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Monuments and memorials pepper our public landscape. Many walk right by them, uncurious about who or what’s being honored. I can’t. I’m a historian. I’m driven to learn the substance of the American past, but I also want to know how history itself is constructed, not just by professionals but by common people. I’m fascinated by how “public memory” is interpreted and advanced through monuments. I often love the artistry of these memorial features, but they’re not mere decoration; they mutely speak, saying simple things meant to be conclusive. But as times change previous conclusions can unravel. I’ve long been intrigued by this phenomenon, writing and teaching about it for thirty years.
I was transfixed by Kelman’s story, masterfully, sympathetically narrated. It’s populated by few monuments, and the one squatting at the Sand Creek Massacre National Historic Site is modest and understated. Here even the place of those dark events was in dispute.
Blending history with a gripping account of the struggle over public memory, and centering Native people, Kelman chronicles the modern search for the site (and meaning) of one of the most gruesome acts of government violence in American history, at Sand Creek, where U.S. troops slaughtered more than 150 peaceful Southern Cheyenne and Arapaho campers (mostly women and children) in November 1864.
The Colorado Pioneer Association commemorated (and glorified) the sordid event in 1909 with a Denver monument cataloging Sand Creek as a Civil War battle. But a search for truth and reconciliation would challenge and remake this public memory, and Kelman is an unrivaled guide in that process.
In the early morning of November 29, 1864, with the fate of the Union still uncertain, part of the First Colorado and nearly all of the Third Colorado volunteer regiments, commanded by Colonel John Chivington, surprised hundreds of Cheyenne and Arapaho people camped on the banks of Sand Creek in southeastern Colorado Territory. More than 150 Native Americans were slaughtered, the vast majority of them women, children, and the elderly, making it one of the most infamous cases of state-sponsored violence in U.S. history. A Misplaced Massacre examines the ways in which generations of Americans have struggled to come to…
I grew up a farm kid and then worked as a park ranger fresh out of college. This background draws me to the history of American preservation, where so much that seems natural also has deep cultural roots. I find the American South—with its combination of irony and tragedy, beauty, and flaws—the most fascinating place on earth to study. Or maybe I’m just pulling for the home team.
An acclaimed historian of the Civil War, Nelson’s newest book connects the nation’s Reconstruction struggles with its impulse to set aside dramatic western landscapes as national parks. The compelling narrative follows not only western scientist-adventurers like Ferdinand Hayden, but also weaves the preservation of Yellowstone into the Indian Wars and the violence against freedpeople in the American South. At a time when Americans sought healing in the aftermath of a divisive war, they turned to magnificent western landscapes like Yellowstone, only to find they were also contested ground.
From historian and critically acclaimed author of The Three-Cornered War comes the captivating story of how Yellowstone became the world’s first national park in the years after the Civil War, offering “a fresh, provocative study…departing from well-trodden narratives about conservation and public recreation” (Booklist, starred review).
Each year nearly four million people visit Yellowstone National Park—one of the most popular of all national parks—but few know the fascinating and complex historical context in which it was established. In late July 1871, the geologist-explorer Ferdinand Hayden led a team of scientists through a narrow canyon into Yellowstone Basin, entering one of…
As a kid I loved visiting the local history museum, wandering through the dusty displays of taxidermy buffalo and medieval helmets. I enjoyed the creepy feeling I’d get when I stood next to the wax figures and looked at their frozen faces and not-quite-right hair. As I grew older, I became more interested in seeking out weird and unusual history, and it became a passion throughout my teenage years and into adulthood. Now, I’m able to combine my love of the creepy and occult with historical research. I teach U.S. history at SUNY Brockport, I co-produced Dig: A History Podcast, and I am the co-author of my new book (below).
I really love this book because I have been known to go on a “haunted” history tour now and again and I love a good ghost story. However, I realize that sometimes the true stories from our past are more scary than the fantastic ones.
This book particularly hit home because it covers quite a few ghost stories from New Orleans that I am very familiar with. However, those “spooky” ghost stories become truly frightening when contextualized by Miles.
In this book Tiya Miles explores the popular yet troubling phenomenon of ""ghost tours,"" frequently promoted and experienced at plantations, urban manor homes, and cemeteries throughout the South. As a staple of the tours, guides entertain paying customers by routinely relying on stories of enslaved black specters. But who are these ghosts? Examining popular sites and stories from these tours, Miles shows that haunted tales routinely appropriate and skew African American history to produce representations of slavery for commercial gain. ""Dark tourism"" often highlights the most sensationalist and macabre aspects of slavery, from salacious sexual ties between white masters and…
I grew up a farm kid and then worked as a park ranger fresh out of college. This background draws me to the history of American preservation, where so much that seems natural also has deep cultural roots. I find the American South—with its combination of irony and tragedy, beauty, and flaws—the most fascinating place on earth to study. Or maybe I’m just pulling for the home team.
