I’m the author of five books, the most recent of which is The Strange Case of Dr. Couney: How a Mysterious European Showman Saved Thousands of American Babies. The “doctor” ran infant incubator sideshows for forty years at Coney Island (among other places) where the public would pay to view tiny preemies. Bizarre as it seems, and despite Martin Couney’s many fabrications, he was the rightful father of American neonatology, not only getting rich but also saving thousands of children when the medical establishment couldn’t or wouldn’t do it: Some of his patients are still alive. During my years of research, I needed to immerse myself in the history and culture of America’s trippiest, naughtiest seaside playground, with its amusement parks, freak shows, sideshows, hijinks, and hanky panky. (Sigmund Freud reportedly said that Coney Island was the only thing of interest to him in America). Along with many trips to Coney Island as it is today, including the Coney Island Museum, these were the books that really helped me feel it.
Created in conjunction with a 2015 exhibition, this volume is a visual feast -- a tribute to the way Coney Island inspired artists and endures as part of the public imagination. Paintings, drawings, posters, artifacts, and photographs spanning 1861-2008 fill its pages; artists include Diane Arbus, Jean-Michel Basquiat, Red Grooms, and many others. Accompanying essays explore the seaside resort’s cultural significance.
A captivating look at Coney Island and its iconic place in the history of American art
Called "America's playground," Coney Island is a world-famous resort and national cultural symbol that has inspired music, literature, and films. This groundbreaking book is the first to look at the site's enduring status as inspiration for artists throughout the ages, from its inception as an elite seaside resort in the mid-19th century, to its evolution into an entertainment mecca for the masses, with the eventual closing of its iconic amusement park, Astroland, in 2008 after decades of urban decline. How artists chose to portray…
I’m the author of five books, the most recent of which is The Strange Case of Dr. Couney: How a Mysterious European Showman Saved Thousands of American Babies. The “doctor” ran infant incubator sideshows for forty years at Coney Island (among other places) where the public would pay to view tiny preemies. Bizarre as it seems, and despite Martin Couney’s many fabrications, he was the rightful father of American neonatology, not only getting rich but also saving thousands of children when the medical establishment couldn’t or wouldn’t do it: Some of his patients are still alive. During my years of research, I needed to immerse myself in the history and culture of America’s trippiest, naughtiest seaside playground, with its amusement parks, freak shows, sideshows, hijinks, and hanky panky. (Sigmund Freud reportedly said that Coney Island was the only thing of interest to him in America). Along with many trips to Coney Island as it is today, including the Coney Island Museum, these were the books that really helped me feel it.
Known as “the people’s playground,” Coney Island was also affectionately dubbed “sodom by the sea.” This thick volume, published in 1941, offers a history going all the way back to 1830, affording a sweeping view of Coney Island’s risque, criminal, glamorous, delightful, glittering, and sometimes seedy past. It includes a splendid few pages about my subject, Dr. Couney, which were no doubt approved by the self-inventing showman himself—co-author Ranson was among his favorite newspaper reporters.
I’m the author of five books, the most recent of which is The Strange Case of Dr. Couney: How a Mysterious European Showman Saved Thousands of American Babies. The “doctor” ran infant incubator sideshows for forty years at Coney Island (among other places) where the public would pay to view tiny preemies. Bizarre as it seems, and despite Martin Couney’s many fabrications, he was the rightful father of American neonatology, not only getting rich but also saving thousands of children when the medical establishment couldn’t or wouldn’t do it: Some of his patients are still alive. During my years of research, I needed to immerse myself in the history and culture of America’s trippiest, naughtiest seaside playground, with its amusement parks, freak shows, sideshows, hijinks, and hanky panky. (Sigmund Freud reportedly said that Coney Island was the only thing of interest to him in America). Along with many trips to Coney Island as it is today, including the Coney Island Museum, these were the books that really helped me feel it.
First published in 1957 (and re-issued with a welcome epilogue by historian Michael P. Onorato), the book vividly portrays the storied seaside’s heyday. McCullough was Coney Island royalty: His grandfather was one of its earliest settlers, his uncle was among its greatest showmen, and his dad owned a dozen amusement-park shooting galleries. The family’s love of the place seeps through these pages (a sub-sub title reads “the most rambunctious, scandalous, rapscallion, splendiferous, pugnacious, spectacular, illustrious, prodigious, frolicsome island on earth”—which about sums it up). Particularly moving is the heartbreaking fate of the show animals on the night of a tragic fire in 1911.
Coney Island is more than a national institution: it was probably the most celebrated amusement resort in the world. This book, by a man whose family helped to build the Island's fantastic reputation, presents its lively and nostalgic history. Touched with sentiment, occasionally with acid, it is frank, outspoken, sometimes biting, but always imbued with humor.
