Here are 100 books that Power and Possession in the Russian Revolution fans have personally recommended if you like
Power and Possession in the Russian Revolution.
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Things have always been a window into the past for me, and from an early age I was fascinated by communism as a rejection of the world in which I was raised. Looking at how people from a very different society made and used stuff allows you to access aspects of their experience that are deeply human. As such my research has focused on how people interacted with things as a way to examine how politics, ideology, and major historical events play out on the ground – as a way of capturing individual human experience.
Cherkaev also offers us a series of amazing stories informed by theory but written in a highly readable fashion. Many of her cases are about things that weren’t supposed to exist – about the stuff gleaned from the Soviet economy that allowed people to go on expeditions into nature, bury their loved ones, and make do in an economy infamous for its shortages.
You meet a lot of fascinating people, and she throws in some very provocative, well-argued, and cogently written discussion of the Soviet leadership’s changing understanding of how to build communism and the place of stuff in the project and its aftermath.
My consistent criticism of this book is that it ends too quickly – I wanted at least fifty more pages of Cherkaev’s witty prose and fascinating tales.
Gleaning for Communism is a historical ethnography of the property regime upon which Soviet legal scholars legislated a large modern state as a household, with guaranteed rights to a commons of socialist property, rather than private possessions. Starting with former Leningrad workers' everyday stories about smuggling industrial scrap home over factory fences, Xenia Cherkaev traces collectivist ethical logic that was central to this socialist household economy, in theory and practice: from its Stalin-era inception, through Khrushchev's major foregrounding of communist ethics, to Gorbachev's perestroika, which unfurled its grounding tension between the interests of any given collective and of the socialist…
Things have always been a window into the past for me, and from an early age I was fascinated by communism as a rejection of the world in which I was raised. Looking at how people from a very different society made and used stuff allows you to access aspects of their experience that are deeply human. As such my research has focused on how people interacted with things as a way to examine how politics, ideology, and major historical events play out on the ground – as a way of capturing individual human experience.
If you have spent any time in Moscow, you can’t help but notice the seven Stalinist vysotki (“tall buildings” – not to be confused with capitalist skyscrapers) that dot the landscape. I love how this book provides a full history and context of how these buildings embodied many aspects of Soviet ideology, with all of its contradictions.
Zubovich combines this with the stories of the people connected with them – those displaced to make way for their construction, Gulag inmates who were key to their construction, and the Soviet elites who lived in them.
In the early years of the Cold War, the skyline of Moscow was forever transformed by a citywide skyscraper building project. As the steel girders of the monumental towers went up, the centuries-old metropolis was reinvented to embody the greatness of Stalinist society. Moscow Monumental explores how the quintessential architectural works of the late Stalin era fundamentally reshaped daily life in the Soviet capital.
Drawing on a wealth of original archival research, Katherine Zubovich examines the decisions and actions of Soviet elites-from top leaders to master architects-and describes the experiences of ordinary Muscovites…
Things have always been a window into the past for me, and from an early age I was fascinated by communism as a rejection of the world in which I was raised. Looking at how people from a very different society made and used stuff allows you to access aspects of their experience that are deeply human. As such my research has focused on how people interacted with things as a way to examine how politics, ideology, and major historical events play out on the ground – as a way of capturing individual human experience.
Starks presents us with a marvelous story of the tortured relationship between Soviet society and smoking. On the one hand, Soviet leadership was generally opposed to smoking – both for health and cultural reasons. On the other hand, smoking became associated with both masculinity and the Revolution. Like many a smoker, Soviet society just couldn’t quit, even as the effects of smoking became more and more apparent.
What I love about this book is how Starks takes something omnipresent and disposable – the cigarette – and tells the story of the Soviet Century through it, touching on such a breadth of topics as gender, labor, political, medical, economic, and cultural history. This is a book you just can’t quit.
Winner of the Southern Conference on Slavic Studies Book Award
Enriched by color reproductions of tobacco advertisements, packs, and anti-smoking propaganda, Cigarettes and Soviets provides a comprehensive study of the Soviet tobacco habit. Tricia Starks examines how the Soviets maintained the first mass smoking society in the world while simultaneously fighting it. The book is at once a study of Soviet tobacco deeply enmeshed in its social, political, and cultural context and an exploration of the global experience of the tobacco epidemic.
Starks examines the Soviet antipathy to tobacco yet capitulation to market; the development of innovative cessation techniques and…
Things have always been a window into the past for me, and from an early age I was fascinated by communism as a rejection of the world in which I was raised. Looking at how people from a very different society made and used stuff allows you to access aspects of their experience that are deeply human. As such my research has focused on how people interacted with things as a way to examine how politics, ideology, and major historical events play out on the ground – as a way of capturing individual human experience.
