Here are 100 books that A Good Horse Has No Color fans have personally recommended if you like
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I was a horse-crazy young girl whose passion for equines went dormant for 30 years. It reawakened when I turned 40, and I was again a lovelorn teenager, daydreaming about horses, plotting treks, swooning over the mere sight of an equine, even if it was online. One day in the late 90s at the dawn of the Google search engine, I happened upon a picture of a beauty, a dark horse with a thick mane blowing in the wind. It was an Icelandic horse, the photo taken on a misty green tussock in Iceland. That was it for me. I focused my equine passion (fair to call it an obsession) to that horse and that country.
Because horses… Nir begins. She deftly weaves together her personal history and her love of horses. It may be an elusive love, but one of her former riding instructors puts it best: “Twelve, that’s my age with horses... that kind of free, fearless thing that I used to have at that age.” Nir, raised by a Holocaust survivor father who figures large in her life, grows up with all the accouterments of wealth on the Upper East Side and summers in the Hamptons. Despite the trappings, she feels she is from the wrong background and is an outsider in that ritzy world. Horses bring her home to herself.
Through her own exploration of life with horses, she catches up with an array of equine experts from Monty Roberts now in his 80s, to Black Cowboys whose history has been erased in our history, to a woman who secretly imported…
ONE OF USA TODAY'S "20 SUMMER BOOKS YOU WON'T WANT TO MISS"
In the bestselling tradition of works by such authors as Susan Orlean and Mary Roach, a New York Times reporter and Pulitzer Prize finalist explores why so many people-including herself-are obsessed with horses.
It may surprise you to learn that there are over seven million horses in America-even more than when they were the only means of transportation-and nearly two million horse owners. Acclaimed journalist and avid equestrian Sarah Maslin Nir is one of them; she began riding horses when she was just two years old and hasn't…
I was a horse-crazy young girl whose passion for equines went dormant for 30 years. It reawakened when I turned 40, and I was again a lovelorn teenager, daydreaming about horses, plotting treks, swooning over the mere sight of an equine, even if it was online. One day in the late 90s at the dawn of the Google search engine, I happened upon a picture of a beauty, a dark horse with a thick mane blowing in the wind. It was an Icelandic horse, the photo taken on a misty green tussock in Iceland. That was it for me. I focused my equine passion (fair to call it an obsession) to that horse and that country.
The title just made me laugh. Wade introduces herself and her co-partner in her adventures, Penelope Langley, as middle-aged women who refuse to surrender to age, and exhort themselves and others to reclaim their “yeehaw”—that feeling of freedom, wildness, that one we last had at the age of twelve. In this collection of short tales, her answer to the age-old problem of aging is a call to gallop. We follow her all very relatable equestrian pursuits through all her foibles and fun. A scene where she watches as Penelope makes friends with the most questionable character—why? because he owns horses—made me spit out my coffee. Hence the title of her book explained, they are horse sluts because they will do anything to pimp a ride.
Wade is honest about the challenges of riding as you start to get older. She is both fearful and fearless. She worries about hurting herself…
A swelling number of horse riders aren't nubile nymphs and don't start riding as toddlers. Horse Sluts - The Saga of Two Women on the Trail of Their Yeehaw winks at mid-life riders who relate to the feeling "when memories of who we were and what we used to do smash at our egos like bugs on a windshield." Candace Wade and Penelope Langley wrote Horse Sluts to give those riders a leg up on recapturing the yeehaw of youth. "It's how to stand up to fears, how to challenge ourselves. Horse Sluts is for women who refuse to surrender…
The me of me is a “late in life rider” and freelance writer—with an edge. I learned to ride horses in my ‘40s when we left the wonders of California for sweet tea, okra, and equine “yard art” of Tennessee. Horses and writing mixed to create Horse Sluts. My political bent led me to craft an exposé on the brutal “training” of Big Lick TN Walking Horses. I still ride and explore the more humorous sides of aging and riding. A stickler for "writing worth reading,” I eschew self-conscious, wandering-lost writing. The books I recommended are well crafted.