This new edition of McCullough's book includes an introduction by Brian J. Cudahy, who has written extensively about New York's waterways and subways, and an epilogue by Michael P. Onorato, a retired history professor whose father managed Coney Island's famed Steeplechase Park from 1928…
When I was a child, my mother and I shared and discussed Zane Grey books. I loved his portrayal of the past and read every one. My obsession with historical fiction grew, and I wrote my first draft of Elephant in the Room at age sixteen. I’m stuck in the period between 1875 and 1940 because of the simplicity driving life as well as the complexity of larger events changing the world. Wilder, Steinbeck, Twain, all picked me off my feet and set me down in their shoes. I’m not able to remove them. I write about courageous women because we are, whether it’s expressed or is in waiting.
McKinley, the tiny monkey, helps Piper sell peanuts at Coney Island and is the only constant in her young life. Her mother rides bareback for the circus and takes in beastly men. Her father, a determined bachelor, refuses to give her a stable home but eventually saves her from reform school, a probability due to her penchant for fighting and shooting guns.
The tale takes her from Coney to Manhattan to live with her wealthy aunt, on to college, and then to war-torn Belgium. Treachery and brutality follow Piper’s footsteps, and she faces obstacles with the same kind of headlong determination she used as a child; her fists and pluck.
I loved the fast pace and detailed descriptions, expressive language, and surprising but believable events.
The dawning of the Twentieth Century, and it is a world in chaos. Raised on Coney Island among scoundrels, cheats, and dreamers, Piper Albrecht is apprenticed to violence at an early age. Not until she is rescued by her aunt and moves to the elegant Upper East Side of Manhattan does she experience a different life, the life of a well-educated, forward-thinking young woman. But the roller coaster ride is far from over. After building the most fashionable millinery house in America, Piper spearheads relief efforts in Belgium during The Great War, bringing food to civilians trapped behind enemy lines.…
I am a lifelong horsewoman, environmental researcher, and writer. After a career with the Florida Department of Environmental Protection, working to protect wild rivers and streams, I “retired” to become a dressage teacher, trainer, and judge, and I regularly travel the Gulf Coast, teaching dressage clinics. I have taught literature and writing at the college level. I have bred and trained champion horses and helped horses rescued from dire situations. Together with my husband, I also organized a rescue operation for horses on the Gulf Coast affected by Hurricane Katrina. I have a PhD in History, Theory, and Culture from Emory University. All in all, I’ve had an adventurous and wonderful life which I try to share in my writing.
Few people in the world could render with so much humanity the backstreet stories of Coney Island and Belmont Race Track as Estep has in “Hex.” As main character/narrator Ruby navigates the down and out animals and humans of her neighborhood, we are made privy to the power of kindness and friendship in a carnivalesque world that continually threatens to fall into shambles. As a lifelong rider and trainer myself, I have often been struck by the proximity of extremes in the horse world. Estep’s revelations of a dark and pithy world, shot through with the dreams and aspirations of regular people, is a fascinating ride through streets at once familiar and strange. A treat for adventurous readers.
Having drifted through thirty-three years of life, Ruby Murphy has put down roots in a rootless place: Coney Island. A recovering alcoholic who is fanatical in her love for animals and her misanthropic friends, Ruby lives above a furniture store and works at the musty Coney Island Museum. One day, Ruby is on the subway heading into Manhattan when the train stalls between stations. An elegant blond woman with a scarred face strikes up a conversation, and a misunderstanding between the two women leads to an offer Ruby decides she can’t refuse. The woman needs her boyfriend followed, and she…
I
loved The Next Girl because I resonated with the main character, Billie,
so much.
All of Pip Drysdale’s books are fast-paced, making her novels
difficult to put down at the best of times, but reading Billie’s inner
monologue and understanding her motivations, all I could think is, "Oh, gosh, I
would probably do this, and this would be how I die."
I could understand her
determination to protect another woman from danger; and in a sense, it helped
me heal a little from my own past.
Not only did I identify with Billie, but I
was so obsessed with this book that I finished it in a day – I even read it while
having a long bath! Some books just can’t be put down, and this is one of them.
For fans of The Perfect Girlfriend, The Flight Attendant, and Promising Young Woman, a compulsively readable suspense novel about a woman who will stop at nothing to expose the dark secrets of a powerful man—with shocking results.
A bad day at work. A drunken night. A rogue Instagram follow. That’s all it takes to ruin a life...but whose life will be ruined?
When Billie wakes up in a strange guy’s bed, her first thought is: What happened last night? She can’t even remember meeting him. And how the hell did she get to Coney Island?
I study the Gilded Age and Progressive Era because it has so many practical applications for the present. As we face our own Gilded Age of enormous technological achievements paired with ongoing problems stemming from what Bob La Follette called “the encroachment of the powerful few upon the rights of the many,” why reinvent the wheel? What worked for progressive reformers in their struggles to create a more equitable and just society? What didn’t work, and why? To help answer those questions I wrote Fighting Bob La Follette: The Righteous Reformer and Belle La Follette: Progressive Era Reformer, and co-edited A Companion to the Gilded Age and Progressive Era.
