Here are 100 books that American Estrangement fans have personally recommended if you like
American Estrangement.
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I am an academic in rebellion. I have interviewed hundreds of urban leaders and professionals in nine divided urban areas throughout the world. I have written much on this subject, replete with footnotes and sophisticated writing. I am weary of writing more about this important topic—how people do or do not get along in urban settings—from an academic distance. I find the scholarly posture sterilized and insufficiently provocative. I entered into the fictional genre in order to reach a broader audience. I think that fictional futurist writing has the unique ability to portray extraordinary new worlds while at the same time addressing fundamental issues that we face now.
What could be more fun than Gods getting involved in city planning? Spy story wrapped inside a grand and mysterious history of once-supreme Gods now dormant (or not). Memorable characters. Don’t mess with the giant grunt Sigrud. Divine power with 6 Gods (light bearer, judge, warrior, seed-sower, trickster, and builder). Imagine holding a committee meeting with this group. Magical portals that enable back-and-forth between current gritty and past majestic city. A thought-provoking conclusion that speaks to worldwide conflict in real life today.
'Robert Jackson Bennett deserves a huge audience' - Brent Weeks, New York Times bestselling author of The Black Prism
In the city of stairs, nothing is as it seems.
You've got to be careful when you're chasing a murderer through Bulikov, for the world is not as it should be in that city. When the gods were destroyed and all worship of them banned by the Polis, reality folded; now stairs lead to nowhere, alleyways have become portals to the past, and criminals disappear into thin air.
The murder of Dr Efrem Pangyui, the Polis diplomat researching the Continent's past,…
My science fiction and fantasy writing is concerned with the values I was exposed to growing up. As a lifelong Quaker, I have struggled—often unsuccessfully—to live out Quakerism’s non-conformist, almost utopian commitment to equality, simplicity, peace, and community. Not only have I tried to bear witness to those values in my writing, but those ideals led me to my career as an instructor at a community college, one of America’s great socioeconomic leveling institutions. My background as a speculative fiction writer has also made me into a teacher of science fiction and fantasy literature at my college, where I read and came to love the books I recommend here.
This tightly-plotted murder mystery takes place in one of the most compelling imagined settings I’ve ever encountered: a double city somewhere in the Balkans where the inhabitants of each half are required by law not to see the inhabitants of the other half.
Equal parts Kafka and Philip K Dick, Miéville’s The City and the City offers a thought-provoking meditation on the haves and have-nots, as well as life in the Balkanized cities of the world, those “double places” where one-half of the population conspires not to notice the other half.
With shades of Kafka and Philip K. Dick, Raymond Chandler and 1984, the multi-award winning The City & The City by China Mieville is a murder mystery taken to dazzling metaphysical and artistic heights.
'You can't talk about Mieville without using the word "brilliant".' - Ursula Le Guin, author of the Earthsea series.
When the body of a murdered woman is found in the extraordinary, decaying city of Beszel, somewhere at the edge of Europe, it looks like a routine case for Inspector Tyador Borlu of the Extreme Crime Squad. But as he probes, the evidence begins to point to…
Having delved deeply into all kinds of science fiction narratives that push us to interrogate our own humanity, existence, and consciousness, I wanted to provide some recommendations for a very specific type of science fiction book that is often concerned with big existential questions, called “time loop” narratives, where characters relive the same time period over and over. This type of narrative has always been a favorite of mine, as I find the payoffs of the comedy, mystery, and action even more satisfying when you already know as a reader what events are going to take place over and over again.
I loved the boldness of this book, as it does what most of these types of novels shy away from, and that is to let everyone in the world in on the knowledge of the loop, eventually.
In this book, once a character has looped back in time and changed things, everyone involved in the change catches up to the knowledge of the original version through “false memory syndrome.” The result is that by the end of the novel, the whole world seems to be conspiring to stop the protagonists in the most nerve-wracking last few chapters I can remember reading in a long time.
NEW YORK TIMES BESTSELLER • From the bestselling author of Dark Matter and the Wayward Pines trilogy comes a relentless thriller about time, identity, and memory—his most mind-boggling, irresistible work to date, and the inspiration for Shondaland’s upcoming Netflix film.
“Gloriously twisting . . . a heady campfire tale of a novel.”—The New York Times Book Review
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY Time • NPR • BookRiot
Reality is broken.
At first, it looks like a disease. An epidemic that spreads through no known means, driving its victims mad with memories of a life they…
Since the age of seven, I've been conscious of the need to bypass how one is supposed to do things. I realized then that my grandmother could not pursue a writing career because she was also a woman and a wife; a cautionary tale I took to heart since I was already beginning to identify as an artist. I'm driven to uncover how we recognize what we see, and how forces beyond our control engender or foreclose upon new ways of being in the world. A professional life lived in the arts has allowed the fullest flexibility for exploring these ideas as one is generally encouraged to think differently.
