93 books like Italian Folk Magic

I have always been an escapist reader. From fantasy to historical fiction, my favorite books have transported me from my life—providing me with the adventure and romance that I crave. I’m a lover of series, specifically, because they offer a longer, more immersive experience. As a writer, I hope to offer my readers the same respite from reality that my favorite series have offered me, and I’m publishing my completed five-book series, The Raek Riders series all at once in an effort to do just that. They will be available March 19th, 2024, ready for escapist readers to binge from start to finish. 

I have always adored fairy tales, most particularly rewritings of fairy tales where the heroines seize a destiny all their own. But beyond feminine agency, I want a story that sweeps me away in every respect: lose me in a forest, turn my head with magic, let me stand and face my inner darkness, and, perhaps most importantly, entrance me with gorgeous language—it has to feel like a fairy tale. As fate would have it, these particular proclivities led me to write fantasy novels in my own right! You won’t find princesses, but you will find magic libraries and stories that dwell on the power of stories themselves!

I’m a fantasy writer and Christian witch with over 10 years of research, practice, and passion under my hat. Discovering the fantastical concept of “real world” magic as a youth—and the ways in which the institutions in power have tried so hard to stamp it out, despite it being an undeniable part of our cultural and spiritual psyche—has inspired me to explain all I know in my fantasy and seek out all the magic and wonder in my reality. After all, our fantasy stories must get their inspiration from the real world—from all the magic, mysticism, and struggle hidden under the pretty face of mainstream religion.

I’m a fantasy writer and Christian witch with over 10 years of research, practice, and passion under my hat. Discovering the fantastical concept of “real world” magic as a youth—and the ways in which the institutions in power have tried so hard to stamp it out, despite it being an undeniable part of our cultural and spiritual psyche—has inspired me to explain all I know in my fantasy and seek out all the magic and wonder in my reality. After all, our fantasy stories must get their inspiration from the real world—from all the magic, mysticism, and struggle hidden under the pretty face of mainstream religion.

I grew up in suburbia—or urban sprawl—with fairytales and children’s nonfiction series like Lands and Peoples. My passion for reading (and history and art museums) nurtured my sense of wonder and awe at the richness of the world. I was inspired to write nonfiction about heroic people by my own children, whose social studies education lacked dazzle and examples of heroism. I had already been creating educational materials for schools, but I wanted to inspire their wonder about and appreciation of the world. My kids are grown, but I’m still writing for young readers. An avid world traveler and historian, I've always aspired to bring other people, places, cultures, and times to life.

I write books to make sense of the world  — this gloriously weird, sometimes heartbreaking, marvelous place we call home. Years ago, while visiting a museum in St. Louis, I heard a woman give a talk on charlatans (people who intentionally deceive others for their personal gain). It sparked a number of questions in me: Why do we believe the things that we do? What might we be willing to try to change our circumstances? Exploring these ideas was the starting point for my book, Miraculous, and its mysterious stranger, Dr. Kingsbury. I hope the stories you read in these pages fill you wonder as they did me.

From the ages of 1-4, my son Finn deeply rooted himself into the detailed world of Richard Scarry. These books could be such slow reads that we only needed two of them for long airplane rides. Through Finn’s love of Scarry books, I began searching for more books that delighted with detail. And when I did not see my family’s bicycle-rich lifestyle reflected in books, I created Cycle City.

From the time I was very young, Witchcraft and the supernatural have always fascinated me. I can remember staying up late to watch horror movies or reading an Edgar Allen Poe book under the sheets with a flashlight when I was supposed to be asleep. I knew this was never a phase or something I would “outgrow”; the spell had been cast and I was forever in its power. I’ve tried to read everything I could on Witchcraft, its history and practice and anything regarding the occult. It was all of this reading and research that really helped me to write Widdershins and everything that came after. Enjoy the list!

I learned to read when I was three and the first book I remember reading was Ozma of Oz, which featured some great witches (even though they weren’t called that). I’ve been fascinated by women using magic to change the world around them ever since, and books about witches have remained a staple of my reading diet. As an adult, I learned more about the theory and practice of witchcraft and even spent some time in a coven. These days, I guess you’d call me more of a hedgewitch; I maintain no formal practice, just try to live in “a good way” like my Ojibwe ancestors taught.

I’m a lifelong nature-lover, and for me, the old folk tales are deeply tied to this: the history of our attempts to give meaning to the beautiful and the unsafe. I spent a lot of time in the West Country as a child, and that shaped my imagination: the tangible magic of a landscape with chalk bones and golden snails and birds that exploded from the hedgerows before you. When I came to write my own folktales, that was the magic I wanted. And that’s what I love in books: the way they can make you feel like you’re standing on the soil of someone else’s inner world.