Here are 81 books that Triptych fans have personally recommended if you like
Triptych.
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I have cerebral palsy, but the list of things that I absolutely can’t do is surprisingly short: I can climb a flight of steps or walk the length of a football field, for example, but those tasks are going to take a lot more time and energy for me than they would an able-bodied person. We all choose where to invest in life, but cerebral palsy makes that process much more deliberate, and I’ve been fascinated by it for a long time. I’m always on the hunt for stories that demonstrate that our choices shape our life, not our limitations, and I’m determined to choose joy.
I love this book because it’s the best fictional example I’ve ever seen of a character’s disability being eclipsed by his talent. Lincoln Rhyme is paralyzed, but his talent as a criminologist is far more important—and Deaver showcases Rhyme’s genius and passion as often as he details the difficulties of disability.
I find the book’s mystery compelling and the characters well-written, and I couldn’t get enough of the relationship between Lincoln Rhyme and Amelia Sachs. I’ve never seen a better portrayal of a partnership based solidly on mutual respect and admiration. I’m so grateful for how this story demonstrates that disability doesn’t need to stop you from making a real impact through the gifts and talents you’ve been given.
From the Sunday Times bestselling author of The Goodbye Man, discover Jeffery Deaver's chilling thriller that inspired the film starring Angelina Jolie and Denzel Washington and is now a major NBC TV series.
Their first case, their worst killer . . .
New York City has been thrown into chaos by the assaults of the Bone Collector, a serial kidnapper and killer who gives the police a chance to save his victims from death by leaving obscure clues. Baffled, the cops turn to the one man with a chance of solving them - Lincoln Rhyme.
One review of my books mentioned that I make heroes out of damaged people, so it’s natural I would read that kind of book. I love to see lost souls, losers, battlers for justice, and the underdogs rise above all the elements that hold them down. I think most people root for the underdogs, whether in life, in sports, or the weaker in any competition. It’s in our nature to do so. I’m a wife, mother, writer, former commercial artist, former store owner, former importer, which makes me ripe to be something new. But I think I’m done. I’ve shot my wad, done my best at whatever, and it’s always been fun.
Traumatized at the age of eight, causing him to be mute for ten years, Michael has a talent. He can pick any lock, no matter how complicated, and that includes safes. You can see where I’m going with this, right? It doesn’t take long to find out where that questionable talent leads him, because he’s just been released from a ten-year stint in prison. Michael is a heartbreaking character who is unwittingly led down the wrong path. The author unfolds the story through Michael’s narrative, slipping back and forth in time to explain how he got where he is, culminating in the tragic moment that sent Michael into his world of silence. The story is original and creative in character delineation and suspense.
Steve Hamilton steps away from his Edgar Award-winning Alex McKnight series to introduce a unique new character, unlike anyone you've ever seen in the world of crime fiction.
"I was the Miracle Boy, once upon a time. Later on, the Milford Mute. The Golden Boy. The Young Ghost. The Kid. The Boxman. The Lock Artist. That was all me.
But you can call me Mike."
Marked by tragedy, traumatized at the age of eight, Michael, now eighteen, is no ordinary young man. Besides not uttering a single word in ten years, he discovers the one thing he can somehow do…
One review of my books mentioned that I make heroes out of damaged people, so it’s natural I would read that kind of book. I love to see lost souls, losers, battlers for justice, and the underdogs rise above all the elements that hold them down. I think most people root for the underdogs, whether in life, in sports, or the weaker in any competition. It’s in our nature to do so. I’m a wife, mother, writer, former commercial artist, former store owner, former importer, which makes me ripe to be something new. But I think I’m done. I’ve shot my wad, done my best at whatever, and it’s always been fun.
Iron House, short for the Iron Mountain Home for Boys, is a thriller that features orphaned brothers: weakling Julian, and his strong and fiercely protective brother, Michael. After being bullied to the point of cracking, Julian kills his abuser. Michael escapes Iron House and takes the blame as he leaves.
This leads the brothers on two very different paths. Julian is adopted and, though mentally unbalanced, becomes a writer of dark children’s stories. Michael is also adopted off the streets by the head of a crime syndicate who teaches him how to kill. Iron House is a complicated story of abuse, torment, and love. The book is not for the faint of heart.
John Hart has written three New York Times bestsellers and won an unprecedented two back-to-back Edgar Awards. His books have been called "masterful" (Jeffery Deaver) and "gripping" (People) with "Grisham-style intrigue and Turow-style brooding" (The New York Times). Now he delivers his fourth novel—a gut-wrenching, heart-stopping thriller no reader will soon forget.
