Love Etudes? Readers share 100 books like Etudes...

This book is an incredibly impressive feat—20 years in the making, 876 pages—and is necessary to understand the architecture that defines our era. One of America’s most respected architecture critics, Giovannini has spent decades writing about the work of such seminal architects as Frank Gehry, Zaha Hadid, Peter Eisenman, Wolf D. Prix of Coop Himmelb(l)au, Thom Mayne of Morphosis—and so many others that he came to know personally. Giovannini is the perfect person to craft this history. His erudite prose breaks down complex concepts into themes and timelines, putting architecture that resists context into comprehension. I also always love a book that takes its “objectness” into consideration. Weighing in at around 8 pounds, the object’s trapezoidal shape bucks orthogonal conventions—a perfect reflection of the work discussed in its pages. 

For an architect to take an incisive, unflinching look at his own profession is refreshing and enlightening. Francis-Jones positions architecture’s strengths and failings in reflection to society, politics, equity, aspiration, ecology, power, and defiance. As a promoter of architects and what they do, I’m happy to see a title that places architecture in a broader scope, and in the same breath as other creative expressions, such as film, music, and literature. He raises questions and observations about the nature of architects and architecture that make one think: Is there any truth in architecture? Why are we driven to build so tall? Why do architects feel so sad, overwhelmed, and helpless? Conversely, within its rubric of architecture, Truth and Lies is a book about us—about how people engage and disengage from society and the consequences that ensue. 

Today, so many large, established architecture firms’ names have been replaced by initials—SOM, HMC, ZGF, HOK, KPF, etc. Too many architecture professionals and students don’t realize or know the people behind the initials. To me, something is lost there. Putting a human face to global firm HOK, MacLeamy tells the stories of its founders—George Hellmuth, Gyo Obata, and George Kassabaum—along with those of many other firm leaders. What really makes this book necessary for anyone who needs to understand the business of architecture (that is, every architect) is that the author weaves pertinent how-to-design-a-business lessons into the history of the firm. It also contains MacLeamy’s personal story of his 50-year career at HOK, the final 13 of which were as CEO of a firm that had grown from 150 employees to nearly 2,000 and from a single office to 27 on three continents during his tenure. Both triumphs and failures… show more.

This is a personal peek at the work of a major firm by the “P” of KPF, one of the world’s leading skyscraper designers. Pedersen’s unpretentiousness and generosity of spirit are evident in the prose that accompanies the work. To my delight, the first building is 333 Wacker in Chicago, which, as a young art student living there, I saw being built. It became one of my favorites in a town legendary for its architecture. Buildings are personal to those who design them, and Pedersen tells intimate stories behind each of his 25 favorite designs. The surprise is that these are not precious little projects, but mostly very large, complex buildings for major clients, such as Samsung, World Bank, and Gannett. That said, the last of the projects featured is a jewel box of a house—the one he built for himself and his late wife of 60 years, to whom… show more.

Marc Holmes is an extraordinary artist and urban sketcher who has been at the forefront of the global sketching movement over the past fifteen years. In this book, he presents very useful and applicable techniques for building observational drawings using graphite, pen and ink, and watercolor.

Marc’s approach to watercolor, in particular, is lively and expressive—I’ve personally learned much from his work in this popular medium.

Pui-Mun Law has been one of my favorite artists since I discovered her website over twenty years ago. She is an accomplished artist, and her books are not only filled with beautiful artwork that will inspire any fantasy artist, but also contain very detailed tutorials and sketches.  Although the tutorials focus on finishing pieces using watercolor, this book is also filled with beautiful pencil sketches and guides on drawing different poses, body parts, and scenery to suit your fantasy character. Her watercolor style is uniquely detailed and precise, which makes the book a great reference for artists using drawing mediums as well. 

The watercolor illustrations in this book are absolutely gorgeous, and the story itself mixes magical realism with an insightful truth. In providing us with opportunities, our parents have to sacrifice a little bit of themselves. Throughout the book, this abstract sacrifice is portrayed by the parent’s shrinking scale. The parents offer a few inches of their height in exchange to give their child a birthday cake, education, and books. Throughout time, the reader sees the parents shrink smaller and smaller as they give more and more of themselves to the young boy. This is a book that made us want to tear up, and a book that we wish we could have written.

This isn’t technically a yoga book but is a beautiful and relatable book for adult friends of children to connect to their intuition, decompress, and express themselves (so, in essence, it is a yoga book, just not in name!). Adults including parents and teachers can find a space to connect to their inner sense of truth and play, soothing and recharging the spirit. The book has lovely loose watercolor paintings and brief but meaningful prompts throughout, inviting readers to add their own thoughts, ideas, experiences, and responses right on the pages. 

More than anything I love a picture book where a princess is also a librarian. In this story, the knight and dragon learn everything from books—like tail swishing and building armor, all of which lead to a big, pointless fight that leaves them bruised, burned, and battered. The librarian shows up in a book-mobile and hands the dragon and knight BBQ cookbooks. In the last illustration spread, they are shown with a hopping K& D BAR-B-Q joint. I especially enjoy how the armor and fire-breath that were previously used for fighting each other, are now used successfully for their restaurant venture. De Paola’s simple and colorful watercolors bring the story to life, and show that we can all get along really well! 

This book, from one of the great masters of architectural sketching and rendering, was created at a time when the craft was at its peak in the 1920s. The writing can feel a bit dated–although it’s still excellent and extremely thorough–but the techniques and examples are absolutely wonderful.

I can’t describe all I’ve learned from this book over the years, but of particular note are the shading techniques and the ways of seeing and thinking about light and dark. These ways of seeing and thinking have helped me immensely in other media, especially watercolor.