Here are 100 books that Comic Book Nation fans have personally recommended if you like
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I would trace the genesis of Hitler’s Monsters to three distinct influences. The first was my childhood love of Golden, Silver, and Bronze Age comics––Batman, Superman, Captain America, The Avengers, The Fantastic Four––which, as illustrated by the Amazing Adventures of Kavalier & Clay,are replete with themes of Nazi occultism and border science.The second was a conversation with my thesis advisor early in graduate school, when he noted that he was advising a dissertation on German occultism (Science for the Soul). The third influence was observing the mid-2000s resurgence in rightwing populism across Europe and North America, seemingly fueled by recourse to esoteric and supernatural thinking. The rest, as they say, is history.
For those interested in a compelling work of fiction built loosely around Nazism and the occult, Michael Chabon’sThe Amazing Adventures of Kavalier & Clay is the perfect novel.
Whether it’s one of the protagonists, a young Jewish magician, escaping Nazi-occupied Central Europe in the coffin of the “Golem of Prague” or the eponymous cousins finding success with their own comic book series infused by contemporary esoterica, Kavalier & Clayevokes the world in which young, first and second generation Jewish immigrants from Central and Eastern Europe created the Marvel and DC superheroes and super(natural) villains, often allied with the Third Reich, that have defined our popular culture for the past eighty years.
Winner of the 2001 Pulitzer Prize for Fiction, 'The Amazing Adventures of Kavalier & Clay' is a heart-wrenching story of escape, love and comic-book heroes set in Prague, New York and the Arctic - from the author of 'Wonder Boys'.
One night in 1939, Josef Kavalier shuffles into his cousin Sam Clay's cramped New York bedroom, his nerve-racking escape from Prague finally achieved. Little does he realise that this is the beginning of an extraordinary friendship and even more fruitful business partnership. Together, they create a comic strip called 'The Escapist', its superhero a Nazi-busting saviour who liberates the oppressed…
Brett Dakin is the author of American Daredevil: Comics, Communism, and the Battles of Lev Gleason and Another Quiet American: Stories of Life in Laos. Brett's writing has appeared in Foreign Affairs, the International Herald Tribune, The Washington Post, and The Guardian. A graduate of Princeton University and Harvard Law School, Brett grew up in London and now lives in New York City with his husband—and their dog, Carl.
David’s book came out while I was still searching for the truth about Uncle Lev, and it provided a useful and entertaining overview of the effort to censor comic books—catching Lev directly in its cross-hairs—and the industry code that was implemented as a result. Ultimately, David argues, “the generation of comic-book creators whose work died with the Comics Code helped give birth to the popular culture of the postwar era.”
In the years between the end of World War II and the mid-1950s, American popular culture was first created in the pulpy, boldly illustrated pages of comic books. But no sooner had comics emerged than they were beaten down by mass bonfires, congressional hearings, and a McCarthyish panic over their unmonitored and uncensored content. Esteemed critic David Hajdu vividly evokes the rise, fall, and rise again of comics, in this engrossing history.
Brett Dakin is the author of American Daredevil: Comics, Communism, and the Battles of Lev Gleason and Another Quiet American: Stories of Life in Laos. Brett's writing has appeared in Foreign Affairs, the International Herald Tribune, The Washington Post, and The Guardian. A graduate of Princeton University and Harvard Law School, Brett grew up in London and now lives in New York City with his husband—and their dog, Carl.
Amy’s book takes on the same topic, but from the perspective of an academic—and with a more balanced, objective approach. In particular, she examines the role of anti-comics crusader Dr. Fredric Wertham, arguing that his “role in the crusade against comics has been largely misinterpreted by fans and scholars alike, who dismiss his findings as naïve social science, failing to understand how his work on comic books fits into the larger context of his beliefs about violence, psychiatry, and social reform."
For the past forty years the content of comic books has been governed by an industry self-regulatory code adopted by publishers in 1954 in response to public and governmental pressure.
This book examines why comic books were the subject of controversy, beginning with objections that surfaced shortly after the introduction of modern comic books in the mid-1930s, when parents and teachers accused comic books of contaminating children's culture and luring children away from more appropriate reading material.
It traces how, in the years following World War II, the criticism of comic books shifted to their content, and the reading of…
Brett Dakin is the author of American Daredevil: Comics, Communism, and the Battles of Lev Gleason and Another Quiet American: Stories of Life in Laos. Brett's writing has appeared in Foreign Affairs, the International Herald Tribune, The Washington Post, and The Guardian. A graduate of Princeton University and Harvard Law School, Brett grew up in London and now lives in New York City with his husband—and their dog, Carl.
