Fans pick 90 books like Ecology of a Cracker Childhood

Even though I’m from humid DC, I’ve been drawn to the desert since I first set foot there as a kid on a family road trip. Now, I’m lucky enough to live in Utah, home to some of the world’s most legendary desert landscapes. One reason I love the desert is the otherworldly scenery: uncanny arches, bizarre hoodoos, and sand dunes you could disappear into. Before your eyes, layers of geologic time unfold in epochs. The desert is a great place for contemplating the past and future—and for great adventures, with endless sandstone walls to climb, slick rock to bike, and sagebrush-lined trails to hike.

I’m a storyteller. I studied graphic design, animation, and film and became the title designer of Yorkshire Television’s game show 3*2*1 and directed an art-directed film and animation for British television and cinema. I was the Project Designer of the original Jorvik Viking Centre (1984). By 2008 I designed and built 25 award-winning cultural heritage centres and completed 150 international consultancies, producing and directing my exhibition documentaries. I learned how important writing was to my work. When it came down to it, whatever technique I used in the telling, there was always the story behind it as the way to transport the audience into a mentally immersive experience.

All my life, I’ve been aware that there are many layers to reality, many of which are human fabrications. Some are physical, like roads. Some are social, like healthcare. But the ones that control our lives the most, and that determine our global outcomes (poverty, war and ecological degradation for example), are ideological. The most powerful of these is our economic system. If we are to address the meta-crisis, I feel passionately that we need to be able to question and reimagine the economy. All the books I’ve chosen have been really important in helping me to think differently about things we usually take for granted.

My first true religion was being a boy alone in the woods and feeling a deep connection to nature in all its aspects. I felt a connection with all life and knew myself to be an animal—and gloried in it. Since then, I've learned how vigorously humans fight our animal nature, estranging us from ourselves and the planet. Each of these books invites us to get over ourselves and connect with all life on Earth. 

I'm a writer and professor of environmental history who divides his time between two “villes,” Gainesville, Florida, and Harrisville, New Hampshire. On April 16, 2018, while in my campus office excoriating a graduate student for his sloppy writing, I learned that my book The Gulf: The Making of an American Sea won the Pulitzer Prize in History. The chastened student subsequently revised his work and turned in a perfect paper, and I’ve been trying to live up to the distinction of the prize ever since. My first effort to do so will appear in the form of my latest book, The Bald Eagle: The Improbable Journey of America’s Bird.

I grew up on the wild island of Tasmania. I saw the Vietnam War on TV, then went to a farm my father was ‘developing.’ It felt like war. The natural beauty that I’d once played in was destroyed by machines, poisons, and fire. During agricultural college in mainland Australia, I recognized an absence of reverence for Mother Nature. Women were missing from the rural narrative that increasingly held an economics-only mindset when it came to food. I’m a co-founder of Ripple Farm Landscape Healing Hub–a 100-acre farm we’re restoring to natural beauty and producing loved meat and eggs for customers. And I’m a devoted mum, shepherd, and working dog trainer.

As a reader, I’ve always been attracted to novels that are character-driven, filling my shelves with books about people who seize the day and fight for what they want, who are interesting, relatable, and flawed but who don’t let those flaws define them. As a writer, I like to put my own flawed characters in situations that force them to face who they are and either come to terms with it or overturn themselves and their lives entirely, and all the novels I’ve listed have a hint of this, too. I hope you enjoy them!

I grew up in a coastal landscape and aspired from childhood to read my way through it by knowing its plants. I once watched a master carver at work on a totem pole at a living museum and could relate the wood curls falling from his adze to the giant cedars growing at the site. As a university student, I worked in a botanical show garden, learning so much about the provenance of plants and what they tell us about geography, history, and beauty. These experiences, in childhood and early adulthood, formed my lifelong interest in ethnobotany, nomenclature, and mythology, explored through the lens of creative work.

Upon seeing the Atlantic Ocean for the first time as a child, I was awestruck by its immensity and couldn't even begin to comprehend how deep it was and what creatures lurked beneath its waves. This initial encounter would spark a lifelong interest in the marine environment, leading to formal training and education in oceanography and a professorship where I could share my love and enthusiasm for the oceans. Though now retired, my fascination has not diminished, continuing to research and write about the oceans and, whenever possible, experience the smell, the roar, and the movement of the ocean.

I grew up in a coastal landscape and aspired from childhood to read my way through it by knowing its plants. I once watched a master carver at work on a totem pole at a living museum and could relate the wood curls falling from his adze to the giant cedars growing at the site. As a university student, I worked in a botanical show garden, learning so much about the provenance of plants and what they tell us about geography, history, and beauty. These experiences, in childhood and early adulthood, formed my lifelong interest in ethnobotany, nomenclature, and mythology, explored through the lens of creative work.