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I have long had an interest in government conspiracies and have spent hundreds of hours researching the many experiments our government has foisted upon an unsuspecting populous. When the Church Committee released info on Projects MK Ultra, Bluebird, Artichoke, and others, people were stunned to realize what had been going on. Movies such as The Matrix dealt with mind control and the attempt to create the perfect soldier, and I am convinced such research and experimentation continues today.
This wonderful novel features a journalist, Mikala Blomkvist, searching for a highly respected, long-lost member of a notable family. Once again, government corruption is rampant in the investigation.
A special aspect of this novel is the introduction of Lisbeth Salander, a brash, tattooed young woman with an abrasive personality matched only by her singular skills. I loved this character, who is incredibly unique.
Forty years ago, Harriet Vanger disappeared from a family gathering on the island owned and inhabited by the powerful Vanger clan. Her body was never found, yet her uncle is convinced it was murder - and that the killer is a member of his own tightly-knit but dysfunctional family.
He employs disgraced financial journalist Mikael Blomkvist and the tattooed, truculent computer hacker Lisbeth Salander to investigate. When the pair link Harriet's disappearance to a number of grotesque murders from forty years ago, they begin to unravel a dark and appalling family history.
I love crime fiction, but the genre can be very much a boys’ club where women are sometimes reduced to femmes fatales or victims who need to be saved. When I look at my bookshelves, I realize how many of the books I’ve read are written by men about men. There’s nothing wrong with stories about men, but I have a lot of strong women in my life, and I’ve learned so much from listening to their perspectives. As a writer, I like pushing myself to try and create strong female characters who find themselves ensnared in a crime and have to figure their way out.
This book grabbed me by the throat and refused to let go.
Jordan Harper does more with suggestion and a few well-crafted sentences than some writers accomplish in an entire novel. When he needs to be brutal, he’s a monster. When he needs to be tender, your eyes sting.
Polly is both a badass and a little girl—I don’t know how Harper pulled that off. And I have never cared so much about a stuffed animal as I have Polly’s teddy bear.
*WINNER OF A 2018 EDGAR AWARD FOR BEST DEBUT NOVEL*
*WINNER OF AN ALEX AWARD FROM THE ALA*
NAMED A BEST BOOK OF 2017 BY St. Louis Post-Dispatch • Booklist
A propulsive, gritty novel about a girl marked for death who must fight and steal to stay alive, learning from the most frightening man she knows—her father.
Eleven-year-old Polly McClusky is shy, too old for the teddy bear she carries with her everywhere, when she is unexpectedly reunited with her father, Nate, fresh out of jail and driving a stolen car. He takes her from the front of her school…
I’m a 23-year city cop who spends a fair amount of time around hard cases, from veteran co-workers to repeat felons. I’ve always been fascinated by formidable fictional heroes who succeed despite overwhelming odds. It’s an art to create a protagonist who is memorably and realistically resilient. I strove for this in my debut novel. The authors above delivered and then some.
This book takes place in Boston during the broiling hot summer of ‘74. The protagonist of Lehane’s sublime novel is Mary Pat Fennessy, a hard-bitten mother from the Southie projects who took a look at this list of tough guys, chuckled, punched the #5 guy in the throat, and took over his spot.
Mary Pat’s teen daughter is missing, the Irish mob may know more about it than they’re letting on, and all the while, the desegregation of the public schools has turned the city into a violent racial hotbox. In Small Mercies, Mary Pat navigates searing issues of loyalty and justice. Race and grief, and as intense pressures converge on both her and the city, she responds the only way she knows how—by coming out swinging.
“Small Mercies is thought provoking, engaging, enraging, and can’t-put-it-down entertainment.” — Stephen King
The acclaimed New York Times bestselling writer returns with a masterpiece to rival Mystic River—an all-consuming tale of revenge, family love, festering hate, and insidious power, set against one of the most tumultuous episodes in Boston’s history.
In the summer of 1974 a heatwave blankets Boston and Mary Pat Fennessy is trying to stay one step ahead of the bill collectors. Mary Pat has lived her entire life in the housing projects of “Southie,” the Irish American enclave that stubbornly adheres to…
In 2038 a devastating pandemic sweeps across the world. Two decades later, Britain remains the epicenter for the Fornax variant, annexed by a terrified global community.
David Malik is as careful as any man to avoid contact with the virus. But when his sister tests positive as an asymptomatic carrier,…
I love crime fiction, but the genre can be very much a boys’ club where women are sometimes reduced to femmes fatales or victims who need to be saved. When I look at my bookshelves, I realize how many of the books I’ve read are written by men about men. There’s nothing wrong with stories about men, but I have a lot of strong women in my life, and I’ve learned so much from listening to their perspectives. As a writer, I like pushing myself to try and create strong female characters who find themselves ensnared in a crime and have to figure their way out.
Amanda Kyle Williams quit school at sixteen, was diagnosed with dyslexia at twenty-two, and read her first book at twenty-three. She overcame addiction and wrote while working odd jobs, becoming a best-seller with her Keye Street series.
