100 books like Wild Milk

Every time I read something by George Saunders, I’m in awe of what, for me, is his trifecta of powers: hilarious writing, fantastically creative situations, and deep compassion for his characters and their choices. This book is no exception, and I was particularly struck by The Semplica Girl Diaries, which shows what lengths a suburban dad goes to—it involves unusual, morally questionable human lawn ornaments—in order to support his daughters’ happiness.

While reading these stories, I found my sympathies shifting and unfolding from character to character, each a person whose beating heart lies just below the surface of their unusual circumstances.

Any time I see a new story by Russell, I drop everything to step into the funny, quirky, and insightful worlds she creates. When I first read the title story of Orange World, about a woman who has made a bargain with a devil to protect her own baby, I wanted to press this book into the hands of any mother struggling with breastfeeding.

I could think of no better way to explain my experience than Russell’s description of trying to nurse a clawed, fanged, insatiable monster—along with the mix of posturing and solidarity I found within new mom’s groups and the way that loving my children connected me with my own parents. 

Most of the books I read with my kids have animals as the main characters, but few books aimed at adults do, so I was thrilled to find these stories where wolves, vultures, and tigers provide nuanced, complex perspectives on a threatened world. I learned about love and deep ocean noise from a young whale and felt the loneliness of a polar bear who is parted from his mother, his twin, and others of his kind.

Through these mythic stories, I realized the deep strangeness that comes from losing my connection to other animals and the true pleasure of returning to my place as a creature of the world—something I felt when I became a mother and again as I read these stories.

I keep returning to this collection of stories when I want to get closer to the feeling that flickers between grief and love, which I’ve felt in both large ways and in the small losses that I feel as my kids get older.

Many of the mothers in Romm’s book are dying, but her unwavering attention and humor make these stories feel like a balm, not a wound. There are stories about a man who carries an egg around to test out fatherhood and about a woman planting a crop of mothers in her garden while she grieves her own.

In my own life, plenty of eggs get broken, and the garden has a mind of its own—so these stories also feel familiar, personal, and comforting.

Jackal Jackal is an entertaining collection of eighteen stories that includes two originals and sixteen reprints of relatively new stories, most of which are riffs on some classic fairytales or have the quality of such tales, by Nigerian author Tobi Ogundiran.

It’s a great showcase of Ogundiran’s consistency and strengths as a storyteller and dark fabulist. Every story is crafted to elicit a strong, visceral reaction. These are stories that you’re meant to feel. In my review for Locus Magazine, I said that you should think of this as The Brothers Grimm by way of Amos Tutuola. Or Stephen King meets Cyprian Ekwensi.

With its steady themes of repetition, transformation, and revelation, its consistently good, direct and effective prose and delightfully creepy delivery this is a strong collection that is worth reading.

Retellings are some of my favorite fantasy stories as they rely on new, inventive ways to spin the same yarn. Little Thieves is a reimagining of the Goose Girl from the perspective of the original villain as our main character. Vanja is the goddaughter of Death and Fortune, two of the goddesses in a pantheon with deities who represent abstract concepts like Time and Justice. 

Vanja has spent her life conning and stealing like when she steals the identity of her former friend, Princess Giselle, and steals from the haughty nobles. She maintains these three identities by using magic pearls that change her appearance. But the story truly begins when Vanja is cursed to either return what she has stolen or be consumed by her greed.

I adored this book. I loved its clever fairy tale reimagining of Beauty and Beast set in 1940s Germany under the Third Reich. I enjoyed the transformation of this classic fairy tale into a historical novel that was rich in detail and unique characters and revealed much of the hidden voices of resistance within Germany during this time.

Forsyth is a fellow Australian fairytale, fantasy, and historical author who writes fantasy, history, fairy tale, and myth retellings reimagined into new settings that I find inspiring and the power of the fairy tale to be retold and made new and to endure. 

These stories run deep in my blood! I remember my Mum reading "Cinderella," "Hansel and Gretel," "Rapunzel," and "Snow White," to name a few, and being totally enthralled, captivated, and scared all at once.

Reading this edition as an adult evokes the same feelings, but I also experienced a sense of wonder and intrigue as I read the lesser-known stories such as "The Boy Who Left Home to Find Out About the Shivers," "The Girl with No Hands," "The Nixie of the Millpond," and "Hans-my-Hedgehog." 

I loved discovering these stories, closer to the originally published ones in their first collection, Children's and Household Tales in 1812, as they are much darker and scarier in nature than modern versions, and reading what Philip Pullman says about each one is an unexpected delight!

Not the new, watered-down versions, mind you. The original, dark ones that you read now and think, “Who in their right mind would let a kid read this?”

These stories were insane, and I couldn’t get enough of them. And the thing about these stories is that they’re real. There are monsters living among us (we read about them in the news). There’s a reason to be cautious and aware of our surroundings. Life isn’t all sunshine and lollipops, and I think it’s not a bad idea to let kids know that bad things happen, but that children can be stronger than they think. After all, Hansel and Gretel sent the witch into the oven instead of themselves.  

A hauntingly beautiful anthology of five twisted fairytales that, to me, felt like stepping into a pastoral Twilight Zone and stayed in my mind for days after the final page. Carroll’s artwork is eerie and subtle, and the limited color palette turns scenes of the mundane into a visual nightmare.

The stories are well-paced and spooky, and in my opinion, best read during a dark summer thunderstorm.