This castaway story, about a man trapped on a concrete island under and between converging freeways on the outskirts of London, still stands the test of time.
I found it especially resonant during the imposed isolation of the global pandemic; all of us each marooned in our living rooms. The protagonist, architect Robert Maitland, has to learn to survive and thrive in reduced and restricted circumstances, and he can’t buy or build his way out of it.
When he finally discovers a way off the island he no longer really wants to leave, reminding us that we are sometimes most effectively imprisoned by our own minds and desires.
On a day in April, just after three o'clock in the afternoon, Robert Maitland's car crashes over the concrete parapet of a high-speed highway onto the island below, where he is injured and, finally, trapped. What begins as an almost ludicrous predicament soon turns into horror as Maitland-a wickedly modern Robinson Crusoe-realizes that, despite evidence of other inhabitants, this doomed terrain has become a mirror of his own mind. Seeking the dark outer rim of the everyday, Ballard weaves private catastrophe into an intensely specular allegory in Concrete Island.
My father was transferred to Southern California from Charlotte, North Carolina when I was fourteen years old. I was excited and my friends were jealous. At that point, all I knew about California was the music of the Beach Boys and the Gidget television series. I thought everyone lived on the beach and knew movie stars. I didn’t know there were neighborhoods like Reseda and Anaheim and Fountain Valley, places where people live lives that have nothing to do with the glamour and celebrity of Hollywood. California has been my home for more than fifty years. I still find it fascinating and puzzling, and I still feel like an outsider.
D.J. Waldie elegantly captures the essence of the ordinary in this beautiful collection of essays. He has lived and worked in Lakewood, California his entire life and he doesn’t drive, which is remarkable in Southern California. Instead, he walks, he observes, and he writes about the kinds of Southern California neighborhoods that I know. I wish that I could describe the sky and the light as accurately and poetically as Waldie does. He has taught me to walk slower and pay attention. His stories of the history of Los Angeles are equally compelling. Waldie says he writes “about sacred and humanizing Los Angeles because I find myself there.” How fortunate for us all!
Best-selling author and beloved chronicler of Los Angeles D.J. Waldie reconsiders the city in a collection of contemporary essays.
Nobody sees Los Angeles with more eloquence than D. J. Waldie. – Susan Brenneman, Los Angeles Times Deputy Op-Ed Editor
Becoming Los Angeles, a new collection by the author of the acclaimed memoir Holy Land, blends history, memory, and critical analysis to illuminate how Angelenos have seen themselves and their city. Waldie’s particular concern is commonplace Los Angeles, whose rhythms of daily life are set against the gaudy backdrop of historical myth and Hollywood illusion. It’s through sacred ordinariness that Waldie…
As a writer, I’ve always been interested in ambiguity and ambivalence. How does that apply to the self? What does it mean to present myself to others? How do I appear to the world and how close is that to what I see myself to be? Are we ever truly seen—or willing to be seen? In a world where cameras exist everywhere and we are encouraged to record rather than simply be, how do we look in a mirror? Hannah Arendt said that we could tell reality from falsehood because reality endures. But I feel that nothing I experience endures; nothing remains the same, including the reflection. If anything lasts, it may be my own make-believe. Everything I write is, in some way, this question. Who is that?
A short, powerful investigation of how we construct and succumb to the lies of gender. Chu explores our fears of desire and how we allow politics to corrupt identity, believing gender to be so constructed that it can only be given and not created. Female is a quality we all carry, whatever label we use. Chu forces the reader to look in the mirror with a question instead of a statement, always uncertain about who that person really is.
So begins Andrea Long Chu's genre-defying investigation into sex and lies, desperate artists and reckless politics, the smothering embrace of gender and the punishing force of desire.
Drawing inspiration from a forgotten play by Valerie Solanas-the woman who wrote the SCUM Manifesto and shot Andy Warhol-Chu aims her searing wit and surgical intuition at targets ranging from performance art to psychoanalysis, incels to porn, and even feminists like herself. Each step of the way she defends the indefensible claim that femaleness is less a biological state of women and more a fatal existential…
One of the joys of writing a mystery series is you have time to explore your characters—who they are, where they come from, what motivates them. In this particular series, I’d established a rift between the protagonist and her family, and I began to wonder whyit was there. My own sister died when still a baby, yet her absence cast a long, complicated shadow over our family for decades. I wanted to explore more about the family dynamics around a missing child—and kidnapping seemed the best tool to get there. So I read everything I could about kidnapping to present that absence in both intimate and compelling ways.
I don’t often read YA novels, so I’m grateful to the friend who insisted I read this one.
Imagine picking up a milk carton imprinted with images of missing children—and seeing your own face there. This story is written with a kind of hectic immediacy through the eyes of 15-year-old Janie Johnson, who now must find out who she really is. Confronted, her parents share what they believe to be her story: she is really their grandchild, the child of their long-missing daughter who disappeared into a cult.
