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I have long had an interest in government conspiracies and have spent hundreds of hours researching the many experiments our government has foisted upon an unsuspecting populous. When the Church Committee released info on Projects MK Ultra, Bluebird, Artichoke, and others, people were stunned to realize what had been going on. Movies such as The Matrix dealt with mind control and the attempt to create the perfect soldier, and I am convinced such research and experimentation continues today.
This wonderful novel features a journalist, Mikala Blomkvist, searching for a highly respected, long-lost member of a notable family. Once again, government corruption is rampant in the investigation.
A special aspect of this novel is the introduction of Lisbeth Salander, a brash, tattooed young woman with an abrasive personality matched only by her singular skills. I loved this character, who is incredibly unique.
Forty years ago, Harriet Vanger disappeared from a family gathering on the island owned and inhabited by the powerful Vanger clan. Her body was never found, yet her uncle is convinced it was murder - and that the killer is a member of his own tightly-knit but dysfunctional family.
He employs disgraced financial journalist Mikael Blomkvist and the tattooed, truculent computer hacker Lisbeth Salander to investigate. When the pair link Harriet's disappearance to a number of grotesque murders from forty years ago, they begin to unravel a dark and appalling family history.
I love crime fiction, but the genre can be very much a boys’ club where women are sometimes reduced to femmes fatales or victims who need to be saved. When I look at my bookshelves, I realize how many of the books I’ve read are written by men about men. There’s nothing wrong with stories about men, but I have a lot of strong women in my life, and I’ve learned so much from listening to their perspectives. As a writer, I like pushing myself to try and create strong female characters who find themselves ensnared in a crime and have to figure their way out.
This book grabbed me by the throat and refused to let go.
Jordan Harper does more with suggestion and a few well-crafted sentences than some writers accomplish in an entire novel. When he needs to be brutal, he’s a monster. When he needs to be tender, your eyes sting.
Polly is both a badass and a little girl—I don’t know how Harper pulled that off. And I have never cared so much about a stuffed animal as I have Polly’s teddy bear.
*WINNER OF A 2018 EDGAR AWARD FOR BEST DEBUT NOVEL*
*WINNER OF AN ALEX AWARD FROM THE ALA*
NAMED A BEST BOOK OF 2017 BY St. Louis Post-Dispatch • Booklist
A propulsive, gritty novel about a girl marked for death who must fight and steal to stay alive, learning from the most frightening man she knows—her father.
Eleven-year-old Polly McClusky is shy, too old for the teddy bear she carries with her everywhere, when she is unexpectedly reunited with her father, Nate, fresh out of jail and driving a stolen car. He takes her from the front of her school…
I’m a 23-year city cop who spends a fair amount of time around hard cases, from veteran co-workers to repeat felons. I’ve always been fascinated by formidable fictional heroes who succeed despite overwhelming odds. It’s an art to create a protagonist who is memorably and realistically resilient. I strove for this in my debut novel. The authors above delivered and then some.
This book takes place in Boston during the broiling hot summer of ‘74. The protagonist of Lehane’s sublime novel is Mary Pat Fennessy, a hard-bitten mother from the Southie projects who took a look at this list of tough guys, chuckled, punched the #5 guy in the throat, and took over his spot.
Mary Pat’s teen daughter is missing, the Irish mob may know more about it than they’re letting on, and all the while, the desegregation of the public schools has turned the city into a violent racial hotbox. In Small Mercies, Mary Pat navigates searing issues of loyalty and justice. Race and grief, and as intense pressures converge on both her and the city, she responds the only way she knows how—by coming out swinging.
“Small Mercies is thought provoking, engaging, enraging, and can’t-put-it-down entertainment.” — Stephen King
The acclaimed New York Times bestselling writer returns with a masterpiece to rival Mystic River—an all-consuming tale of revenge, family love, festering hate, and insidious power, set against one of the most tumultuous episodes in Boston’s history.
In the summer of 1974 a heatwave blankets Boston and Mary Pat Fennessy is trying to stay one step ahead of the bill collectors. Mary Pat has lived her entire life in the housing projects of “Southie,” the Irish American enclave that stubbornly adheres to…
I love crime fiction, but the genre can be very much a boys’ club where women are sometimes reduced to femmes fatales or victims who need to be saved. When I look at my bookshelves, I realize how many of the books I’ve read are written by men about men. There’s nothing wrong with stories about men, but I have a lot of strong women in my life, and I’ve learned so much from listening to their perspectives. As a writer, I like pushing myself to try and create strong female characters who find themselves ensnared in a crime and have to figure their way out.
