100 books like The Hurricane Party

Poul Anderson is best known for his science fiction, but he was also one of the great fantasy and historical fiction writers of the 20th century, as well as a founding member of the Society for Creative Anachronism. His fantasy and historical fiction novels tended to focus on the Viking Age and/or Norse myths, and War of the Gods is my favorite of these. It is a rousing novelization of Book 1 from Saxo Grammaticus’ Gesta Danorum, one of our foremost sources of Norse mythology. War of the Gods takes Saxo’s brief story, uniquely positions it against the background of the mythological war between the Aesir and Vanir, and expands the tale from its short foundation to be an action-packed novel that remains faithful to its original inspiration. 

E.R. Eddison was an early fantasy novelist best known for The Worm Ouroboros, but like Poul Anderson, he also took a serious interest in bringing the ancient stories of the North into the modern age. Styrbiorn the Strong was his effort to capture the adventure of the old sagas by recreating a presumably lost full-length saga about the titular character. With Styrbiorn the Strong, Eddison built a convincing and original saga-inspired story from the fragments that exist about him (remaining references to Styrbiorn exist in Flatey Book, Eyrbyggja Saga, and the Heimskringla). The book was originally published in 1926 and features the sort of verbose and eloquent language typical of novels of that era, which itself is very un-saga-like, but is a joy to read. 

Tony Williams is a writer living in the United Kingdom and his novel, Nutcase, is the most recent one on my list. Nutcase is a faithful retelling of The Saga of Grettir the Strong, only set in a slum in modern-day northern England. The transposition of a story originating in medieval Iceland to this present-day context makes it one of the most bizarre and unique novels I’ve ever read (in a good way). The story stays true to the saga’s plot and characters while bringing them to their new context in a very believable manner. The book is a wild ride and full of all sorts of English slang and colloquialisms which I enjoyed immensely in their own right. 

This book is a re-interpretation of the epic saga of Beowulf, re-imagining him as a real-life hero who fought in a historical human world. The magic of this story is that it is hard to tell where facts end and story begins. Ahmad, the narrator, is opinionated in a dry and pedagogic way. He complains about many things but, like a true traveler, refuses little. Even though he regales us with his sense of superiority, his outward manner is meek and passive which helps him get along with the Northmen. Please don’t read this book in a public library if you do not want to be shush-ed. Some of Ahmad’s commentaries on Viking life have sent me into loud, sudden guffaws. 

This fun read, full of humor and adventure, is a mash-up of Viking lore and the story of Beowulf in a contemporary setting. Abby, grieving over the death of her mother, is also at a new school—not to mention training as the last of the Aesir warriors destined to hunt and kill Grendels. When a Grendel starts hunting her instead, Abby has a lot to unravel and conquer, fast. 

I adore quirky stories that play with Western myths (heck, I wrote one), and this book has that in spades. For kids that love Norse mythology, this will provide smiles, snorts, and a perfect dose of white-knuckled page-turning. We grow with Abby as she builds new friendships and conquers old fears. She’s a great contemporary heroine with absolutely relatable problems.

The way these stories are phrased here makes this my favourite set of retellings. Crossley-Holland’s choice of words evokes the original Norse. He uses alliteration, mainly when describing land and sea, and he is very careful to use words that come from Old English, a sister language to Old Norse, in preference to words from Latin, Greek, and post-Latin languages. There are plenty of other retellings that cover similar ground, but none with quite this joy in the energy of the original.

This was another one of my favourites for learning about the Norse gods and the Norse religion. I found the information about the different gods, where their names came from, and how they were worshipped invaluable, as well as the detailed information about the different worlds the Vikings believed in and those who lived on those worlds.

This book was great for learning about how the Scandinavian people viewed their religion and how it affected their lives and their views on magic and the cosmos. I found it useful to learn about their afterlife and how the Vikings viewed it. It’s another book I regularly revisit when writing my novels.

The Sea of Trolls is an excellent and satisfying read that immersed me in the fascinating Norse/Saxon world of 793 A.D. It’s the first book in one of the best series I've read in a long time—featuring rich world-building, magic at all levels, bold deeds, and a dry sense of humor. 

The main thing that draws me to this book, and what sets it apart from his other series, are the diverse characters. Different ethnic backgrounds, religions, LGBTQ, and disabilities are all portrayed, but they are just part of the character's story, not the main plot focus. The Norse mythology runs through the book with humour and lots of deadly action, and an interesting take on some of the gods. With an array of creatures and characters that stand either with or against the Vikings, this is a fun adventure, and it even has a cameo from the Percy Jackson series, so look out for that.

It's probably not by accident that three of the five books on this list are by Icelandic authors, as so much of the history and mythology of that nation is tied up with its Viking heritage. This novel, while somewhat unevenly paced, is a vivid depiction of life in Medieval Iceland, where kinship and honor were the basis by which human society clung to an unforgiving landscape. Its thematic emphasis falls on entrapment and isolation, and it offers a gorgeous sense of a premodern Nordic landscape.