92 books like Coney Island

I’m the author of five books, the most recent of which is The Strange Case of Dr. Couney: How a Mysterious European Showman Saved Thousands of American Babies. The “doctor” ran infant incubator sideshows for forty years at Coney Island (among other places) where the public would pay to view tiny preemies. Bizarre as it seems, and despite Martin Couney’s many fabrications, he was the rightful father of American neonatology, not only getting rich but also saving thousands of children when the medical establishment couldn’t or wouldn’t do it: Some of his patients are still alive. During my years of research, I needed to immerse myself in the history and culture of America’s trippiest, naughtiest seaside playground, with its amusement parks, freak shows, sideshows, hijinks, and hanky panky. (Sigmund Freud reportedly said that Coney Island was the only thing of interest to him in America). Along with many trips to Coney Island as it is today, including the Coney Island Museum, these were the books that really helped me feel it. 

I’m the author of five books, the most recent of which is The Strange Case of Dr. Couney: How a Mysterious European Showman Saved Thousands of American Babies. The “doctor” ran infant incubator sideshows for forty years at Coney Island (among other places) where the public would pay to view tiny preemies. Bizarre as it seems, and despite Martin Couney’s many fabrications, he was the rightful father of American neonatology, not only getting rich but also saving thousands of children when the medical establishment couldn’t or wouldn’t do it: Some of his patients are still alive. During my years of research, I needed to immerse myself in the history and culture of America’s trippiest, naughtiest seaside playground, with its amusement parks, freak shows, sideshows, hijinks, and hanky panky. (Sigmund Freud reportedly said that Coney Island was the only thing of interest to him in America). Along with many trips to Coney Island as it is today, including the Coney Island Museum, these were the books that really helped me feel it. 

I study the Gilded Age and Progressive Era because it has so many practical applications for the present.  As we face our own Gilded Age of enormous technological achievements paired with ongoing problems stemming from what Bob La Follette called “the encroachment of the powerful few upon the rights of the many,” why reinvent the wheel?  What worked for progressive reformers in their struggles to create a more equitable and just society?  What didn’t work, and why? To help answer those questions I wrote Fighting Bob La Follette: The Righteous Reformer and Belle La Follette: Progressive Era Reformer, and co-edited A Companion to the Gilded Age and Progressive Era.

I’m the author of five books, the most recent of which is The Strange Case of Dr. Couney: How a Mysterious European Showman Saved Thousands of American Babies. The “doctor” ran infant incubator sideshows for forty years at Coney Island (among other places) where the public would pay to view tiny preemies. Bizarre as it seems, and despite Martin Couney’s many fabrications, he was the rightful father of American neonatology, not only getting rich but also saving thousands of children when the medical establishment couldn’t or wouldn’t do it: Some of his patients are still alive. During my years of research, I needed to immerse myself in the history and culture of America’s trippiest, naughtiest seaside playground, with its amusement parks, freak shows, sideshows, hijinks, and hanky panky. (Sigmund Freud reportedly said that Coney Island was the only thing of interest to him in America). Along with many trips to Coney Island as it is today, including the Coney Island Museum, these were the books that really helped me feel it. 

I ardently began research and writing on Jean-Michel Basquiat in grad school (2004), before his paintings demolished sales records and when he was still somewhat misunderstood and marginalized by perplexed art historians. Since then, his potency and intrigue have blazed a global pop culture inferno. I’ve conducted dozens of interviews, befriended those close to him, memorized his lines, colors, words, and spaces in books and real life, and re-read countless pages. Currently I’m writing and compiling a field guide to his work. All Basquiat publications are imperfect. I hope with sensitivity and intellectual intent, fans can move through their initial impressions to better understand his meaningful motives, inclinations, and artwork.

Reseda, California plays an important part in my novels. I grew up there in a middle-class Jewish family, and we experienced the turmoil of the 1960s and 1970s. My parents got divorced, and my brother and I were raised by our working mom until she became paralyzed by a stroke. I found refuge in writing. I wrote The Remainders in 2016 during a tumultuous time when issues of family conflict, homelessness, and the growing cruelty of society came into focus. Still, I believe decency and compassion will prevail. The books I write and enjoy reading seek to find light in the darkest of circumstances.

I’d written modern true crime before—a book that helped solve a 40-year-old cold case—and wanted to try my hand at historical true crime. I live in Manhattan, home to the greatest crime stories of the late nineteenth and early twentieth centuries, so I was able to see the actual locations where the grisliest murders, the biggest bank heists, and the crookedest con games took place. What really drew me in, though, were the many colorful, unforgettable characters, both good and bad, cops and robbers, who walked the bustling streets of Old New York during the fascinating era known as the Gilded Age. 

As a brainy, bullied Queer theater kid, I was 14 before I ever saw anyone like myself onstage or onscreen. Then—Wham—in June of 1980 I saw A Chorus Line on Broadway and Fame at the movies. But there weren’t any books that showed the theater life as it was actually lived. When I published my love letter to my high school theater friends in 2004, no one had written a novel about our kind. Today, as someone who’s managed to make a living as a writer-director of musicals, I strive to share the whole truth with the young artists I mentor. 

I am a professor of history and Jewish studies at American University and author of America’s Jewish Women: A History from Colonial Times to Today, winner of the National Jewish Book Award – 2019 Jewish Book of the Year. Since childhood I have been reading stories of women’s lives and tales set in Jewish communities across time and space. Yet, the voices that so often best evoke the past are those captured on the pages of great memoirs.

I’m a queer, nonbinary, Muslim, immigrant writer who has been reading their whole life and writing for part of it. I learned to write by reading–by devouring all kinds of books across different genres and paying attention to how words create feelings, worlds, and chronologies. I also learned to live by reading–I didn’t grow up with models of how to live a life that was true to my identities and so I read everything I could find about experiences that were adjacent to my own. The emergence of queer Muslim literature has been exciting to follow, and I try to read everything in the field.