100 books like A Good Horse Has No Color

Because horses… Nir begins. She deftly weaves together her personal history and her love of horses. It may be an elusive love, but one of her former riding instructors puts it best: “Twelve, that’s my age with horses... that kind of free, fearless thing that I used to have at that age.” Nir, raised by a Holocaust survivor father who figures large in her life, grows up with all the accouterments of wealth on the Upper East Side and summers in the Hamptons. Despite the trappings, she feels she is from the wrong background and is an outsider in that ritzy world. Horses bring her home to herself.

Through her own exploration of life with horses, she catches up with an array of equine experts from Monty Roberts now in his 80s, to Black Cowboys whose history has been erased in our history, to a woman who secretly imported… show more.

The title just made me laugh. Wade introduces herself and her co-partner in her adventures, Penelope Langley, as middle-aged women who refuse to surrender to age, and exhort themselves and others to reclaim their “yeehaw”—that feeling of freedom, wildness, that one we last had at the age of twelve. In this collection of short tales, her answer to the age-old problem of aging is a call to gallop. We follow her all very relatable equestrian pursuits through all her foibles and fun. A scene where she watches as Penelope makes friends with the most questionable character—why? because he owns horses—made me spit out my coffee. Hence the title of her book explained, they are horse sluts because they will do anything to pimp a ride.

Wade is honest about the challenges of riding as you start to get older. She is both fearful and fearless. She worries about hurting herself… show more.

Bernice tells us a story. Her clean, quiet narrative rides us with her. Bernice was soft spoken, unpretentious, and steadily courageous. A long-time, long distance, trail boss told me he was humbled after sitting on an Adventure Riding panel with Bernice.

Bernice lived and wrote the partnership she had with her horses. Her book is a last gift to those of us who dream of horse adventure.

The book begins with stories of how young girls get hooked on horses: the raised pulse, the daydreaming, the mind swimming in adoration, and then this compulsion to ride a thousand-pound beast. To be one with the horse is the goal; it is the whole animal-human communication. Pierson attempts to explain the somewhat unexplainable and goes beyond the romance and myths and drills down on the psychological, subliminal, or substitute quirks of love that are heaped on horses. After she undoes our heart, she goes deeper. 

This animal gives us everything and their history with humans has been dark, even recently, from doping to soring to shoeing. There is a chapter on Premarin (short for Pregnant Mare Urine), the hormone replacement therapy that was prescribed routinely to women over 50. Lest we forget, twenty years ago the AMA was still diagnosing menopause as a medical disorder, and pharmaceutical companies were… show more.

Tory Bilski hooked me with her first line. I searched riding trips sites by the end of the paragraph. Wild Horses of the Summer Sun is a crafted odyssey. The book gifts us with Icelandic horses, foreign travel exploration, and the human (and herd) dynamic of a group of women who crave to “be Iceland.”

Tory is a writer in all that the craft implies. Her storytelling speaks to the explorer in us. She guides us around each mystical curve and through a physical (and emotional) blinding fog. She swims us across a (gulp) deep lake. We encounter “Tippi Hedren-esk” killer birds and truculent bulls. We hunger for the “gifts of the earth” meals and well-earned, decadent desserts. Ancient Nordic Sagas of trolls, ghosts and a fatal love affair spice the travelogue.

Almost everything we know about the Vikings—their gods and heroes, their history and myths, their values and fears—comes from texts written down on parchment in medieval Iceland. Yet the Icelandic sagas and Eddas are biased. They explain very little about the Vikings in the east (and get wrong much of what they do describe). Their world is not the Viking World, which stretched from Constantinople to North America, but Viking Iceland.

Jesse Byock brings all this material together in Viking Age Iceland. First published in 2001, this immensely readable book is a classic that has not yet been bettered. It should be on every Viking enthusiast’s shelf.

This is a slim book and it's told in an intimate, lyrical voice that feels like it's speaking directly to you from the period – which, in this case, is the 9th century CE.

All the Horses of Iceland follows a Norse trader through Rus to Mongolia in the company of Khazars. It's a ghost story, with notes of sadness mixed with wonder. And while it is possible to trace the journey and pick up on historical signposts, the book doesn't acknowledge that it knows when and where its reader might be – which bolsters the illusion of reading something very old.

Even though this is a massive tome with almost 800 pages, the book is the perfect introduction to the rich medieval literature of the sagas that form the foundation of Icelandic literature today. It contains many of the main sagas including the Egil's Saga, the Laxdæla Saga, and the Vinland Sagas as well as background information on saga history, medieval Iceland, and the Icelandic language. A collection full of the battles, witchcraft, poetry, monsters, and heroic journeys that influenced generations of writers from Jules Verne and J.R.R. Tolkien over to A.S. Byatt.  

Tony Williams is a writer living in the United Kingdom and his novel, Nutcase, is the most recent one on my list. Nutcase is a faithful retelling of The Saga of Grettir the Strong, only set in a slum in modern-day northern England. The transposition of a story originating in medieval Iceland to this present-day context makes it one of the most bizarre and unique novels I’ve ever read (in a good way). The story stays true to the saga’s plot and characters while bringing them to their new context in a very believable manner. The book is a wild ride and full of all sorts of English slang and colloquialisms which I enjoyed immensely in their own right. 

This is from the master of saga studies of the past half-century. His knowledge of Old Norse literature is unsurpassed. He takes you through how the miracle of the sagas came about. Moreover, he writes well. His prose is clear and elegant. I also wish to steer readers to a perfect gem of an article Andersson wrote that actually manages to say something quite new about the more than a century-old fight in saga studies as to whether the sagas owe their excellence to an oral culture or to a written one: “Sea Traffic in the Sagas: Quantitative Reflections” in The Creation of Medieval Northern Europe: Essays in Honor of Sverre Bagge, edited by Leidulf Melve and Sigbjørn Sønnesyn (Oslo: Dreyer, 2012), 156–75.