What’s not to love about a book that starts with the release of invasive starlings and ends with Donald Trump’s New York real estate deals? (And along the way describes a thousand equally fascinating events.) Throughout this richly detailed history of the nation’s most famous urban park, Rosenzweig and Blackmar always keep everyday New Yorkers in focus, highlighting how they shaped the park as surely as did urban elites. The result is one of the city’s most democratic spaces.
This "exemplary social history" (Kirkus Reviews) is the first full-scale account of Central Park ever published. Elizabeth Blackmar and Roy Rosenzweig tell the story of Central Park's people-the merchants and landowners who launched the project; the immigrant and African-American residents who were displaced by the park; the politicians, gentlemen, and artists who disputed its design and operation; the German gardeners, Irish laborers, and Yankee engineers who built it; and the generations of New Yorkers for whom Central Park was their only backyard. In tracing the park's history, Blackmar and Rosenzweig give us the history of New York, and bring to…
I was only fourteen when my father, a District Attorney in rural Georgia, was murdered by criminals later known as members of the Dixie Mafia. While I was reading a daily newspaper interview several weeks after the murder, I was surprised to find myself as a topic. My mother told a reporter that “(He) has his father’s gifts for words. Maybe one day he will write a book about it.” Nearly thirty years later, I did write the book. After the pain of that memoir, I turned to fiction, where I placed young protagonists coming of age who faced the corruption and murders of the rural south in the 1960s.
Stuart Woods's first book may be his best. Again, the setting of the book is rural Georgia, describing the terrain where I grew up and even mentioning the real cities where the fictional events took place.
I love the story because of my own growing up in small-town Georgia where my uncle was Chief of Police and other members of my family were attorneys. The flavor of the politics and how a murderer is discovered reminds me of the willful blindness and corruption that must take place for such perverse murders to happen.
Stuart Woods’s Edgar Award-winning debut novel—a classic American mystery saga about three generations of lawmen tangled in a web of passion, secrets, destiny, and murder in their small Southern town...
In the winter of 1920, the first body is found in Delano, Georgie—the naked, brutalized corpse of a young boy. It is a crime too horrific to be ignored, the first of many that will span four decades—embroiling three police chiefs in a remarkable manhunt that will expose the hatreds, fear, and festering wounds beneath the surface of their sleepy God-fearing community.
I love crime fiction, but the genre can be very much a boys’ club where women are sometimes reduced to femmes fatales or victims who need to be saved. When I look at my bookshelves, I realize how many of the books I’ve read are written by men about men. There’s nothing wrong with stories about men, but I have a lot of strong women in my life, and I’ve learned so much from listening to their perspectives. As a writer, I like pushing myself to try and create strong female characters who find themselves ensnared in a crime and have to figure their way out.
Amanda Kyle Williams quit school at sixteen, was diagnosed with dyslexia at twenty-two, and read her first book at twenty-three. She overcame addiction and wrote while working odd jobs, becoming a best-seller with her Keye Street series.
My wife heard Amanda speak at a dyslexia conference and told her about her husband who wanted to write books; later when I met Amanda at the Decatur Book Festival, she smiled and said, “Oh, yeah, you’re the writer.”
I love her protagonist Keye, a private investigator in Atlanta and former FBI profiler. She’s funny and gutsy and wrestles with her own demons. Don’t Talk to Strangers, the third in the series, is as good as the first two. Amanda died of cancer in 2018, but she left behind a tremendously inspiring legacy in both Keye and her own incredible story.
If you like Karin Slaughter you'll love Amanda Kyle Williams...Two girls tied in death. Found next to each other in shallow graves in the remote wilderness outside Whisper, Georgia. One has lain there for a decade. One for only sixty days. Now their bodies have been uncovered and there is only one person who can help the local law enforcement find their killer. Former FBI profiler, bond enforcement officer and private detective. Keye Street. Her experience lets her see clues others can't find and now she is going to have to use all her skills if she is to stop…
I love crime fiction, but the genre can be very much a boys’ club where women are sometimes reduced to femmes fatales or victims who need to be saved. When I look at my bookshelves, I realize how many of the books I’ve read are written by men about men. There’s nothing wrong with stories about men, but I have a lot of strong women in my life, and I’ve learned so much from listening to their perspectives. As a writer, I like pushing myself to try and create strong female characters who find themselves ensnared in a crime and have to figure their way out.
Brian is a fellow Georgia author and a friend. I was gobsmacked by his first novel, Bull Mountain, so when he asked if I would blurb the sequel, Like Lions, I didn’t hesitate a nanosecond.
There are evildoings galore: violent criminals, drug-running, revenge killings, and a hunt for buried millions. But our hero Sheriff Clayton Burroughs is a damaged soul, dependent on alcohol and painkillers, so three powerful female characters step up to the plate.