Jules wrote this book in 1965, so it certainly doesn’t reflect the latest scholarship. But as probably the first critical history of the Golden Age, it’s a valuable read—and a lot of fun! Jules gives a real sense of what it was like to be alive, in New York City, creating these great works.
A great book about the super heroes of comic books( Superman, Captain Marvel, Human Torch, The Flash, Green Lantern, The Spectre, Hawkman, Wonder Woman.Sub Mariner, Captain America, Plastic Man, The Spirit, Afterword. All in colorful comics book style. In tub 87
I’m a queer writer who is passionate about getting good awareness of gender, sexuality, relationships and mental health out there into the world. I create comics, zines, blog posts, and self-help style books to try to reach as wide an audience as possible, bringing together the work of activists, scholars, therapists, and creators - and drawing on a diverse range of knowledge and experiences - in the hope of helping us all understand ourselves and our world better.
There are very few books - let alone graphic books - out there covering asexuality. This comic strikes a great balance between informing the reader about asexuality, and challenging many of the myths that still persist around it, as well as telling Rebecca’s own story of coming to understand her ace experience.
How to be ace is a great, accessible, engaging read for anyone on the ace or aro spectrum themselves. It’s also a very helpful book for everyone to get a better sense of the diversity of a/sexual experience.
PRISM AWARDS FINALIST 2021 GREAT GRAPHIC NOVELS FOR TEENS - YOUNG ADULT LIBRARY SERVICES ASSOCIATION (YALSA) 2022
"When I was in school, everyone got to a certain age where they became interested in talking about only one thing: boys, girls and sex. Me though? I was only interested in comics."
Growing up, Rebecca assumes sex is just a scary new thing they will 'grow into' as they get older, but when they leave school, start working and do grow up, they start to wonder why they don't want to have sex with other people.
Frederik L. Schodt is an award-winning author of non-fiction books on the convergence of Japanese and American cultures, and he has written on subjects including manga, technology, acrobats, history, and religion. He is also a well-known translator of Japanese manga and literature, and a veteran interpreter. In 2009 the Emperor of Japan awarded him the Order of the Rising Sun, Gold Rays with Rosette, for helping to introduce and promote Japanese contemporary popular culture. In 2017 he also received the prestigious Japan Foundation Award.
In Japan, Osamu Tezuka is often referred to as the “God of Manga.” And Phoenix may be his greatest manga series of all. He created twelve volumes between 1954 and his death in 1989. Around 1971, a friend in Tokyo lent me the first five and I became hooked on manga and their potential as a medium of expression. The story converges on the present from the past and the future and deals with reincarnation and the quest for eternal life. My favorite volume is Karma, which has a strong Buddhist theme, and spectacular page layouts. With a group called Dadakai, I translated the first five volumes around 1977/78. After collecting dust for nearly twenty-five years, Jared Cook and I translated the remaining volumes, and the whole series was then finally published by Viz Communications between 2002 and 2008. This work changed my life.
This fourth volume of Osamu Tezuka's acclaimed Phoenix saga is set in 8th-century Japan and tells the story of two men: the hideously deformed mass murderer Gao and the handsome and gifted woodcarver Akanemaru. Fate brings them together when Gao cruelly stabs Akanemaru in the arm, crippling him. They part, but their destinies remain inextricably linked as both find their spirits tested in a series of personal and professional trials. Beautifully set against the religious and political upheavals of the time, Karma is considered by many to be the best volume in the entire Phoenix series.
Stephen Silver has been a professional working artist, character designer, and teacher in the industry for over 30 years. He developed intellectual properties for some of the largest media companies in the world; such as Disney, Warner Bros., Nickelodeon, Sony, MAD Magazine, Reel FX, Bento box, Hasbro, Universal, DreamWorks, and more. Stephen is responsible for the visual character development and design of some of animation’s most iconic shows; including Disney’s Kim Possible, Nickelodeon’s Danny Phantom, and Disney’s Clerks: The Animated Series, to name a few.
How to Draw Comics the Marvel Way teaches artists step by step how to build construction and energy into their poses. Helping you create more dynamic versions. I love that it is really clear and simple to understand giving the artists extreme value that will guide them whenever they draw from imagination or from life.