My wife heard Amanda speak at a dyslexia conference and told her about her husband who wanted to write books; later when I met Amanda at the Decatur Book Festival, she smiled and said, “Oh, yeah, you’re the writer.”
I love her protagonist Keye, a private investigator in Atlanta and former FBI profiler. She’s funny and gutsy and wrestles with her own demons. Don’t Talk to Strangers, the third in the series, is as good as the first two. Amanda died of cancer in 2018, but she left behind a tremendously inspiring legacy in both Keye and her own incredible story.
If you like Karin Slaughter you'll love Amanda Kyle Williams...Two girls tied in death. Found next to each other in shallow graves in the remote wilderness outside Whisper, Georgia. One has lain there for a decade. One for only sixty days. Now their bodies have been uncovered and there is only one person who can help the local law enforcement find their killer. Former FBI profiler, bond enforcement officer and private detective. Keye Street. Her experience lets her see clues others can't find and now she is going to have to use all her skills if she is to stop…
I grew up a farm kid and then worked as a park ranger fresh out of college. This background draws me to the history of American preservation, where so much that seems natural also has deep cultural roots. I find the American South—with its combination of irony and tragedy, beauty, and flaws—the most fascinating place on earth to study. Or maybe I’m just pulling for the home team.
This history of Providence Canyon in southwestern Georgia explores a seemingly ironic state park: one dedicated to preserving a network of massive erosion gullies formed by poor cotton farming. But Providence Canyon is so much more than ironic, as this book beautifully illustrates. Yes, improvident farming harmed the land—as was the case across much of the South—but the spectacular gullies of Stewart County came from the intersection of human abuse and terrifyingly fragile soil structures. And they are somehow sublimely beautiful, despite their grim past. The park is perhaps the perfect place to witness the way in which human and natural actions are always tied together. Come for the gullies, stay for the lessons!
Providence Canyon State Park, also known as Georgia's "Little Grand Canyon," preserves a network of massive erosion gullies allegedly caused by poor farming practices during the nineteenth century. It is a park that protects the scenic results of an environmental disaster. While little known today, Providence Canyon enjoyed a modicum of fame in the 1930s. During that decade, local boosters attempted to have Providence Canyon protected as a national park, insisting that it was natural. At the same time, national and international soil experts and other environmental reformers used Providence Canyon as the apotheosis of human, and particularly southern, land…
I grew up in a coastal landscape and aspired from childhood to read my way through it by knowing its plants. I once watched a master carver at work on a totem pole at a living museum and could relate the wood curls falling from his adze to the giant cedars growing at the site. As a university student, I worked in a botanical show garden, learning so much about the provenance of plants and what they tell us about geography, history, and beauty. These experiences, in childhood and early adulthood, formed my lifelong interest in ethnobotany, nomenclature, and mythology, explored through the lens of creative work.
I am always grateful when a book introduces me to a place completely unknown to me. Janisse Ray’s gorgeous memoir does exactly that: southern Georgia's disappearing longleaf pine forests. Her introduction to this landscape is a gift to readers, who will yearn, as she does, for its regeneration after a century of exploitation.
Raised in a junkyard along a busy highway, this writer learned the land’s history through the stories of her parents and others; she learned the intricate ecology of the pines and their companion flora and fauna, almost lost to industry and greed. Lyrical and beautifully written, Ray’s evocations of complex plant communities linger in the mind long after you’ve finished the book.
From the memories of a childhood marked by extreme poverty, mental illness, and restrictive fundamentalist Christian rules, Janisse Ray crafted a "heartfelt and refreshing" (New York Times) memoir that has inspired thousands to embrace their beginnings, no matter how humble, and to fight for the places they love. This new edition updates and contextualizes the story for a new generation and a wider audience desperately searching for stories of empowerment and hope.
Ray grew up in a junkyard along U.S. Highway 1, hidden from Florida-bound travelers by hulks of old cars. In language at once colloquial, elegiac, and informative, Ray…
Liveaboard sailor Cass Lynch thinks her big break has finally arrived when she blags her way into skippering a Viking longship for a Hollywood film. However, this means returning to the Shetland Islands, the place she fled as a teenager. When a corpse unexpectedly appears onboard the longship, she can…
I was raised in middle-class America by a strong woman and an alcoholic. I survived an abuser when I realized that I was the answer to my problems. I write about tough subjects but am an eternal optimist who believes a strong spirit will always ensure a happy ending.
A dual-timeline novel, about a family on the ‘Titanic of the South’, the Pulaski a paddlewheel steamer that sunk in 1838, and a historian today, who is creating a museum showing of the disaster.
She also has a huge decision to make—live in the past, in survivor’s guilt, or to grab an uncertain future she’s not sure she deserves.
