Here are 95 books that City of Stairs fans have personally recommended if you like
City of Stairs.
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It seems that all of the fictional main characters I create have anti-hero tendencies. There is always some voice in their head telling them to do right when they are expected to do wrong, or to do wrong when it is supposed they will do right. I find this flaw very compelling, and universal for those of us of flesh and blood. Do sneering, evil characters exist? Well, maybe, but they aren’t very interesting, and I think a weak trope.
Scott Lynch builds a lush world where Locke Lamora and his gang of Gentlemen Bastards operate alternately hidden from the civilized and the criminal.
Having grown up an orphan, saved from slavery by a master con artist, he holds Camorr and its denizens in more than some disdain until someone with higher, more devious intentions threatens it all. Camorr and its characters are richly developed as the Gentlemen Bastards find themselves contorting through plot twists as they try to save themselves and the city.
'One of my top ten books ever. Maybe top five. If you haven't read it, you should' Patrick Rothfuss, New York Times bestselling author of The Name of the Wind
'Fresh, original and engrossing' George R.R. Martin, the phenomenon behind A Game of Thrones
They say that the Thorn of Camorr can beat anyone in a fight. They say he steals from the rich and gives to the poor. They say he's part man, part myth, and mostly street-corner rumor. And they are wrong on every count.
Only averagely tall, slender, and god-awful with a sword, Locke Lamora is the…
I’m a writer by day and martial arts instructor by night, so when not spending time with my wife and kids, I love nothing more than to read, write, and fight. My favourite books are the ones filled with irreverent characters, who can smirk and joke at any grim situation, laughing the light of entertainment through the darkest of ordeals. These are the type of books I’m always drawn to, both in writing and in reading, where I can imagine taking any standout character and dropping them into a completely different book, then sitting back to watch the chaos they could make.
Joe Abercrombie is the king of writing casual comic conversations in dire situations. His seventh book in this world, A Little Hatred is the first in a new trilogy, the freshest from a seven-year gap in the series, and one of the best for the sheer quality of standout characters. Savine dan Glokta is my favourite – “What an honour to see you, my lady.” “Isn’t it though!” – followed closely by Teufel, the brass-knuckled spy; Gunnar Broad, the man or bull (if he wears his spectacles); and Bremer dan Gorst, the deadliest man in the union who can only speak in a high-pitched squeak.
Not only is this a book you can read without prior knowledge of the previous six, this book will also convince you to go back and read all those other books, then re-read this again for it to take on an entirely different light, become…
I’m a writer by day and martial arts instructor by night, so when not spending time with my wife and kids, I love nothing more than to read, write, and fight. My favourite books are the ones filled with irreverent characters, who can smirk and joke at any grim situation, laughing the light of entertainment through the darkest of ordeals. These are the type of books I’m always drawn to, both in writing and in reading, where I can imagine taking any standout character and dropping them into a completely different book, then sitting back to watch the chaos they could make.
A Newman on the scene and, atrocious pun aside, Peter Newman redefines what it is for an author to have a fresh voice, especially since his lead character in The Vagrant speaks all of one word. And that’s one word per book if you go on to read the trilogy, which you will, because this novel is amazing.
What more can you ask for when it comes to dark humour and light entertainment than a man traversing a poisoned world – filled with tainted humans, half-breed demons, and twisted infernals – and his companions on this journey are none other than a belligerent goat and a new-born baby. None of them speak, yet all three pull you into their hearts and them into yours.
An eye opens. A book is read. A reader becomes a Newman fan.
Years have passed since humanity's destruction emerged from the Breach.
Friendless and alone he walks across a desolate, war-torn landscape.
As each day passes the world tumbles further into depravity, bent and twisted by the new order, corrupted by the Usurper, the enemy, and his infernal horde.
His purpose is to reach the Shining City, last bastion of the human race, and deliver the only weapon that may make a difference in the ongoing war.
What little hope remains is dying. Abandoned by its leader, The Seven, and its heroes, The…
I’m a grown man who reads and writes young adult fantasy books. I believe YA stories are perfect for nearly every audience. Let me tell you why. Our teenage years are filled with growth. As we mature, we forget what such rapid change feels like. We become less empathetic toward youth. And yet, many of our characteristics—positive and negative—develop during these years. I read YA to understand myself. It also helps me be a more understanding father and teacher. That said, I'm very picky. I despise teenage stereotypes. For young men, it is particularly hard to find books that depict empathetic male characters. Here’s a list of books where young men feel genuine.
David Charleston’s character resonated with me. He’s eccentric, passionate, and meticulous, while also being a great friend.
He’s also out for revenge against his father’s killer—A supervillain named Steelheart who has taken over Chicago. David unites with a secret group of people called the Reckoners who are trying to learn each villain's weakness to assassinate them.
