I daylight as a lawyer, moonlight as a stand-up comic and gaslight as a storyteller. A connoisseur of mythology and momos, I have often wondered how our ancient tales might have unfolded if narrated from women’s perspectives - a curiosity kindled since I listened to my grandmother’s grievances even as she regaled me with these stories. In the same breadth, I could not help but see how harmful and reductionist “evil” labels can be especially when history is chronicled only by victors. It is this quest of humanizing the vanquished and the vilified while honouring the essence of a timeless epic that led me to play a medieval matchmaker by wedding Indian Lore to Italian Renaissance.
In a world saturated with Greek Mythological Retellings, The Witch’s Heart is a breath of fresh (cold) air from Valhalla.
Angrboda—a woman who made a recent appearance in the God of War PS4 games—blazes across this book as the mother of monsters! Odin's wrath leaves her powerless, and her only escape route? Off to a remote forest she dashes. Enter Loki, that sly trickster, stumbling upon her and—bam!—love sparks, birthing three whelps, each harbouring their own cryptic fate.
It's a Norse mythology remix with a modern twist and a brand-new leading lady—epic, heartbreaking, and full of oomph! And if every time you see Loki, you see Tom Hiddleston's mischievous grin, you aren’t alone.
Angrboda's story begins where most witch tales end: with being burnt. A punishment from Odin for sharing her visions of the future with the wrong people, the fire leaves Angrboda injured and powerless, and she flees into the furthest reaches of a remote forest. There she is found by a man who reveals himself to be the trickster god Loki, and her initial distrust of him-and any of his kind-grows reluctantly into a deep and abiding love.
Their union produces the most important things in her long life: a trio of peculiar children, each with a secret destiny, whom she…
Mostly, I’m a writer of (hopefully) humorous books and articles largely focused on Vikings and Norse mythology, but I also write non-fiction articles about Scandinavian history, art, and culture. I’ve always been fascinated with the Viking Age, and read as much fiction and non-fiction on the subject as I am able. I’ve discovered many great novels dealing with the “whole Northern thing” (W.H. Auden’s term for Tolkien’s fascination) ranging from realistic historic fiction to highly original urban fantasy that utilizes the standard Norse tropes, but truly imaginative retellings that remain faithfully grounded in the plot points of the ancient stories are rarer. These are my favorites.
Klas Östergren is one of Sweden’s foremost literary novelists and The Hurricane Party was his contribution to Canongate’s early 21st-century Myth Series (although it was apparently subsequently removed from it). The Hurricane Party is the most imaginative retelling of Norse mythology that I’ve read. It focuses on events that precede Ragnarök and takes place in a futuristic, climate-ravaged, dystopian Stockholm. The plot centers around the Flyting of Loki, a pivotal scene from The Poetic Edda in which Loki turns against the gods and kills one of their servants. Östergren’s novel follows the journey of the father (his own invented character) of this servant as he searches for answers to his son’s death against this unique backdrop. The setting and premise are among the most original I’ve ever encountered.
Hanck Orn's son is dead. When they come to the door they tell him it was a heart attack, but he knows they are lying.
So he travels to the outermost reaches of the land to find out what really happened. When he lands on the island he is met by a young woman, hair streaked with blood, raving like a lunatic. She is one of the sisters, who tell him the story of how his son died in the great hall of the Clan, the Norse gods, who were holding a party. But the festivities soon got out of…
I’ve really enjoyed Angus Donald’s entire Fire Born series, andThe Loki Sword (the third volume) happens to be the one that I read during the time period in question.
Each book in the series is a wild, violent, adventure through pre-Viking era Scandinavia and Germany, featuring a reluctant berserker and a gung-ho shield maiden as the main characters. The Loki Sword revolves around a quest to recover a legendary sword inspired by an actual mythological sword, Tyrfing, and is a lot of fun.
An ancient blade, fit for the gods but tainted with a deadly curse.
