Here are 100 books that Seal of Approval fans have personally recommended if you like
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I would trace the genesis of Hitler’s Monsters to three distinct influences. The first was my childhood love of Golden, Silver, and Bronze Age comics––Batman, Superman, Captain America, The Avengers, The Fantastic Four––which, as illustrated by the Amazing Adventures of Kavalier & Clay,are replete with themes of Nazi occultism and border science.The second was a conversation with my thesis advisor early in graduate school, when he noted that he was advising a dissertation on German occultism (Science for the Soul). The third influence was observing the mid-2000s resurgence in rightwing populism across Europe and North America, seemingly fueled by recourse to esoteric and supernatural thinking. The rest, as they say, is history.
For those interested in a compelling work of fiction built loosely around Nazism and the occult, Michael Chabon’sThe Amazing Adventures of Kavalier & Clay is the perfect novel.
Whether it’s one of the protagonists, a young Jewish magician, escaping Nazi-occupied Central Europe in the coffin of the “Golem of Prague” or the eponymous cousins finding success with their own comic book series infused by contemporary esoterica, Kavalier & Clayevokes the world in which young, first and second generation Jewish immigrants from Central and Eastern Europe created the Marvel and DC superheroes and super(natural) villains, often allied with the Third Reich, that have defined our popular culture for the past eighty years.
Winner of the 2001 Pulitzer Prize for Fiction, 'The Amazing Adventures of Kavalier & Clay' is a heart-wrenching story of escape, love and comic-book heroes set in Prague, New York and the Arctic - from the author of 'Wonder Boys'.
One night in 1939, Josef Kavalier shuffles into his cousin Sam Clay's cramped New York bedroom, his nerve-racking escape from Prague finally achieved. Little does he realise that this is the beginning of an extraordinary friendship and even more fruitful business partnership. Together, they create a comic strip called 'The Escapist', its superhero a Nazi-busting saviour who liberates the oppressed…
Brett Dakin is the author of American Daredevil: Comics, Communism, and the Battles of Lev Gleason and Another Quiet American: Stories of Life in Laos. Brett's writing has appeared in Foreign Affairs, the International Herald Tribune, The Washington Post, and The Guardian. A graduate of Princeton University and Harvard Law School, Brett grew up in London and now lives in New York City with his husband—and their dog, Carl.
David’s book came out while I was still searching for the truth about Uncle Lev, and it provided a useful and entertaining overview of the effort to censor comic books—catching Lev directly in its cross-hairs—and the industry code that was implemented as a result. Ultimately, David argues, “the generation of comic-book creators whose work died with the Comics Code helped give birth to the popular culture of the postwar era.”
In the years between the end of World War II and the mid-1950s, American popular culture was first created in the pulpy, boldly illustrated pages of comic books. But no sooner had comics emerged than they were beaten down by mass bonfires, congressional hearings, and a McCarthyish panic over their unmonitored and uncensored content. Esteemed critic David Hajdu vividly evokes the rise, fall, and rise again of comics, in this engrossing history.
Brett Dakin is the author of American Daredevil: Comics, Communism, and the Battles of Lev Gleason and Another Quiet American: Stories of Life in Laos. Brett's writing has appeared in Foreign Affairs, the International Herald Tribune, The Washington Post, and The Guardian. A graduate of Princeton University and Harvard Law School, Brett grew up in London and now lives in New York City with his husband—and their dog, Carl.
Another readable academic work, Bradford’s book helped me situate the history of comics within the broader narrative of post-war America’s emerging youth, pop, and consumer cultures.
As American as jazz or rock and roll, comic books have been central in the nation's popular culture since Superman's 1938 debut in Action Comics #1. Selling in the millions each year for the past six decades, comic books have figured prominently in the childhoods of most Americans alive today. In Comic Book Nation, Bradford W. Wright offers an engaging, illuminating, and often provocative history of the comic book industry within the context of twentieth-century American society. From Batman's Depression-era battles against corrupt local politicians and Captain America's one-man war against Nazi Germany to Iron Man's Cold War exploits in…
Brett Dakin is the author of American Daredevil: Comics, Communism, and the Battles of Lev Gleason and Another Quiet American: Stories of Life in Laos. Brett's writing has appeared in Foreign Affairs, the International Herald Tribune, The Washington Post, and The Guardian. A graduate of Princeton University and Harvard Law School, Brett grew up in London and now lives in New York City with his husband—and their dog, Carl.
Jules wrote this book in 1965, so it certainly doesn’t reflect the latest scholarship. But as probably the first critical history of the Golden Age, it’s a valuable read—and a lot of fun! Jules gives a real sense of what it was like to be alive, in New York City, creating these great works.
