Here are 100 books that Lady of Ch'iao Kuo fans have personally recommended if you like
Lady of Ch'iao Kuo.
Shepherd is a community of 12,000+ authors and super readers sharing their favorite books with the world.
I’ve been a history nerd all my life. Historical fiction chap books were my entrance to reading, and my copy of Little Womenfell apart from excessive re-reads. (It also taught me the word “abridged.” I was very upset to find out I hadn’t been given the full book!) I love how novels can pull you into a time on such a personal level. That immersion is part of what made me so interested in books set in lesser-known eras. I mean, I love a good Tudor court drama or WWII novel as much as the next reader. There is just something extra special about learning about a brand-new time.
N. L. Holmes is my absolute favorite “under the radar” historical fiction author writing today. She has a number of wonderful books out there, but if I had to suggest one to new readers, I would pick Bird in a Snare, the first book of the Lord Hani Mystery series. Set in Ancient Egypt under the reign of Akhenaten, the series is an amazing insight into a tumultuous part of ancient history I knew next to nothing about when I first picked up the book and a great mystery series. Throw in awesome prose and a wonderful cast of characters, and I recommend this one whenever I get the chance.
When Hani, an Egyptian diplomat under Akhenaten, is sent to investigate the murder of a useful bandit leader in Syria, he encounters corruption, tangled relationships, and yet more murder. His investigation is complicated by the new king’s religious reforms, which have struck Hani’s own family to the core. Hani’s mission is to amass enough evidence for his superiors to prosecute the wrongdoers despite the king’s protection—but not just every superior can be trusted. And maybe not even the king!
As a queer/bi girl labeled as a tomboy from early on, I ached for a sense of belonging in my life that I only found in books. The adventurous women and girls that I looked for in the pages of books that were like friends to me spanned from Anne of Green Gables to Harriet the Spy. As I got older, I realized that important and awesome adventurous women had been left out of my history books, and only now are we starting to find out who they were, and how many women like myself were erased, and are now being redeemed through these wonderful stories.
Nur Jahan was one of the great queens of India, but I had never learned about her even in my studies at university.
I felt absolutely transported into her life, ambitions, and loves through this riveting novel that is so poetic you’ll want to read it in your bath with the door locked and a candle lit. This book feels like a window into the life of a woman you wish was your mother, your sister, your best friend.
It’s the first of the trilogy, and a magnificent journey into ancient India and the history of the Taj Mahal.
An enchanting seventeenth-century epic of grand passion and adventure, this debut novel tells the captivating story of one of India's most legendary and controversial empresses -- a woman whose brilliance and determination trumped myriad obstacles, and whose love shaped the course of the Mughal empire. She came into the world in the year 1577, to the howling accompaniment of a ferocious winter storm. As the daughter of starving refugees fleeing violent persecution in Persia, her fateful birth in a roadside tent sparked a miraculous reversal of family fortune, culminating in her father's introduction to the court of Emperor Akbar. She…
I’ve been a history nerd all my life. Historical fiction chap books were my entrance to reading, and my copy of Little Womenfell apart from excessive re-reads. (It also taught me the word “abridged.” I was very upset to find out I hadn’t been given the full book!) I love how novels can pull you into a time on such a personal level. That immersion is part of what made me so interested in books set in lesser-known eras. I mean, I love a good Tudor court drama or WWII novel as much as the next reader. There is just something extra special about learning about a brand-new time.
Set in the US in the late 70s, this book was one I went back and forth on if it fit my criteria of being a lesser-known locale (or possibly even historical fiction, since the 60s and 70s are just now starting to hit that cut-off). The world it presents—life in a traveling carnival during the tail end of the freakshow era—was so interesting, though, I felt I had to slip it in. On the run from a terrible secret, the protagonist joins the carnival as their “fat lady” act in the freakshow… and things are just as crazy (and yet somehow so emotionally grounded?) as that premise makes it sound. I’d definitely suggest giving it a read.
Trapped and isolated in small-town Wisconsin, Sarah wants nothing more than to blend in and lead a normal life away from her abusive brother. Weighing five hundred pounds and having no job or formal education, however, makes this almost impossible.
When Sarah commits an unthinkable act, she seizes the only opportunity available to escape the consequences of her actions. She contacts the carnival man who previously offered her a job as a sideshow act. Burying her guilt, Sarah leaves home and begins performing under the stage name Lola Rolls.
Traveling from town to town, Lola wonders if it's possible to…
I’ve been a history nerd all my life. Historical fiction chap books were my entrance to reading, and my copy of Little Womenfell apart from excessive re-reads. (It also taught me the word “abridged.” I was very upset to find out I hadn’t been given the full book!) I love how novels can pull you into a time on such a personal level. That immersion is part of what made me so interested in books set in lesser-known eras. I mean, I love a good Tudor court drama or WWII novel as much as the next reader. There is just something extra special about learning about a brand-new time.