This short book, filled with delightful illustrations, is so much fun that you don’t immediately notice that it’s a powerful history of how urbanization and industrialization led to a new mass culture. The particular focus is on the rise of the amusement park, and the controversies that arose over how people “should” spend their leisure time and discretionary income. When the Russian revolutionary Maxim Gory toured Coney Island in 1907, he concluded that in America, amusement (rather than religion) had become the opiate of the masses. This book, a classic, remains relevant, inspiring thoughtful analysis concerning the ongoing power of the leisure industry and its impact on how people think, live, and spend their money.
Coney Island: the name still resonates with a sense of racy Brooklyn excitement, the echo of beach-front popular entertainment before World War I. Amusing the Million examines the historical context in which Coney Island made its reputation as an amusement park and shows how America's changing social and economic conditions formed the basis of a new mass culture. Exploring it afresh in this way, John Kasson shows Coney Island no longer as the object of nostalgia but as a harbinger of modernity--and the many photographs, lithographs, engravings, and other reproductions with which he amplifies his text support this lively thesis.
They say that we begin by imitating what we love and find our personal themes in the process, and that’s certainly been true for me. I grew up reading horror and fantasy and now I write realistic fiction with something deeper and darker always throbbing under the surface. My subjects can be contemporary, like Nightmare, with Angel or The Spirit Box, but I’ve had some of my biggest critical successes with historical fiction. I’ve had parallel career paths in books and TV, each often crossing with the other, but it’s in the novels and short stories that you’ll find me uniquely invested.
Sarah Hall is a phenomenal writer and this is the novel that got me hooked. The Electric Michaelangelo of the title is tattoo artist Cy Parks, a man whose heart, art, and the love of his life are all inextricably entangled. The narrative charts his journey from a Morecambe childhood to a tattoo booth on Coney Island and back again, and it’s another take on the kind of Sideshow Gothic that I love. Hall writes accessible award-worthy novels in prose that’s stripped of any pretentiousness. After reading this and then her debut novel HaweswaterI just order whatever she publishes, sight unseen.
On the windswept front of Morecambe Bay, Cy Parks spends his childhood years first in a guest house for consumptives run by his mother and then as apprentice to alcoholic tattoo-artist Eliot Riley. Thirsty for new experiences, he departs for America and finds himself in the riotous world of the Coney Island boardwalk, where he sets up his own business as 'The Electric Michelangelo'. In this carnival environment of roller-coasters and freak-shows, Cy becomes enamoured with Grace, a mysterious immigrant and circus performer who commissions him to cover her entire body in tattooed eyes.
I’ve been falling in love with love since before I can remember, and it’s been a wild adventure that’s taken me across thousands of miles, one rather splendid husband, and over forty books published. After hitting the USA Today Bestsellers list, I’ve become a full time author and spend at least 12 hours a day falling in love as a job. Each time I read a book, I discover a new way to fall in love—and I adore being able to recommend my favourite authors to new readers, so that they can discover them with me.
Love is love, so I always adore recommending historical romances that are queer positive. This series by Merry Farmer of four books (to date) are set in 1920s New York and have the most glorious M/M romances that you have ever read. If you’ve never read a gay romance before, trust me: you’re going to fall in love.
Journalist Marcus Albright did not run away from his London home when he accepted an assignment in New York City. His interest in writing a series of articles about the popular club scene of The Bowery has nothing to do with the disastrous end of a long-term relationship, or his desire to stay as far away from love and commitment that he possibly can. His only concern is enjoying the vibrancy and color that The Slippery Slope is famous for.
My mother went back to school for her PhD in Anatomy when I was a pre-teen. During the summers of my high school years I worked with her in her lab, and let me tell you, you see your mother in a new light when you see her dissect a rat. Though I didn’t go into medicine, anyone raised in our household learned an impressive amount of biology just sitting around the dinner table. Consequently, I’ve always loved fiction with a medical bent. My mother was also the one to introduce me to historical fiction, so perhaps I was fated to write a historical novel with a nurse protagonist.
A dual-time story written by a Vanderbilt undergraduate (!), this is the story of a nurse at the Coney Island incubator “exhibit” where premature babies were brought because hospitals did not want to invest in this new technology (yes, this really happened). In 1926, Nurse Anderson takes a failing baby there with intentions of returning it to the parents, and a special education teacher in the 1950s has a connection to that fateful decision. Another fascinating piece of history that is not well known.
In the spirit of The Orphan Train and Before We Were Yours, a historical debut about a nurse who chooses to save a baby's life, and risks her own in the process, exploring the ties of motherhood and the little-known history of Coney Island and America's first incubators.
A nurse's choice. A daughter's search for answers.
New York City, 1926. Nurse Althea Anderson's heart is near breaking when she witnesses another premature baby die at Bellevue Hospital. So when she reads an article detailing the amazing survival rates of babies treated in incubators in an exhibit at Luna Park, Coney…
