Here are 100 books that The Lost Prince fans have personally recommended if you like
The Lost Prince.
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I am a Professor of early-modern British History at the University of Oxford and a Senior Research Fellow at Jesus College, Oxford, who was a specialist in the Tudor period, especially the life and reign of Elizabeth I. However, while doing research over the past six years, I became excited by the politics, religion, and culture of the Jacobean period. James I’s reign had been a topic I taught in a week to undergraduates, but I realised that I didn’t do justice to this rich and important period. Not only is it fascinating in its own right, but James’s reign had a huge impact on a long stretch of British and world history.
I love this book because it combines history and literature, doing justice to both. By setting Lear and Macbeth in their cultural and political contexts, Professor Shapiro has given me new insights into both plays. Before seeing them again, I’ll go back to this book.
Shapiro is a model for me of an academic historian who successfully addresses a wider audience by avoiding academic jargon, explaining the unfamiliar, and telling a good story. He wears his great scholarship lightly, but he has done a huge amount of research and has a mastery of his subject.
Preeminent Shakespeare scholar James Shapiro, author of Shakespeare in a Divided America, shows how the tumultuous events in 1606 influenced three of Shakespeare’s greatest tragedies written that year—King Lear, Macbeth, and Antony and Cleopatra. “The Year of Lear is irresistible—a banquet of wisdom” (The New York Times Book Review).
In the years leading up to 1606, Shakespeare’s great productivity had ebbed. But that year, at age forty-two, he found his footing again, finishing a play he had begun the previous autumn—King Lear—then writing two other great tragedies, Macbeth and Antony and Cleopatra.
I am a Professor of early-modern British History at the University of Oxford and a Senior Research Fellow at Jesus College, Oxford, who was a specialist in the Tudor period, especially the life and reign of Elizabeth I. However, while doing research over the past six years, I became excited by the politics, religion, and culture of the Jacobean period. James I’s reign had been a topic I taught in a week to undergraduates, but I realised that I didn’t do justice to this rich and important period. Not only is it fascinating in its own right, but James’s reign had a huge impact on a long stretch of British and world history.
I found this book utterly engrossing. The subject of Sir Thomas Roe’s embassy to India from 1616 to 1619 interested me in part because of my interest in cross-cultural exchanges and partly because of my own visit to some of the places previously trodden by Roe.
I liked the fact that the book had a clear argument, namely that Roe’s previous personal and political experiences influenced his perceptions and conduct in India.
Above all, I found the writing a joy. Despite its undoubted scholarship, the book reads as a novel. Das brings colour to all the descriptions, whether of people, places, or events. I wish I could write like that.
WINNER OF THE BRITISH ACADEMY BOOK PRIZE
A SPECTATOR, WATERSTONES, BBC HISTORY MAGAZINE, PROSPECT AND HISTORY TODAY BOOK OF THE YEAR
A profound and ground-breaking new history of one of the most important encounters in the history of colonialism: the British arrival in India in the early seventeenth century.
'A triumph of writing and scholarship. It is hard to imagine anyone ever bettering Das's account of this part of the story' - William Dalrymple, Financial Times
'A fascinating glimpse of the origins of the British Empire . . . drawn in dazzling technicolour' - Spectator
'Beautifully written and masterfully researched,…
I am a Professor of early-modern British History at the University of Oxford and a Senior Research Fellow at Jesus College, Oxford, who was a specialist in the Tudor period, especially the life and reign of Elizabeth I. However, while doing research over the past six years, I became excited by the politics, religion, and culture of the Jacobean period. James I’s reign had been a topic I taught in a week to undergraduates, but I realised that I didn’t do justice to this rich and important period. Not only is it fascinating in its own right, but James’s reign had a huge impact on a long stretch of British and world history.
A good textbook is indispensable, and this is the one on James I that I most often resort to. It is lucidly written, covers an awful lot of ground, is properly referenced, and offers an in-depth look at the reigns of James VI and I and Charles I in England and Scotland.
Although it is ten years old now, I still place it top of my reading list for undergraduates studying this period of history.
A gripping new account of one of the most important and exciting periods of British and Irish history: the reign of the first two Stuart kings, from 1567 to the outbreak of civil war in 1642 - and why ultimately all three of their kingdoms were to rise in rebellion against Stuart rule.
