Here are 100 books that How Jews Became White Folks and What That Says About Race in America fans have personally recommended if you like
How Jews Became White Folks and What That Says About Race in America.
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I am a professor who teaches and works in the field of African American History. Because I am both white and Jewish, I’ve been repeatedly asked to give talks about relationships between African Americans and white Jewish Americans, and about what “went wrong” to shatter the “grand alliance” of the civil rights movement embodied by Dr. Martin Luther King, Jr. and Rabbi Abraham Joshua Heschel. I had no answer, but I suspected that none of the stories that we had been told, whether good or bad, were fully true. So I went back to the sources and uncovered a complex and multilayered history. Black and Jewish collaboration was never a given, and underlying tensions and conflicts reflected the broader realities of race and class in the U.S. In the book I explored how these historical and political forces operated, and continue to resonate today.
There are many wonderful, useful and thoughtful books on the subject from local studies to broader political and philosophical overviews, and while I wish I could recommend them all, I want to highlight Marc Dollinger’s book because he turns so many widely held beliefs on their heads. He argues that far from alienating Jewish allies, Black Power actually animated them and spurred them to rethink “Jewish Power,” revitalizing Jewish political action within a civil rights context. If there has been a divide between African American and (white) Jewish American leaders or agendas, it has at least partly been caused by losing sight of that story and ignoring the impact of white privilege on Jewish communal responses to civil rights challenges.
In this provocative critique, Marc Dollinger charts the transformation of American Jewish political culture from the Cold War liberal consensus of the early postwar years to the rise and influence of Black Power-inspired ethnic nationalism. He shows how, in a period best known for the rise of black anti-Semitism and the breakdown of the black-Jewish alliance, black nationalists enabled Jewish activists to devise a new Judeo-centered political agenda and express it in more visible forms of Jewish identity-including the emancipation of Soviet Jews, the development of a new form of American Zionism, the opening of hundreds of Jewish day schools,…
I am a professor who teaches and works in the field of African American History. Because I am both white and Jewish, I’ve been repeatedly asked to give talks about relationships between African Americans and white Jewish Americans, and about what “went wrong” to shatter the “grand alliance” of the civil rights movement embodied by Dr. Martin Luther King, Jr. and Rabbi Abraham Joshua Heschel. I had no answer, but I suspected that none of the stories that we had been told, whether good or bad, were fully true. So I went back to the sources and uncovered a complex and multilayered history. Black and Jewish collaboration was never a given, and underlying tensions and conflicts reflected the broader realities of race and class in the U.S. In the book I explored how these historical and political forces operated, and continue to resonate today.
Not all Jews are white. Again, there are a number of wonderful books by African American Jews that remind us of this fact, and how often we use the word “Jewish” to refer only to Jews of European descent. Azoulay insists on confronting this unthinking racism head-on by reflecting on her experiences as a Black woman who struggled to feel at home in the Jewish community. Too often “Black-Jewish relations” as a phrase defines two discrete communities. This book reminds us that this distortion of the truth both erases Jews of color and lets white Jews avoid taking responsibility for challenging social systems that privilege whiteness.
How do adult children of interracial parents-where one parent is Jewish and one is Black-think about personal identity? This question is at the heart of Katya Gibel Azoulay's Black, Jewish, and Interracial. Motivated by her own experience as the child of a Jewish mother and Jamaican father, Gibel Azoulay blends historical, theoretical, and personal perspectives to explore the possibilities and meanings that arise when Black and Jewish identities merge. As she asks what it means to be Black, Jewish, and interracial, Gibel Azoulay challenges deeply ingrained assumptions about identity and moves toward a consideration of complementary racial identities. Beginning with…
I am a professor who teaches and works in the field of African American History. Because I am both white and Jewish, I’ve been repeatedly asked to give talks about relationships between African Americans and white Jewish Americans, and about what “went wrong” to shatter the “grand alliance” of the civil rights movement embodied by Dr. Martin Luther King, Jr. and Rabbi Abraham Joshua Heschel. I had no answer, but I suspected that none of the stories that we had been told, whether good or bad, were fully true. So I went back to the sources and uncovered a complex and multilayered history. Black and Jewish collaboration was never a given, and underlying tensions and conflicts reflected the broader realities of race and class in the U.S. In the book I explored how these historical and political forces operated, and continue to resonate today.
