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I read (and write) biography as much for history as for an individual life story. It’s a way of getting a personalized look at an historical period. When the book is a family biography, the history is amplified by different family members' perspectives, almost like a kaleidoscope, and it stretches over generations, allowing the historical story to blossom over time. The genre also opens a window into the ethos that animated this unique group of individuals who are bound together by blood. Whether it's a desire for wealth or power, the zeal for a cause, or the need to survive adversity, I found it in these family stories.
When Cornelius Vanderbilt died in 1877, he was the richest man in America. Two generations later, the family parlayed their wealth into social status in the city's newly defined class structure.
Anderson Cooper, CNN news anchor, and his co-author trace the city's social history, beginning with Anderson's ancestor who emigrated to the small Dutch colony at the tip of Manhattan as an indentured servant. The story ends with Anderson's mother Gloria, the last Vanderbilt to have known the family at the peak of its wealth and social clout before lavish spending took its toll.
Most affecting are Anderson’s memories of his mother that have nothing to do with money and everything to do with sharing life with someone we love.
New York Times bestselling author and journalist Anderson Cooper teams with New York Times bestselling historian and novelist Katherine Howe to chronicle the rise and fall of a legendary American dynasty-his mother's family, the Vanderbilts.
One of the Washington Post's Notable Works of Nonfiction of 2021
When eleven-year-old Cornelius Vanderbilt began to work on his father's small boat ferrying supplies in New York Harbor at the beginning of the nineteenth century, no one could have imagined that one day he would, through ruthlessness, cunning, and a pathological desire for money, build two empires-one in shipping and another in railroads-that would…
I read (and write) biography as much for history as for an individual life story. It’s a way of getting a personalized look at an historical period. When the book is a family biography, the history is amplified by different family members' perspectives, almost like a kaleidoscope, and it stretches over generations, allowing the historical story to blossom over time. The genre also opens a window into the ethos that animated this unique group of individuals who are bound together by blood. Whether it's a desire for wealth or power, the zeal for a cause, or the need to survive adversity, I found it in these family stories.
We all know of Sarah and Angelina Grimké, sisters who, before the Civil War, left their South Carolina home and became well-known abolitionists in the North.
But the family also included their brother Henry, a brutal, slave-holding man, his three children by Nancy Weston, an enslaved woman in his household, and their descendants. Two brothers became part of the post-Civil War Black elite and one descendant, Angelina Weld Grimké, made a name for herself as a poet during the Harlem Renaissance.
In addition to reexamining the legacy of Sarah and Angelina, author Kerri Greenidge reminds readers how families were formed under the sword of slavery and that recovery from its wounds is incomplete, even today.
Sarah and Angelina Grimke-the Grimke sisters-are revered figures in American history, famous for rejecting their privileged lives on a plantation in South Carolina to become firebrand activists in the North. Their antislavery pamphlets, among the most influential of the antebellum era, are still read today. Yet retellings of their epic story have long obscured their Black relatives. In The Grimkes, award-winning historian Kerri Greenidge presents a parallel narrative, indeed a long-overdue corrective, shifting the focus from the white abolitionist sisters to the Black Grimkes and deepening our understanding of the long struggle for racial and gender equality.
I read (and write) biography as much for history as for an individual life story. It’s a way of getting a personalized look at an historical period. When the book is a family biography, the history is amplified by different family members' perspectives, almost like a kaleidoscope, and it stretches over generations, allowing the historical story to blossom over time. The genre also opens a window into the ethos that animated this unique group of individuals who are bound together by blood. Whether it's a desire for wealth or power, the zeal for a cause, or the need to survive adversity, I found it in these family stories.
In 1866, Lazarus Morganthau emigrated from Germany, intent on rebuilding the fortune he had lost. He died destitute but, like the Biblical Lazarus, his descendants rose again.
Family members made a fortune in New York real estate before turning to public service, with Henry Sr. becoming an Ambassador, Henry Jr. a confidant of FDR and Secretary of the Treasury, and Robert the longest-serving District Attorney in Manhattan’s history. We get a detailed look at New York's interlocking spheres of society, finance, and politics, and at how the Morgenthaus, as Jews, found acceptance despite the antisemitism of the time.
An "epic and intimate" (David M. Kennedy) portrait of four generations of the Morgenthau family, a dynasty of power brokers and public officials with an outsize—and previously unmapped—influence extending from daily life in New York City to the shaping of the American Century.
"A work of important and enduring history...from the making of New York, to the Greatest Generation, to surviving one of the toughest jobs in law and order: Manhattan DA. The Morgenthau name and the contributions of this historic family will endure forever." --Tom Brokaw
Tap Dancing on Everest, part coming-of-age memoir, part true-survival adventure story, is about a young medical student, the daughter of a Holocaust survivor raised in N.Y.C., who battles self-doubt to serve as the doctor—and only woman—on a remote Everest climb in Tibet.