Both James VI and I and his son Charles I were reforming monarchs, who endeavoured to bolster the authority of the crown and bring the churches in their separate kingdoms into closer harmony with one another. Many of James's initiatives proved controversial - his promotion of the…
I am a Professor of early-modern British History at the University of Oxford and a Senior Research Fellow at Jesus College, Oxford, who was a specialist in the Tudor period, especially the life and reign of Elizabeth I. However, while doing research over the past six years, I became excited by the politics, religion, and culture of the Jacobean period. James I’s reign had been a topic I taught in a week to undergraduates, but I realised that I didn’t do justice to this rich and important period. Not only is it fascinating in its own right, but James’s reign had a huge impact on a long stretch of British and world history.
I like to get stuck into specialized studies to extend and deepen my historical knowledge. This recent monograph, based on research in Denmark, England, and Scotland, taught me a great deal about how Queen Anna used visual and material culture to forge her own identity and bring prestige to the Jacobean monarchy.
I very much enjoyed reading Field’s descriptions of Anna’s clothes, jewelry, and collecting practices, all of which displayed the queen’s pan-European identity and interests. As a scholar, I am particularly interested in the public image of kings and queens, so this book greatly appealed to me.
Approaching the Stuart courts through the lens of the queen consort, Anna of Denmark, this study is underpinned by three key themes: translating cultures, female agency and the role of kinship networks and genealogical identity for early modern royal women. Illustrated with a fascinating array of objects and artworks, the book follows a trajectory that begins with Anna's exterior spaces before moving to the interior furnishings of her palaces, the material adornment of the royal body, an examination of Anna's visual persona and a discussion of Anna's performance of extraordinary rituals that follow her life cycle. Underpinned by a wealth…
I am an art historian and have been engaged with India for over 40 years. Among other topics, I write about the Rajput courts in Rajasthan – especially Jaipur and Jodhpur – and about the Mughal cities of Delhi and Agra. I taught courses on these subjects at the University of London (at SOAS) in the 1990s. Since 2004 I have been living in India, where I work with museum trusts and with travel companies. Before the pandemic, I lectured regularly to tour groups visiting sites like the Taj Mahal, my aim being to bring the insights provided by expert research to a wider audience.
Published to coincide with an exhibition held at the Los Angeles County Museum of Art back in 1989, this book still offers one of the best introductions to the cultural world of the Taj Mahal. Written by the curators at LACMA, the various chapters place the design of the tomb in the wider context of the decorative arts of Mughal India and show how it has also inspired later artists around the world.
I’ve been writing crime novels and TV shows for years. For TV, I wrote for Law & Order, Pretty Little Liars, CSI: Miami, and several other crime shows. In the book world, I used to write amateur sleuth novels, and now I write thrillers. My favorite form of relaxation is to get a cup of tea, put my feet up, and read a great thriller. They inspire me. As I read, I study how they’re structured. There’s nothing I appreciate more than a twist I didn’t see coming, a morally good character who turns out to be evil, or a flawed character who ultimately turns out to be good.
When I was a kid, I used to love W. Somerset Maugham short stories. Often they were about two strangers, usually men, meeting in a remote colonial outpost, and one of the two would then proceed to tell the other a strange, violent, heartbreaking, life-altering story that had happened to him or that he had witnessed. Mouth to Mouth, which I loved, reminded me of those stories.
I listened to it on audiobook, and the narration is pitch-perfect. This novel is about two men who meet at an airport when their plane is delayed. They go into a lounge, where one of them, a rich art dealer named Jeff, proceeds to tell the other his life story.
It’s gripping. I sat in my car after I got home so I could listen to the last twenty minutes.
I have been designing and building furniture professionally since before 1976. From the beginning I’ve had an avid interest in what might be called “appropriate technologies”— when to use a hand tool or power tool — that is, for a specific use, which one gives the best results for the least time and effort? If you read the journals of 18th Century woodworkers you’ll find they were unbelievably fast —using only hand tools. I believe that by the 1970s much of that knowledge and many of the tools themselves had been lost. I set out to rediscover them.
Many would say Krenov’s approach stands in strong contrast to Frid’s books. Krenov’s books contain much valuable practical information, but I believe the great value of this book is in his attitude toward his work. It is— and I know this is an overused word — but I think it is inspirational. He speaks clearly and in-depth about his approach to and interaction with his materials; their interplay with design and function; how the physical act of doing the work affects it; his attitude towards time, energy, genuineness, and patronage, and achieving the highest levels of art, craft, and satisfaction. Highly recommended for artists and woodworkers.
Cabinetmaking at the highest level is an art, a discipline, a philosophy--even a way of life--in addition to being a useful craft. In this book one of the greatest living cabinetmakers reflects on the deeper meanings of his craft and explains for less accomplished workers how the right attitudes toward materials, tools, and time can increase the joys of this complex activity. Craftspeople in every medium will be inspired by this account of getting started and developing habits that lessen the difficulties of a complex craft.
