Here are 100 books that The Complete Sagas of Icelanders fans have personally recommended if you like
The Complete Sagas of Icelanders.
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In the Viking age, one could not escape destiny, and so it is with William and Reynir, men from two vastly different fields who met by chance and shared a passion for discovery. Their research on Viking combat has led to many groundbreaking discoveries and never before done testing. Their work has been accepted by leading museums, universities, and professional societies, and they regularly share their research findings in lectures, classes, and presentations at these venues. The National Museum of Iceland recently opened a special exhibit that features their research. In many ways, their work has changed our understanding of Vikings and shown a new approach to Viking research.
At first glance this book would seem to have nothing to do with Vikings at all, and it doesn’t. Regardless, this fascinating book is a classic when it comes to understanding approaches to researching combat in general. It shows how to break the mold of preconceived notions and ideas related to researching combat, a skill crucial for those studying any field of direct and dynamic violence.
Compiled from Bruce Lee's notes and essays and originally published in 1975, Tao of Jeet Kune Do is the best-selling martial arts book in the world. This iconic work explains the science and philosophy behind jeet kune do—the art Lee invented—and includes hundreds of Lee's illustrations. Topics include Zen and enlightenment, kicking, striking, grappling, and footwork. With introductions by Linda Lee and editor Gilbert Johnson, Tao of Jeet Kune Do is essential reading for any practitioner and offers a brief glimpse into the mind of one of the world's greatest martial artists.
In the Viking age, one could not escape destiny, and so it is with William and Reynir, men from two vastly different fields who met by chance and shared a passion for discovery. Their research on Viking combat has led to many groundbreaking discoveries and never before done testing. Their work has been accepted by leading museums, universities, and professional societies, and they regularly share their research findings in lectures, classes, and presentations at these venues. The National Museum of Iceland recently opened a special exhibit that features their research. In many ways, their work has changed our understanding of Vikings and shown a new approach to Viking research.
In order to understand the combat of the Vikings, we must be familiar with the physical tools used for delivering violence, as revealed in the archaeological sources. Swords of the Viking Age is one of the better books in that category. It explores the material aspects of swords, one of the key tools of violence during the Viking age.
This beautifully illustrated work fills a gap in the literature in English on the swords made and used in northern Europe during the Viking age, between the mid eighth and the mid eleventh centuries. Ewart Oakeshott outlines the significance and diversity of these ancient heirlooms; co-author Ian Peirce, who handled hundreds of swords in his research for this book in museums across northern Europe, selects and describes sixty of the finest representative weapons. Where possible, full-length photographs are included, in addition to illustrations of detail; an illustrated overview of blade types and construction, pattern-welding, inscription and handle forms and their…
In the Viking age, one could not escape destiny, and so it is with William and Reynir, men from two vastly different fields who met by chance and shared a passion for discovery. Their research on Viking combat has led to many groundbreaking discoveries and never before done testing. Their work has been accepted by leading museums, universities, and professional societies, and they regularly share their research findings in lectures, classes, and presentations at these venues. The National Museum of Iceland recently opened a special exhibit that features their research. In many ways, their work has changed our understanding of Vikings and shown a new approach to Viking research.
Ármann breaks the mold to show us how to understand and research Vikings in general. The essence of the supernatural being that Vikings called tröll shows us clearly that what we think is the norm today is unlikely to be that of the Viking age.
His book is a warning that we modern people need a ground penetrating radar to reveal all the landmines that our modern mindset places in our path to learning about Vikings.
What do medieval Icelanders mean when they say “troll”? What did they see when they saw a troll? What did the troll signify to them? And why did they see them?
The principal subject of this book is the Norse idea of the troll, which the author uses to engage with the larger topic of paranormal experiences in the medieval North. The texts under study are from 13th-, 14th-, and 15th-century Iceland. The focus of the book is on the ways in which paranormal experiences are related and defined in these texts and how those definitions have framed and continue…
In the Viking age, one could not escape destiny, and so it is with William and Reynir, men from two vastly different fields who met by chance and shared a passion for discovery. Their research on Viking combat has led to many groundbreaking discoveries and never before done testing. Their work has been accepted by leading museums, universities, and professional societies, and they regularly share their research findings in lectures, classes, and presentations at these venues. The National Museum of Iceland recently opened a special exhibit that features their research. In many ways, their work has changed our understanding of Vikings and shown a new approach to Viking research.
Sadly this book is now out of print, but hopefully, Snorri will create an updated and expanded edition in the near future. This book is a look at the Sagas of Icelanders, and particularly the combat in the sagas, from the perspective of a slaughterhouse worker, a perspective that only a butcher would have. In researching Vikings and their combat, one must intently look for experts who often are far outside one’s own field of expertise. Snorri’s book shows the benefits of an approach from a different perspective.
