Here are 100 books that A Walk in the Woods fans have personally recommended if you like
A Walk in the Woods.
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I’m a children’s book author-illustrator who loves picture books that can tackle difficult topics in a unique way. Along with Where Is Poppy?, I’ve also illustrated The Remember Balloons, written by Jessie Oliveros, which helps to gently explain Alzheimer’s and memory loss to kids without sugarcoating the realities of the illness. I think books can be a great tool for helping kids understand and process ideas that can be a little heavy or overwhelming, even for adults.
This is another book about death that will also make you laugh.
I appreciate how direct this book is while still managing to be tender and sensitive. And the artwork matches the tone of the text well. Death looks both friendly and a little creepy.
It may not be for every family, but I love how oddly funny and heartbreaking this book is.
From award-winning author and illustrator, Wolf Erlbruch, comes one of the world’s best children’s books about grief and loss.
In a curiously heart-warming and elegantly illustrated story, a duck strikes up an unlikely friendship with Death. Duck and Death play together and discuss big questions. Death, dressed in a dressing gown and slippers, is sympathetic and kind and will be duck’s companion until the end.
“I’m cold,” she said one evening. “Will you warm me a little?” Snowflakes drifted down. Something had happened. Death looked at the duck. She’d stopped breathing. She lay quite still.
I’m a children’s book author-illustrator who loves picture books that can tackle difficult topics in a unique way. Along with Where Is Poppy?, I’ve also illustrated The Remember Balloons, written by Jessie Oliveros, which helps to gently explain Alzheimer’s and memory loss to kids without sugarcoating the realities of the illness. I think books can be a great tool for helping kids understand and process ideas that can be a little heavy or overwhelming, even for adults.
As an illustrator, it's always the artwork of a picture book that first draws me in.
In this book, lots of double-page spreads allow the beautiful, painterly illustrations to shine. But the text is equally moving. I love the way the author uses animal metaphors to describe the different ways grief can take form.
An imaginative and heartfelt book that reminds us that there is no loss without love. When Grief first arrives, it is like an elephant-so big that there is hardly room for anything else. But over time, Grief can become smaller and smaller-until it is a fox, then a mouse, and finally a flickering firefly in the darkness leading us down a path of loving remembrance. This lyrical work is an empathetic and comforting balm for anyone who is experiencing grief-be it grieving the loss of a loved one or the losses in the world around us.
I’m a children’s book author-illustrator who loves picture books that can tackle difficult topics in a unique way. Along with Where Is Poppy?, I’ve also illustrated The Remember Balloons, written by Jessie Oliveros, which helps to gently explain Alzheimer’s and memory loss to kids without sugarcoating the realities of the illness. I think books can be a great tool for helping kids understand and process ideas that can be a little heavy or overwhelming, even for adults.
"I bit my mom on the toe this morning" might be one of my favorite opening lines for a picture book.
I love it when a sad book also makes room for playfulness and humor. It also has the loveliest illustrations, utilizing soft pencil lines and a limited color palette to match the gentleness of the text.
This book is a great example of how specificity can make a story feel so genuine and relatable, no matter who the reader is.
I’ve dealt with depression from a young age. Books like these make me feel better because they give me the time to focus on someone else dealing with similar (or worse) feelings without minimizing my own circumstances. Or perhaps, is it schadenfreude? I have no idea! Huge warning, though. This list mixes some really dark stuff. Please proceed with caution. But I did throw some sweet ones in there, too, as a treat!
Everyone I love who’s seen my shelf knows how much I love this picture book. I adore the simple ink drawings; it’s all I need to understand to story.
I never expected a 32-page book to break me like this. It makes me want to hug my cat Marlie and never let go (to her annoyance). To me, it explained life and death so perfectly—when one goes away, another comes into our lives.
There was a cat who lived alone. Until the day a new cat came . . .
And so a story of friendship begins, following two cats through their days, months, and years until one day, the older cat has to go. And he doesn't come back.
This is a poignant story, told in measured text and bold black-and-white illustrations about life and the act of moving on.