I don’t enjoy reading theory and I love reading a good story. Somehow, Golubev managed to write a book in which he makes theory accessible and tells a series of unexpected, fascinating tales about how Soviet people from the 1950s on interacted with everything from model planes and boats to stairwells and televisions.
It is difficult to describe what a weird and fun book this is – most attempts to do so would make it sound esoteric and focused on theory, but this is no ordinary book. It features a cast of characters as diverse as bodybuilders, wayward youth, and Soviet psychics whose stories are told through stuff.
The Things of Life is a social and cultural history of material objects and spaces during the late socialist era. It traces the biographies of Soviet things, examining how the material world of the late Soviet period influenced Soviet people's gender roles, habitual choices, social trajectories, and imaginary aspirations. Instead of seeing political structures and discursive frameworks as the only mechanisms for shaping Soviet citizens, Alexey Golubev explores how Soviet people used objects and spaces to substantiate their individual and collective selves. In doing so, Golubev rediscovers what helped Soviet citizens make sense of their selves and the world around…
I’m a longtime Moscow correspondent, having worked there for The Baltimore Sun in the 1990s and for The Washington Post in the 2010s. It was an exciting time to be in Russia, and I couldn’t help noticing parallels between the Russian revolutions of 1917 and the collapse of the Soviet Union in 1991. I think American policymakers, in particular, profoundly misunderstood both events. In my newspaper career, I am a winner of the Pulitzer Prize, the George Polk Award, an Oversea Press Club award, and other honors. In the fall of 2018, I taught for a semester at Princeton University.
Gorky, the author of The Lower Depths, was appalled by czarism and by Russia’s conduct in the First World War, yet this series of essays communicates a profound disillusionment with revolution. Russia, he wrote, was “splitting all along its seams and falling apart like an old barge in a flood.” He lamented “our stupidity, our cruelty, and all that chaos of dark, anarchistic feelings, that chaos which has been cultivated in our souls by the monarchy’s shameless oppression, by its cynical cruelty.” The old regime, he wrote, had successfully suppressed the human spirit in its subjects, and now that it was gone Russia would have to live with the consequences.
One of the most renowned Soviet writers of the twentieth century, Maxim Gorky was an early supporter of the Bolsheviks who became disillusioned with the turn of events after the 1917 revolution. This brilliant and controversial book is a collection of the critical articles Gorky wrote that describe the Russian national character, condemn the Bolshevik methods of government, and provide a vision of the future.
I have studied revolutions for over forty years, trying to understand how people fought for liberty and democracy--but also to understand how things so often went wrong! I have worked at universities in the US, the UK, Japan, Germany, Russia, and Hong Kong, gaining a global view of how societies change. I have learned that everywhere people have to struggle for their rights. Whether in ancient Greece or in modern Cambodia, the resulting revolutionary drama unfolds sometimes with wonderful results, but sometimes with tragedy. No events better display the very best and worst that we can accomplish. I’ve chosen the books on this list to convey the power of revolutions, their grand successes and tragic failures.
Of the hundreds of books on revolutions I have read in a decades-long career, this remains the most powerful and enthralling of them all. Unfolding like a grand Russian epic in the manner of War and Peace, Trotsky tells the story of the Russian Revolution and the triumph of the Bolshevik Marxists over every challenge and tribulation. No other book gives you the feeling of being a revolutionary like this one, as Trotsky takes you from the meetings of workers in the factories of St. Petersburg to the halls of the Winter Palace, all the while debating whether the events he is witnessing, indeed the history he knows he is making, conform to the Marxist vision of history that inspires him. No other account of revolutions offers such a combination of theoretical brilliance and detailed, almost cinema-like descriptions of feelings and events.
Regarded by many as among the most powerful works of history ever written, this book offers an unparalleled account of one of the most pivotal and hotly debated events in world history. This book, released to coincide with the hundredth anniversary of the Russian Revolution, reveals, from the perspective of one of its central actors, the revolution's profoundly democratic, emancipatory character. Originally published in three parts, Trotsky's masterpiece is collected here in a single volume. It serves as the most vital and inspiring record of the Russian Revolution to date. "During the first two months of 1917 Russia was still…
At the age of 16, I briefly joined the International Socialists, a small British Trotskyist party. Though I soon became disillusioned, it was a formative experience that left me with a lifelong fascination with communism and the Soviet Union. Over the following decades, I read everything I could about the subject, both fiction and non-fiction. In the years after the fall of communism, the ideas that eventually culminated in the writing of this book began to form in my head.