I’ve always loved history, especially European history, and fell in love with the Vikings and their mythology after reading the first book of the Last Kingdom Series by Bernard Cornwell. One of the reasons I wanted to write Viking fiction is because I was keen to learn more about these amazing people who had such a large influence on European history, but had been stigmatized by the Christian religion. I really wanted to learn about who they were as a people and how they saw their world through their religion and their interactions with Christian nations around them.
I’ll admit, this book is a monster of a read, but I found it worth every minute I spent reading it. The Viking Anthology gives you everything you will ever need to learn about Norse mythology and the Scandinavian people.
I loved reading about the different gods, even some of the more obscure ones, their origins, and why they were worshipped. Even more valuable for me is the Icelandic sagas, which can also be found in this book. From these I learned so much about the daily lives of the Icelandic people and found many interesting ideas that I used in my novels.
The Comprehensive Collection of Viking and Norse Literature
This vast ebook Anthology is exploding with masterpieces of world literature, ranging from the peerless Icelandic Sagas, to the Norwegian 'Heimskringla', or the 'Chronicle of the Kings of Norway'.
As well as these original texts (in English Translation), are several accompanying great works of scholarship which are an essential companion to the texts - assisting the reader in their understanding of Viking, Norse and Icelandic culture and beliefs - from their complex creation myths, to their huge array of Pagan Gods to rival the pantheons of Ancient Greece or Rome.
Nancy Marie Brown is the author of seven books about Iceland and the Viking Age, including The Real Valkyrie: The Hidden History of Viking Warrior Women, The Far Traveler: Voyages of a Viking Woman, and the award-winning Song of the Vikings: Snorri and the Making of Norse Myths. Her books combine extremes: medieval literature and modern archaeology, myths and facts. They ask, What have we overlooked? What have we forgotten? Whose story must not be lost? A former science writer and editor at a university magazine, she lives on a farm in northern Vermont and spends part of each summer in Iceland.
Almost everything we know about the Vikings—their gods and heroes, their history and myths, their values and fears—comes from texts written down on parchment in medieval Iceland. Yet the Icelandic sagas and Eddas are biased. They explain very little about the Vikings in the east (and get wrong much of what they do describe). Their world is not the Viking World, which stretched from Constantinople to North America, but Viking Iceland.
Jesse Byock brings all this material together in Viking Age Iceland. First published in 2001, this immensely readable book is a classic that has not yet been bettered. It should be on every Viking enthusiast’s shelf.
Medieval Iceland was unique amongst Western Europe, with no foreign policy, no defence forces, no king, no lords, no peasants and few battles. It should have been a utopia yet its literature is dominated by brutality and killing. The reasons for this, argues Jesse Byock, lie in the underlying structures and cultural codes of the islands' social order. 'Viking Age Iceland' is an engaging, multi-disciplinary work bringing together findings in anthropology and ethnography interwoven with historical fact and masterful insights into the popular Icelandic sagas, this is a brilliant reconstruction of the inner workings of a unique and intriguing society.
I've always been a bookworm, and fascinated by the North—after all, I made my home here. I thrived (and still do) on stories about rain-drenched moors, ships in distress running aground in boiling seas, men with swords stumping through dark woods searching for gold and demons. So no wonder that I am fascinated by Iceland and its stories, and have returned to the island again and again. Here, literature plays a crucial role in preserving and developing culture and language equally. So as a fan of Icelandic past and present I try and spread the word about this craggy island and its literary heritage as much as I can.
Even though this is a massive tome with almost 800 pages, the book is the perfect introduction to the rich medieval literature of the sagas that form the foundation of Icelandic literature today. It contains many of the main sagas including the Egil's Saga, the Laxdæla Saga, and the Vinland Sagas as well as background information on saga history, medieval Iceland, and the Icelandic language. A collection full of the battles, witchcraft, poetry, monsters, and heroic journeys that influenced generations of writers from Jules Verne and J.R.R. Tolkien over to A.S. Byatt.
In Iceland, the age of the Vikings is also known as the Saga Age. A unique body of medieval literature, the Sagas rank with the world's great literary treasures - as epic as Homer, as deep in tragedy as Sophocles, as engagingly human as Shakespeare. Set around the turn of the last millennium, these stories depict with an astonishingly modern realism the lives and deeds of the Norse men and women who first settled in Iceland and of their descendants, who ventured farther west to Greenland and, ultimately, North America. Sailing as far from the archetypal heroic adventure as the…
I was a horse-crazy young girl whose passion for equines went dormant for 30 years. It reawakened when I turned 40, and I was again a lovelorn teenager, daydreaming about horses, plotting treks, swooning over the mere sight of an equine, even if it was online. One day in the late 90s at the dawn of the Google search engine, I happened upon a picture of a beauty, a dark horse with a thick mane blowing in the wind. It was an Icelandic horse, the photo taken on a misty green tussock in Iceland. That was it for me. I focused my equine passion (fair to call it an obsession) to that horse and that country.
