Here are 100 books that Um sannleiksgildi Íslendingasagna frá sjónarhóli kjötiðnaðarmanns fans have personally recommended if you like
Um sannleiksgildi Íslendingasagna frá sjónarhóli kjötiðnaðarmanns.
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In the Viking age, one could not escape destiny, and so it is with William and Reynir, men from two vastly different fields who met by chance and shared a passion for discovery. Their research on Viking combat has led to many groundbreaking discoveries and never before done testing. Their work has been accepted by leading museums, universities, and professional societies, and they regularly share their research findings in lectures, classes, and presentations at these venues. The National Museum of Iceland recently opened a special exhibit that features their research. In many ways, their work has changed our understanding of Vikings and shown a new approach to Viking research.
At first glance this book would seem to have nothing to do with Vikings at all, and it doesn’t. Regardless, this fascinating book is a classic when it comes to understanding approaches to researching combat in general. It shows how to break the mold of preconceived notions and ideas related to researching combat, a skill crucial for those studying any field of direct and dynamic violence.
Compiled from Bruce Lee's notes and essays and originally published in 1975, Tao of Jeet Kune Do is the best-selling martial arts book in the world. This iconic work explains the science and philosophy behind jeet kune do—the art Lee invented—and includes hundreds of Lee's illustrations. Topics include Zen and enlightenment, kicking, striking, grappling, and footwork. With introductions by Linda Lee and editor Gilbert Johnson, Tao of Jeet Kune Do is essential reading for any practitioner and offers a brief glimpse into the mind of one of the world's greatest martial artists.
In the Viking age, one could not escape destiny, and so it is with William and Reynir, men from two vastly different fields who met by chance and shared a passion for discovery. Their research on Viking combat has led to many groundbreaking discoveries and never before done testing. Their work has been accepted by leading museums, universities, and professional societies, and they regularly share their research findings in lectures, classes, and presentations at these venues. The National Museum of Iceland recently opened a special exhibit that features their research. In many ways, their work has changed our understanding of Vikings and shown a new approach to Viking research.
In order to understand the combat of the Vikings, we must be familiar with the physical tools used for delivering violence, as revealed in the archaeological sources. Swords of the Viking Age is one of the better books in that category. It explores the material aspects of swords, one of the key tools of violence during the Viking age.
This beautifully illustrated work fills a gap in the literature in English on the swords made and used in northern Europe during the Viking age, between the mid eighth and the mid eleventh centuries. Ewart Oakeshott outlines the significance and diversity of these ancient heirlooms; co-author Ian Peirce, who handled hundreds of swords in his research for this book in museums across northern Europe, selects and describes sixty of the finest representative weapons. Where possible, full-length photographs are included, in addition to illustrations of detail; an illustrated overview of blade types and construction, pattern-welding, inscription and handle forms and their…
In the Viking age, one could not escape destiny, and so it is with William and Reynir, men from two vastly different fields who met by chance and shared a passion for discovery. Their research on Viking combat has led to many groundbreaking discoveries and never before done testing. Their work has been accepted by leading museums, universities, and professional societies, and they regularly share their research findings in lectures, classes, and presentations at these venues. The National Museum of Iceland recently opened a special exhibit that features their research. In many ways, their work has changed our understanding of Vikings and shown a new approach to Viking research.
It is not only the physical source material that must be part of any research equation; we must also put all source material into the equation including, for example, the literary source material. The Sagas of Icelanders contain the most extensive literary source on the Viking age. The sagas inform us of how weapons were used, what combat tactics were used, the mindset of the Viking warrior, and much more.
In the Viking age, one could not escape destiny, and so it is with William and Reynir, men from two vastly different fields who met by chance and shared a passion for discovery. Their research on Viking combat has led to many groundbreaking discoveries and never before done testing. Their work has been accepted by leading museums, universities, and professional societies, and they regularly share their research findings in lectures, classes, and presentations at these venues. The National Museum of Iceland recently opened a special exhibit that features their research. In many ways, their work has changed our understanding of Vikings and shown a new approach to Viking research.
Ármann breaks the mold to show us how to understand and research Vikings in general. The essence of the supernatural being that Vikings called tröll shows us clearly that what we think is the norm today is unlikely to be that of the Viking age.
His book is a warning that we modern people need a ground penetrating radar to reveal all the landmines that our modern mindset places in our path to learning about Vikings.
What do medieval Icelanders mean when they say “troll”? What did they see when they saw a troll? What did the troll signify to them? And why did they see them?
