100 books like She Rides Shotgun

This wonderful novel features a journalist, Mikala Blomkvist, searching for a highly respected, long-lost member of a notable family. Once again, government corruption is rampant in the investigation.

A special aspect of this novel is the introduction of Lisbeth Salander, a brash, tattooed young woman with an abrasive personality matched only by her singular skills. I loved this character, who is incredibly unique.

This book takes place in Boston during the broiling hot summer of ‘74. The protagonist of Lehane’s sublime novel is Mary Pat Fennessy, a hard-bitten mother from the Southie projects who took a look at this list of tough guys, chuckled, punched the #5 guy in the throat, and took over his spot.

Mary Pat’s teen daughter is missing, the Irish mob may know more about it than they’re letting on, and all the while, the desegregation of the public schools has turned the city into a violent racial hotbox. In Small Mercies, Mary Pat navigates searing issues of loyalty and justice. Race and grief, and as intense pressures converge on both her and the city, she responds the only way she knows how—by coming out swinging. 

Brian is a fellow Georgia author and a friend. I was gobsmacked by his first novel, Bull Mountain, so when he asked if I would blurb the sequel, Like Lions, I didn’t hesitate a nanosecond.

There are evildoings galore: violent criminals, drug-running, revenge killings, and a hunt for buried millions. But our hero Sheriff Clayton Burroughs is a damaged soul, dependent on alcohol and painkillers, so three powerful female characters step up to the plate.

I loved Clayton’s wife Kate, fiercely loyal and protective of her family. Vanessa is a shadowy outsider, both deadly and compassionate. And Twyla Viner is the aging matriarch of another criminal family that has a bone or two to pick with Clayton. The lions in this book are the women, and they rule this jungle.

Amanda Kyle Williams quit school at sixteen, was diagnosed with dyslexia at twenty-two, and read her first book at twenty-three. She overcame addiction and wrote while working odd jobs, becoming a best-seller with her Keye Street series.

My wife heard Amanda speak at a dyslexia conference and told her about her husband who wanted to write books; later when I met Amanda at the Decatur Book Festival, she smiled and said, “Oh, yeah, you’re the writer.”

I love her protagonist Keye, a private investigator in Atlanta and former FBI profiler. She’s funny and gutsy and wrestles with her own demons. Don’t Talk to Strangers, the third in the series, is as good as the first two. Amanda died of cancer in 2018, but she left behind a tremendously inspiring legacy in both Keye and her own incredible story.

I’m fascinated by the Manson family; my big bad in my book is essentially doing a Charlie impression, so I’ve read a lot about America’s Boogeyman. This autobiography stands out from the crowd because of its absolutely bonkers voice. Every trigger warning in the world applies, but there are two worthwhile aspects to this lurid tale: one, how much institutional violence created Manson, who spent his adolescence and young adult life in the penal system (when they released him at 32 he begged to stay in jail.) And two, how the charismatic “family” could easily pass for some carefree Instagram influencers these days.  

I loved this book because it put me right there in the life, with all the violence, plots, girlfriends, and craziness. Author Nicholas Pileggi is a master of the craft. He drew me in immediately by capturing the voice of Henry Hill; mob associate turned informant.

I learned things I didn’t know–and some things I didn’t want to know–about the life. When I saw Goodfellas, the Martin Scorsese movie based on the book, it all rang true again.

Richard Condon shows the mob as a family of degenerates, violent felons who are still human beings who also fall in love. The focus on the novel is how a hit man, looking to embellish his career, dates a big mob guy’s daughter, only to fall in love with another killer who is a woman. She has been hired to kill him but she also is in love with him. Published in 1982 , the novel captures the entanglements of a soap opera with real bite. The movie with Jack Nicholson is also top rate.

In adapting Nicholas Pileggi’s 1985 non-fiction Wiseguy for film, Martin Scorsese delivered a “staged documentary,” depicting a far more gritty and authentic account of organized crime than Mario Puzo’s Godfather trilogy.

Much of what makes Pileggi’s masterpiece work is how he captures South Brooklyn culture as it morphs from the 1950s through the 1980s. Pileggi’s tale of the tarnishing of the Golden Era of Italian American organized crime is recounted from the pedestrian perspective of un-makeable underling and ultimate-turncoat Henry Hill.

That bygone Brooklyn landscape leaps off the pages, from its gambling dens and gangster bars, to its corner cafes, criminal courts, and cab stands. BONUS: Pileggi’s no-nonsense non-fiction prose, peppered with Hill’s verbatim account, delivers even more days-in-the-lives of lowlifes than Scorsese could ever have packed into his classic film. 

Locations of interest: The Prospect Park Zoo (stand-in for The Tampa Zoo); Smith Street in Red Hook (Jimmy Conway’s… show more.

Traumatized at the age of eight, causing him to be mute for ten years, Michael has a talent. He can pick any lock, no matter how complicated, and that includes safes. You can see where I’m going with this, right? It doesn’t take long to find out where that questionable talent leads him, because he’s just been released from a ten-year stint in prison. Michael is a heartbreaking character who is unwittingly led down the wrong path. The author unfolds the story through Michael’s narrative, slipping back and forth in time to explain how he got where he is, culminating in the tragic moment that sent Michael into his world of silence. The story is original and creative in character delineation and suspense.

Few scholars have done more to demystify the nature of crime in Mexico than Pablo Piccato. His book City of Suspects is a nuanced history that reveals that the very meaning of crime was contested in early twentieth-century Mexico City. While Mexican elites tried to define criminals as a social class, the urban poor, who experienced crime as a part of their everyday lives, saw crime as an individual phenomenon. This book, like the others on this list, is also a story about the ways people used and thought about public space. At a time when Mexico’s government sought to transform the capital into a modern metropolis along the lines of Paris or New York, the poor resisted efforts to exclude them from that future.