I've always been fascinated with how people overcome terrible circumstances ever since my childhood when my parents took me through the Tower of London and told me people survived the horrible torture devices on display. I got into reading biographies of war heroes, concentration camp survivors, and athletes who survived torture, betrayal, illness, and cruelty only to become people I admire. I became a clinical psychologist because I love inspiring others to discover their own greatness during life’s worst moments. I’ve had to learn how to find love, hope, and meaning when trauma, disability, death, and broken promises have ground me down to a bloody pulp.
Spare, by Prince Harry, Duke of Sussex, is a funny and touching read about what it takes to overcome situations that are out of your control, overwhelming, and inevitably the same struggles we all face.
We all face the pressure of unfair expectations, unfair judgement, and familial or cultural pressure to conform, but few of us must do this on a world stage, let alone overcome the trauma of the early death of a parent or combat trauma.
Reading this book made me both glad I was not a royal and inspired that a mere likable human being can overcome a dysfunctional family, combat trauma, and family drama.
It was one of the most searing images of the twentieth century: two young boys, two princes, walking behind their mother's coffin as the world watched in sorrow-and horror. As Princess Diana was laid to rest, billions wondered what Prince William and Prince Harry must be thinking and feeling-and how their lives would play out from that point on.
For Harry, this is that story at last.
Before losing his mother, twelve-year-old Prince Harry was known as the carefree one, the happy-go-lucky Spare to the more serious Heir. Grief changed everything. He struggled at school, struggled with anger, with loneliness-and,…
Colin Duncan Taylor is the author of Lauragais: Steeped in History, Soaked in Blood, and Menu from the Midi: A Gastronomic Journey through the South of France. He has been a French resident for 20 years, and through his books he shares his passion for the region’s culture, gastronomy, history, and language.
Richard Barber gathers together and translates letters written by, among others, the Black Prince and his steward, and the work of two contemporary chroniclers. Between them, these sources constitute an extraordinary collection of first-hand accounts of military campaigns in 14th-century France, including the battles of Crécy and Poitiers, and the 1355 expedition when the Black Prince rode through the area where I live – the Lauragais, between Toulouse and Carcassonne – and ordered his army to destroy and loot most of the towns along its route.
Sometimes verging on propaganda aimed at convincing those back in England that the war was worth fighting, and at others full of anecdotes from military life such as the time the Black Prince’s men were passing through an area so dry, they had to give their horses wine instead of water, this book paints a vivid picture of daily life in a…
Edward of Woodstock, eldest son of Edward III, known as the Black Prince, is one of those heroes of history books so impressive as to seem slightly unreal. At sixteen he played a leading part in the fighting at Crecy; at twenty-six he captured the king of France at Poitiers; and eleven years later he restored Pedro of Castile to histhrone at the battle of Najera. His exploits were chronicled by Jean Froissart, but Froissart was writing three or four decades after the events he describes. There are other sources much closer to events, and it is on these that…
In junior high, I happened across a picture of an armor-plated knight being raised by a winch to sit astride his destrier. What a ridiculous time period, I thought. After raiding every related book in the school library, I changed my opinion from “ridiculous” to “fascinating.” Particularly when deciding that periods such as the fourteenth century, with its plagues, wars, political upheavals, and climate change were pretty much a distorted mirror of our own. Throughout my life as wife, mother, novelist, and social justice advocate, I’ve held medieval England close to my heart. I remain forever grateful I’ve been able to explore it both in my writing and in several treks across the pond.
Each time I visit Canterbury Cathedral, I pay homage to my favorite knight, Edward of Woodstock, who epitomizes the fourteenth-century version of the knight nonpareil. Being an autodidact rather than a scholar, I am particularly grateful that Black Prince is both meticulously researched and easy to read. I particularly admire Prince Edward because of his courage on and off the battlefield, especially when enduring the mysterious illness that ultimately killed him. Edward the Black Prince embraced all the turns of fortune’s wheel with grace, courage, and dignity. Love this man and love this book!
As a child he was given his own suit of armor; at the age of sixteen, he helped defeat the French at Crécy. At Poitiers, in 1356, his victory over King John II of France forced the French into a humiliating surrender that marked the zenith of England’s dominance in the Hundred Years War. As lord of Aquitaine, he ruled a vast swathe of territory across the west and southwest of France, holding a magnificent court at Bordeaux that mesmerized the brave but unruly Gascon nobility and drew them like moths to the flame of his cause. He was Edward…