The principal subject of this book is the Norse idea of the troll, which the author uses to engage with the larger topic of paranormal experiences in the medieval North. The texts under study are from 13th-, 14th-, and 15th-century Iceland. The focus of the book is on the ways in which paranormal experiences are related and defined in these texts and how those definitions have framed and continue…
I’ve always loved history, especially European history, and fell in love with the Vikings and their mythology after reading the first book of the Last Kingdom Series by Bernard Cornwell. One of the reasons I wanted to write Viking fiction is because I was keen to learn more about these amazing people who had such a large influence on European history, but had been stigmatized by the Christian religion. I really wanted to learn about who they were as a people and how they saw their world through their religion and their interactions with Christian nations around them.
I’ll admit, this book is a monster of a read, but I found it worth every minute I spent reading it. The Viking Anthology gives you everything you will ever need to learn about Norse mythology and the Scandinavian people.
I loved reading about the different gods, even some of the more obscure ones, their origins, and why they were worshipped. Even more valuable for me is the Icelandic sagas, which can also be found in this book. From these I learned so much about the daily lives of the Icelandic people and found many interesting ideas that I used in my novels.
The Comprehensive Collection of Viking and Norse Literature
This vast ebook Anthology is exploding with masterpieces of world literature, ranging from the peerless Icelandic Sagas, to the Norwegian 'Heimskringla', or the 'Chronicle of the Kings of Norway'.
As well as these original texts (in English Translation), are several accompanying great works of scholarship which are an essential companion to the texts - assisting the reader in their understanding of Viking, Norse and Icelandic culture and beliefs - from their complex creation myths, to their huge array of Pagan Gods to rival the pantheons of Ancient Greece or Rome.
Nancy Marie Brown is the author of seven books about Iceland and the Viking Age, including The Real Valkyrie: The Hidden History of Viking Warrior Women, The Far Traveler: Voyages of a Viking Woman, and the award-winning Song of the Vikings: Snorri and the Making of Norse Myths. Her books combine extremes: medieval literature and modern archaeology, myths and facts. They ask, What have we overlooked? What have we forgotten? Whose story must not be lost? A former science writer and editor at a university magazine, she lives on a farm in northern Vermont and spends part of each summer in Iceland.
Almost everything we know about the Vikings—their gods and heroes, their history and myths, their values and fears—comes from texts written down on parchment in medieval Iceland. Yet the Icelandic sagas and Eddas are biased. They explain very little about the Vikings in the east (and get wrong much of what they do describe). Their world is not the Viking World, which stretched from Constantinople to North America, but Viking Iceland.
Jesse Byock brings all this material together in Viking Age Iceland. First published in 2001, this immensely readable book is a classic that has not yet been bettered. It should be on every Viking enthusiast’s shelf.
Medieval Iceland was unique amongst Western Europe, with no foreign policy, no defence forces, no king, no lords, no peasants and few battles. It should have been a utopia yet its literature is dominated by brutality and killing. The reasons for this, argues Jesse Byock, lie in the underlying structures and cultural codes of the islands' social order. 'Viking Age Iceland' is an engaging, multi-disciplinary work bringing together findings in anthropology and ethnography interwoven with historical fact and masterful insights into the popular Icelandic sagas, this is a brilliant reconstruction of the inner workings of a unique and intriguing society.
I’m a former high school teacher and college professor of French who discovered a passion for medieval history while earning my MA in French Literature. When I spent a summer studying in Normandy, I was fascinated by the Viking influences and vestiges in that region of France. I researched tales of Valkyrie and Nordic shield maiden warriors who fought alongside their fearsome men, finding inspiration for my own medieval novel. Winter Solstice in the Crystal Castle features a fire-hearted French princess descended from Viking Valkyrie who wields a sword to defend her Breton kingdom and forge her own destiny.
I loved the compelling story of Moira, the fierce, sword-wielding oldest daughter of the recently slain Scottish clan chief who had to summon the strength to lead her people.
Her prisoner—the enemy—was the last man she should have fallen for, but her love for him went beyond all reason. He spoke to her in dreams and told her that she was his destiny.
Farlan, the mighty warrior captured during battle and tortured as a prisoner, fell for Moira, the fesity maid with a blade who was his equal in every respect.
With vivid characters, breathtaking descriptions of Scotland's savage beauty, and a gripping tale of love triumphing over hate, this powerful novel stirred my very soul.