I loved Clayton’s wife Kate, fiercely loyal and protective of her family. Vanessa is a shadowy outsider, both deadly and compassionate. And Twyla Viner is the aging matriarch of another criminal family that has a bone or two to pick with Clayton. The lions in this book are the women, and they rule this jungle.
"A book filled with unforgettable characters and a tension that heightens with every chapter." ―The Wall Street Journal
A powerful follow up to multiple award-winning debut Bull Mountain.
Brian Panowich burst onto the crime fiction scene in 2015, winning awards and accolades from readers and critics alike for his smoldering debut, Bull Mountain. Now with Like Lions, he cements his place as one of the outstanding new voices in crime fiction.
Clayton Burroughs is a small-town Georgia sheriff, a new father, and, improbably, the heir apparent of Bull Mountain’s most notorious criminal family.
I scored my first touchdown at nine and went on to play quarterback at both the collegiate and professional levels. By twenty-six, I was the head coach of a backwoods high school in Arkansas. My debut novel, Don’t Know Tough, is a football-centric thriller and was named one of the “Best Crime Novels” of 2022 by the New York Times. Afterthat book's publication, I’ve had readers reach out and ask about my favorite football novels, so I was thrilled to get the chance to compile them all into one list. I hope you enjoy these books as much as I have.
A Feast of Snakes is about a washed-up high school football star. It’s heart-wrenching and hilarious. So much so, I can remember reading lines out loud to my wife more than once when I first encountered this book. Set in Georgia, Crews’s home state, this novel also features the “Rattlesnake Roundup," which I can promise, you won’t want to miss.
From the acclaimed author of such novels as "Blood and Grits" and "Childhood" comes a wildly weird and breathtakingly original visit to the rural South that reveals the exotic subculture that erupts in all its glory at the Rattlesnake Roundup in Mystic, Georgia. "No number of adjectives in the thesaurus can do full justice to the dazzlingly bizarre nature of Crews' creations"-- "Washington Post Book World"
I am the author of three novels (with two more set to release next year); Monarchs Under the Sassafras Tree; The Dead Rockstar Trilogy; and I'm happiest when straddling literary genres. I have published works of historical fiction, as well as southern gothic, horror, speculative fiction, dark fantasy, and literary fiction. My debut, Monarchs Under the Sassafras Tree was nominated for Georgia Author of the Year in 2020. In addition to writing, I am a genealogist and recently went back to school to obtain my history degree. My love of writing, history, and family all intersect to inform my writing and I always set my characters in good old Georgia.
Erskine Caldwell is deeply underrated; for my money, he’s one of the best southern gothic writers in the genre. Perhaps it’s down to the risque nature of his books and characters, which were especially provocative (and in some cases, downright despicable) for the time period. However, beyond the depravity there is a real beating heart in his books that perfectly capture the desperation and grief of depression-era Georgia.
Like Tobacco Road, this novel chronicles the final decline of a poor white family in rural Georgia. Exhorted by their patriarch Ty Ty, the Waldens ruin their land by digging it up in search of gold. Complex sexual entanglements and betrayals lead to a murder within the family that completes its dissolution. Juxtaposed against the Waldens' obsessive search is the story of Ty Ty's son-in-law, a cotton mill worker in a nearby town who is killed during a strike.
First published in 1933, God's Little Acre was censured by the Georgia Literary Commission, banned in Boston, and once led the…
I'm an author of more than twenty Christian fiction books. I write true romantic suspense with equal parts engaging romance and thrilling suspense. My debut novel was a semi-finalist in the Genesis contest, and many of my subsequent titles have reached bestseller status. I engage with readers through my blog, which is recognized as a top 25 Christian fiction blog on Feedspot, and my Facebook group, "Heartbeats and Hideaways."
I loved Terri Blackstock's book for its compelling blend of mystery, faith, and family drama. The murder of Thelma and Wayne Owens, who ran Cape Refuge and ministered to those in need, sets off a gripping chain of events and implicates a family member.
The daughters are complex, unforgettable characters, and their determination to clear the accused's name and uncover the whole truth about their parents' deaths is intense and believable.
The plot twists and shady characters kept me guessing until the end. Blackstock's addictive writing style kept me glued to the pages, and her addition of faith without being preachy was welcome.
A gripping tale from New York Times bestselling suspense author Terri Blackstock. When the kindest couple in Cape Refuge is found murdered at their church, their daughter will have to find the killer . . . before her own husband is convicted.
Wade and Thelma Owens run a halfway house on the small island of Cape Refuge that caters to wayward souls just out of prison. So when Wade and Thelma turn up brutally murdered, the town goes into shock, concerned that one of the Hanover House residents is a murderer who could strike again.