David’s obsession with details is relatable, and against the terrifying powers of these supervillains, you're left on the edge of your seat hoping the Reckoner's schemes will be enough.
Ten years ago, Calamity came. It was a burst in the sky that gave ordinary men and women extraordinary powers. The awed public started calling them Epics. But Epics are no friend of man. With incredible gifts came the desire to rule. And to rule man you must crush his wills.
Nobody fights the Epics... nobody but the Reckoners. A shadowy group of ordinary humans, they spend their lives studying Epics, finding their weaknesses, and then assassinating them.
And David wants in. He wants Steelheart - the Epic who is said to be invincible. The Epic who killed David's father.…
My science fiction and fantasy writing is concerned with the values I was exposed to growing up. As a lifelong Quaker, I have struggled—often unsuccessfully—to live out Quakerism’s non-conformist, almost utopian commitment to equality, simplicity, peace, and community. Not only have I tried to bear witness to those values in my writing, but those ideals led me to my career as an instructor at a community college, one of America’s great socioeconomic leveling institutions. My background as a speculative fiction writer has also made me into a teacher of science fiction and fantasy literature at my college, where I read and came to love the books I recommend here.
This tightly-plotted murder mystery takes place in one of the most compelling imagined settings I’ve ever encountered: a double city somewhere in the Balkans where the inhabitants of each half are required by law not to see the inhabitants of the other half.
Equal parts Kafka and Philip K Dick, Miéville’s The City and the City offers a thought-provoking meditation on the haves and have-nots, as well as life in the Balkanized cities of the world, those “double places” where one-half of the population conspires not to notice the other half.
With shades of Kafka and Philip K. Dick, Raymond Chandler and 1984, the multi-award winning The City & The City by China Mieville is a murder mystery taken to dazzling metaphysical and artistic heights.
'You can't talk about Mieville without using the word "brilliant".' - Ursula Le Guin, author of the Earthsea series.
When the body of a murdered woman is found in the extraordinary, decaying city of Beszel, somewhere at the edge of Europe, it looks like a routine case for Inspector Tyador Borlu of the Extreme Crime Squad. But as he probes, the evidence begins to point to…
Having delved deeply into all kinds of science fiction narratives that push us to interrogate our own humanity, existence, and consciousness, I wanted to provide some recommendations for a very specific type of science fiction book that is often concerned with big existential questions, called “time loop” narratives, where characters relive the same time period over and over. This type of narrative has always been a favorite of mine, as I find the payoffs of the comedy, mystery, and action even more satisfying when you already know as a reader what events are going to take place over and over again.
I loved the boldness of this book, as it does what most of these types of novels shy away from, and that is to let everyone in the world in on the knowledge of the loop, eventually.
In this book, once a character has looped back in time and changed things, everyone involved in the change catches up to the knowledge of the original version through “false memory syndrome.” The result is that by the end of the novel, the whole world seems to be conspiring to stop the protagonists in the most nerve-wracking last few chapters I can remember reading in a long time.
NEW YORK TIMES BESTSELLER • From the bestselling author of Dark Matter and the Wayward Pines trilogy comes a relentless thriller about time, identity, and memory—his most mind-boggling, irresistible work to date, and the inspiration for Shondaland’s upcoming Netflix film.
“Gloriously twisting . . . a heady campfire tale of a novel.”—The New York Times Book Review
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY Time • NPR • BookRiot
Reality is broken.
At first, it looks like a disease. An epidemic that spreads through no known means, driving its victims mad with memories of a life they…
I am an academic in rebellion. I have interviewed hundreds of urban leaders and professionals in nine divided urban areas throughout the world. I have written much on this subject, replete with footnotes and sophisticated writing. I am weary of writing more about this important topic—how people do or do not get along in urban settings—from an academic distance. I find the scholarly posture sterilized and insufficiently provocative. I entered into the fictional genre in order to reach a broader audience. I think that fictional futurist writing has the unique ability to portray extraordinary new worlds while at the same time addressing fundamental issues that we face now.
I am a big fan of the author’s nuanced and powerful writing style. The best-written book on my list. Collection of short stories that interweave personal details and idiosyncrasies with broader themes and omens. In “Scenic Route” (‘they have me up hard against the hood of the Cadillac Escalade, which is covered in the dust and dead insects of a thousand back roads’) and “Fairground” (‘school buses lined up like ducks at the crosswalk, waiting for the light to turn green, the faces of the secured population looking through the windows with indifference and resignation’), individuals dealing with internal tumult confront in matter-of-fact ways the stark presence of territories and people divided by check-point partitions. Sectoral partitions, segregated populations. Stark divisions in urban life normalized and routinized.