Too often “Black-Jewish relations” focuses on Jewish engagement in the Black civil rights struggle, a largely one-sided political narrative. This book broadens that horizon in two ways. First, it focuses on the Black experience and encounter with the other, rather than the Jewish one. Second, it explores the religious dimension that political discussions often ignore – that the Black experience with Jews and Judaism is as much rooted in religion as in politics.
Black Zion explores the myriad ways in which African American religions have encountered Jewish traditions, beliefs, and spaces. The collection's unifying argument is that religion is the missing piece of the cultural jigsaw puzzle, that much of the recent turmoil in black-Jewish relations would be better understood, if not alleviated, if the religious roots of those relations were illuminated. Toward that end, the contributors look a number of provocative topics, including the concept of the Chosen People, the typological identification of blacks with Jews, the actual identification of blacks as Jews, the sacredness of space and symbols, the importance of…
I am a professor who teaches and works in the field of African American History. Because I am both white and Jewish, I’ve been repeatedly asked to give talks about relationships between African Americans and white Jewish Americans, and about what “went wrong” to shatter the “grand alliance” of the civil rights movement embodied by Dr. Martin Luther King, Jr. and Rabbi Abraham Joshua Heschel. I had no answer, but I suspected that none of the stories that we had been told, whether good or bad, were fully true. So I went back to the sources and uncovered a complex and multilayered history. Black and Jewish collaboration was never a given, and underlying tensions and conflicts reflected the broader realities of race and class in the U.S. In the book I explored how these historical and political forces operated, and continue to resonate today.
“Black-Jewish relations” occurs everywhere African Americans and Jewish Americans engage. Scholars and journalists have considered “Black-Jewish relations” in music and film, in economic and social spheres, in education and housing. Sundquist offers an incredibly rich exploration of this broad cultural landscape shaped by African and Jewish Americans. He explores the ways both groups struggled to understand themselves and engage with each other through literature and other forms of cultural expression and in legal, intellectual, and political forums. Black and Jewish authors and thinkers struggled over issues from the nature of citizenship, liberalism, and community to the challenges of racism, anti-Semitism, and historical reckoning. In this extensive and wide-ranging conversation, Sundquist frames the central concerns and beliefs that underlie the complex political relationship so many of us are trying to understand.
In a culture deeply divided along ethnic lines, the idea that the relationship between blacks and Jews was once thought special-indeed, critical to the cause of civil rights-might seem strange. Yet the importance of blacks for Jews and Jews for blacks in conceiving of themselves as Americans, when both remained outsiders to the privileges of full citizenship, is a matter of voluminous but perplexing record. It is this record, written across the annals of American history and literature, culture and society, that Eric Sundquist investigates. A monumental work of literary criticism and cultural history, Strangers in the Land draws upon…
I always felt that Middle Eastern studies is different from other fields of history. Its ever-presence in our life, the news cycle, religious life, political life, yet, because of language barriers and other filters, there’s a gap in knowledge that is highly conspicuous when forming one’s opinion. When I started my academic training, I felt like I was swimming in this ocean of histories that were completely unknown to me. I studied the Jewish histories of the region only later in my training and found that this gap is even more visible when talking about the history of Jews in the Middle East, because of misconceptions of antisemitism, the Israel-Palestine conflict, political tilt of media outlet, and more. For me, entering this field was a way to understand long-term processes in my own society, and expand the body of scholarship to enrich the public conversation on top of the academic one.
Iraq was home to about 150,000 Jews until 1948-1951. Baghdad was a very much Jewish city. Iraqi Jews were very assimilated, but there was very little known about the political and social history of Iraqi Jews beyond the Zionist story. While many of the Iraqi Jews did indeed view Zionism as a viable solution for them, overlooking Jewish involvement in Iraqi national and communist organizations misses several of the most fascinating transformations of any Jewish community in the world. In this book, Bashkin analyzed the social, cultural, and national participation of Iraqi Jews from within the perspective of Iraqi society. Interestingly, many of the patterns continued even after their migration to Israel.
