Here are 100 books that Epic and Romance fans have personally recommended if you like
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Purely by accident I stumbled on to a 1961 Penguin translation of Njáls saga and it was a transformative moment in my life. I signed up for Old Norse the next term, and never looked back. The sagas were incomparably intelligent in matters of psychology and politics and interpersonal interaction. And then told with such wit. How could the utter miracle of the fluorescence of so much pure genius on a volcanic island in the middle of nowhere not grab you? And what confluence of friendly stars would allow me to spend a life teaching and writing about them in a law school no less, paid as if I were a real lawyer?
This is by all estimation the greatest of the sagas. I would even claim that its excellence allows it to be fairly mentioned in the same breath as the Iliad, Don Quixote, and the tragedies of Shakespeare. It is quite complex and I would suggest, if I am allowed to, my Why is Your Axe Bloody? (2014) as a guide. But the present Penguin translation is a travesty and should be avoided. The best English translation available is the older Penguin translated by Magnus Magnusson and Hermann Pálsson (1961) and still available from various used booksellers online. Their translation is as good as a translation can get. Hrafnkels saga is a perfect entry to the sagas because it is short and compact and prepares one for the complexity of Njáls saga.
Magnusson, Magnus and Palsson, Hermann [transl.]. Njal's Saga. Translated with an introduction by Magnus Magnusson and Hermann Palsson. Harmondsworth, Penguin Books, 1966. 11 cm x 18 cm. 378, (6) pages. Original Softcover. Very good condition with some minor signs of external wear. From the library of swiss - american - irish poet Chuck Kruger. [Penguin Classics]. Contains the following chapters: Introduction; Note on the Translation; Njal's Saga; Genealogical Tables; Glossary of Proper Names; Note on the Chronology; Maps.
Purely by accident I stumbled on to a 1961 Penguin translation of Njáls saga and it was a transformative moment in my life. I signed up for Old Norse the next term, and never looked back. The sagas were incomparably intelligent in matters of psychology and politics and interpersonal interaction. And then told with such wit. How could the utter miracle of the fluorescence of so much pure genius on a volcanic island in the middle of nowhere not grab you? And what confluence of friendly stars would allow me to spend a life teaching and writing about them in a law school no less, paid as if I were a real lawyer?
This is from the master of saga studies of the past half-century. His knowledge of Old Norse literature is unsurpassed. He takes you through how the miracle of the sagas came about. Moreover, he writes well. His prose is clear and elegant. I also wish to steer readers to a perfect gem of an article Andersson wrote that actually manages to say something quite new about the more than a century-old fight in saga studies as to whether the sagas owe their excellence to an oral culture or to a written one: “Sea Traffic in the Sagas: Quantitative Reflections” in The Creation of Medieval Northern Europe: Essays in Honor of Sverre Bagge, edited by Leidulf Melve and Sigbjørn Sønnesyn (Oslo: Dreyer, 2012), 156–75.
In this book, Theodore M. Andersson, a leading scholar of the Norse sagas, introduces readers to the development of the Icelandic sagas between 1180 and 1280, a crucial period that witnessed a gradual shift of emphasis from tales of adventure and personal distinction to the analysis of political and historical propositions. Beginning with the first full-length sagas and culminating in the acknowledged masterpiece Njals saga, Andersson emphasizes a historical perspective, establishing a chronology for seventeen of the most important sagas and showing how they evolve thematically and stylistically over the century under study.
Revisiting the long-standing debate about the oral…
Purely by accident I stumbled on to a 1961 Penguin translation of Njáls saga and it was a transformative moment in my life. I signed up for Old Norse the next term, and never looked back. The sagas were incomparably intelligent in matters of psychology and politics and interpersonal interaction. And then told with such wit. How could the utter miracle of the fluorescence of so much pure genius on a volcanic island in the middle of nowhere not grab you? And what confluence of friendly stars would allow me to spend a life teaching and writing about them in a law school no less, paid as if I were a real lawyer?
An excellent account of this supremely intelligent Machiavellian rogue and wit of a Norwegian king by the eminent Norwegian historian and namesake Sverre Bagge. King Sverrir’s saga was written by an Icelander with the king looking over his shoulder and apparently dictating portions of it. Nothing quite captures a medieval insurgency any better than this saga when read through the lens of Bagge’s astute commentary.
I’ve been creating female-fronted Science Fiction stories since I was a child. My love for Star Wars motivated me to go to film school and then spend years working on the representation of women in Science Fiction movies, TV series, and video games. I’ve written about characters like Leia Organa and Hera Syndulla in Star Wars,Dana Scully in The X-Files,Sarah Connor in The Terminator, and Elisabeth Shaw in Prometheus. I have recently started sharing some of my research on Medium. Some of the books on this list have supported my research for over 15 years while I discovered others during my doctoral studies.
This book has been central to my research on women in Science Fiction although I am not a Horror fan.
Given how often women are thrown through gendered-based violence in different genres, Clover’s study brings many useful points for not only Horror itself, but also thrillers, action films, and Fantasy.
