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The Park and the People.
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Monuments and memorials pepper our public landscape. Many walk right by them, uncurious about who or whatās being honored. I canāt. Iām a historian. Iām driven to learn the substance of the American past, but I also want to know how history itself is constructed, not just by professionals but by common people. Iām fascinated by how āpublic memoryā is interpreted and advanced through monuments. I often love the artistry of these memorial features, but theyāre not mere decoration; they mutely speak, saying simple things meant to be conclusive. But as times change previous conclusions can unravel. Iāve long been intrigued by this phenomenon, writing and teaching about it for thirty years.
I was transfixed by Kelmanās story, masterfully, sympathetically narrated. Itās populated by few monuments, and the one squatting at the Sand Creek Massacre National Historic Site is modest and understated. Here even the place of those dark events was in dispute.
Blending history with a gripping account of the struggle over public memory, and centering Native people, Kelman chronicles the modern search for the site (and meaning) of one of the most gruesome acts of government violence in American history, at Sand Creek, where U.S. troops slaughtered more than 150 peaceful Southern Cheyenne and Arapaho campers (mostly women and children) in November 1864.
The Colorado Pioneer Association commemorated (and glorified) the sordid event in 1909 with a Denver monument cataloging Sand Creek as a Civil War battle. But a search for truth and reconciliation would challenge and remake this public memory, and Kelman is an unrivaled guide in that process.
In the early morning of November 29, 1864, with the fate of the Union still uncertain, part of the First Colorado and nearly all of the Third Colorado volunteer regiments, commanded by Colonel John Chivington, surprised hundreds of Cheyenne and Arapaho people camped on the banks of Sand Creek in southeastern Colorado Territory. More than 150 Native Americans were slaughtered, the vast majority of them women, children, and the elderly, making it one of the most infamous cases of state-sponsored violence in U.S. history. A Misplaced Massacre examines the ways in which generations of Americans have struggled to come toā¦
I grew up a farm kid and then worked as a park ranger fresh out of college. This background draws me to the history of American preservation, where so much that seems natural also has deep cultural roots. I find the American Southāwith its combination of irony and tragedy, beauty, and flawsāthe most fascinating place on earth to study. Or maybe Iām just pulling for the home team.
An acclaimed historian of the Civil War, Nelsonās newest book connects the nationās Reconstruction struggles with its impulse to set aside dramatic western landscapes as national parks. The compelling narrative follows not only western scientist-adventurers like Ferdinand Hayden, but also weaves the preservation of Yellowstone into the Indian Wars and the violence against freedpeople in the American South. At a time when Americans sought healing in the aftermath of a divisive war, they turned to magnificent western landscapes like Yellowstone, only to find they were also contested ground.
From historian and critically acclaimed author of The Three-Cornered War comes the captivating story of how Yellowstone became the worldās first national park in the years after the Civil War, offering āa fresh, provocative studyā¦departing from well-trodden narratives about conservation and public recreationā (Booklist, starred review).
Each year nearly four million people visit Yellowstone National Parkāone of the most popular of all national parksābut few know the fascinating and complex historical context in which it was established. In late July 1871, the geologist-explorer Ferdinand Hayden led a team of scientists through a narrow canyon into Yellowstone Basin, entering one ofā¦
I grew up a farm kid and then worked as a park ranger fresh out of college. This background draws me to the history of American preservation, where so much that seems natural also has deep cultural roots. I find the American Southāwith its combination of irony and tragedy, beauty, and flawsāthe most fascinating place on earth to study. Or maybe Iām just pulling for the home team.
This history of Providence Canyon in southwestern Georgia explores a seemingly ironic state park: one dedicated to preserving a network of massive erosion gullies formed by poor cotton farming. But Providence Canyon is so much more than ironic, as this book beautifully illustrates. Yes, improvident farming harmed the landāas was the case across much of the Southābut the spectacular gullies of Stewart County came from the intersection of human abuse and terrifyingly fragile soil structures. And they are somehow sublimely beautiful, despite their grim past. The park is perhaps the perfect place to witness the way in which human and natural actions are always tied together. Come for the gullies, stay for the lessons!
Providence Canyon State Park, also known as Georgia's "Little Grand Canyon," preserves a network of massive erosion gullies allegedly caused by poor farming practices during the nineteenth century. It is a park that protects the scenic results of an environmental disaster. While little known today, Providence Canyon enjoyed a modicum of fame in the 1930s. During that decade, local boosters attempted to have Providence Canyon protected as a national park, insisting that it was natural. At the same time, national and international soil experts and other environmental reformers used Providence Canyon as the apotheosis of human, and particularly southern, landā¦
Tap Dancing on Everest, part coming-of-age memoir, part true-survival adventure story, is about a young medical student, the daughter of a Holocaust survivor raised in N.Y.C., who battles self-doubt to serve as the doctorāand only womanāon a remote Everest climb in Tibet.