HE WOULD GO TO HELL
At the Iron Mountain Home for Boys, there was nothing but time. Time to burn and time…
I know all too well that finding a diagnosis and treating a chronic health condition can be like unraveling a mystery—maybe that’s why characters dealing with these issues make natural detectives. As a mystery writer with chronic illness, I love reading about sleuths who embody the difficulties of living with health challenges yet show the tremendous capacity we still have to contribute. Many of the sleuths on this list are confined to their homes and unable to work, so solving a mystery not only adds suspense. It gives us the satisfaction of seeing these characters find their way back into the world and rediscover their sense of purpose.
This is the first book in the Joseph O’Loughlin series, and my favorite because it shows Joe shortly after his Parkinson’s diagnosis.
I know it’s popular to portray sick people as angelic, long-suffering inspirations to us all, but reality often differs, especially as someone adjusts to a devastating diagnosis and its far-reaching impact. As a respected psychologist, Joe is normally thoughtful, intelligent, and kind, but as he becomes ensnared in the death of a former acquaintance, his personal despair over his illness sends him into a self-destructive tailspin. Rather than making me dislike Joe, the honesty of his struggle made me sympathize with him all the more.
The psychological thriller that marked the debut of one of contemporary suspense fiction's most compelling heroes: "A gripping first novel...taut and fast-moving" (Washington Post).
Renowned psychologist Joseph O'Loughlin has it all -- a thriving practice, a devoted, beautiful, fiercely intelligent wife, and a lovely young daughter. But when he's diagnosed with Parkinson's, O'Loughlin begins to dread the way his exceptional mind has been shackled to a failing body, and the cracks in his perfect existence start to show.
At first, O'Loughlin is delighted to be called in to a high-profile murder investigation, hoping his extraordinary abilities at perception will help…
Nobody’s Magicbegan, not as the series of novellas it became, but as a collection of stories I couldn’t stop telling. And it wasn’t just my characters’ comings and goings that enthralled me. It was the way they demanded I let them tell their own stories. I enjoy reading and writing novellas because they allow space for action, voice, and reflection, and they can tackle manifold themes and conversations in a space that is both large and small. At the same time, they demand endings that are neither predictable nor neat, but rather force the reader to speculate on what becomes of these characters they’ve come to know and love.
I have loved Black literature written in Southern AAVE since reading Charles Chesnutt’sThe Conjure Woman in graduate school.But perhaps what I love most about the narrator, Octavia (also known as Sweet Pea), is that she’s fluent in many languages: the language of the hood where she lives, of the classroom where she excels, and of the playground, where her poverty is often a cause for ridicule, but where her sassy, outspoken nature is treated with grudging respect. Early 1980s Atlanta is an unsafe place for children: drugs, gangs, and the Atlanta Child Murders are threatening their very existence, and like many of the stories on my list, Octavia’s triptych also ends with a departure. However, her wit and savvy make clear that, wherever she lands, she’s going to be alright.
In the summer of 1979 black children were disappearing from the streets of Atlanta. By the time this heinous killing spree was over, 29 children were dead. This haunting menace provides a powerful backdrop to the stories of three young children fighting the painful everyday battle of adolescence. Tasha, Rodney and Octavia each has a unique voice and story and each is struggling to find a path through the turmoil. Tasha, who is coping with the separation of her parents, is discovering the first sweet pain of a crush on a tough but tender boy named Jashante from the rough…
Wendy Hamand Venet is an emeritus professor of history at Georgia State University. She is the author or editor of three books about Atlanta, Sam Richards’s Civil War Diary: A Chronicle of the Atlanta Home Front (edited work); A Changing Wind: Commerce and Conflict in Civil War Atlanta; Gone but not Forgotten: Atlantans Commemorate the Civil War.
This book provides an excellent overview of Atlanta’s rise from humble beginnings as a rail hub before the Civil War to a thriving commercial center by the end of the century. Russell argues that the war accelerated Atlanta’s commercial and industrial development, but its path was already set before General William T. Sherman’s army arrived during the Civil War. White business elites dominated city politics until the election of Atlanta’s first Black mayor, Maynard Jackson, in 1973.
Wendy Hamand Venet is an emeritus professor of history at Georgia State University. She is the author or editor of three books about Atlanta, Sam Richards’s Civil War Diary: A Chronicle of the Atlanta Home Front (edited work); A Changing Wind: Commerce and Conflict in Civil War Atlanta; Gone but not Forgotten: Atlantans Commemorate the Civil War.
Founded as a rail center in the 1830s, Atlanta was dependent on commercial ties with the North which explains the city’s Unionism before the Civil War. In the pivotal election of 1860 where Lincoln carried the northern states and a “southern rights” candidate carried the deep South, Atlantans voted overwhelmingly for Unionist candidates John Bell and Stephen A. Douglas. Although their numbers diminished after secession, a small cadre of Unionists remained in the city during the war, including Cyrena Stone, whose secret (and fascinating) diary is both a major source for and an appendix in this book.