Said Sayrafiezadeh has been hailed by Philip Gourevitch as "a masterful storyteller working from deep in the American grain." His new collection of stories-some of which have appeared in The New Yorker, the Paris Review, and the Best American Short Stories-is set in a contemporary America full of the kind of emotionally bruised characters familiar to readers of Denis Johnson and George Saunders. These are people contending with internal struggles-a son's fractured relationship with his father, the death of a mother, the loss of a job, drug addiction-even as they are battered by larger, often invisible, economic, political, and racial…
Since the age of seven, I've been conscious of the need to bypass how one is supposed to do things. I realized then that my grandmother could not pursue a writing career because she was also a woman and a wife; a cautionary tale I took to heart since I was already beginning to identify as an artist. I'm driven to uncover how we recognize what we see, and how forces beyond our control engender or foreclose upon new ways of being in the world. A professional life lived in the arts has allowed the fullest flexibility for exploring these ideas as one is generally encouraged to think differently.
This castaway story, about a man trapped on a concrete island under and between converging freeways on the outskirts of London, still stands the test of time.
I found it especially resonant during the imposed isolation of the global pandemic; all of us each marooned in our living rooms. The protagonist, architect Robert Maitland, has to learn to survive and thrive in reduced and restricted circumstances, and he can’t buy or build his way out of it.
When he finally discovers a way off the island he no longer really wants to leave, reminding us that we are sometimes most effectively imprisoned by our own minds and desires.
On a day in April, just after three o'clock in the afternoon, Robert Maitland's car crashes over the concrete parapet of a high-speed highway onto the island below, where he is injured and, finally, trapped. What begins as an almost ludicrous predicament soon turns into horror as Maitland-a wickedly modern Robinson Crusoe-realizes that, despite evidence of other inhabitants, this doomed terrain has become a mirror of his own mind. Seeking the dark outer rim of the everyday, Ballard weaves private catastrophe into an intensely specular allegory in Concrete Island.
I’ve been fascinated by Marie Antoinette since I watched Sofia Coppola’s film about her as a teenager. Pair that with a Les Miserables musical obsession and a Francophile dad that loved history, and I became fascinated with the French Revolution. My interest was re-ignited years later after I visited Versailles and wandered the foggy gardens where I must have gotten haunted by a French ghost because the idea for Cake Eater struck me after I returned home. I was in a bit of a writing slump at the time, but the idea took hold of me and wouldn’t let go. I drafted Cake Eater for Nanowrimo and it became my debut novel.
Ballgowns, swords, and secrets abound in One for All, a fresh retelling of The Three Musketeers. As the daughter of one of the original Musketeers, the main character Tania is an expert sword fighter who also struggles will the chronic illness, POTS.
There is so much action, intrigue, and mystery in this book while adding fresh and needed representation to the genre. Even though this isn’t strictly a historical event, a lot of us associate The Three Musketeers with the time of Louis XIV, and it’s fantastic to see that time period in a new light from a fresh perspective.
"There are no limits to the will-and the strength-of this unique female hero." -Tamora Pierce, writer of the Song of the Lioness and the Protector of the Small quartets
One for All is a gender-bent retelling of The Three Musketeers, in which a girl with a chronic illness trains as a Musketeer and uncovers secrets, sisterhood, and self-love.
Tania de Batz is most herself with a sword in her hand. Everyone thinks her near-constant dizziness makes her weak, nothing but "a sick girl." But Tania wants to be strong, independent, a fencer like her father-a former Musketeer and her greatest…
I write science fiction mostly. I’ve recently turned my attention to history. The shared interest is in the changing ground of human interaction. In a way, we are all aliens to each other (which is one of the chief fascinations with fiction to begin with, the psychologies involved). After 30-plus years as a writer, I am more and more drawn to work that reveals the differences and the similarities. Unique contexts throws all this into stark relief.
An elegant mystery set in a near-to-partly-cloudy future. In the wake of some sort of apocalypse, communities have rebuilt.
In the Coast Road region, a sustainable civilization based on careful attention to quotas and mutual regard would seem an idyll of peaceful coexistence.
And yet. Enid is an investigator, called upon at times of uncomfortable questions.
She and her partner are called to look into a suspicious death. The buried realities encountered reveal a less-than-ideal picture of communities coping with things that do not fit with their presumptions.
A quiet mystery built atop a fascinating portrait of What Comes Next. I was drawn to the characters, the situation, but most especially the questions hovering just outside the confines of the story.
A mysterious murder in a dystopian future leads a novice investigator to question what she’s learned about the foundation of her population-controlled society
Decades after economic and environmental collapse destroys much of civilization in the United States, the Coast Road region isn’t just surviving but thriving by some accounts, building something new on the ruins of what came before. A culture of population control has developed in which people, organized into households, must earn the children they bear by proving they can take care of them and are awarded symbolic banners to demonstrate…
