100 books like The Secret Life of Violet Grant

As the author of a historical/mystery/romance series that has won over sixty international awards in multiple categories, I’m attracted to books that cannot be pinned to one genre. I love sweeping sagas with elements of all three, perhaps because I was so immersed in classic literature as a kid and fascinated by stories of the past. I suspect I may have once lived in the 1930s and, having yet to discover a handy time machine lying around, I have resorted to writing about the era as a way of getting myself back there. I am, not surprisingly, addicted to period dramas and big band music. 

As the author of a historical/mystery/romance series that has won over sixty international awards in multiple categories, I’m attracted to books that cannot be pinned to one genre. I love sweeping sagas with elements of all three, perhaps because I was so immersed in classic literature as a kid and fascinated by stories of the past. I suspect I may have once lived in the 1930s and, having yet to discover a handy time machine lying around, I have resorted to writing about the era as a way of getting myself back there. I am, not surprisingly, addicted to period dramas and big band music. 

As the author of a historical/mystery/romance series that has won over sixty international awards in multiple categories, I’m attracted to books that cannot be pinned to one genre. I love sweeping sagas with elements of all three, perhaps because I was so immersed in classic literature as a kid and fascinated by stories of the past. I suspect I may have once lived in the 1930s and, having yet to discover a handy time machine lying around, I have resorted to writing about the era as a way of getting myself back there. I am, not surprisingly, addicted to period dramas and big band music. 

As the author of a historical/mystery/romance series that has won over sixty international awards in multiple categories, I’m attracted to books that cannot be pinned to one genre. I love sweeping sagas with elements of all three, perhaps because I was so immersed in classic literature as a kid and fascinated by stories of the past. I suspect I may have once lived in the 1930s and, having yet to discover a handy time machine lying around, I have resorted to writing about the era as a way of getting myself back there. I am, not surprisingly, addicted to period dramas and big band music. 

Although I’m neither a healthcare professional nor a historian, my passions are reading great fiction and continually striving to write it. Degrees in literature led to college teaching and then full-time writing. And that, to the publication of six works of fiction, including four historical novels. So, add to the mix, then, the years spent studying and teaching literature as well as those spent writing and rewriting—and, too, being an inveterate reader—and you have, in brief, the sum of my expertise. Each of the works listed below, I feel, has super qualities. I certainly enjoyed reading such masterful work and hope you will as well.   

I started reading crime fiction when I was a very young child. My granny introduced me to mysteries through authors like Tony Hillerman, who wrote books set in the Four Corners region of the American Southwest. That early introduction into mysteries set in small towns and rural areas stuck. My books also focus on smaller towns and rural areas, which I love to visit through fiction or in real life. I have often made my home in a small town and work as a crime fiction author and a developmental editor, so I have an eye for both solid mysteries and life in a rural community.

I used to be the caretaker for the last home of Edgar Allan Poe, and during my four-year tenure, I tried to read everything Poe ever wrote, as well as literature inspired by his work. The key word there is “tried.” It’s an impossible task. Poe’s influence is vast and evergreen. The traditional ghost story was not his specialty, but nevertheless, I associate him with spirits and phantoms since one of his primary obsessions was the potential oblivion of the afterlife. I share these obsessions, and I doubt I would have taken the job if I wasn’t already drawn to stories that imagine what lies beyond the veil.

I’m an activist, artist, and author of the breakout thriller, Where The Boys Are and The Other Side of the Mirror. I specialize in thrillers that highlight diverse characters (LGBTQ+ and people of color.) I’m a graduate of Virginia Commonwealth University and the Hurston/Wright Writers Foundation. As a graphic designer/copywriter/marketer by day and author by night, I can usually be found creating and designing behind the bright neon glow of my laptop. When I’m not writing, I enjoy traveling to new destinations. I live and work out of my home in Las Vegas with “the hubs” and our two yorkies, and I'm currently writing my next novel, The Dark Side of the Mirror.

The first time I learned that I was raised by a “bad” mother was when I was in the first grade. The teachers complained that my mother hadn’t shown up for parent-teacher conferences and never could get me to school on time. But I knew what they did not, that my mother worked a lot and was raising kids all her own and yet still had time to take us to the library to read books that were well beyond the ones at school. Because of my highly iterant life raised by a bookish and neglectful mother, I have always been interested in the relationship between children and their less-than-perfect mothers.

I was a late reader. I was, in fact, forcefully against reading. You’d have had to drag me by my ear to get me anywhere near a book. I was dyslexic, suffered with Irlen syndrome, and detested the embarrassing fact that I found reading too difficult. I thought my mother had invented some kind of cruel torture when she insisted I read to her every day. It never worked. And then… it did. I read my first book at the age of 12, and it was written in the form of letters. It was Animorphs Book 1 by KA Applegate, and the rest, as they say, is history.