During the American Civil War, a small group of Unionists found themselves trapped in the largest Southern city between Richmond and New Orleans. Atlanta was a Confederate bastion. The military ruled, and it brooked little dissent. But, as this work demonstrates, the Confederate military hadn't reckoned on Cyrena Stone. A Vermont native, Cyrena moved to Atlanta with her husband, Amherst, in 1854. After war broke out Amherst escaped to the North, but Cyrena remained behind. Hiding her small Union flag in her sugar bowl, suppressing but not moderating her well-known pro-Northern views, she belonged to a secret circle of Unionists…
Wendy Hamand Venet is an emeritus professor of history at Georgia State University. She is the author or editor of three books about Atlanta, Sam Richards’s Civil War Diary: A Chronicle of the Atlanta Home Front (edited work); A Changing Wind: Commerce and Conflict in Civil War Atlanta; Gone but not Forgotten: Atlantans Commemorate the Civil War.
This book looks at Atlanta’s role in the emergence of a “New South” and the way that journalist and civic leader Henry Grady used the story of Atlanta’s wartime burning and destruction and its postwar rebuilding to rebrand the city. While supporting segregation in the South, Grady urged northern Whites to invest in the New South economy and denied that the region had a race problem. Black Atlantans presented an alternate narrative, one that emphasized the war as a first step in the fight for freedom and equality. The Atlanta Race Riot of 1906 left Grady’s New South concept “tattered and frayed”; the term was seldom used after that.
After conquering Atlanta in the summer of 1864 and occupying it for two months, Union forces laid waste to the city in November. William T. Sherman's invasion was a pivotal moment in the history of the South and Atlanta's rebuilding over the following fifty years came to represent the contested meaning of the Civil War itself. The war's aftermath brought contentious transition from Old South to New for whites and African Americans alike. Historian William Link argues that this struggle defined the broader meaning of the Civil War in the modern South, with no place embodying the region's past and…
I’m a professor of modern US and global history at Hartwick College in upstate New York. I have been reading and researching the history of conservative and right-wing movements in the United States and the wider world for almost two decades. My first book, Revolutionaries for the Right: Anticommunist Internationalism and Paramilitary Warfare in the Cold War, was published by University of North Carolina Press in 2018. My articles, essays, and reviews have appeared in Jacobin, Diplomatic History, Terrorism and Political Science, H-War, and H-Diplo. I’m currently at work on two projects: a history of the transatlantic white power movement and a film documentary about the short-lived white supremacist nation of Rhodesia and its contemporary legacies.
The rise of the right was in many ways a southern phenomenon as the Old South transformed into the Sun Belt. White Flight explores how white supremacy and fears over desegregation propelled the conservative movement in Atlanta and on the national stage. As federal initiatives spelled the end for segregation in the 1950s and 1960s, southern whites managed to preserve racial discrimination through more subtle avenues. Whites fled Atlanta’s urban core for its suburbs where they reformed the world of white supremacy, giving birth to new causes such as tax revolts, tuition vouchers, and the privatization of public services.
During the civil rights era, Atlanta thought of itself as "The City Too Busy to Hate," a rare place in the South where the races lived and thrived together. Over the course of the 1960s and 1970s, however, so many whites fled the city for the suburbs that Atlanta earned a new nickname: "The City Too Busy Moving to Hate." In this reappraisal of racial politics in modern America, Kevin Kruse explains the causes and consequences of "white flight" in Atlanta and elsewhere. Seeking to understand segregationists on their own terms, White Flight moves past simple stereotypes to explore the…
Wendy Hamand Venet is an emeritus professor of history at Georgia State University. She is the author or editor of three books about Atlanta, Sam Richards’s Civil War Diary: A Chronicle of the Atlanta Home Front (edited work); A Changing Wind: Commerce and Conflict in Civil War Atlanta; Gone but not Forgotten: Atlantans Commemorate the Civil War.
The 1895 Cotton States and International Exposition, a seminal moment in Atlanta’s history, is best remembered as the setting for Booker T. Washington’s opening day address in which he suggested that the races could be “as separate as the fingers” in “all things social.” Theda Perdue considers the white supremacist attitudes of the fair’s organizers and the ways in which people of color were represented. The designated Negro Building allowed Black educators and artists to showcase their accomplishments in a segregated setting, but exhibits about Native Americans by the Smithsonian and Office of Indian Affairs treated them as ancient cultures of the past and not as vibrant cultures of the present.
The Cotton States Exposition of 1895 was a world's fair in Atlanta held to stimulate foreign and domestic trade for a region in an economic depression. This uses the exposition to examine the competing agendas of white supremacist organizers and the peoples of colour who participated.