I admit, Baltasar and Blimundais not the type of historical fiction I generally pick up (a more distanced narrative voice plus magical realism doesn’t tend to be my normal pick for pleasure reading) but I felt I needed to read at least one novel set in 18th century Portugal before trying to write my own set there. Something by a Portuguese author as well seemed entirely the way to go. So, I picked this up, and am really glad I did.
In eighteenth-century Portugal, fifty thousand laborers carry stones on their backs across mountains to build the king's convent, a heretical priest devises a magic flying machine--the Passarola--and two lovers' dream of flight sets them apart.
I’m an Australian USA Today bestselling romance author who writes contemporary romance and uses the pen name Alyssa James to write medieval romance. I think the makeover trope resonates with me because although I’m no beauty queen now, I was definitely an ugly duckling in my teens. For reasons best known to him, my father insisted on close-cropped hair, and financial circumstances dictated out-of-style hand-me-down clothing. After university, I found my own style, but it wasn’t until I was accepted as an international flight attendant that I believed that I couldn’t be all that ugly if Qantas employed me!
Cinderella was probably the first romance I ever encountered where a makeover took place, but the second most memorable from my youth was definitely this story.
Mia’s journey to the throne in Genovia is such a roller coaster. Resistant to the initial plan, I love Mia’s growth, and I adore her personality. A bit of a misfit with geeky looks (prior to the makeover, of course!), I love how engaging her character is, and I love the uplifting laugh-out-loud moments that leave me with a light, feel-good vibe.
I also love that she ends up falling for someone who’s been a constant support in her life and who knows and loves Mia for herself rather than her royal title.
'You're not Mia Thermopolis any more, honey,' Dad said. 'You're Amelia Mignonette Grimaldi Thermopolis Renaldo. Princess of Genovia.'
A PRINCESS?? ME??? Yeah. Right.
One minute Mia's a totally normal Manhattan fourteen-year-old. Next minute she's heir to the throne of Genovia, being trailed by a bodyguard, taking princess lessons with her uncontrollable old grandmere, and having a makeover with someone called Paolo. Well, her dad can lecture her till he's royal blue in the face, but no way is Mia going to turn herself into a style-queen. And they think she's moving to Genovia? Er, hello?
I am an academic in rebellion. I have interviewed hundreds of urban leaders and professionals in nine divided urban areas throughout the world. I have written much on this subject, replete with footnotes and sophisticated writing. I am weary of writing more about this important topic—how people do or do not get along in urban settings—from an academic distance. I find the scholarly posture sterilized and insufficiently provocative. I entered into the fictional genre in order to reach a broader audience. I think that fictional futurist writing has the unique ability to portray extraordinary new worlds while at the same time addressing fundamental issues that we face now.
I am a big fan of the author’s nuanced and powerful writing style. The best-written book on my list. Collection of short stories that interweave personal details and idiosyncrasies with broader themes and omens. In “Scenic Route” (‘they have me up hard against the hood of the Cadillac Escalade, which is covered in the dust and dead insects of a thousand back roads’) and “Fairground” (‘school buses lined up like ducks at the crosswalk, waiting for the light to turn green, the faces of the secured population looking through the windows with indifference and resignation’), individuals dealing with internal tumult confront in matter-of-fact ways the stark presence of territories and people divided by check-point partitions. Sectoral partitions, segregated populations. Stark divisions in urban life normalized and routinized.
Said Sayrafiezadeh has been hailed by Philip Gourevitch as "a masterful storyteller working from deep in the American grain." His new collection of stories-some of which have appeared in The New Yorker, the Paris Review, and the Best American Short Stories-is set in a contemporary America full of the kind of emotionally bruised characters familiar to readers of Denis Johnson and George Saunders. These are people contending with internal struggles-a son's fractured relationship with his father, the death of a mother, the loss of a job, drug addiction-even as they are battered by larger, often invisible, economic, political, and racial…
As the Black American daughter of Jamaican immigrants born and raised in Anchorage, Alaska, I love stories that depict the beauty of being multifaceted human beings. Stories steeped in broad understandings of place and home. Stories that encourage us to delight in being the people we are. I also believe our children are natural poets and storytellers. Lyrical picture books filled with rich language and sensory details encourage the thriving of such creativity. In addition to writing All the Places We Call Home, I'm the author ofAll the Colors We Will See, an essay collection about race, immigration, and belonging.
Where Are You From?boasts breathtakingly gorgeous text and expansive illustrations. I love this book because it first draws attention to how our world wants to simplify a person’s story. The book then counters with the beautiful reality that we are complex. As the child of immigrants, I could relate to this little girl seeking answers to the narrow question people keep asking her. She turns to Abuelo, who refuses to answer in ways that might categorize her. Instead, his poetic words sweep her up in a triumphant story rooted in deep ties to generations past and ongoing connections with place. Ultimately, this story transforms that feeling of not belonging into a celebration of who you are. What a joy!