This book goes back to the chaos of the years after the Bolshevik revolution. It is set in Kyiv, which changed hands more than a dozen times during the brutal civil war that followed. The story is very autobiographical and focuses on a middle-class family that supports a pro-German faction in its struggle against Bolsheviks, Russian Whites, and Ukrainian nationalists. This isn’t a panoramic novel in the style of War and Peace but a worm’s-eye view of the chaos that has been unleashed. Brilliant.
Set in the Ukrainian capital of Kiev during the chaotic winter of 1918-19, The White Guard, Bulgakov's first full-length novel, tells the story of a Russian-speaking family trapped in circumstances that threaten to destroy them. As in Tolstoy's War and Peace, the narrative centres on the stark contrast between the cosy domesticity of family life on the one hand, and wide-ranging and destructive historical events on the other.
The result is a disturbing, often shocking story, illuminated, however, by shafts of light that testify to people's resilience, humanity and ability to love in even the most adverse circumstances.
At the age of 16, I briefly joined the International Socialists, a small British Trotskyist party. Though I soon became disillusioned, it was a formative experience that left me with a lifelong fascination with communism and the Soviet Union. Over the following decades, I read everything I could about the subject, both fiction and non-fiction. In the years after the fall of communism, the ideas that eventually culminated in the writing of this book began to form in my head.
Serge was a supporter of the Bolshevik revolution, though he never lost sight of its flaws.
This extraordinary novel centres on Petrograd at the height of the civil war, as economic collapse, hunger, the threat from the Whites, and the depredations of the Red Terror crush the city’s spirit and ultimately destroy the revolution, even if the Bolshevik regime it spawned survives.
1919–1920: St. Petersburg, city of the czars, has fallen to the Revolution. Camped out in the splendid palaces of the former regime, the city’s new masters seek to cement their control, even as the counterrevolutionary White Army regroups. Conquered City, Victor Serge’s most unrelenting narrative, is structured like a detective story, one in which the new political regime tracks down and eliminates its enemies—the spies, speculators, and traitors hidden among the mass of common people.
Conquered City is about terror: the Red Terror and the White Terror. But mainly about the Red, the Communists who have dared to pick up…
My first love in reading and writing is historical fiction. But I’m pretty particular about how the stories are created. To me, historical novels should be as accurate as possible; the facts, rather than the fiction, should guide the story. With my writing, I follow the wise words of the author, Anya Seton:It has…been my anxious endeavor to use nothing but historical fact when these facts are known…. Since I have based my story on history, I have tried never to distort time, or place, or character to suit my convenience.I’m particularly pleased when readers tell me that my research is exemplary and they have learned something new.
I love books that include unusual locations and little-known events. Red Winter takes place in the 1920s in Siberia when the pogroms came and disrupted the peaceful existence of a small town in the frozen north. Like my book, which is about the creation of a Scottish colony in Central America, Red Winter offers the reader an opportunity to learn about a largely unknown history.
When murderous Bolsheviks infiltrate the Siberian city of Nikolaevsk-on-Amur in 1920, Luba’s comfortable, upper class life is upended overnight. As her husband is imprisoned and their house overrun with unruly partisan soldiers, Luba finds herself on the run with four small children, her mother-in-law, and epileptic sister-in-law. Pigsties, abandoned warehouses, opium dens are just a few of the places the group seeks refuge as they try to elude capture and stay alive.
The little-known history of this exotic time and place is seen through the eyes of a reluctant heroine grappling with adversity and loss during the dangerous political chaos…
I’m a longtime Moscow correspondent, having worked there for The Baltimore Sun in the 1990s and for The Washington Post in the 2010s. It was an exciting time to be in Russia, and I couldn’t help noticing parallels between the Russian revolutions of 1917 and the collapse of the Soviet Union in 1991. I think American policymakers, in particular, profoundly misunderstood both events. In my newspaper career, I am a winner of the Pulitzer Prize, the George Polk Award, an Oversea Press Club award, and other honors. In the fall of 2018, I taught for a semester at Princeton University.
Rosen, who turned 70 just weeks before the revolution, was a veteran diplomat who for many years had been Russian ambassador to the United States. Deeply conservative and deeply insightful, he had been thrust aside by Nicholas’ court. He thought that Russia’s declaration of war in 1914 was lunacy and that its conduct and diplomacy during the war was staggeringly self-defeating. The memoir covers decades, but the section on February 1917 is by far the most trenchant. His self-effacing account of dealing with a group of revolutionary soldiers who came to his club one dark night gives a vivid look at the passions and confusion that were sweeping revolutionary Russia. Rosen fled after the Bolshevik takeover in November, 1917, and spent the rest of his life in New York.
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