Brian is a fellow Georgia author and a friend. I was gobsmacked by his first novel, Bull Mountain, so when he asked if I would blurb the sequel, Like Lions, I didn’t hesitate a nanosecond.
There are evildoings galore: violent criminals, drug-running, revenge killings, and a hunt for buried millions. But our hero Sheriff Clayton Burroughs is a damaged soul, dependent on alcohol and painkillers, so three powerful female characters step up to the plate.
I loved Clayton’s wife Kate, fiercely loyal and protective of her family. Vanessa is a shadowy outsider, both deadly and compassionate. And Twyla Viner is the aging matriarch of another criminal family that has a bone or two to pick with Clayton. The lions in this book are the women, and they rule this jungle.
"A book filled with unforgettable characters and a tension that heightens with every chapter." ―The Wall Street Journal
A powerful follow up to multiple award-winning debut Bull Mountain.
Brian Panowich burst onto the crime fiction scene in 2015, winning awards and accolades from readers and critics alike for his smoldering debut, Bull Mountain. Now with Like Lions, he cements his place as one of the outstanding new voices in crime fiction.
Clayton Burroughs is a small-town Georgia sheriff, a new father, and, improbably, the heir apparent of Bull Mountain’s most notorious criminal family.
One review of my books mentioned that I make heroes out of damaged people, so it’s natural I would read that kind of book. I love to see lost souls, losers, battlers for justice, and the underdogs rise above all the elements that hold them down. I think most people root for the underdogs, whether in life, in sports, or the weaker in any competition. It’s in our nature to do so. I’m a wife, mother, writer, former commercial artist, former store owner, former importer, which makes me ripe to be something new. But I think I’m done. I’ve shot my wad, done my best at whatever, and it’s always been fun.
Will Trent is a most unlikely hero of a series, especially as a GBI (Georgia Bureau of Investigation) agent. Why? Will is severely dyslexic. He can barely read and write. So why is he a top agent? His disability gives him an unusual way of looking at crimes, making his disadvantage an important element in solving those crimes. Raised in a series of orphanages and cruel foster homes, Will is like the injured puppy you want to care for and make his life better. His relationship with women is complicated, including his first-love Angie, who shares some of the same orphanage experiences; Amanda, his demanding boss; Faith, his partner; and Sarah, his true love. Will is naïve and street-smart at the same time, which makes him a fascinating hero.
When Atlanta police detective Michael Ormewood is called out to a murder scene at the notorious Grady Homes, he finds himself faced with one of the most brutal killings of his career: Aleesha Monroe is found in the stairwell in a pool of her own blood, her body horribly mutilated. As a one-off killing it's shocking, but when it becomes clear that it's just the latest in a series of similar attacks, the Georgia Bureau of Investigation are called in, and Ormewood is forced into working with Special Agent Will Trent of the Criminal Apprehension Team - a man he…
I love cozy mysteries with a touch of sweet, clean romance, a splash of faith, and, best of all—a cold, wet nose and four paws. Animals bring richness and compassion to a story. They can provide comic relief, a sympathetic ear to be scratched, a built-in radar for identifying bad guys, and unconditional love when the protagonist needs it most. My love for this genre is probably why I was drawn to it for my debut novel, which came out in August 2022. The cover is a giveaway for who has the paws in this story.
The mystery in this story is about the murder that happened years ago and three strangers who are drawn together in a small Georgia town. Memories come racing back to the residents in town when the woman who served prison time for the murder returns. The town is trying to survive and has lots of challenges.
Cody, the pet of Emily’s parents, is a link to them and a comfort to her. This is also the first story in a series. It makes you question everything and everyone in the small town.
Working as a prosecutor, trial lawyer for defendants, and as a magistrate, I’m always bothered by the misconception most people have of our criminal justice system. Unfortunately, cops are crooked, judges are corrupt, and witnesses lie on the stand. Not everyone, not every day, but more often than you would ever imagine. I write true crime books about cases where the underlying focus is on officials who are incompetent, derelict in their duties, or simply downright corrupt. The cases are always suspenseful, but justice is rarely served, and both the defendant and the public are the ones who lose.
When you live in Columbus, Georgia, this one takes on special meaning. During an eight-month period in 1977 and 1978, Columbus was terrorized by a mysterious serial killer who raped and ritualistically strangled seven elderly women in one of the community’s finer neighborhoods.
Despite intensive efforts on the part of the police, who proved to be incompetent, the Stocking Strangler, as he came to be known, managed to elude capture. After the last murder in April 1978, the case went cold. In the spring of 1984, a series of fortuitous events connected to an unrelated murder and a stolen pistol led to the capture of Carlton Gary, who had recently escaped from a South Carolina prison.