Bjarki Bloodhand has finally managed to subdue his gandr, the spirit that gives him the ferocity of a bear in battle. Yet losing his berserker prowess may leave him at the mercy of his foes.
Meanwhile, his half-sister, the shield maiden Tor Hildarsdottir, has slain two warriors from the personal retinue of the new Jarl of Norrland - and now faces brutal reprisals for their deaths.
Valtyr Far-Traveller claims he has a solution to their problems: a long voyage south to the wild Slav lands to find…
I’ve been reading books about dark content since I was a teenager, and I’ve always loved the understanding and companionship it provides to people who carry around broken pieces of themselves. Over the years, this interest in hardship has become a lot more specific; I’ve discovered my own queer identity, which has cause me to seek shelter in queer fantasy. It also inevitably lead me to queer Norse mythology, whose source material is dripping with queer hints for anyone with the historical knowledge to find them. Combining all these things, I’ve gathered a large collection of stories that promise to help you lick your wounds, all while drawing you into the next chapter.
The entire Nine Worlds Rising series is an exercise in watching Loki get taken down a peg or six. I’m deeply in love with Norse myth material, and Lyra is not afraid to take a deep look at the pain that people inflict on each other. Book One deals with betrayal, ostracization, self-sabotage, and becoming the worst version of yourself. It’s not all doom and gloom, however, because the author has a fantastic sense of humour that really shines in Loki. Many of the characters are queer, including at least one that you won’t expect!
All Loki the trickster god of Asgard wants is a peaceful life where he’s free to stir up a bit of harmless mischief. But when he’s struck by a painful vision of blood, ash, and death he knows his fun has run out.
Refusing to have his life obliterated by some stuffy prophecy, Loki feels he must save Asgard. Except the gods stand in his way. They don’t trust the God of Lies—which means his only hope is to return to Odin, the man he wished to forget thanks to their complicated history.
From the title itself, this book grabs your attention. It is a fun, witty read.
11-year-old
Lokanayaki Shanmugam aspires to be
a cricketer and play on the local cricket league in a team called Temple Street
Tankers, but they have a boy-only condition, so she cannot play on the team. She
starts a petition to change this situation. Does it succeed?
From its vivid portrayal of characters and some
serious issues in Indian society, while using light-hearted language to bring
out the importance of breaking societal conventions and standing up for one’s rights. Set in Chennai or Madras (as it was then called), the
story has a very Tamil flavor but is universal at the same time. I laughed out
loud on several occasions.
I recommend it to anyone looking for a slice-of-life, coming-of-age read.
I grew up in Sweden surrounded by archaeology steeped in Viking history, which fueled my interest in Norse mythology. For example, Uppåkra, the largest and richest Iron Age settlement in Scandinavia, is only a few miles from my childhood home. When my seventh-grade history teacher noticed my fascination with the Viking myths, he started recommending me books. Ever since, I’ve read extensively about the Norse pantheon, and its stories inspire my own writing. I’ve also taken several research trips to historical Viking settlements in Sweden, Denmark, and Iceland.
This book I love purely for the photographs of archeological treasures and historical paintings. It’s in the format often referred to as a “coffee table book.” However, even though you may be tempted to page through it only to look at its impressive graphics and illustrations, the content is very much researched and informative. I especially like the sections on magical creatures and how Norse mythology has influenced our modern world and more current fiction.
You may not think you know much about Norse mythology but you've heard of Valhalla and the Valkyrie, and of trolls and elves, and you'd certainly miss Wednesday and Thursday - named after Norse gods - if they weren't there. Norse mythology is rich in adventure and ideas about creation, death and the afterlife. And from Wagnerian operas to Lord of the Rings to Marvel's Avengers, it has had an immense influence across Western culture. Norse Myths takes a wide-ranging approach to the topic, examining the creation stories of the Norse world, the monsters and the pantheons of the deities…
