Here are 100 books that Brown Girl, Brownstones fans have personally recommended if you like
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As a social historian, I have helped to direct scholarly attention to the history of family life and helped to create the field of history of children. I'm the editor of a pioneering three-volume encyclopedia on the history of children and the author of six books and editor of three others based on extensive research about children’s experiences in the United States and the Western world. I've also been widely interviewed on the subject. The End of American Childhood brings this research experience and broad expertise in the field to a subject of urgent interest to today’s parents who want to understand how their own views about children and their child-rearing perspectives are grounded historically.
Huck’s Raft: A History of American Childhood is a comprehensive and important history of American children and their varied experiences.
By synthesizing a large literature in engaging prose, Mintz introduces readers to children’s lives across four centuries of the American past, starting in the seventeenth century and reaching into the present. Mintz strives to encompass different racial, class, and gender experiences.
This is the best book to begin exploring the new field of children’s studies.
Like Huck's raft, the experience of American childhood has been both adventurous and terrifying. For more than three centuries, adults have agonized over raising children while children have followed their own paths to development and expression. Now, Steven Mintz gives us the first comprehensive history of American childhood encompassing both the child's and the adult's tumultuous early years of life.
Underscoring diversity through time and across regions, Mintz traces the transformation of children from the sinful creatures perceived by Puritans to the productive workers of nineteenth-century farms and factories, from the cosseted cherubs of the Victorian era to the confident…
I’ve been writing, speaking, blogging, and tweeting about the history of American children and their childhoods for many decades. When I went to school—a long time ago—the subject did not come up, nor did I learn much in college or graduate school. I went out and dug up the story as did many of the authors I list here. I read many novels and autobiographies featuring childhood, and I looked at family portraits in museums with new eyes. Childhood history is fascinating and it is a lot of fun. And too, it is a great subject for book groups.
Toys! Dolls! Amusement Parks! They aren’t just playthings and play places; they are part of our national character and our consumer culture, as well as our private objects and experiences. Childhood is manufactured—created in our homes, communities, schools, and yes, by play. This book has a lot to say about our history but it is also a fun reminder of the things many of us grew up with or wish we had. It just might have you rooting through your attic or old photo books.
Since the advent of the American toy industry, children’s cultural products have attempted to teach and sell ideas of American identity. By examining cultural products geared towards teaching children American history, Playing With History highlights the changes and constancies in depictions of the American story and ideals of citizenship over the last one hundred years. This book examines political and ideological messages sold to children throughout the twentieth century, tracing the messages conveyed by racist toy banks, early governmental interventions meant to protect the toy industry, influences and pressures surrounding Cold War stories of the western frontier, the fractures visible…
I’ve been writing, speaking, blogging, and tweeting about the history of American children and their childhoods for many decades. When I went to school—a long time ago—the subject did not come up, nor did I learn much in college or graduate school. I went out and dug up the story as did many of the authors I list here. I read many novels and autobiographies featuring childhood, and I looked at family portraits in museums with new eyes. Childhood history is fascinating and it is a lot of fun. And too, it is a great subject for book groups.
This is a book about my life—growing up in the middle of the twentieth century. Bobby Soxers, juvenile delinquents, popular music, MTV, Freedom Riders, Anti-War protestors…it’s all here, along with much more. It isn’t about the good old days; this book takes us to the heart of the culture created decades ago and still influencing us today. We knew teenage life was complex and this book reveals just why that is the case. You’ll wish it came with a playlist.
Nobody worried about teenagers" prior to the 1940s. In fact, as a culturally or economically defined entity they did not exist. But in the 50 years since the last world war, when the term was first coined, teenagers have had an enormous impact on American culture. They have reshaped our language, our music, our clothes. They have changed forever the way we respond to authority. They have become a 200 billion consumer group avidly courted by marketers. And they have changed our culture, which will never again treat their demographic group merely as young adults. Teenagers ranges widely across American…
I’ve been writing, speaking, blogging, and tweeting about the history of American children and their childhoods for many decades. When I went to school—a long time ago—the subject did not come up, nor did I learn much in college or graduate school. I went out and dug up the story as did many of the authors I list here. I read many novels and autobiographies featuring childhood, and I looked at family portraits in museums with new eyes. Childhood history is fascinating and it is a lot of fun. And too, it is a great subject for book groups.
The Covid-19 pandemic makes this book a must-read as the author, reminds us that so many medications prescribed for children have not received all the tests for safety necessary to protect them. Yes, we got the heroin out of teething syrups, and our bottles now have child safety caps. Fun fact: the author you will learn, was as they put it at the time, an aspirin poisoned child thanks to those good-tasting baby aspirin. Shocking reality: pediatric drug research and regulation often follows disasters rather than preventing them. That’s why we, fortunately, have to wait for full testing before those covid vaccines get into the arms of the young. This book is an eye-opener.