Bernice tells us a story. Her clean, quiet narrative rides us with her. Bernice was soft spoken, unpretentious, and steadily courageous. A long-time, long distance, trail boss told me he was humbled after sitting on an Adventure Riding panel with Bernice.
Bernice lived and wrote the partnership she had with her horses. Her book is a last gift to those of us who dream of horse adventure.
In her incredible memoir, Lady Long Rider: Alone Across America on Horseback we are introduced to Bernice Ende, a solitary figure with the daunting goal of traveling from Trego, Montana to New Mexico in a single ride. At the age of 50, Bernice turned south into the unknown and began her first voyage on the way to becoming a world-class long rider. Since that fateful decision she hasn't looked back. Accompanied by her horses and an exceptional dog named Claire, Ende has logged more than 29,000 miles in the saddle, crisscrossing North America and beyond.
I was a horse-crazy young girl whose passion for equines went dormant for 30 years. It reawakened when I turned 40, and I was again a lovelorn teenager, daydreaming about horses, plotting treks, swooning over the mere sight of an equine, even if it was online. One day in the late 90s at the dawn of the Google search engine, I happened upon a picture of a beauty, a dark horse with a thick mane blowing in the wind. It was an Icelandic horse, the photo taken on a misty green tussock in Iceland. That was it for me. I focused my equine passion (fair to call it an obsession) to that horse and that country.
The book begins with stories of how young girls get hooked on horses: the raised pulse, the daydreaming, the mind swimming in adoration, and then this compulsion to ride a thousand-pound beast. To be one with the horse is the goal; it is the whole animal-human communication. Pierson attempts to explain the somewhat unexplainable and goes beyond the romance and myths and drills down on the psychological, subliminal, or substitute quirks of love that are heaped on horses. After she undoes our heart, she goes deeper.
This animal gives us everything and their history with humans has been dark, even recently, from doping to soring to shoeing. There is a chapter on Premarin (short for Pregnant Mare Urine), the hormone replacement therapy that was prescribed routinely to women over 50. Lest we forget, twenty years ago the AMA was still diagnosing menopause as a medical disorder, and pharmaceutical companies were…
In a phenomenon too prevalent to be mere chance, little girls all over the Western world wake one day to find themselves completely taken over by the love of all things equine. Melissa Holbrook Pierson was one of those horse-crazy girls who later returned to riding with a new appreciation for the nature of horses. Melding memoir, sociology, history, anecdote, and a bit of prose poetry, Dark Horses and Black Beauties delves beneath the shallow hypotheses explaining women's connection to horses to look at how this communication with another animal opens us up to a new apprehension of the larger…
The me of me is a “late in life rider” and freelance writer—with an edge. I learned to ride horses in my ‘40s when we left the wonders of California for sweet tea, okra, and equine “yard art” of Tennessee. Horses and writing mixed to create Horse Sluts. My political bent led me to craft an exposé on the brutal “training” of Big Lick TN Walking Horses. I still ride and explore the more humorous sides of aging and riding. A stickler for "writing worth reading,” I eschew self-conscious, wandering-lost writing. The books I recommended are well crafted.
Tory Bilski hooked me with her first line. I searched riding trips sites by the end of the paragraph. Wild Horses of the Summer Sunis a crafted odyssey. The book gifts us with Icelandic horses, foreign travel exploration, and the human (and herd) dynamic of a group of women who crave to “be Iceland.”
Tory is a writer in all that the craft implies. Her storytelling speaks to the explorer in us. She guides us around each mystical curve and through a physical (and emotional) blinding fog. She swims us across a (gulp) deep lake. We encounter “Tippi Hedren-esk” killer birds and truculent bulls. We hunger for the “gifts of the earth” meals and well-earned, decadent desserts. Ancient Nordic Sagas of trolls, ghosts and a fatal love affair spice the travelogue.