This resonant and award-winning picture book tells the story of one girl who constantly gets asked a simple question that doesn't have a simple answer. A great conversation starter in the home or classroom-a book to share, in the spirit of I Am Enough by Grace Byers and Keturah A. Bobo.
When a girl is asked where she's from-where she's really from-none of her answers seems to be the right one.
Unsure about how to reply, she turns to her loving abuelo for help. He doesn't give her the response she expects. She gets an even better one.
I am a professor who teaches and works in the field of African American History. Because I am both white and Jewish, I’ve been repeatedly asked to give talks about relationships between African Americans and white Jewish Americans, and about what “went wrong” to shatter the “grand alliance” of the civil rights movement embodied by Dr. Martin Luther King, Jr. and Rabbi Abraham Joshua Heschel. I had no answer, but I suspected that none of the stories that we had been told, whether good or bad, were fully true. So I went back to the sources and uncovered a complex and multilayered history. Black and Jewish collaboration was never a given, and underlying tensions and conflicts reflected the broader realities of race and class in the U.S. In the book I explored how these historical and political forces operated, and continue to resonate today.
Now that I’ve raised the issue of whiteness – ways in which American structures and institutions reflect the agendas and interests of white people, and the role those structures play in shaping opportunity and life experiences -- here I want to bring it front and center. Many white people don’t recognize how they benefit from having white skin (called “white privilege”) and many white ethnic groups, including many white Jews in the U.S., deny their white privilege altogether, insisting that they too have been the victim of white discrimination, and that anti-Black racism is no different. Brodkin offers a powerful counter-narrative, pointing out the many important ways that American Jews of European descent did indeed benefit from their white skin even when they did not realize it.
The fashion identities in the context of a wider conversation about American nationhood, to whom it belongs and what belonging means. Race and ethnicity, class, gender, and sexuality are all staple ingredients in this conversation. They are salient aspects of social being from which economic practices, political policies, and popular discourses create ""Americans."" Because all of these facets of social being have such significant meaning on a national scale, they also have major consequences for both individuals and groups in terms of their success and well-being, as well as how they perceive themselves socially and politically.
Hello! I am Jane Yolen, author of almost 450 books. I write picture books and novels, poetry, and graphic novels–mostly for children. I have published books about just about every subject imaginable. But I’ve always loved fantasy books especially. I grew up on the Alice in Wonderland books and the Arthurian legends. I, of course, carried that love into my writing life–having written about monsters, mermaids, and unicorns. I’m fascinated by fairies; they show up in a lot of what I write. Give me a real kid and a mythical creature of some sort, sprinkle in a bit of magic–I’m in!
This gorgeous book is both metaphoric and literal. A young boy learns about dragons (and himself, his grandmothers, and life) on a mythical bedtime story-walk to find two very different paths.
I love the message here (and that it isn’t too in-your-face message-y; the story is really primary). But the art is so gorgeous that I could dive back into it over and over again for that alone.
Lean in close, my darling bao bei, and I will whisper a most precious secret about a powerful magic that lives inside you.
Brought to life with lavish and ornate illustrations, The Truth About Dragons follows a young child on a journey guided by his mother's bedtime storytelling. He quests into two very different forests, as his two grandmothers help him discover two different, but equally enchanting, truths about dragons. Eastern and Western mythologies coexist and enrich each other in this warm celebration of mixed cultural identity.
I’ve always been interested in stories about becoming. Whether it’s a coming-of-age story, a story about overcoming adversity, or a story about discovery or recovery, I find that the best books about becoming also tend to be books about resilience. For me, the lure of a book is often more about its themes and perspective than it is about where it’s categorized and shelved. Having written a memoir in verse for an upper young adult reading group, this is especially true of my experience as an author. Each of the books on this list has something profound and singular to offer young adult readers and adult readers alike.
Everyone should be reading middle grade books for characters and stories like this.
Eleven-year-old Makeda is loved, but as a Black girl in an adoptive family of white people, she questions what it might be like to grow up in a family that looks like her. Lockington draws from her own experience as a transracial adoptee, and writes with lyrical accessibility and honest, meaningful depictions of mental health struggles within a family.
This coming-of-age story for the younger set reminds people of all ages that while love matters, it takes work every day to keep evolving, showing up for, and fighting for those we love.
Makeda June Kirkland is eleven-years-old, adopted, and black. Her parents and big sister are white, and even though she loves her family very much, Makeda often feels left out. When Makeda's family moves from Maryland to New Mexico, she leaves behind her best friend, Lena - the only other adopted black girl she knows - for a new life. In New Mexico, everything is different. At home, Makeda's sister is too cool to hang out with her anymore and at school, she can't seem to find one real friend.
Through it all, Makeda can't help but wonder: What would it…