I am a professional dabbler who has tried things from beekeeping, duck herding, race car driving, coding, and filmmaking. But I am famously known as the author and illustrator of imaginative and fun children’s books and comics. My latest book is the hilarious supervillain graphic novel Mischief and Mayhem. It’s a story about Missy who gets kicked out of superhero boot camp and ends up as a supervillain (a nice and friendly one). I’ve always enjoyed reading about unexpected heroes and characters who flip the script. We all have challenges in our lives and when we face them head-on is when we truly find the heroes in ourselves.
The place you least expect for a hero to turn up is the lunchroom and that’s exactly what we get here. In this issue of a long-running series Lunch Lady and Betty, her assistant, investigate the strange case of a missing teacher, a creepy substitute, and how this all connects with the Teacher of the Year award. Scenes in the story revolve around the school which will make it relatable to school-going readers. Kids will have a new respect for people around them as they identify who could potentially be a hero in their own small way.
From the author of National Book Award finalist Hey, Kiddo.
Serving justice . . . and lunch!
Hector, Terrence, and Dee have always wondered about their school lunch lady. What does she do when she isn’t dishing out the daily special? Where does she live? Does she have a lot of cats at home? Little do they know, Lunch Lady doesn’t just serve sloppy joes—she serves justice! Whatever danger lies ahead, it’s no match for LUNCH LADY!
I’m qualified to talk about Hermione Granger because she’s a bold rip-off of my own experience at boarding school. My family didn’t have a lot of money. However, I was always the smartest, most original, hardest-working kid at school. Then I got a fat scholarship to an exclusive and fabulously wealthy boarding school 3,000 miles from home. I arrived as a poor, immigrant, POC, gay, transfer student into the eleventh grade. I was the muggle-born kid plopped into a world of privilege and power with something to prove, just like Hermione. But because the author did such a good job of capturing my life, I won’t sue.
Like Hermione, Courtney comes from a non-magical background and discovers her own magical heritage. Her stubborn curiosity propels her into a fantastical world operating under our own. She also has a sense of justice and would deffo have allied with Hermione in S.P.E.W. Unlike Hermione, Courtney isn’t studious or diligent. She’s a bit of a slacker and a grump. What I love about this series is the prickly heroine and the treatment of the fantastical world. Like the Wizarding World, the fantastical worldbuilding in this series is built on familiar Western fantasy creatures and tropes. What’s special about it is the stylish Goth-chic interpretation through the author/artist’s artwork and the examination of the ethical conundrums latent in fantasy since fantasy is often about power.
Get the first volume of this critically acclaimed series for only $10 as part of Oni's Square One program!
Courtney Crumrin grumbles about everything, but now she's really got something to grumble over. Having run out of credit cards, her parents are moving to the wealthy suburb of Hillsborough, to live rent-free with their creepy old uncle Aloysius. Courtney is now an outcast among her rich, snobby classmates. And if that weren't bad enough, the musty, decrepit old mansion that she now calls home is occupied by stranger creatures than just her parents or Uncle Aloysius.
I am a comic book writer from Scotland now living in Japan. I have had more than 40 books published with a variety of US, UK, and Japanese publishers. I am the only professional manga writer from Britain who lives in Japan. In 2016 my book The Faceless Ghost was nominated for the prestigious Eisner Book Awards, and received a medal in the 2016 'Independent Publisher Book Awards'. In 2017, my book Secrets of the Ninja won an International Manga Award from the Japanese government – I was the first British person to receive this. In 2020 I received the ‘Scottish Samurai Award’ from an association linking Japan and Scotland.
Tsuge is another of the early gekiga greats, who only recently allowed English translation of his classic work from the 1960s and 70s. Tsuge pushed the boundaries of what manga stories were about, into more abstract and surreal areas and visual presentation. This book is, like Tatsumi’s books, a glimpse of a little-known Japan beneath the common stereotypes. Its stories are told in an understated and sophisticated fashion. Literary manga indeed. Wonderful stuff, personally I love it.
The essential early work by the modern master of Japanese literary comics
Yoshiharu Tsuge is one of the most influential and acclaimed practitioners of literary comics in Japan. The Swamp collects work from his early years, showing a major talent coming into his own. Bucking the tradition of mystery and adventure stories, Tsuge’s fiction focused on the lives of the citizens of Japan. These mesmerizing comics, like those of his contemporary Yoshihiro Tatsumi, reveal a gritty, at times desperate postwar Japan, while displaying Tsuge’s unique sense of humor and point of view.
“Chirpy” is a simple domestic drama about expectations,…