Children and Drug Safety traces the development, use, and marketing of drugs for children in the twentieth century, a history that sits at the interface of the state, business, health care providers, parents, and children. This book illuminates the historical dimension of a clinical and policy issue with great contemporary significance-many of the drugs administered to children today have never been tested for safety and efficacy in the pediatric population.
Each chapter of Children and Drug Safety engages with major turning points in pediatric drug development; themes of children's risk, rights, protection and the evolving context of childhood; child-rearing; and…
They say that we begin by imitating what we love and find our personal themes in the process, and that’s certainly been true for me. I grew up reading horror and fantasy and now I write realistic fiction with something deeper and darker always throbbing under the surface. My subjects can be contemporary, like Nightmare, with Angel or The Spirit Box, but I’ve had some of my biggest critical successes with historical fiction. I’ve had parallel career paths in books and TV, each often crossing with the other, but it’s in the novels and short stories that you’ll find me uniquely invested.
Sarah Hall is a phenomenal writer and this is the novel that got me hooked. The Electric Michaelangelo of the title is tattoo artist Cy Parks, a man whose heart, art, and the love of his life are all inextricably entangled. The narrative charts his journey from a Morecambe childhood to a tattoo booth on Coney Island and back again, and it’s another take on the kind of Sideshow Gothic that I love. Hall writes accessible award-worthy novels in prose that’s stripped of any pretentiousness. After reading this and then her debut novel HaweswaterI just order whatever she publishes, sight unseen.
On the windswept front of Morecambe Bay, Cy Parks spends his childhood years first in a guest house for consumptives run by his mother and then as apprentice to alcoholic tattoo-artist Eliot Riley. Thirsty for new experiences, he departs for America and finds himself in the riotous world of the Coney Island boardwalk, where he sets up his own business as 'The Electric Michelangelo'. In this carnival environment of roller-coasters and freak-shows, Cy becomes enamoured with Grace, a mysterious immigrant and circus performer who commissions him to cover her entire body in tattooed eyes.
“You spend your first 18 years as a sponge and the rest of your life using those early years as material.” Martin Short said this to me when I collaborated with him on his memoir,I Must Say: My Life As a Humble Comedy Legend. My own writing bears this out. My nonfiction books The United States of Arugulaand Sunny Daysare not first-person books, but they examine two significant cultural movements that defined my formative years: the American food revolution led by the likes of Julia Child and Alice Waters and the children’s-TV revolution defined bySesame Streetand Mister Rogers’ Neighborhood. Much of my journalism finds me chasing down the cultural figures who captured and shaped my young imagination, e.g., Sly Stone, Johnny Cash, Charles Schulz.
Effectively a novelization of Cruz’s own mother’s story, Dominicana is about a 15-year-old girl in the Dominican Republic who, in the 1960s, is married off to a local man in his thirties. He has set up a new life for them in Washington Heights, in upper Manhattan. Despite its moments of struggle, spousal abuse, and loneliness, this novel reads lightly and inspirationally—a celebration of its protagonist’s fortitude.
Growing up in Salt Lake City in the 1950s I was very soon aware that I was living in a world of borders, some permeable and negotiable, and some almost impossible to cross. It was a city of Mormons and a city of those who weren’t; a city of immigrants like my grandparents, and about whom my mother wrote (and wrote well); and a Jim Crow town where Black men and women couldn’t get into the ballroom to hear Duke Ellington play. Finally, it was a city haunted by its Indian past in a state keeping living Indians in its many bleak government reservations. What to make of those borders has been a life-long effort.
Early on David Levinsky, the immigrant Yeshiva boy, the budding intellectual, learns that America is the land of winners and losers, and if he is to be the former, he has to abandon his old self like the ear-locks he left on a barbershop floor in his first days in this new world. To be an alrightnik he must learn to dance the American dance. And dance he does, but his fabulous success as a garment manufacturer has left something unresolved in himself. His search for love at a Jewish resort in the Poconos is a chapter better than anything Philip Roth ever wrote.
Acclaimed by literary critic Carl Van Doren as "the most important of all immigrant novels," The Rise of David Levinsky takes place amid America's biggest and most diverse Yiddish-speaking community during the early 20th century. David Levinsky, a young Hasidic Jew struggling to master the Talmud, seeks his fortune amid the teeming streets of New York's Lower East Side. All the energy formerly focused on his religious studies now turns in the direction of rising to the top of the business world, where he discovers the high price of assimilation. Author Abraham Cahan founded and edited the Jewish Daily Forward,…
A summer with relatives in Belgium—a country divided by language and culture—inspired me to travel to Santo Domingo in 1988 to learn Spanish and study the fraught dynamics of two countries speaking different languages but sharing an island. My time in the Dominican Republic and Haiti inspired a lifelong exploration of complex issues using many lenses and stories. Today I write mainly about risk, drawing on psychology, culture, policy, and economics. The third book, The Gray Rhino, calls for a fresh look at obvious, looming threats. My fourth book, You Are What You Risk, explores risk perceptions and attitudes using a comparative, socio-cultural lens like the one I used in Why the Cocks Fight.
