Purely by accident I stumbled on to a 1961 Penguin translation of Njáls saga and it was a transformative moment in my life. I signed up for Old Norse the next term, and never looked back. The sagas were incomparably intelligent in matters of psychology and politics and interpersonal interaction. And then told with such wit. How could the utter miracle of the fluorescence of so much pure genius on a volcanic island in the middle of nowhere not grab you? And what confluence of friendly stars would allow me to spend a life teaching and writing about them in a law school no less, paid as if I were a real lawyer?
I wrote
Hrafnkel or the Ambiguities: Hard Cases, Hard Choices
This book, from a fin de siècle Scotsman, is a classic of literature in its own right. It contains a perfectly brilliant reading of the sagas as well as other works of medieval literature. It has never been surpassed and is perhaps unsurpassable. Every sentence is an elegant gem, with one nonobvious insight after another. He just nails it. Ker reminds you that literary criticism need not be pretentious and badly written as it so often is. Treat yourself.
Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
This is by all estimation the greatest of the sagas. I would even claim that its excellence allows it to be fairly mentioned in the same breath as the Iliad, Don Quixote, and the tragedies of Shakespeare. It is quite complex and I would suggest, if I am allowed to, my Why is Your Axe Bloody? (2014) as a guide. But the present Penguin translation is a travesty and should be avoided. The best English translation available is the older Penguin translated by Magnus Magnusson and Hermann Pálsson (1961) and still available from various used booksellers online. Their translation is as good as a translation can get. Hrafnkels saga is a perfect entry to the sagas because it is short and compact and prepares one for the complexity of Njáls saga.
Magnusson, Magnus and Palsson, Hermann [transl.]. Njal's Saga. Translated with an introduction by Magnus Magnusson and Hermann Palsson. Harmondsworth, Penguin Books, 1966. 11 cm x 18 cm. 378, (6) pages. Original Softcover. Very good condition with some minor signs of external wear. From the library of swiss - american - irish poet Chuck Kruger. [Penguin Classics]. Contains the following chapters: Introduction; Note on the Translation; Njal's Saga; Genealogical Tables; Glossary of Proper Names; Note on the Chronology; Maps.
This is from the master of saga studies of the past half-century. His knowledge of Old Norse literature is unsurpassed. He takes you through how the miracle of the sagas came about. Moreover, he writes well. His prose is clear and elegant. I also wish to steer readers to a perfect gem of an article Andersson wrote that actually manages to say something quite new about the more than a century-old fight in saga studies as to whether the sagas owe their excellence to an oral culture or to a written one: “Sea Traffic in the Sagas: Quantitative Reflections” in The Creation of Medieval Northern Europe: Essays in Honor of Sverre Bagge, edited by Leidulf Melve and Sigbjørn Sønnesyn (Oslo: Dreyer, 2012), 156–75.
In this book, Theodore M. Andersson, a leading scholar of the Norse sagas, introduces readers to the development of the Icelandic sagas between 1180 and 1280, a crucial period that witnessed a gradual shift of emphasis from tales of adventure and personal distinction to the analysis of political and historical propositions. Beginning with the first full-length sagas and culminating in the acknowledged masterpiece Njals saga, Andersson emphasizes a historical perspective, establishing a chronology for seventeen of the most important sagas and showing how they evolve thematically and stylistically over the century under study.
Revisiting the long-standing debate about the oral…
An excellent account of this supremely intelligent Machiavellian rogue and wit of a Norwegian king by the eminent Norwegian historian and namesake Sverre Bagge. King Sverrir’s saga was written by an Icelander with the king looking over his shoulder and apparently dictating portions of it. Nothing quite captures a medieval insurgency any better than this saga when read through the lens of Bagge’s astute commentary.
Clover’s book is a cult classic, but Clover is also one of the leading saga scholars of the past half-century and as she notes her insights into and reads of these horror films owes an incalculable debt to her knowledge of the sagas.
I cannot refrain from recommending an article by Heather O'Donoghue--"What has Baldr to do with Lamech?" The lethal shot of a blind man in Old Norse myth and Jewish exegetical traditions Medium Aevum 72 (2003, 82-107). I loved it when I first read it. It is wonderfully learned and for those who are equally captivated by the Norse world and the tough world of the Hebrew Bible, the piece is a perfect example of penetrating scholarship and insight.
From its first publication in 1992, Men, Women, and Chain Saws has offered a groundbreaking perspective on the creativity and influence of horror cinema since the mid-1970s. Investigating the popularity of the low-budget tradition, Carol Clover looks in particular at slasher, occult, and rape-revenge films. Although such movies have been traditionally understood as offering only sadistic pleasures to their mostly male audiences, Clover demonstrates that they align spectators not with the male tormentor, but with the females tormented--notably the slasher movie's "final girls"--as they endure fear and degradation before rising to save themselves. The lesson was not lost on the…
A close reading of one of the best known of the Icelandic sagas, showing its moral, political, and psychological sophistication. The saga deals with finely layered irony of who can justifiably hit whom for what, It does this with cool nuance, also taking on matters of torture and pain-infliction as a means of generating fellow-feeling. How does one measure pain and humiliation so as to get even, to get back to equal? They come up with ingenious ways of handling the issue of ‘getting even’. This book flies in the face of all the previous critical literature which, with very few exceptions, imposes simplistic readings on this very subtle saga. A translation of the saga is provided.
The Valor of Valhalla series by Martin Kearns is a pulse-pounding dark urban fantasy trilogy that fuses the raw power of Norse mythology with the grit of modern warfare. Set in a world where ancient gods and mythical creatures clash with secret military organizations and rogue heroes, the series follows a band of unseeming heroes who are bound to an ancient prophecy. As they navigate a dangerous web of deceit, sacrifice, and violent combat, they must confront not only their own demons but also the growing threat of Ragnarök—the Norse apocalypse.
At its heart, The Valor of Valhalla blends high-stakes…
In a battle between two ancient evils, can one naïve young man become the last hope against powerful creatures of legend?
David Dolan thinks he's already got the world figured out. But when a collapsed bridge plunges him into the icy Hudson, he's pulled deep into the deadly realm that exists between life and death. And with his earthly form trapped in a coma, he's vulnerable to the horde of demons hell-bent on his utter destruction.
Traversing the road to the afterlife, David seeks the wisdom and skills he needs to fight the demonic forces reigning havoc on his allies…
