Fans pick 100 books like Stardust

I loved this book for the way Madeline Miller creatively retells Greek myths with a female protagonist. As Circe grows up, she discovers her power of magic, which can transform enemies into monsters and even challenge the gods.

Bold and inspiring, Miller vividly strings together figures like Prometheus, Medea, Calypso, Odysseus, and the Minotaur in a feminist reimagining of Circe's life. I find it to be a thoughtful and well-crafted biography of a complex and engaging mythological character with both divine and human strengths and flaws. I have read it several times, and the story has maintained its appeal.

Clarke transports the reader to England during the time of the Napoleonic Wars. There is, however, one small twist: magic once existed in this world and has now returned through two men, drastically changing the course of history and society.

The story is rich in gothic atmosphere and wry humour, and is positively bursting with ideas (there are almost 200 footnotes!). Clarke imbues her protagonists with conflicting approaches to the pursuit of knowledge, with Norrell representing cautious rationality and conservative methodology, while Strange embodies an adventurous spirit and a willingness to embrace the arcane and often the dangerous.

This book is both a fascinating vision of a tumultuous world and a deep dive into the mind of a troubled and compelling protagonist.

The character work in this book is incredibly impressive, with the long arc of the protagonist’s development drawn in convincing and gripping detail that left me feeling like I had known this person for years through all their triumphs, tragedies, and mistakes, which is to say nothing of its creative and plausible magic, its socio-political commentary, and its meditation on family and grief. Rightfully recognized as a modern classic, it is a book all fans of fantasy should read.

It’s been many years since I read this book, but I recall the moment I fell in love with Sookie’s story so clearly; it was like last week.

It was a usual busy night. I was making dinner for my family, and while I kept an eye on what was cooking on the stovetop, I flipped this book open to the middle, curious if I’d enjoy it. I quickly read about half a page, and I was immediately amused and sucked right in. Just those few lines hooked me, and I especially loved how the author told the story. I couldn’t wait to start from the beginning and make my way through the series. That night, I started book one of Sookie’s story and continued devouring each book as quickly as possible.

It’s been years since I finished Sookie’s story, and I often think about her and the world I… show more.

I love this series of three short novels enough to have read it more times than I can count. The language of the novel is simple and evocative. I love the main character, a young wizard who starts out as proud, angry and arrogant, but becomes deeply compassionate when his hubris leads him to make a tragic and evil use of magic.

I could feel myself grabbed by the world of the novel, a world of men and dragons, of islands dotted in an endless sea, of powerful mages who interfere at their peril with the precarious balance of the world between good and evil. 

This is a perfect wintry read for me: a book set in the dark, snow-laden forests filled with dangerous creatures who stepped right out of the Russian folk tales.

I love the main protagonist, Vasya, a brave, stubborn girl who fights to protect her family. I found the story immersive and unputdownable, filled with darkness and enchanting beauty, and I wholeheartedly recommend it, as well as its two sequels in the Winternight Trilogy.

This was the first fantasy recommendation I ever got from my dad. He saw me taking an interest in stories with castles, knights, wizards, and kings and knew just the book from his favorite author to put in my hands.

I hadn’t had any experience with Stephen King before this, and I found that his prose was friendly and familiar to me; the story itself is good, a solid entry into the genre, and I found the intrigues of the villain to be the most interesting part of the story. It turns out that the King (ha) of horror can write a fine fantasy story, too.

Where can I even begin with the magic and immersion of Naomi Novik’s Uprooted?

Saying an unlikely heroine with an affinity for the forest meets an aloof, powerful wizard thus starting her quest to uncover the potential of her own magic barely scratches the surface of the enchanting world Novik creates. The allure and power of the dark forest that runs tangled roots beneath the story’s unspooling narrative is an unmissable experience.

And Novik’s uniquely beautiful language is perfectly matched by the magic of the fairy tale world itself and the weaving of the spells therein! 

Kage Baker is an Isaac Asimov compared to Terry Pratchett’s Marx Brothers. In the Garden of Iden is more sci-fi than fantasy, including time travel, cybernetics, and nanotechnologies. And love and loss. This book is part of a series of novels that Baker crafted about time-travelling enhanced humans who carry out critical tasks throughout history. 

What I loved most about this book is how very human her main characters are. Like Pratchett and Bill Shakespeare, Baker is a master at showing us human nature. Her comedy is high comedy. I laugh because I recognize myself in her characters. Baker has a fine eye for the subtle and the absurd. And yet unlike many humorous authors, the tragedies of the heart are always at the core of her stories.

What? You didn’t know there was a book? There is! Now, the movie is, in my humble opinion, the most perfect movie ever made, but the book came first.

I read the book ages ago and fell in love with it. More in-depth than the movie and a little different in places, it is worth the read, and if you want to follow up with a small, equally as fun read, try The Silent Gondoliers, also by Goldman.