A great book about the super heroes of comic books( Superman, Captain Marvel, Human Torch, The Flash, Green Lantern, The Spectre, Hawkman, Wonder Woman.Sub Mariner, Captain America, Plastic Man, The Spirit, Afterword. All in colorful comics book style. In tub 87
I am a comic book writer from Scotland now living in Japan. I have had more than 40 books published with a variety of US, UK, and Japanese publishers. I am the only professional manga writer from Britain who lives in Japan. In 2016 my book The Faceless Ghost was nominated for the prestigious Eisner Book Awards, and received a medal in the 2016 'Independent Publisher Book Awards'. In 2017, my book Secrets of the Ninja won an International Manga Award from the Japanese government – I was the first British person to receive this. In 2020 I received the ‘Scottish Samurai Award’ from an association linking Japan and Scotland.
A key cliche which comic book writers like myself are trying to get over is that comic books and manga are just for kids. That has never been true. This Showa book is an excellent example of that, as the four volumes range over a 63 year period (1926 to 1989) in Japanese history in which we learn about the war, Japanese society, the changes over time, and Mizuki’s personal story. Such comic books and manga, or graphic novels to give them their fancy modern term, are an excellent way to learn about a wide variety of topics with both text and visual working together in an engaging dance. Mizuki was one of the key figures in Japanese manga but for me, this book on history and culture, told in a personal way is his most impressive work.
A fascinating period in Japanese history recounted by manga s most distinguished author. Showa 1926 1939: A History of Japan lays the groundwork for Eisner award-winning author Shigeru Mizuki s historical and autobiographical series about Japanese life in the twentieth century. Depicted against his trademark photorealistic backdrops, Mizuki effortlessly portrays a nation forced into a period of upheaval and brings history into the realm of the personal. Indeed, as a child coming of age in the Showa era, the author s earliest memories coincide with key events of the time. It all begins with the Great Kanto Earthquake, a natural…
When I was growing up, there were no stories for me. A queer kid in a very conservative Catholic household, I knew I was different, but I had no way to articulate that difference, and no way to imagine a horizon of happiness, of dignity, or of joy. In the worlds people imagined for young people, we were simply written out. I have since spent a lifetime studying and telling stories – as an English professor, as a bartender at a queer bookstore and drag bar, and now as a writer. And what matters to me most is seeing queer lives lived in abundance. These are the stories I wish I had.
Boys are one way; girls are another; that’s the way it has always been. But when Aster finds himself ineluctably drawn to the magic that should only be the province of the women in his family, he begins to realize some rules are not only antiquated, they can do material harm to the soul. Ostertag deftly uses the supernatural as a simple and elegant metaphor for the thousand indignities we can heap upon the queer and gender nonconforming, with an art style that simultaneously insists upon and celebrates the multiplicity of bodies and expressions that are our lived experience and belie these closed and closeting norms. An ingenious allegory, smartly and briskly told with charm and generosity.
From the illustrator of the web comic Strong Female Protagonist comes a debut middle-grade graphic novel about family, identity, courage -- and magic.
In thirteen-year-old Aster's family, all the girls are raised to be witches, while boys grow up to be shapeshifters. Anyone who dares cross those lines is exiled. Unfortunately for Aster, he still hasn't shifted . . . and he's still fascinated by witchery, no matter how forbidden it might be.When a mysterious danger threatens the other boys, Aster knows he can help -- as a witch. It will take the encouragement of a new friend, the non-magical…
When I was five years old, my father sat down with me in front of the television and we watched together as the Space Shuttle Columbia launched for the first time. Four decades later, I’ve authored a history of those early shuttle missions, been a part of developing future space missions, and, most importantly of all, watched several space firsts with my own son. Space exploration is humanity at its greatest – working together using the best of our abilities to overcome incredible challenges and improve life here on Earth – and I’m always grateful for the opportunity to share that inspiration with others.
If you’re exploring space history, Apollo 11 is THE moment above all others – the first footsteps on another world. In Moonbound, Fetter-Vorm both captures and contextualizes that moment brilliantly, using the words of the astronauts themselves to share the story of the mission, while also giving the big picture that got them there – in the process unpacking everything from Galileo to the layers of a spacesuit.
On a summer night in 1969, two men climbed down a ladder onto a sea of dust at the edge of an ancient dream. When Neil Armstrong and Buzz Aldrin first set foot on lunar soil, the moon ceased to be a place of mystery and myth. It became a destination.