I read (and write) biography as much for history as for an individual life story. It’s a way of getting a personalized look at an historical period. When the book is a family biography, the history is amplified by different family members' perspectives, almost like a kaleidoscope, and it stretches over generations, allowing the historical story to blossom over time. The genre also opens a window into the ethos that animated this unique group of individuals who are bound together by blood. Whether it's a desire for wealth or power, the zeal for a cause, or the need to survive adversity, I found it in these family stories.
After the Civil War, the South was in turmoil, with ruined farms, destitute people, and existential uncertainty about the future.
John Hollis Bankhead of Alabama was one who stepped forward to ensure that little would change. He voted against the Thirteenth and Fourteenth Amendments and helped institutionalize convict leasing. As author Kari Frederickson writes, "Confederates may have lost the war, but white men like Bankhead were determined to thwart any possible political or social revolution."
Other Bankheads continued in the same vein including Marie who, as director of the Alabama state archives, embraced the Lost Cause narrative, rejected symbols of Reconstruction, and, in the name of state’s rights, opposed voting rights for women. Learning about this family’s success in molding the post-war South gave me new insight into issues of today.
The sweeping story of an ambitious and once-powerful southern family.
From Reconstruction through the end of World War II, the Bankheads served as the principal architects of the political, economic, and cultural framework of Alabama and the greater South. As a family, they were instrumental in fashioning the New South and the twentieth century American political economy, but now the Bankhead name is largely associated only with place names.
Deep South Dynasty: The Bankheads of Alabama is a deeply researched epic family biography that reflects the complicated and evolving world inhabited by three generations of the extremely accomplished-if problematic-Bankhead family…
When each of our older boys were in the midst of the college admissions process, our husbands suffered life-threatening health crises. It was such a bizarre coincidence that we both experienced intense brushes with mortality during this time of high anxiety. The juxtaposition between health and college admissions gave us a unique perspective and led us to explore the impacts of college admissions anxiety on families, friendships, students, and school communities. We had entirely plottedGirls With Bright Futuresand were nearly through the first draft when the Operation Varsity Blues college admissions scandal broke in March 2019. We felt like the headlines had been ripped from our manuscript!
We read several popular novels that explore competitive school environments. One of the best in this sub-genre is Small Admissions, by Amy Poeppel, which provides a fictional glimpse into the cut-throat world of Manhattan prep school admissions and ultra-competitive parents. Poeppel crafts a fun, wicked read with sharp dialogue. We could easily imagine what would happen when the children inSmall Admissionsapply to college…their parents would fit in well with the characters in our book.
"The Devil Wears Prada meets Primates of Park Avenue." -The New York Times
"Perfect for fans of Curtis Sittenfeld's Prep."-Booklist
Top 6 Books You Need to Read-BuzzFeed
Best Books to Give Every Book Lover on Your List-Town and Country
One admission can change your life...forever.
When ambitious grad student Kate Pearson's handsome French "almost fiance" ditches her, she definitely does not roll with the punches, despite the best efforts of family and friends. It seems that nothing will get Kate out of pajamas and back into the world.
Miraculously, one cringe-worthy job interview leads to…
I am a professor of history and Jewish studies at American University and author of America’s Jewish Women: A History from Colonial Times to Today, winner of the National Jewish Book Award – 2019 Jewish Book of the Year. Since childhood I have been reading stories of women’s lives and tales set in Jewish communities across time and space. Yet, the voices that so often best evoke the past are those captured on the pages of great memoirs.
In 1951, Sydney Taylor invented the memorable Brenners—papa, mama, five sisters, and baby brother—a Jewish family on the Lower East Side in turn-of-the-century New York. Taylor’s words and Helen John’s illustrations in this book, the first in a series, set the scene. A calendar in the parlor announced that it was 1912. Tenements lined city streets. When I read these novels as a child, I did not yet know that they were closely based on Taylor’s own life. When the entire series was republished in 2014, I quipped: I became a Jewish historian because of these books.
Meet the All-of-a-Kind Family -- Ella, Henny, Sarah, Charlotte, and Gertie -- who live with their parents in New York City at the turn of the century.
Together they share adventures that find them searching for hidden buttons while dusting Mama's front parlor and visiting with the peddlers in Papa's shop on rainy days. The girls enjoy doing everything together, especially when it involves holidays and surprises.
But no one could have prepared them for the biggest surprise of all!
As a brainy, bullied Queer theater kid, I was 14 before I ever saw anyone like myself onstage or onscreen. Then—Wham—in June of 1980 I sawA Chorus Lineon Broadway and Fame at the movies. But there weren’t any books that showed the theater life as it was actually lived. When I published my love letter to my high school theater friends in 2004, no one had written a novel about our kind. Today, as someone who’s managed to make a living as a writer-director of musicals, I strive to share the whole truth with the young artists I mentor.