As it turns out, even the story within the story offers another distortion. (The only caveat I’ll add is that this book is a little dated, clearly written before #metoo, and the reader may experience some slight discomfort in that area.)
There is now a series of novels about this protagonist.
In the vein of psychological thrillers like We Were Liars and One of Us Is Lying, bestselling and Edgar Award nominated author Caroline Cooney’s JANIE series seamlessly blends mystery and suspense with issues of family, friendship and love to offer an emotionally evocative thrill ride of a read.
No one ever really paid close attention to the faces of the missing children on the milk cartons. But as Janie Johnson glanced at the face of the ordinary little girl with her hair in tight pigtails, wearing a dress with a narrow white collar—a three-year-old who had been kidnapped twelve years…
Like most children, I’ve experienced being teased for appearing different in some way. I learned to defend the strange outfits my mother made for me and the bizarre hairdo of eight pigtails my older sister dared me to wear to school. As a teen, I wore a patchwork jacket made of quilt scraps to my new school and came home in tears. I’ve always felt that if we really knew one another on a deeper level and shared each other’s stories we would realize that we’re all made up of the same stuff inside and would not feel prejudice or the need to scorn outward aspects that don’t matter.
I absolutely love this book and have both listened to it and read it more than once. There are so many layers and insights especially for those who feel out of place and are bullied for being different. It is about a girl who is half-human and has Moorfolk (faerie) banished from the fae for her inabilities and exchanged for a human baby. As she grows, her odd abilities are noticed and feared. Despite the taunting and blood-thirsty actions of the village folk, she gives of herself and ultimately takes the risk to retrieve her adopted parents’ human baby. She has the inner strength to venture out and be her unique self.
The daughter of a fairy folk mother and human father, Moql is raised by the fairies, until she is considered too great a risk and is left with a strange human family. Reprint. Newbery Honor Book. Boston Globe/Horn Book Honor Book.
Am I an expert on transportation? No. But I’m fascinated by movement. Physical movement (how do bike gears actually work?) and metaphorical (how does life actually work?) I did enjoy a brief moment as the kind of unofficial bike traffic reporter when I was on CBC Radio here in Canada. I’d report on my 4 am commute to work. But as a writer and illustrator for kids, I know the freedom transportation represents. We all want to fly. In MINRS I write about spaceships. We all want to see the world. In The Fabulous Zed Watson! I write (with my kid Basil) about epic road trips.
One of my kid-lit heroes, and clearly a writer/illustrator who grew up (like me) with a love for the vehicles we saw in science fiction. He has Eva Nine and her pals (and enemies) flying around in ships that are clearly inspired by pod-racers, x-wing fighters, the Millennium Falcon, and Flash Gordon. (Then, as the series goes on, we even get airships!)
But the thing that anchors the series is the wonderfully drawn characters. Eva Nine is all of us as kids… eager to break away but also tied to the adults around us. That tension between knowing when to hold on and knowing when it’s time to say goodbye is what really kept me with her on her journey.
Eva Nine was raised by the robot Muthr. But when a marauder destroys the underground sanctuary she called home, twelve-year-old Eva is forced to flee aboveground. Eva Nine is searching for anyone else like her. She knows that other humans exist because of a very special item she treasures ~ a scrap of cardboard on which is depicted a young girl, an adult, and a robot along with the strange word "WondLa".
Tony DiTerlizzi honours traditional children's literature in this totally original space age adventure: one that is as complex as an alien planet, but as simple as a child's…
I’ve always been interested in stories about becoming. Whether it’s a coming-of-age story, a story about overcoming adversity, or a story about discovery or recovery, I find that the best books about becoming also tend to be books about resilience. For me, the lure of a book is often more about its themes and perspective than it is about where it’s categorized and shelved. Having written a memoir in verse for an upper young adult reading group, this is especially true of my experience as an author. Each of the books on this list has something profound and singular to offer young adult readers and adult readers alike.
Everyone should be reading middle grade books for characters and stories like this.
Eleven-year-old Makeda is loved, but as a Black girl in an adoptive family of white people, she questions what it might be like to grow up in a family that looks like her. Lockington draws from her own experience as a transracial adoptee, and writes with lyrical accessibility and honest, meaningful depictions of mental health struggles within a family.
This coming-of-age story for the younger set reminds people of all ages that while love matters, it takes work every day to keep evolving, showing up for, and fighting for those we love.
Makeda June Kirkland is eleven-years-old, adopted, and black. Her parents and big sister are white, and even though she loves her family very much, Makeda often feels left out. When Makeda's family moves from Maryland to New Mexico, she leaves behind her best friend, Lena - the only other adopted black girl she knows - for a new life. In New Mexico, everything is different. At home, Makeda's sister is too cool to hang out with her anymore and at school, she can't seem to find one real friend.
Through it all, Makeda can't help but wonder: What would it…
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