Now, on the fiftieth anniversary of that journey, Moonbound tells the monumental story of the moon and the men who went there first. With vibrant images and meticulous attention to detail, Jonathan Fetter-Vorm conjures the long history of the visionaries, stargazers, builders, and adventurers who sent Apollo 11 on…
Hi, my name is Scott SanGiacomo, (San-JAH-Ko-mo) from Massachusetts, U.S.A.
Stories have always been important to me. From the ones read to me as a boy; to the comics I devoured as an adolescent; all the way to the stories I read to my own children. I’m inspired to create stories and art that explore childhood and the universal themes that follow us into adulthood. I hope you enjoy my list of graphic novels about navigating friendships and family.
A graphic novel about superhero pets? Yes, please! This is a super fun book (see what I did there?) perfect for young readers. Crime-stopping superhero, Captain Amazing is getting older. He’s starting to think it may be time to bring in a sidekick— his pets think they can help. With hilarious twists and turns - this wonderfully illustrated book is both heartwarming and laugh-out-loud funny.
Suit up for this high-octane graphic novel debut by Caldecott Medalist Dan Santat!
Captain Amazing, the hometown hero of Metro City, is so busy catching criminals that he rarely has time for his pets -- he hasn't even noticed they've been developing superpowers of their own!
So when Captain Amazing announces he needs a sidekick, his eager pets -- a dog, a hamster, and a chameleon -- all decide to audition for the part and a chance for one-on-one time with the Captain. But while each pet is focused on winning the coveted sidekick spot, an even bigger battle in…
I’ve been reading horror books and watching horror movies since I was entirely too young to do either—thanks to my father’s collection of Stephen King books and my uncle’s love of horror movies. Now I’m a horror writer and wake early each morning to make blank pages darker. Zombies remain one of my favorite horror sub-genres. There’s something relentlessly compelling about these mindless ghouls linking inside each of us waiting for some triggering event to set them loose. Maybe it’s the resulting chaos. Maybe it’s the gruesome horror. Mostly, it’s how such tales show us the fragility of our civilization and the darkness of our own nature.
I know, I know. Lots of people are over The Walking Dead. I have a love/hate relationship with the television show, as well. But I’ve read every chapter of the comic book series, and I have to tell you that zombie fiction doesn’t get much better. Kirkman’s epic spans 22 collection editions comprising 193 total comic books, and it’s pure dark magic from start to finish. He populates his tale with compelling characters and terrifying zombies. The tension is palpable and absolutely no one is safe. One of the hallmarks of this series is the shocking, unexpected deaths of key characters, which made all the more impactful because Kirkman makes us feel genuine emotions for them all.
The world we knew is gone. The world of commerce and frivolous necessity
has been replaced by a world of survival and responsibility. An epidemic of
apocalyptic proportions has swept the globe, causing the dead to rise and feed
on the living. In a matter of months society has crumbled: no government, no
grocery stores, no mail delivery, no cable TV. In a world ruled by the dead, the
survivors are forced to finally start living.
Frederik L. Schodt is an award-winning author of non-fiction books on the convergence of Japanese and American cultures, and he has written on subjects including manga, technology, acrobats, history, and religion. He is also a well-known translator of Japanese manga and literature, and a veteran interpreter. In 2009 the Emperor of Japan awarded him the Order of the Rising Sun, Gold Rays with Rosette, for helping to introduce and promote Japanese contemporary popular culture. In 2017 he also received the prestigious Japan Foundation Award.
In Japan, Osamu Tezuka is often referred to as the “God of Manga.” And Phoenix may be his greatest manga series of all. He created twelve volumes between 1954 and his death in 1989. Around 1971, a friend in Tokyo lent me the first five and I became hooked on manga and their potential as a medium of expression. The story converges on the present from the past and the future and deals with reincarnation and the quest for eternal life. My favorite volume is Karma, which has a strong Buddhist theme, and spectacular page layouts. With a group called Dadakai, I translated the first five volumes around 1977/78. After collecting dust for nearly twenty-five years, Jared Cook and I translated the remaining volumes, and the whole series was then finally published by Viz Communications between 2002 and 2008. This work changed my life.
This fourth volume of Osamu Tezuka's acclaimed Phoenix saga is set in 8th-century Japan and tells the story of two men: the hideously deformed mass murderer Gao and the handsome and gifted woodcarver Akanemaru. Fate brings them together when Gao cruelly stabs Akanemaru in the arm, crippling him. They part, but their destinies remain inextricably linked as both find their spirits tested in a series of personal and professional trials. Beautifully set against the religious and political upheavals of the time, Karma is considered by many to be the best volume in the entire Phoenix series.