The role of the parable is an important one to help understand the roots of right and wrong. We live in such a fractured and untrusting world, that I think it’s important to rediscover the simple truths of honesty and integrity over-ambition, and the pursuit of power for its own sake. And so, I have an interest in the topic because I am a citizen hoping for a better world, and an expertise in the subject because I’m a father raising two children in that same fractious environment.
This recommendation might be construed by some as dated and possibly insensitive, but the wisdom of the trickster derived from African folktales in the Antebellum Deep South are worth consideration. The story of the Tar Baby is ubiquitous, and teaches to respect brains over brawn…“What ever you do, don’t throw me in the briar patch!”
A classic book compiling the complete tales from eight books, with the original illustrations.
It’s been more than a hundred years since the publication of the first Uncle Remus book, and it was in 1955 that all of the delightful and inimitable tales of Brer Rabbit, Brer Fox, Brer Bear, and Brer Wolf were gathered together in one volume. All of the animal tales from eight books are here, along with the illustrations which originally accompanied them.
Any fan of folklore and mythology will treasure this edition.
From early childhood, I escaped into nature when times got tough—climbing trees, exploring the woods, and chatting with beach creatures. When I had to be indoors, books were my escape, and most of my favorites had rich nature settings that were so well-drawn that I could see them and feel like I was actually there. Following strong protagonists as they deal with life challenges by interacting with nature was an affirmation for me and still is. As a parent and former fifth-grade teacher, I’ve witnessed the power that books have to lessen loneliness and inspire hope and activism.
King thinks his deceased brother has returned as a dragonfly and visits him in the bayou area where he hangs out. I love books with hints of magic in them, especially when they show up in nature, and I couldn’t help but root for King. Even as he struggles, he is sweet and empathetic and worries about others as much as he worries about himself.
Friends and family are fully developed; nobody is all good or all bad. The teacher in me appreciates King’s story as a great discussion starter and empathy-builder, as well as an engaging plot. Witnessing the triumph of an underdog never gets old for me.
Winner of the 2020 National Book Award for Young People's Literature!
Winner of the 2020 Boston Globe-Horn Book Award for Fiction and Poetry!
In a small but turbulent Louisiana town, one boy's grief takes him beyond the bayous of his backyard, to learn that there is no right way to be yourself.
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Twelve-year-old Kingston James is sure his brother Khalid has turned into a dragonfly. When Khalid unexpectedly passed away, he shed what was his first skin for another to live…
Ever since my childhood on a farm poetry has helped me pay attention to the world around me. Like a naturalist’s field guide, nature poems name, depict, and explore what might otherwise pass unnoticed. Now in the midst of environmental crisis I believe poets have a role alongside ecologists, farmers, and foresters to protect and restore our threatened habitats and species. Writing nature poetry helps me face and express loss while celebrating what still survives. I value poetry that connects us to what we love and gives us courage to imagine different ways of living.
This is an exciting and important poetry anthology.
Spanning the history of black poetry in America, the editor Camille T. Dungy has collected one hundred and eighty poems by ninety-three poets. Her introduction radically enlarges the realm of eco-poetry as she considers the exclusion of African-American poets from the nature poetry genre while also exploring the complexity of their relationship with the land that witnessed or abetted centuries of racist subjugation.
Thought-provoking essays by Alice Walker, Marilyn Nelson, and others, introduce each of the ten sections in which I found a treasure trove of poets I’ve long admired, such as Rita Dove and Ross Gay, and poets I’ve never come across before, such as Kamilah Aisha Moon.
This book presents the natural world seen through the eyes of black poets. ""Black Nature"" is the first anthology to focus on nature writing by African American poets, a genre that until now has not commonly been counted as one in which African American poets have participated. Black poets have a long tradition of incorporating treatments of the natural world into their work, but it is often read as political, historical, or protest poetry - anything but nature poetry. This is particularly true when the definition of what constitutes nature writing is limited to work about the pastoral or the…
I’m not an expert in gardening, forestry, or herbal medicine. But like everyone else, I have a growing awareness that our planet Earth is entirely dependent on thriving forests and insects and even weeds. We owe it to our children and future generations to learn about and protect our precious resources. Although I live in the big city of Chicago and have a tiny backyard, last year I turned my little grass lawn into prairie! I have creeping charlie, dandelions, creeping phlox, sedge grass, wild violets, white clover, and who knows what else. (Luckily, my neighbors are on board.) I’ve already seen honeybees and hummingbirds. It’s not much, but it’s something I can do.