It investigates different facets of women’s representation and their fight against sexualized trials. My favorite chapters are those on the body in the slasher film, the discussion on women’s stories versus men’s stories, and the revenge narrative.
From its first publication in 1992, Men, Women, and Chain Saws has offered a groundbreaking perspective on the creativity and influence of horror cinema since the mid-1970s. Investigating the popularity of the low-budget tradition, Carol Clover looks in particular at slasher, occult, and rape-revenge films. Although such movies have been traditionally understood as offering only sadistic pleasures to their mostly male audiences, Clover demonstrates that they align spectators not with the male tormentor, but with the females tormented--notably the slasher movie's "final girls"--as they endure fear and degradation before rising to save themselves. The lesson was not lost on the…
I've always been a bookworm, and fascinated by the North—after all, I made my home here. I thrived (and still do) on stories about rain-drenched moors, ships in distress running aground in boiling seas, men with swords stumping through dark woods searching for gold and demons. So no wonder that I am fascinated by Iceland and its stories, and have returned to the island again and again. Here, literature plays a crucial role in preserving and developing culture and language equally. So as a fan of Icelandic past and present I try and spread the word about this craggy island and its literary heritage as much as I can.
Even though this is a massive tome with almost 800 pages, the book is the perfect introduction to the rich medieval literature of the sagas that form the foundation of Icelandic literature today. It contains many of the main sagas including the Egil's Saga, the Laxdæla Saga, and the Vinland Sagas as well as background information on saga history, medieval Iceland, and the Icelandic language. A collection full of the battles, witchcraft, poetry, monsters, and heroic journeys that influenced generations of writers from Jules Verne and J.R.R. Tolkien over to A.S. Byatt.
In Iceland, the age of the Vikings is also known as the Saga Age. A unique body of medieval literature, the Sagas rank with the world's great literary treasures - as epic as Homer, as deep in tragedy as Sophocles, as engagingly human as Shakespeare. Set around the turn of the last millennium, these stories depict with an astonishingly modern realism the lives and deeds of the Norse men and women who first settled in Iceland and of their descendants, who ventured farther west to Greenland and, ultimately, North America. Sailing as far from the archetypal heroic adventure as the…
Jill Leovy, author of Ghettoside, is a journalist and independent researcher who covered the Los Angeles Police Department and homicide for fifteen years, and who is currently working on a book dealing with murder and feud in human history. She has covered hundreds of street homicides and shadowed patrol cops, and she spent several years embedded in homicide detective units. More recently, she has been a Harvard sociology fellow and a featured speaker on Homer and violence at St. John's College, New Mexico. She is a senior fellow at the USC Center on Communication Leadership and Policy.
The University of Michigan professor-emeritus William Ian Miller is, of course, essential reading on violence and revenge, particularly his Bloodtaking and Peacemaking: Feud, Law, and Society in Saga, Iceland.
But Miller has been so deservedly lauded elsewhere – and his books so widely recommended – that I'm using this space to suggest that readers also open his sources. Among the sagas, Njal's Saga is much more complex than this one, and probably more revealing of the Saga tradition. But I'm a fan of the shorter, more readable Hrafnkel's, not least because I have a weakness for spooky horses.
Hrafnkel is a bully who would not pay compensation, and the arc of his distinctly pre-modern biography is not what you might expect. In fact, it will make you realize exactly how much what we call "modern" is really a product of legal development, including our ideas about satisfying narratives.
Written around the thirteenth century AD by Icelandic monks, the seven tales collected here offer a combination of pagan elements tightly woven into the pattern of Christian ethics. They take as their subjects figures who are heroic, but do not fit into the mould of traditional heroes. Some stories concern characters in Iceland - among them Hrafknel's Saga, in which a poor man's son is murdered by his powerful neighbour, and Thorstein the Staff-Struck, which describes an ageing warrior's struggle to settle into a peaceful rural community. Others focus on the adventures of Icelanders abroad, including the compelling Audun's Story,…
Have you ever done something on a whim and fallen in love with it? That was how I found Old Norse literature. I was taught the Norse language by reading the prose and poetry of medieval Iceland. In reading their literature, I discovered a rich, vibrant society filled with complex, passionate people. Here were doomed romantics, poets, and philosophers–along with chieftains and priests facing complex political and religious change. I undertook a PhD to study their literary craft. I hope, if nothing else, that my novel might encourage readers to go off and read the sagas themselves. And, if I am really lucky, they may just enjoy my stories too.
If you ever want proof that medieval Iceland was far more complex than Vikings, I invite you to read this book. A series of shorter sagas that focuses upon the stories of skalds–or poets–who each face a doomed love affair. Be it Kormakr and his passionate poetry for Steingerðr or Gunnlaugr and how he loses his love even as he gains in prestige–these stories really made clear to me how complex and human ancient Iceland was.
Even now, we understand the dangers of falling in love with someone we should not, and which of us hasn’t made choices we regret when it comes to love? The Sagas of Warrior Poets has action, but at its heart, it is a series of love stories.