The title of this novel took me back to 1989, when I was living in the Dominican Republic they year and Juan Luis Guerra and his band 4-40 released their hit song, "Ojala que llueva café", an homage to rural Dominicans and their hopes; and another iconic song, "Visa para un sueño" (Visa for a Dream). This book is about the Dominicans in those songs: a family saga and the historical and contemporary realities that shaped their lives, aspirations, and disappointment. Its backdrop, unlike the other novels here, is mainly the post-Trujillo era: the brief presidency of Juan Bosch, his overthrow, and the revolution and US invasion that followed, catalyzing a wave of emigration that persists today.
With her first novel, Angie Cruz established herself as a dazzling new voice in Latin-American fiction. Junot Diaz called her "a revelation" and The Boston Globe compared her writing to that of Gabriel García Márquez. Now, with humor, passion, and intensity, she reveals the proud members of the Colón family and the dreams, love, and heartbreak that bind them to their past and the future. Esperanza did not risk her life fleeing the Dominican Republic to live in a tenement in Washington Heights. No, she left for the glittering dream she saw on television: JR, Bobby Ewing, and the crystal…
Eileen Charbonneau’s love affair with New York City was cemented the day she was downtown on jury duty and witnessed the 9/11 terrorist attacks. New York is the Melting Pot birthplace of her parents, home of her first job (Brooklyn) first Shakespeare (Central Park) and Folk music (Greenwich Village) performances, first apartments (West Village and Washington Heights), and first cocktail (Kir Royale at the Algonquin). Many family stories and deep roots remain.
This one is set in the early 20th century. Coralie, works at her father’s Coney Island freak show as a mermaid and has extraordinary swimming abilities but is as sheltered as a goldfish in a bowl. She meets and falls in love with a photographer who is on hand to document the famous Triangle Shirtwaist Factory fire. This is for readers who like their historical fiction touched with that kitchen-sink magical realism that Alice Hoffman is celebrated for. Turn-of-the-century New York sparkles throughout. This one is closer to my own Melting Pot roots and its eccentric characters seem so New York!
Coney Island, 1911: Coralie Sardie is the daughter of a self-proclaimed scientist and professor who acts as the impresario of The Museum of Extraordinary Things, a boardwalk freak show offering amazement and entertainment to the masses. An extraordinary swimmer, Coralie appears as the Mermaid alongside performers like the Wolfman, the Butterfly Girl,and a 100 year old turtle, in her father's ""museum"". She swims regularly in New York's Hudson River, and one night stumbles upon a striking young man alone in the woods photographing moon-lit trees. From that moment, Coralie knows her life will never be the same.
In 1968, my white Jewish American mother married my Indian American Hindu father. I grew up in Connecticut and often felt othered in my mostly white Christian community. I also felt different than many of my extended family members, feeling not quite Jewish or Indian “enough.” These issues and questions I had and still have about my identity have fueled my writing ever since. I write about characters navigating multiple identities asking questions about racism, prejudice, and xenophobia often for the first time. The books on this list are books I wished I could have had around to keep me company during my youth.
Ruth Behar writes for both adults and children and is a multi-award-winning writer and a Cuban-American Anthropologist. She’s also Jewish with Ashkenazi and Sephardic roots. Based on the author’s real experiences, we follow ten-year-old Ruthie and her family who are recent Jewish-Cuban immigrants trying to make a new home in 1960s Queens, NY after Castro comes to power. Just as Ruthie is adjusting to school and making new friends, a devastating car accident puts her in a body cast for a year. It’s a beautiful, heartbreaking, and inspiring story. I particularly loved her friendship with recent Indian immigrant, Ramu, who has to endure a terrible family tragedy as well. There are some heavy themes here, but Ruthie’s innocent, bright, and brave voice brings the reader along in a hopeful way. There’s some great food (like guava pastries, flan, and samosas) mentioned here, too.
"A book for anyone mending from childhood wounds."-Sandra Cisneros, author of The House on Mango Street
In this unforgettable multicultural coming-of-age narrative-based on the author's childhood in the 1960s-a young Cuban-Jewish immigrant girl is adjusting to her new life in New York City when her American dream is suddenly derailed. Ruthie's plight will intrigue readers, and her powerful story of strength and resilience, full of color, light, and poignancy, will stay with them for a long time.
Ruthie Mizrahi and her family recently emigrated from Castro's Cuba to New York City. Just when…
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