Everyone feels lost like Jayden at one time or another: His family has moved from the excitement and color of New York City to the vast, empty desert of New Mexico, where at first all Jayden sees and hears are shadows and silence. How can this ever be home?
But very quickly the desert reveals its glorious sounds and colors. Nikki Grimes’s spare, quiet text does a beautiful job of reminding us that nature is everywhere if we only take the time to look, and that finding comfort and joy in the beauty around us can help make any place a home.
From Children's Literature Legacy Award winner Nikki Grimes and highly-acclaimed illustrator Wendell Minor comes a stunning picture book about the beauty of the natural world and finding a new place to call home.
The beauty of the natural world is just waiting to be discovered . . .
When Jayden touches down in New Mexico, he's uncertain how this place could ever be home. But if he takes a walk outside, he just might find something glorious.
Flowers in bright shades . . . Birds and lizards and turtles, all with a story to tell . . . Red rock…
Marybeth Gasman has been writing about African American history – within the educational setting – since 1994 when she began research that led to on an intellectual biography of African American sociologist, Harlem Renaissance architect, and Fisk University president Charles Spurgeon Johnson. Over the years, her work has explored many topics, including the history of Historically Black Colleges and Universities, Black medical schools, African American philanthropy, and the production of Black scientists. She is the Samuel DeWitt Proctor Endowed Professor in Education & a Distinguished Professor at Rutgers University and also serves as the Executive Director of the Samuel DeWitt Proctor Institute for Leadership, Equity, & Justice.
Williams is another beautiful writer and what I love most about this book is it dispels the very harmful myths about Black intelligence during and after slavery. The author shares the many ways that enslaved Africans taught each other to read even though reading or teaching a Black person to read was illegal in all of the southern states. Reading, storytelling, and passing on knowledge across generations is part of the African American tradition and Williams captures all of this and more in this beautiful book.
In this previously untold story of African American self-education, Heather Andrea Williams moves across time to examine African Americans' relationship to literacy during slavery, during the Civil War, and in the first decades of freedom. Some slaves devised creative and subversive means to acquire literacy, and when slavery ended, they became the first teachers of other freedpeople. Williams argues that by teaching, building schools, supporting teachers, resisting violence, and claiming education as a civil right, African Americans transformed the face of education in the South to the great benefit of both black and white southerners.
Music has always spoken to my innermost being, and coming of age in the late 1960s, I’ve been drawn to the quest for justice and equality in politics. In my undergraduate studies at Berkeley, the late political theorist Michael Rogin, who interpreted Moby Dick as a parable of 19th Century race relations, taught me that my two interests could be combined. As a professor of Political Science I’ve written books and articles that explore music’s ability to express ideas about politics, race, and ethnicity in sometimes unappreciated ways.
Gilroy sees in black music a democratic “ethos” embodied in features like “call and response” and improvisation. This ethical sensibility unites disparate parts of the African diaspora, but Gilroy also insists that the music is irrevocably “hybrid” and “Creole,” connecting African-derived cultures with European and other ones as well. Gilroy argues that black music’s connective ability creates an intersubjective, democratic community which he calls an “alternative public sphere.”
Afrocentrism. Eurocentrism. Caribbean Studies. British Studies. To the forces of cultural nationalism hunkered down in their camps, this bold hook sounds a liberating call. There is, Paul Gilroy tells us, a culture that is not specifically African, American, Caribbean, or British, but all of these at once, a black Atlantic culture whose themes and techniques transcend ethnicity and nationality to produce something new and, until now, unremarked. Challenging the practices and assumptions of cultural studies, The Black Atlantic also complicates and enriches our understanding of modernism.
Debates about postmodernism have cast an unfashionable pall over questions of historical periodization. Gilroy…