Kormak's Saga, The Saga of Hallfred Troublesome-Poet, The Saga of Gunnlaug Serpent-Tongue, The Saga of Bjorn, Champion of the Hitardal People, Viglund's Saga Set in the farmsteads of Viking age Iceland at a time when the old ethos of honour and heroic adventure merged with new ideas of romantic infatuation, each of these sagas features poet heroes, complex love triangles, and travels to foreign lands.
Have you ever done something on a whim and fallen in love with it? That was how I found Old Norse literature. I was taught the Norse language by reading the prose and poetry of medieval Iceland. In reading their literature, I discovered a rich, vibrant society filled with complex, passionate people. Here were doomed romantics, poets, and philosophers–along with chieftains and priests facing complex political and religious change. I undertook a PhD to study their literary craft. I hope, if nothing else, that my novel might encourage readers to go off and read the sagas themselves. And, if I am really lucky, they may just enjoy my stories too.
Romantic in style, taste, and theme, this is a saga that culminates in that most human of narratives: the love triangle. Heavily inspired by the European romance genre, this saga has key themes of chivalry, history, and poetry. With its unusual focus on women and their desires, it has been suggested that this saga might even have been written by a woman, and for this reason alone, it is worth a read.
I believe there is no greater character in Icelandic literature than the tragic Guðrún. For those who wish to learn more about women in medieval Iceland beyond stereotypical accounts of shield maidens and queens, this is the book for you.
Written around 1245 by an unknown author, the Laxdaela Saga is an extraordinary tale of conflicting kinships and passionate love, and one of the most compelling works of Icelandic literature. Covering 150 years in the lives of the inhabitants of the community of Laxriverdale, the saga focuses primarily upon the story of Gudrun Osvif's-daughter: a proud, beautiful, vain and desirable figure, who is forced into an unhappy marriage and destroys the only man she has truly loved - her husband's best friend. A moving tale of murder and sacrifice, romance and regret, the Laxdaela Saga is also a fascinating insight…
I study and write about the Early Medieval period, and in a series of books about its most important characters, its archaeology and landscapes, I've tried to share my lifelong passion for this most obscure and tantalizing period of our history – what we still call the Dark Ages. From the two most shadowy centuries after Rome's fall (The First Kingdom) to Northumbrian King Oswald (The King in the North), who brought Christianity into pagan Anglo-Saxon England, and a walking, riding, sailing tour of Britain's Dark Age lands and seas (In the Land of Giants), I see a continuity of rich cultures, vibrant politics and regional characters that help us to understand how and why we are like we are.
Nancy Brown's search for one of the most intriguing characters of the sagas, Gudrid Thorbjarnardóttir, is both a detective story and an evocation; a travelogue and history. It brings the adventuring spirit of the age to life; and in exploring this most fascinating and intrepid woman – the first European to give birth on American soil – it warns us not to forget half of the Viking population.
Five hundred years before Columbus, a Viking woman named Gudrid sailed off the edge of the known world. She landed in the New World and lived there for three years, giving birth to a baby before sailing home. Or so the Icelandic sagas say. Even after archaeologists found a Viking longhouse in Newfoundland, no one believed that the details of Gudrid's story were true. Then, in 2001, a team of scientists discovered what may have been this pioneering woman's last house, buried under a hay field in Iceland, just where the sagas suggested it could be. Joining scientists experimenting with…
Wendy Lee Hermance was heard on National Public Radio (NPR) stations with her Missouri Folklore series in the 1980s. She earned a journalism degree from Stephens College, served as Editor and Features Writer for Midwestern and Southern university and regional publications, then settled into writing real estate contracts. In 2012 she attended University of Sydney, earning a master’s degree by research thesis. Her books include Where I’m Going with this Poem, a memoir in poetry and prose. Weird Foods of Portugal: Adventures of an Expatmarks her return to feature writing as collections of narrative non-fiction stories.
As weird as Portugal is, and has been, it may become weirder yet as it absorbs masses of migrants from unexpected places. Unsheltered is fiction that I found accurately portrays the shock and terror of American life for hundreds of millions of families, driving many to migrate. The family portrayed in the book are solidly middle-class, educated professionals. They “did everything right” in the “richest country on the planet,” yet find themselves on a downward slide with no way back to security. Vineland, New Jersey in its present state, and in its 19th-century aspirational origin is the compelling setting. One great thing Kingsolver does is to give hope, creating “new normals” of happiness in frugality.
The Portuguese figured this out ages ago. It's called “soup.”
THE NEW NOVEL FROM ORANGE PRIZE WINNER AND INTERNATIONAL BESTSELLER BARBARA KINGSOLVER
2016 Vineland Meet Willa Knox, a woman who stands braced against an upended world that seems to hold no mercy for her shattered life and family - or the crumbling house that contains her.
1871 Vineland Thatcher Greenwood, the new science teacher, is a fervent advocate of the work of Charles Darwin, and he is keen to communicate his ideas to his students. But those in power in Thatcher's small town have no desire for a new world order. Thatcher and his teachings are not welcome.