Although Iraqi Jews saw themselves as Iraqi patriots, their community-which had existed in Iraq for more than 2,500 years-was displaced following the establishment of the state of Israel. New Babylonians chronicles the lives of these Jews, their urban Arab culture, and their hopes for a democratic nation-state. It studies their ideas about Judaism, Islam, secularism, modernity, and reform, focusing on Iraqi Jews who internalized narratives of Arab and Iraqi nationalisms and on those who turned to communism in the 1940s. As the book reveals, the ultimate displacement of this community was not the result of a perpetual persecution on the…
In writingThe Lost Son, which is loosely based on family history, I immersed myself in the history of World War II and in the world between the wars. It was important to me to understand this period from both sides—from the perspective of Germans who were either forced to flee their homeland or witness its destruction from within by a madman, and from the perspective of Americans with German ties who also fought fascism. The stories of ordinary people during this time are far more nuanced than the epic battles that World War II depicted, as the stories of ordinary people often are.
Erika Dreifus’ collection of stories, Quiet Americans, offers a haunting, kaleidoscopic view of the Holocaust as it has reverberated through the lives of generations of American Jews right up to the present. Depicting, among them, a high-ranking Nazi’s wife and a Jewish doctor, a Jewish-American soldier guarding a German POW, and a refugee returning to Europe against the backdrop of the terrorist massacre of Israeli athletes at the 1972 Munich Olympics, these are stories, characters that have stayed with me even as I read this book more than ten years ago when it debuted. Dreifus is an expert at dissecting and reframing this dark chapter in human history and showing its effects on ordinary people.
A high-ranking Nazi's wife and a Jewish doctor in prewar Berlin. A Jewish immigrant soldier and the German POWs he is assigned to supervise. A refugee returning to Europe for the first time and the massacre of Israeli athletes at the 1972 Munich Olympics. A son of survivors and technology's potential to reveal long-held family secrets. These are some of the characters and conflicts that emerge in QUIET AMERICANS, in stories that reframe familiar questions about what is right and wrong, remembered and repressed, resolved and unending.
I was born in Mumbai, lived in Kolkata for most of my life, and am an educator and poet who lives in the US. I am a Bene Israel Jew from India. As a child, I was fascinated by all kinds of literature, mythology, folktales, and stories. I have been influenced by everything around me. My passion for literature probably inspired me to become a teacher and later a writer who is constantly exploring, creating, re-imagining, and evolving. My books are about the immigrant experience, displacement, racism, women’s issues, nature, the animal kingdom, to name a few. But within these themes, I also explore identity and belonging, death, loss and recovery.
Sadia Shepard is the child of a white Protestant father from Colorado and a Muslim mother from Pakistan, who grew up outside Boston. In her visionary and moving memoir, she embarks on a search for her Bene Israel roots when her maternal grandmother, who she thought was a Muslim from Pakistan like everyone else in their family, tells her that her real name is Rachel Jacobs.
She hears about the Bene Israel community and reads about their origins. It's a fascinating account of a cross-cultural childhood, a journey to India to explore her grandmother’s family tree, discovering the secrets of her grandparents’ marriage, encountering the complicated history of India and Pakistan and the Partition, and at the same time, making sense of her complex influences and legacy. The author undertakes journeys on several levels that delve into her family history, her ancestors, her grandmother’s story, and her own identity.
A search for shipwrecked ancestors, forgotten histories, and a sense of home
Fascinating and intimate , The Girl from Foreign is one woman's search for ancient family secrets that leads to an adventure in far-off lands. Sadia Shepard, the daughter of a white Protestant from Colorado and a Muslim from Pakistan, was shocked to discover that her grandmother was a descendant of the Bene Israel, a tiny Jewish community shipwrecked in India two thousand years ago. After traveling to India to put the pieces of her family's past together, her quest for identity unlocks a myriad of profound religious and…
I am the author of over fifty books for young readers including the Zapato Power series, the Sofia Martinez series, Duck for Turkey Day, Unite or Die: How Thirteen States Became a Nation, Never Say a Mean Word Again, Tag Your Dreams: Poems of Play and Persistence, and The Porridge-Pot Goblin.Many of my books were inspired by my students during my days as a school librarian. Other books were inspired by my work as a Jewish educator in synagogue settings. I read voraciously and review for the Sydney Taylor Shmooze, an online blog about Jewish books.
