytale and like all good fairytales, there is a handsome prince except this one is played by Lord Death himself.

I love Keturah. She is brave enough not to be afraid and big-hearted enough to see beyond Death’s terrifying purpose to the underlying sadness of the feared and hated outsider. Through the course of the book, she also comes to appreciate the meaning he brings to life.

“It was Death who…made her see the sun in the blue sky and hear the trees in a spring wind. He made her see how much she loved her friends…Made her love the breath in her lungs. She knew she had never been truly alive as when she met him. Never so happy and content with her lot until she was touched by the sorrow of him.”

Though you couldn’t pay me one million dollars to wear giant shoulder pads again, I’m taking you there with this one because it’s all about eighties fashion with The Carrie Dairies. And who can resist, because those high-waisted acid-wash jeans seem to have come back full circle to haunt us.  

This book was a bit removed from my usual picks, but I couldn’t resist with all the hype about The Carrie Diaries TV show. It’s a Sex and the City flashback to Carrie Bradshaw’s 1980’s senior year. And like the wildly popular, decade-defining television show, this book series has everything for your guilty pleasures. Really, it’s a super-fun easy read and serves to answer those nagging questions we all had about Carrie’s past when SATC was at its height. But proceed with caution. You may find yourself slapping on some blue eyeliner and iridescent lip stick.  

If you’ve been avoiding having a difficult conversation, this book is for you.

It provides a step-by-step guide for preparing to have difficult conversations and navigating the waters once you’re in them, both personally and professionally. You’ll learn to see your own defensive barriers to communicating well (defensiveness to silence) and how to apply strategies for overcoming these obstacles and creating a safe and productive environment.

It’s a valuable resource you’ll come back to again and again, because people are complex, and communication is the bridge to building trust.