Following a dramatic trial in August 1986, Gary was convicted of three of the seven Columbus murders and sentenced to death, a penalty that would not be carried out until March 2018.
During an eight-month period in 1977 and 1978, the city of Columbus, Georgia, was terrorized by a mysterious serial killer who raped and ritualistically strangled seven elderly women in one of the community's finer neighborhoods. Despite intensive efforts on the part of police the Stocking Strangler, as he came to be known, managed to elude capture. After the last murder in April 1978, the case went cold. In the spring of 1984, a series of fortuitous events connected to an unrelated murder and a stolen pistol led to the capture of Carlton Gary, who had recently escaped from a South…
Nobody’s Magicbegan, not as the series of novellas it became, but as a collection of stories I couldn’t stop telling. And it wasn’t just my characters’ comings and goings that enthralled me. It was the way they demanded I let them tell their own stories. I enjoy reading and writing novellas because they allow space for action, voice, and reflection, and they can tackle manifold themes and conversations in a space that is both large and small. At the same time, they demand endings that are neither predictable nor neat, but rather force the reader to speculate on what becomes of these characters they’ve come to know and love.
I have loved Black literature written in Southern AAVE since reading Charles Chesnutt’sThe Conjure Woman in graduate school.But perhaps what I love most about the narrator, Octavia (also known as Sweet Pea), is that she’s fluent in many languages: the language of the hood where she lives, of the classroom where she excels, and of the playground, where her poverty is often a cause for ridicule, but where her sassy, outspoken nature is treated with grudging respect. Early 1980s Atlanta is an unsafe place for children: drugs, gangs, and the Atlanta Child Murders are threatening their very existence, and like many of the stories on my list, Octavia’s triptych also ends with a departure. However, her wit and savvy make clear that, wherever she lands, she’s going to be alright.
In the summer of 1979 black children were disappearing from the streets of Atlanta. By the time this heinous killing spree was over, 29 children were dead. This haunting menace provides a powerful backdrop to the stories of three young children fighting the painful everyday battle of adolescence. Tasha, Rodney and Octavia each has a unique voice and story and each is struggling to find a path through the turmoil. Tasha, who is coping with the separation of her parents, is discovering the first sweet pain of a crush on a tough but tender boy named Jashante from the rough…
I've been fascinated by cultures shrouded in secrets and mystery since childhood, a fascination that intensified when efforts to unravel the mystery and expose the truth were stonewalled, leading to frustrating dead-ends. I spent decades trying to uncover the truth history obscures through research that included travel to the lands of secrets, mystery, and sometimes outright lies. As a writer, I draw from experience, education, and imagination because I know it's sometimes necessary to wrap truth in fiction to protect it. The books I've selected speak to that reality.
Given to me by my paternal grandmother during a bout of insomnia, this book kept me up all night as I tried to unravel not only the plot but the characters themselves.
False starts set up for a surprise ending as the author leads readers through a setting that puts them at home in the story.
This book is an electrifying story from "New York Times" bestselling author Stuart Woods that moves from the urban chaos of Atlanta and Los Angeles to untamed island hideaways, from moments of tender passion to acts of overwhelming violence.
I was only fourteen when my father, a District Attorney in rural Georgia, was murdered by criminals later known as members of the Dixie Mafia. While I was reading a daily newspaper interview several weeks after the murder, I was surprised to find myself as a topic. My mother told a reporter that “(He) has his father’s gifts for words. Maybe one day he will write a book about it.” Nearly thirty years later, I did write the book. After the pain of that memoir, I turned to fiction, where I placed young protagonists coming of age who faced the corruption and murders of the rural south in the 1960s.
Stuart Woods's first book may be his best. Again, the setting of the book is rural Georgia, describing the terrain where I grew up and even mentioning the real cities where the fictional events took place.
I love the story because of my own growing up in small-town Georgia where my uncle was Chief of Police and other members of my family were attorneys. The flavor of the politics and how a murderer is discovered reminds me of the willful blindness and corruption that must take place for such perverse murders to happen.
Stuart Woods’s Edgar Award-winning debut novel—a classic American mystery saga about three generations of lawmen tangled in a web of passion, secrets, destiny, and murder in their small Southern town...
In the winter of 1920, the first body is found in Delano, Georgie—the naked, brutalized corpse of a young boy. It is a crime too horrific to be ignored, the first of many that will span four decades—embroiling three police chiefs in a remarkable manhunt that will expose the hatreds, fear, and festering wounds beneath the surface of their sleepy God-fearing community.
