Fans pick 96 books like City of Stairs

The Gentleman Bastards are a fun, exciting group with a connection that feels genuine throughout the story and has, by far, some of the best and most hilarious dialogue I've ever read in a book. I've also learned quite a bit about fantasy storytelling from this story, in that you can craft a compelling fantasy story without huge, world-changing stacks by making the characters emotionally motivated in their goal.

The mystery was also a pleasant surprise, as it incorporated clever clues and plot points that came together nicely for a satisfying conclusion. Actions and choices actually weighed in on the events.

Joe Abercrombie is the king of writing casual comic conversations in dire situations. His seventh book in this world, A Little Hatred is the first in a new trilogy, the freshest from a seven-year gap in the series, and one of the best for the sheer quality of standout characters. Savine dan Glokta is my favourite – “What an honour to see you, my lady.” “Isn’t it though!” – followed closely by Teufel, the brass-knuckled spy; Gunnar Broad, the man or bull (if he wears his spectacles); and Bremer dan Gorst, the deadliest man in the union who can only speak in a high-pitched squeak.

Not only is this a book you can read without prior knowledge of the previous six, this book will also convince you to go back and read all those other books, then re-read this again for it to take on an entirely different light, become… show more.

A Newman on the scene and, atrocious pun aside, Peter Newman redefines what it is for an author to have a fresh voice, especially since his lead character in The Vagrant speaks all of one word. And that’s one word per book if you go on to read the trilogy, which you will, because this novel is amazing. 

What more can you ask for when it comes to dark humour and light entertainment than a man traversing a poisoned world – filled with tainted humans, half-breed demons, and twisted infernals – and his companions on this journey are none other than a belligerent goat and a new-born baby. None of them speak, yet all three pull you into their hearts and them into yours.

An eye opens. A book is read. A reader becomes a Newman fan.

David Charleston’s character resonated with me. He’s eccentric, passionate, and meticulous, while also being a great friend.

He’s also out for revenge against his father’s killer—A supervillain named Steelheart who has taken over Chicago. David unites with a secret group of people called the Reckoners who are trying to learn each villain's weakness to assassinate them.

David’s obsession with details is relatable, and against the terrifying powers of these supervillains, you're left on the edge of your seat hoping the Reckoner's schemes will be enough.

This tightly-plotted murder mystery takes place in one of the most compelling imagined settings I’ve ever encountered: a double city somewhere in the Balkans where the inhabitants of each half are required by law not to see the inhabitants of the other half.

Equal parts Kafka and Philip K Dick, Miéville’s The City and the City offers a thought-provoking meditation on the haves and have-nots, as well as life in the Balkanized cities of the world, those “double places” where one-half of the population conspires not to notice the other half.

I loved the boldness of this book, as it does what most of these types of novels shy away from, and that is to let everyone in the world in on the knowledge of the loop, eventually.

In this book, once a character has looped back in time and changed things, everyone involved in the change catches up to the knowledge of the original version through “false memory syndrome.” The result is that by the end of the novel, the whole world seems to be conspiring to stop the protagonists in the most nerve-wracking last few chapters I can remember reading in a long time. 

I am a big fan of the author’s nuanced and powerful writing style. The best-written book on my list. Collection of short stories that interweave personal details and idiosyncrasies with broader themes and omens. In “Scenic Route” (‘they have me up hard against the hood of the Cadillac Escalade, which is covered in the dust and dead insects of a thousand back roads’) and “Fairground” (‘school buses lined up like ducks at the crosswalk, waiting for the light to turn green, the faces of the secured population looking through the windows with indifference and resignation’), individuals dealing with internal tumult confront in matter-of-fact ways the stark presence of territories and people divided by check-point partitions. Sectoral partitions, segregated populations. Stark divisions in urban life normalized and routinized.

This castaway story, about a man trapped on a concrete island under and between converging freeways on the outskirts of London, still stands the test of time.

I found it especially resonant during the imposed isolation of the global pandemic; all of us each marooned in our living rooms. The protagonist, architect Robert Maitland, has to learn to survive and thrive in reduced and restricted circumstances, and he can’t buy or build his way out of it.

When he finally discovers a way off the island he no longer really wants to leave, reminding us that we are sometimes most effectively imprisoned by our own minds and desires.  

Ballgowns, swords, and secrets abound in One for All, a fresh retelling of The Three Musketeers. As the daughter of one of the original Musketeers, the main character Tania is an expert sword fighter who also struggles will the chronic illness, POTS.

There is so much action, intrigue, and mystery in this book while adding fresh and needed representation to the genre. Even though this isn’t strictly a historical event, a lot of us associate The Three Musketeers with the time of Louis XIV, and it’s fantastic to see that time period in a new light from a fresh perspective.

The Space Between Worlds is less time travel than it is parallel dimensional travel but I think it’s worth fibbing for.

Cara is a traverser – someone who can travel between different versions of her world. She retrieves data about those worlds – what went wrong and what went right – and brings it back to her own for study. She can do this because the Caras in these worlds are all dead. Except when one isn’t, royally mucking up her job.

This book is gritty and queer (though I’m not going to promise an ending wrapped up in a bow) and the method of travel the author created makes for a unique and thought-provoking read.