As a kid I loved visiting the local history museum, wandering through the dusty displays of taxidermy buffalo and medieval helmets. I enjoyed the creepy feeling Iād get when I stood next to the wax figures and looked at their frozen faces and not-quite-right hair. As I grew older, I became more interested in seeking out weird and unusual history, and it became a passion throughout my teenage years and into adulthood. Now, Iām able to combine my love of the creepy and occult with historical research. I teach U.S. history at SUNY Brockport, I co-produced Dig: A History Podcast, and I am the co-author of my new book (below).
I really love this book because I have been known to go on a āhauntedā history tour now and again and I love a good ghost story. However, I realize that sometimes the true stories from our past are more scary than the fantastic ones.
This book particularly hit home because it covers quite a few ghost stories from New Orleans that I am very familiar with. However, those āspookyā ghost stories become truly frightening when contextualized by Miles.
In this book Tiya Miles explores the popular yet troubling phenomenon of ""ghost tours,"" frequently promoted and experienced at plantations, urban manor homes, and cemeteries throughout the South. As a staple of the tours, guides entertain paying customers by routinely relying on stories of enslaved black specters. But who are these ghosts? Examining popular sites and stories from these tours, Miles shows that haunted tales routinely appropriate and skew African American history to produce representations of slavery for commercial gain. ""Dark tourism"" often highlights the most sensationalist and macabre aspects of slavery, from salacious sexual ties between white masters andā¦
I've been aware since childhood how people are battered by political and social forces. My family lived in Taiwan in the 1950s, when it was an impoverished, insecure place. Later, back in D.C., the Civil Rights movement and nascent counterculture and my mother's death deepened my conviction that conflict and fragility are facts of life. Novels like these five, whose characters face overwhelming situations, nurture our reserves of empathy. In my memoir of adolescence, I reexamined how, at 16, I tried to handle the jigsaw pieces of looming adulthood, gay panic, family tragedy, and social upheaval. That needed all the empathyāfor myselfāthat I could muster.
This book made me feel as if I were on a Coney Island ride that was part roller coaster, part Tilt-a-Whirl, and part chamber of horrorsāfollowed by a tranquil stroll in Central Park to catch my breath. That's just the mix of wild stimulus and stately calm I loved when I lived in New York City myself.
The storyāreally, multiple interlocking character portraits set in the maybe 1980sāis totally believable even though it moves around in time, including into the future. The city itself is not one of those characters. But the city is made real and rich through their multiplicity. Some of them are wildly idiosyncratic people. But hey, they're New Yorkers! Reading it, I kept asking myself why I ever left.
Ghosts of New York is a novel in which the laws of time and space have been subtly suspended. It interweaves four strands: a photographer newly returned to the neighborhood where she grew up, after years spent living overseas; a foundling raised on 14th Street; a graduate student, his romantic partner, and his best friend entangled in a set of relationships with far-reaching personal and political repercussions; and a shopkeeper suffering from first love late in life. Mixing prophecy, history, and a hint of speculative fiction, its stories are bound together even as they are propelled into stranger territory. Andā¦
I fell deeply in love with books as a child, wrote oodles of stories growing up, majored in English literature, and built a writing career in advertising and TV. But my deep love of childrenās books never faded. Somewhere in my 30s, I had an epiphany sitting on the couch one day: I clearly saw that writing childrenās books was what I wanted to build my life around. It took a lot of time and effort to accomplish that, but with the aid of a helpful hamster named Humphrey ā and his friend Og - I found my happy place, and I hope I never, ever āgrow up.ā
Another friendly rodent tale with a clever premise! I read this long before there was ever a movie about Stuart. Once again, the authorās imagination amazed me. I was enchanted with all the clever things Stuart could do ā his car, his canoe, his friendship with Margalo the bird, and the humans that accepted him as part of their family.
I remember bringing the library book to my grandmotherās house when I spent the weekend. I donāt think the book was out of my grasp except when I was sleeping. And even then, I was dreaming of being a writer and ālivingā in a world like Stuartās.
The classic story by E. B. White, author of the Newbery Honor Book Charlotte's Web and The Trumpet of the Swan, about one small mouse on a very big adventure.
Stuart Little is no ordinary mouse. Born to a family of humans, he lives in New York City with his parents, his older brother George, and Snowbell the cat. Though he's shy and thoughtful, he's also a true lover of adventure.