Imani is thirteen and approaching her Bat Mitzvah. She is also an African-American adopted by a white Jewish family.
She has many questions about her birthparents and her own place in the world. When she has the opportunity to read the diary of her adopted mother’s grandmother who fled Europe as a Jewish refugee during World War II, Imani learns why sometimes mothers make impossible choices to save their children’s lives.
This novel is a riveting mix of history and coming of age.
Imani is adopted, and she's ready to search for her birth parents. Anna has left behind her family to escape from Holocaust-era Europe to meet a new family--two journeys, one shared family history, and the bonds that make us who we are. Perfect for fans of The Night Diary.
Imani knows exactly what she wants as her big bat mitzvah gift: to find her birth parents. She loves her family and her Jewish community in Baltimore, but she has always wondered where she came from, especially since she's black and almost everyone she knows is white. Then her mom's grandmother--Imani's…
I grew up in the Soviet Union, where being Jewish had no intellectual or religious substance. My discovery of Judaism and Jewish history happened after my emigration, when I was already an adult. This helps me to relate to audiences and readers who are not Jewish. For example, a Japanese translation of my book on Jewish opposition to Zionism earned a place on a bestseller list in Japan, where hardly any Jews live. In the course of my university career, I have explained events in Israel in electronic and printed media on the five continents where I also have taught as a visiting professor.
It always intrigued me how Zionism as a political movement and Israel as its embodiment can claim to act on behalf of the Jewish people. Sand brilliantly explains that the specific conditions of Jews in Eastern and Central Europe, particularly discrimination and violent outbursts (pogroms), produced a sense of nationhood.
As a historian, I am fascinated by Sand’s account of Zionist ideologues from that part of the world manufacturing powerful myths, which have buttressed the new Israeli identity even among Jews transplanted to Israel from Asia and Africa, where this kind of Jewish nationalism had been virtually unknown.
A historical tour de force, The Invention of the Jewish People offers a groundbreaking account of Jewish and Israeli history. Exploding the myth that there was a forced Jewish exile in the first century at the hands of the Romans, Israeli historian Shlomo Sand argues that most modern Jews descend from converts, whose native lands were scattered across the Middle East and Eastern Europe. In this iconoclastic work, which spent nineteen weeks on the Israeli bestseller list and won the coveted Aujourd'hui Award in France, Sand provides the intellectual foundations for a new vision of Israel's future.
As an American, a Jew, and a novelist—though not necessarily in that order—I’ve always been interested in Jewish-American literature, and the Jewish-American experience in general. What was it like for the first Jews in America? What accounted for their success? What were the costs of assimilation? And where are they—we—headed? These books are a great starting point for anyone looking for answers to these questions. But be warned: in keeping with the Jewish tradition, they often answer those questions with more questions. Not, to quote the Jewish sage Jerry Seinfeld, that there’s anything wrong with that.
In The Price of Whiteness, historian Eric L. Goldstein documents the uneasy shift in Jewish-American identity throughout American history.
Are Jews a religion or a race or something else entirely? How did Ashkenazi Jews come to be seen as white? Goldstein addresses these questions and others in his rigorously researched book, which touches on topics like Black-Jewish relations, and features a surprisingly profound analysis of Adam Sandler’s “The Chanukah Song.”
What has it meant to be Jewish in a nation preoccupied with the categories of black and white? "The Price of Whiteness" documents the uneasy place Jews have held in America's racial culture since the late nineteenth century. This book traces Jews' often tumultuous encounter with race from the 1870's through World War II, when they became vested as part of America's white mainstream and abandoned the practice of describing themselves in racial terms. American Jewish history is often told as a story of quick and successful adaptation, but Goldstein demonstrates how the process of identifying as white Americans was…
