100 books like The Electric Michelangelo

Oh, Was, how I love your relentlessly bleak, depressing sadness.

This is a strangely inventive novel that twines reality and fantasy into a brutal, desolate, yet gorgeous story of pain and survival. Told from the points of view of numerous characters, each story is tethered in some way to The Wizard of Oz, that venerable fable about good versus evil in the search for home.

Ryman introduces us to a main trio of characters whose lives are all equally harrowing–Dorothy Gael (the imagined inspiration for The Wizard of Oz heroine and the victim of familial sexual abuse), Frances Gumm (who becomes the tragic Judy Garland), and Jonathan (an actor experiencing AIDS-related dementia)–whose stories he intricately weaves together like a master craftsman. And while the novel is not a “happy” read by any stretch of the imagination, what has stayed with me throughout the past thirty years is its… show more.

I defy any reader not to fall in love with The Land of Laughs. Tom Abbey and ‘spirited girlfriend’ Saxony Gardner head to the small Midwestern town where children’s author Marshall France once lived and wrote, with the aim of persuading France’s daughter to approve a biography. They come to realise that the town has a personality that’s unlike any other, as much the author’s creation as his adopted home. Warm, surprising, funny, scary; if, like me, you were ever captivated in childhood by a favourite writer’s imagined world and wish you could go there again, then this is the book for your adult self.

Tom Reamy’s first novel was also to be his last. Its carnival sideshow setting is reminiscent of Geek Love, Nightmare Alley, and much of Ray Bradbury, but with a poignancy and sense of place that set it apart. I can guarantee that you’ll never forget Angel, the mute, blind flying boy. Reamy was an active genre critic, editor, and convention organiser for at least two decades before he began submitting the fiction he’d been working on in private. Its impact was immediate but he saw little of its success, struck by a heart attack while working on a story at the age of 42. For me his legacy—this novel, and the collection San Diego Lightfoot Sue and Other Stories—equal that of many a more prolific author.

This book arrived in the avalanche of volumes that descended on my house the year I agreed to join the judging panel for the World Fantasy Awards, and for me it shone out. The story’s told by Hans Schneider, who kills a fellow student when a duel goes wrong and ends up working in a low-rent asylum. There he meets the mysterious Dr. Lavenza and joins him in a mission to locate Victor Frankenstein’s formula for eternal life. It’s written with style and wit and a great sense of period. I felt so strongly about the lack of a paperback edition that I later offered to create one for the Brooligan Press. And for the avoidance of doubt, I don’t make a penny from its sales!

This coming-of-age novel set in the Great Depression and World War II Brooklyn has it all: girlhood, poverty, and cultural conflict between Barbadian immigrants and black Americans. The voice of the narrator, a young first-generation immigrant girl, is captivating. Although published in 1959, it is timeless and fresh today, you’ll ask yourself, “why isn’t this story going to became a major motion picture?”.

Effectively a novelization of Cruz’s own mother’s story, Dominicana is about a 15-year-old girl in the Dominican Republic who, in the 1960s, is married off to a local man in his thirties. He has set up a new life for them in Washington Heights, in upper Manhattan. Despite its moments of struggle, spousal abuse, and loneliness, this novel reads lightly and inspirationally—a celebration of its protagonist’s fortitude.

Drawing on history, literature, and a wealth of primary sources, World of Our Fathers paints a comprehensive portrait of the first major wave of Eastern European Jews to come to America—and specifically, New York—following the assassination of Alexander II.

In this massive but deeply engaging work of art, Howe does nothing less than recreate a lost time, place, and culture. With chapters covering immigration, ghetto life, labor politics, and the Yiddish theater, among others, this is essential reading for American Jews—and anyone else interested in their story.

Early on David Levinsky, the immigrant Yeshiva boy, the budding intellectual, learns that America is the land of winners and losers, and if he is to be the former, he has to abandon his old self like the ear-locks he left on a barbershop floor in his first days in this new world. To be an alrightnik he must learn to dance the American dance. And dance he does, but his fabulous success as a garment manufacturer has left something unresolved in himself. His search for love at a Jewish resort in the Poconos is a chapter better than anything Philip Roth ever wrote.

Ruth Behar writes for both adults and children and is a multi-award-winning writer and a Cuban-American Anthropologist. She’s also Jewish with Ashkenazi and Sephardic roots. Based on the author’s real experiences, we follow ten-year-old Ruthie and her family who are recent Jewish-Cuban immigrants trying to make a new home in 1960s Queens, NY after Castro comes to power. Just as Ruthie is adjusting to school and making new friends, a devastating car accident puts her in a body cast for a year. It’s a beautiful, heartbreaking, and inspiring story. I particularly loved her friendship with recent Indian immigrant, Ramu, who has to endure a terrible family tragedy as well. There are some heavy themes here, but Ruthie’s innocent, bright, and brave voice brings the reader along in a hopeful way. There’s some great food (like guava pastries, flan, and samosas) mentioned here, too. 

The title of this novel took me back to 1989, when I was living in the Dominican Republic they year and Juan Luis Guerra and his band 4-40 released their hit song, "Ojala que llueva café", an homage to rural Dominicans and their hopes; and another iconic song, "Visa para un sueño" (Visa for a Dream). This book is about the Dominicans in those songs: a family saga and the historical and contemporary realities that shaped their lives, aspirations, and disappointment. Its backdrop, unlike the other novels here, is mainly the post-Trujillo era: the brief presidency of Juan Bosch, his overthrow, and the revolution and US invasion that followed, catalyzing a wave of emigration that persists today.