Nancy Marie Brown’s book came into my life at a most prescient time in my own horse history. I discovered her book at just the moment I was discovering this then rare breed, the Icelandic horse. In the late 1990s, Brown goes to Iceland searching for the perfect horse (gaedingur in Icelandic). The country was very different from the tourist magnet it is today. It was wilder, more isolated, less traveled. Brown is there in pursuit of a horse or two to bring home. She first arrives with her husband and eight-year-old son after a family trauma. They stay in a broken-down house, “a concrete box” without modern amenities. She tries her best to learn and converse in the native tongue with the local farmers. As she tests drive all the horses, the reader learns all about Icelandic horses and horse-buying. What adds such depth to this book is…
After several visits to study the medieval Icelandic sagas, Nancy Marie Brown returns to Iceland to search for the perfect horse, one she can bring back to her Pennsylvania farm and make her own. She arrives shaken by tragedy, uncertain of the language, lacking confidence in her riding skills, but determined to make her search a success. She finds inspiration in the country’s austere and majestic landscape, which is alive with the ghosts of an adventure-filled past. In the glacier-carved hinterland, she rides a variety of Icelandic horses—some spirited, willful, even heroic; others docile, trusting, or tame. She also meets…
Mostly, I’m a writer of (hopefully) humorous books and articles largely focused on Vikings and Norse mythology, but I also write non-fiction articles about Scandinavian history, art, and culture. I’ve always been fascinated with the Viking Age, and read as much fiction and non-fiction on the subject as I am able. I’ve discovered many great novels dealing with the “whole Northern thing” (W.H. Auden’s term for Tolkien’s fascination) ranging from realistic historic fiction to highly original urban fantasy that utilizes the standard Norse tropes, but truly imaginative retellings that remain faithfully grounded in the plot points of the ancient stories are rarer. These are my favorites.
Tony Williams is a writer living in the United Kingdom and his novel, Nutcase, is the most recent one on my list. Nutcase is a faithful retelling of The Saga of Grettir the Strong, only set in a slum in modern-day northern England. The transposition of a story originating in medieval Iceland to this present-day context makes it one of the most bizarre and unique novels I’ve ever read (in a good way). The story stays true to the saga’s plot and characters while bringing them to their new context in a very believable manner. The book is a wild ride and full of all sorts of English slang and colloquialisms which I enjoyed immensely in their own right.
In this darkly hilarious and seriously horrifying book Williams tells the story of Aidan, a vigilante and young offender from one of Sheffield's roughest estates.
At breakneck speed, we see Aidan's world unravel as he goes from hero to outlaw, fighting against all-comers and the circumstances he can't escape. But is he a victim or architect of his own demise?
A brutal and breathtaking account of living with violence in the English city.
There are lots of crime novels, but Nutcase is something…
Purely by accident I stumbled on to a 1961 Penguin translation of Njáls saga and it was a transformative moment in my life. I signed up for Old Norse the next term, and never looked back. The sagas were incomparably intelligent in matters of psychology and politics and interpersonal interaction. And then told with such wit. How could the utter miracle of the fluorescence of so much pure genius on a volcanic island in the middle of nowhere not grab you? And what confluence of friendly stars would allow me to spend a life teaching and writing about them in a law school no less, paid as if I were a real lawyer?
This is from the master of saga studies of the past half-century. His knowledge of Old Norse literature is unsurpassed. He takes you through how the miracle of the sagas came about. Moreover, he writes well. His prose is clear and elegant. I also wish to steer readers to a perfect gem of an article Andersson wrote that actually manages to say something quite new about the more than a century-old fight in saga studies as to whether the sagas owe their excellence to an oral culture or to a written one: “Sea Traffic in the Sagas: Quantitative Reflections” in The Creation of Medieval Northern Europe: Essays in Honor of Sverre Bagge, edited by Leidulf Melve and Sigbjørn Sønnesyn (Oslo: Dreyer, 2012), 156–75.
In this book, Theodore M. Andersson, a leading scholar of the Norse sagas, introduces readers to the development of the Icelandic sagas between 1180 and 1280, a crucial period that witnessed a gradual shift of emphasis from tales of adventure and personal distinction to the analysis of political and historical propositions. Beginning with the first full-length sagas and culminating in the acknowledged masterpiece Njals saga, Andersson emphasizes a historical perspective, establishing a chronology for seventeen of the most important sagas and showing how they evolve thematically and stylistically over the century under study.
Revisiting the long-standing debate about the oral…
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