Joe Keenan’s madcap farces made me want to write my own. They’re the kind of books that make you laugh so hard you just have to read lines from it to the person sitting next to you (preferably someone you know because strangers on mass transit don’t appreciate that kind of thing). As zany as they are, his novels are rooted in the real, doing-whatever-you-can-to-make-it lives of theater people. So they’re not as far-fetched as you might think. Life in New York City really can be that wildly glamorous. And hilarious.
The witty duo from Blue Heaven invade the entourage of a tasteless real estate/media magnate, attempt to turn his talentless wife into a chanteuse, and vie for the affections of a suave magazine editor, in this deftly delicious comedy of bad manners, financial skullduggery, and romantic infighting.
I’m fascinated by long stories where things aren’t exactly as they seem. Most crime fiction is secrets and lies and their eventual uncovering but most ‘literary’ fiction is too. For what it’s worth, I was a book reviewer for all the posh UK papers for about 15 years, including crime fiction critic for The Observer for twelve (so I’ve read far more crime novels than is healthy for anyone!). I’m a voracious reader and writer and I love making things more complicated for myself (and the reader) by coming up with stuff that I’ve then somehow got to fit together.
This is post-modern crime fiction thematically linked and all with increasingly unreliable characters—because they’re each going insane.
In City of Glass private investigator, Daniel Quinn, goes mad sinking deeper into an investigation about identity. Who is telling his story and can they be relied on? Is it any of these characters who appear: ‘the author,’ ‘Paul Auster the writer,’ ‘Paul Auster the detective’? Whoosh.
I love this stuff but understand it’s an acquired taste!
Paul Auster's signature work, "The New York Trilogy," consists of three interlocking novels: "City of Glass," "Ghosts," and "The Locked Room" - haunting and mysterious tales that move at the breathless pace of a thriller."City of Glass" - As a result of a strange phone call in the middle of the night, Quinn, a writer of detective stories, becomes enmeshed in a case more puzzling than any he might hace written"Ghosts"Blue, a student of Brown, has been hired to spy on Black. From a window of a rented house on Orange street, Blue stalks his subject, who is staring out…
I’m a queer, nonbinary, Muslim, immigrant writer who has been reading their whole life and writing for part of it. I learned to write by reading–by devouring all kinds of books across different genres and paying attention to how words create feelings, worlds, and chronologies. I also learned to live by reading–I didn’t grow up with models of how to live a life that was true to my identities and so I read everything I could find about experiences that were adjacent to my own. The emergence of queer Muslim literature has been exciting to follow, and I try to read everything in the field.
I love the way Bushra Rehman writes about immigrant New York in the 80s – in vignettes that thread together to convey a sense of time, place, and geography.
All her characters are portrayed sensitively and complexly: from the main protagonist Razia coming into her queerness, to Pakistani aunties with their own histories and trauma, to friends who grow further apart.
I love how much this story is about women as the cornerstones of community.
Razia Mirza grows up amid the wild grape vines and backyard sunflowers of Corona, Queens, with her best friend, Saima, by her side. When a family rift drives the girls apart, Razia's heart is broken. She finds solace in Taslima, a new girl in her close knit Pakistani-American community. They embark on a series of small rebellions: listening to scandalous music, wearing mini skirts, and cutting school to explore the city.
When Razia is accepted to Stuyvesant, a prestigious high school in Manhattan, the gulf between the person she is and the daughter her parents want her to be, widens.…
I’m a voracious reader, an author, and also a book critic, so hundreds of books cross my desk. What I love the most is the feeling of discovery—reading a book whose likes I haven’t seen on any bestseller list or on a front display in a bookstore. There are so many, many hidden gems—books that have stayed with me long after the publication day, and I always want others to have the same devotion to them that I do!
Maybe not a hidden gem (it was a Good Morning America Buzz Pick), but this one surely should be in everyone’s book bag.
New York City’s the bustling backdrop of this wildly witty novel about two adult daughters and their meddling advice columnist mother. Clementine struggles with working and bringing up her six-year-old boy, and her one comfort is the beautiful Queens home she thought she owned—right up until she discovers her husband has mortgaged their house for his failing start-up.
Sister Barb has a cheating girlfriend, and advice columnist mom has issues of her own! Can Wendy swoop in to save the day? Or does she? Smart, smart fun.
A Good Morning America Buzz Pick and one of Read With Jenna's Most Anticipated Books of 2022
"I laughed and shook my head in recognition as the three Wise women crashed through love relationships, terrible advice, and delightful moments of connection. The Wise Women is a smart and tender novel about how hard-and vital-it is to find the place where we belong." -Amanda Eyre Ward, New York Times bestselling author of The Jetsetters and The Lifeguards
A witty and wildly enjoyable novel, set in New York City, about two adult daughters and their meddling advice columnist mother, for readers of…