Since time out of mind, two clans have contested for dominance in bonny glen Bronach, known as the glen of sorrows. But now, fierce young Rory MacLeod has taken over as chief of his lands and vowed to seize all rival MacBeith holdings. Moira MacBeith, the eldest of chief Iain MacBeith's three daughters, finds herself with her back to the wall and a sword in her hand. A born defender, she's not afraid to don armor and march out to fight. But if her enemies discover her secret, that her father has…
Mostly, I’m a writer of (hopefully) humorous books and articles largely focused on Vikings and Norse mythology, but I also write non-fiction articles about Scandinavian history, art, and culture. I’ve always been fascinated with the Viking Age, and read as much fiction and non-fiction on the subject as I am able. I’ve discovered many great novels dealing with the “whole Northern thing” (W.H. Auden’s term for Tolkien’s fascination) ranging from realistic historic fiction to highly original urban fantasy that utilizes the standard Norse tropes, but truly imaginative retellings that remain faithfully grounded in the plot points of the ancient stories are rarer. These are my favorites.
Klas Östergren is one of Sweden’s foremost literary novelists and The Hurricane Party was his contribution to Canongate’s early 21st-century Myth Series (although it was apparently subsequently removed from it). The Hurricane Party is the most imaginative retelling of Norse mythology that I’ve read. It focuses on events that precede Ragnarök and takes place in a futuristic, climate-ravaged, dystopian Stockholm. The plot centers around the Flyting of Loki, a pivotal scene from The Poetic Edda in which Loki turns against the gods and kills one of their servants. Östergren’s novel follows the journey of the father (his own invented character) of this servant as he searches for answers to his son’s death against this unique backdrop. The setting and premise are among the most original I’ve ever encountered.
Hanck Orn's son is dead. When they come to the door they tell him it was a heart attack, but he knows they are lying.
So he travels to the outermost reaches of the land to find out what really happened. When he lands on the island he is met by a young woman, hair streaked with blood, raving like a lunatic. She is one of the sisters, who tell him the story of how his son died in the great hall of the Clan, the Norse gods, who were holding a party. But the festivities soon got out of…
I’ve always loved history, especially European history, and fell in love with the Vikings and their mythology after reading the first book of the Last Kingdom Series by Bernard Cornwell. One of the reasons I wanted to write Viking fiction is because I was keen to learn more about these amazing people who had such a large influence on European history, but had been stigmatized by the Christian religion. I really wanted to learn about who they were as a people and how they saw their world through their religion and their interactions with Christian nations around them.
This was one of the first books I read when I decided to write about Vikings and I found it a treasure trove filled with information about the daily lives of the Scandinavians, away from raids and the shield walls.
It told me everything I needed to know about what Vikings wore, what they ate and how they cooked their meals. I learnt about the hierarchy of the ruling classes and how they traded with the nations of the Middle East. It is filled with information about their religion, how they felt about life and death, and much more.
The Vikings maintain their grip on our imagination, but their image is too often distorted by myth. It is true that they pillaged, looted, and enslaved. But they also settled peacefully and traveled far from their homelands in swift and sturdy ships to explore. The Age of the Vikings tells the full story of this exciting period in history. Drawing on a wealth of written, visual, and archaeological evidence, Anders Winroth captures the innovation and pure daring of the Vikings without glossing over their destructive heritage. He not only explains the Viking attacks, but also looks at Viking endeavors in…
I have been fascinated with travel and adventure stories since I read The Magic Faraway Tree by Enid Blyton. I finished a whole Walter Scott book; with a dictionary balanced on one knee because Jeanie Deans decides to walk from Edinburgh to London. Romance? Bah! Humbug! I’d rather journey into The Heart of Darkness, follow the hobbits to Mount Doom, or ride a sandworm with Paul Atreides. Show me a lone traveler thrown into the middle of an unfamiliar, confusing culture and you have my full attention. Naturally, when I started typing out my first manuscript, it just had to be a fantasy adventure about an Iban headhunter.
This book is a re-interpretation of the epic saga of Beowulf, re-imagining him as a real-life hero who fought in a historical human world. The magic of this story is that it is hard to tell where facts end and story begins. Ahmad, the narrator, is opinionated in a dry and pedagogic way. He complains about many things but, like a true traveler, refuses little. Even though he regales us with his sense of superiority, his outward manner is meek and passive which helps him get along with the Northmen. Please don’t read this book in a public library if you do not want to be shush-ed. Some of Ahmad’s commentaries on Viking life have sent me into loud, sudden guffaws.
The Eaters of the Dead is a brilliant, stirring tale of historical adventure which deserves a place on readers bookshelves alongside Michael Crichton's bestselling techno-thrillers.
It is AD922 and Ibn Fadlan is sent north from Baghdad as a peaceful ambassador. But before he reaches his destination, he falls in with some Vikings and when they are attacked by mystical bloodthirsty creatures in the midst of a terrible fog, he reluctantly agrees to become the prophesied 13th warrior in order for them to survive.
Later turned into a major Hollywood film, Eaters of the Dead is an imaginative and breathlessly exciting…