"An atmospheric, compelling story of survival, tragedy, the enduring power of myth and memory, and the moments that change one's life." --Kristin Hannah, #1 New York Times bestselling author of The Four Winds
"[An] enthralling and emotional tale...A story about strength and fate."--Woman's World
“An epic novel that explores the metal of human spirit in crisis. It is an expertly told, fascinating story that runs fathoms deep on multiple levels.”—New York Journal of Books
It was called "The Titanic of the South." The luxury steamship sank in 1838 with Savannah's elite on board; through time, their fates were forgotten--until the…
I have been drawn to stories where I see aspects of myself in the characters since I was an adolescent and found comfort in the pages of Judy Blume's Are You There God? It's Me, Margaret. As a Black woman, I find validation and encouragement in novels where other Black women navigate life's obstacles to reach the desires of their hearts. It makes my life feel more manageable, knowing that I am not alone in the face of fear, loneliness, and self-doubt or more challenging social issues like racism, sexism, and classism. These stories give me hope and insight as I journey toward living life to its fullest.
Set in Georgia in 1958, Tang Mae is the darkest of ten fatherless children and considered by her mother the ugliest. However, she is selected to attend a white school because she is gifted. This gives her an opportunity to change her life, but she must first break free from her mother's grasp.
There were many times I wanted to put this book down and not finish it. The brutality and abuse were hard to bear. And yet, I felt compelled to read the entire thing because I wanted to see Tang Mae succeed.
It inspired me that she never gave up on her dream of completing her education despite all the abuse and loss she experienced. I spent a lot of time thinking about this book long after I read it.
Pakersfield, Georgia, 1958: Thirteen-year-old Tangy Mae Quinn is the sixth of ten fatherless siblings. She is the darkest-skinned among them and therefore the ugliest in her mother, Rozelle’s, estimation, but she’s also the brightest. Rozelle—beautiful, charismatic, and light-skinned—exercises a violent hold over her children. Fearing abandonment, she pulls them from school at the age of twelve and sends them to earn their keep for the household, whether in domestic service, in the fields, or at “the farmhouse” on the edge of town, where Rozelle beds local men for money.
But Tangy Mae has been selected to be part of the…
I’ve been an avid horror fan since staying up late and watching old monster movies on the television when I was a kid. Zombies were always my favorite and after reading hundreds of zombie books I thought I could write with a unique perspective. Drawing from years of military, trucking, and prepping experience, I wrote the Zombie Road series as a tale that offered more hope than doom and gloom. Most of the characters are based on real people so they have real personalities, real hopes and dreams, and real flaws. If you decide to read the series and want to be surprised by the story arc, don’t read too many reviews, just dive right in.
Pierce writes intelligent military zompoc because he’d been in the thick of things during the Rhodesian war. He knows a thing or two about writing battle scenes because he’s done a thing or two in real life. This story is different because it isn’t about a tiny group of survivors trying to make through the apocalypse. It’s bigger in scope and encompasses one governor and the national guard doing all they can to hold the line against the undead hordes. Intelligent writing and “believable” scenarios set this military thriller apart from many of the rest.
In the midst of a Zombie apocalypse and nuclear horror the libertarian governor of Georgia must impose martial law and act against her personal beliefs to enable the people of her state to survive. Ultimately new problems arise: mass insanity and almost universal PTSD. Virtually everyone is armed and suicides actually threaten human viability. In Georgia the National Guard, State Defense Forces and militia fight a series of desperate battles while the central government unleashed a frenzied and ill planned nuclear response that almost completed what the re-animates had failed to accomplish. With Washington buried in radioactive dust, US Army…
Riley Masterson has moved to Greenbrier, SC, anxious to escape the chaos that has overwhelmed her life.
Questioned in a murder in Alabama, she has spent eighteen months under suspicion by a sheriff’s office, unable to make an arrest. But things in gentrifying Greenbrier are not as they seem. As…
Nobody’s Magicbegan, not as the series of novellas it became, but as a collection of stories I couldn’t stop telling. And it wasn’t just my characters’ comings and goings that enthralled me. It was the way they demanded I let them tell their own stories. I enjoy reading and writing novellas because they allow space for action, voice, and reflection, and they can tackle manifold themes and conversations in a space that is both large and small. At the same time, they demand endings that are neither predictable nor neat, but rather force the reader to speculate on what becomes of these characters they’ve come to know and love.
I have loved Black literature written in Southern AAVE since reading Charles Chesnutt’sThe Conjure Woman in graduate school.But perhaps what I love most about the narrator, Octavia (also known as Sweet Pea), is that she’s fluent in many languages: the language of the hood where she lives, of the classroom where she excels, and of the playground, where her poverty is often a cause for ridicule, but where her sassy, outspoken nature is treated with grudging respect. Early 1980s Atlanta is an unsafe place for children: drugs, gangs, and the Atlanta Child Murders are threatening their very existence, and like many of the stories on my list, Octavia’s triptych also ends with a departure. However, her wit and savvy make clear that, wherever she lands, she’s going to be alright.
In the summer of 1979 black children were disappearing from the streets of Atlanta. By the time this heinous killing spree was over, 29 children were dead. This haunting menace provides a powerful backdrop to the stories of three young children fighting the painful everyday battle of adolescence. Tasha, Rodney and Octavia each has a unique voice and story and each is struggling to find a path through the turmoil. Tasha, who is coping with the separation of her parents, is discovering the first sweet pain of a crush on a tough but tender boy named Jashante from the rough…