Stuart's greatest adventure comes when his best friend, a beautiful little bird named Margalo, disappears from her nest. Determined to track her down, Stuart ventures away from home forā¦
This irreverent biography provides a rare window into the music industry from a promoterās perspective. From a young age, Peter Jest was determined to make a career in live music, and despite naysayers and obstacles, he did just that, bringing national acts to his college campus atUW-Milwaukee, booking thousands ofā¦
Iām a childrenās book author, illustrator, and map illustrator, as well as an armchair traveler and history buff. I adore books that explain how the world works through the ideas and inventions of curious human beings, narratives of travel and change, and how past and present history are connected. Nonfiction picture books are a fantastic way to distill these true stories for readers of allages!
Someone once referred to Central Park as the ālungsā of New York City. When the grid plan for the streets of Manhattan was designed it left little room for greenspace. Human beings need nature, and respite from the crowds, so a contest was held to design a park. Calvert Vaux and Frederick Law Olmsted came up with the winning idea. This lushly illustrated book tells the story of how their Greensward Plan became Central Parkā the first landscaped public park in the United States. I love to think about how the two designed the placement of every tree, bridge, and curved path, with the goal of making a place where allthe people in the city could enjoy natureā and still do, today!
In 1858, New York City was growing so fast that new roads and tall buildings threatened to swallow up the remaining open space. The people needed a green place to be - a park with ponds to row on and paths for wandering through trees and over bridges. When a citywide contest solicited plans for creating a park out of barren swampland, Calvert Vaux and Frederick Law Olmsted put their heads together to create the winning design, and the hard work of making their plans a reality began.
By winter, the lake opened for skating. By the next summer, theā¦
I am a professor of history and Jewish studies at American University and author of Americaās Jewish Women: A History from Colonial Times to Today, winner of the National Jewish Book Award ā 2019 Jewish Book of the Year. Since childhood I have been reading stories of womenās lives and tales set in Jewish communities across time and space. Yet, the voices that so often best evoke the past are those captured on the pages of great memoirs.
Written in separate voices in alternating chapters, this unusual double memoir by the long-married couple, the novelist Anne Bernays and biographer Justin Kaplan, tells the stories of two privileged New Yorkers. Growing up on opposite sides of Central Park, they came of age in the 1950s. Dreaming dreams of literary lives, they came to see them realized as their lives converged.
Novelist Anne Bernays and biographer Justin Kaplan -- both native New Yorkers -- came of age in the 1950s, when the pent-up energies of the Depression years and World War II were at flood tide. Written in two separate voices, Back Then is thecandid, anecdotal account of these two children of privilege -- one from New York's East Side, the other from the West Side -- pursuing careers in publishing and eventually leaving to write their own books.
Infused with intelligence and charm, Back Then is an elegant reflection on the transformative years in the lives of two young peopleā¦
As a gay father of two transracially adopted daughters, I am constantly searching for books that feature families like mine. It is important for children to see families that look like theirs represented in their storybooks. Unfortunately, there is a limited number of childrenās books spotlighting adoption and even less featuring LGBTQ+ families. I am happy to share this list of some of my favorites that represent diverse/LGBTQ+ families.
It is hard to imagine that And Tango Makes Three was revolutionary and controversial in 2015 when it was published, but it was. However, it is one of those books that paved the way for greater diversity in childrenās literature. Like so many powerful books, And Tango Makes Three is based on the real experiences of two male penguins raising a baby penguin. It is a staple book for the personal libraries of all families interested in promoting family diversity.
One of the six political books for kids you should definitely read according to Zoe Williams in the Guardian, November 2018!
Roy and Silo are just like the other penguin couples at the zoo - they bow to each other, walk together and swim together. But Roy and Silo are a little bit different - they're both boys.
Then, one day, when Mr Gramzay the zookeeper finds them trying to hatch a stone, he realises that it may be time for Roy and Silo to become parents for real.
Horse People is an oldie but a goodie. It is a canter through Central Park... being thrown onto the hood of a taxi... his horse startled on Columbus and Ninth then trying to back through the door of the White Tower hamburger shop. It is riding lessons on Staten Island, and close-your-eyes-and-hope-for-the-best at the Break Your Neck Fox Hunt. Kordaās story is honestāan equestrian smile. My ego was salved when I read some activities on horseback scared Korda too. The quality writing takes us over each jump.
Bestselling author Michael Korda's Horse People is the story -- sometimes hilariously funny, sometimes sad and moving, always shrewdly observed -- of a lifetime love affair with horses, and of the bonds that have linked humans with horses for more than ten thousand years. It is filled with intimate portraits of the kind of people, rich or poor, Eastern or Western, famous or humble, whose lives continue to revolve around the horse.
Korda is a terrific storyteller, and his book is intensely personal and seductive, a joy for everyone who loves horses. Even those who have never ridden will beā¦