'Blame it or praise it, there is no denying the wild horse in us.' Virginia Woolf
What if you could steal time out just for yourself each year, a brief reprieve from ordinary life and its responsibilities? Wild Horses of the Summer Sun is author Tory Bilski's witty, sometimes poignant, account of her annual 'horse sabbaticals' to Iceland. She and her travelling companions exhilarate in their freedom, the spectacular scenery, the midnight sun energy and the Icelandic horses that connect deeply to the soul. Each year brings a new discovery about Iceland, about herself and about her relationships with the…
Nancy Marie Brown is the author of seven books about Iceland and the Viking Age, including The Real Valkyrie: The Hidden History of Viking Warrior Women, The Far Traveler: Voyages of a Viking Woman, and the award-winning Song of the Vikings: Snorri and the Making of Norse Myths. Her books combine extremes: medieval literature and modern archaeology, myths and facts. They ask, What have we overlooked? What have we forgotten? Whose story must not be lost? A former science writer and editor at a university magazine, she lives on a farm in northern Vermont and spends part of each summer in Iceland.
Almost everything we know about the Vikings—their gods and heroes, their history and myths, their values and fears—comes from texts written down on parchment in medieval Iceland. Yet the Icelandic sagas and Eddas are biased. They explain very little about the Vikings in the east (and get wrong much of what they do describe). Their world is not the Viking World, which stretched from Constantinople to North America, but Viking Iceland.
Jesse Byock brings all this material together in Viking Age Iceland. First published in 2001, this immensely readable book is a classic that has not yet been bettered. It should be on every Viking enthusiast’s shelf.
Medieval Iceland was unique amongst Western Europe, with no foreign policy, no defence forces, no king, no lords, no peasants and few battles. It should have been a utopia yet its literature is dominated by brutality and killing. The reasons for this, argues Jesse Byock, lie in the underlying structures and cultural codes of the islands' social order. 'Viking Age Iceland' is an engaging, multi-disciplinary work bringing together findings in anthropology and ethnography interwoven with historical fact and masterful insights into the popular Icelandic sagas, this is a brilliant reconstruction of the inner workings of a unique and intriguing society.
I've always been fascinated by the way history feels inherently uncanny, as we inhabit the same places as people long dead. I suppose that’s why the novels I write tend to be in historical settings, and they tend to have a speculative twist. For much of my working life, I was a journalist, so I love the research part of writing historical fiction. I tend to be drawn to old stories, and I especially love looking at those stories from angles I haven't seen before. Two of my novels bookend the European Middle Ages: The Valkyrie, set in the 5th century CE, and The Chatelaine, set in the 14th century CE.
This is a slim book and it's told in an intimate, lyrical voice that feels like it's speaking directly to you from the period – which, in this case, is the 9th century CE.
All the Horses of Iceland follows a Norse trader through Rus to Mongolia in the company of Khazars. It's a ghost story, with notes of sadness mixed with wonder. And while it is possible to trace the journey and pick up on historical signposts, the book doesn't acknowledge that it knows when and where its reader might be – which bolsters the illusion of reading something very old.
A hypnotic historical fantasy with gorgeous and unusual literary prose, from the captivating author of The Fourth Island.
Everyone knows of the horses of Iceland, wild, and small, and free, but few have heard their story. Sarah Tolmie’s All the Horses of Iceland weaves their mystical origin into a saga for the modern age. Filled with the magic and darkened whispers of a people on the cusp of major cultural change, All the Horses of Iceland tells the tale of a Norse trader, his travels through Central Asia, and the ghostly magic that followed him home to the land of…
I've always been a bookworm, and fascinated by the North—after all, I made my home here. I thrived (and still do) on stories about rain-drenched moors, ships in distress running aground in boiling seas, men with swords stumping through dark woods searching for gold and demons. So no wonder that I am fascinated by Iceland and its stories, and have returned to the island again and again. Here, literature plays a crucial role in preserving and developing culture and language equally. So as a fan of Icelandic past and present I try and spread the word about this craggy island and its literary heritage as much as I can.
Even though this is a massive tome with almost 800 pages, the book is the perfect introduction to the rich medieval literature of the sagas that form the foundation of Icelandic literature today. It contains many of the main sagas including the Egil's Saga, the Laxdæla Saga, and the Vinland Sagas as well as background information on saga history, medieval Iceland, and the Icelandic language. A collection full of the battles, witchcraft, poetry, monsters, and heroic journeys that influenced generations of writers from Jules Verne and J.R.R. Tolkien over to A.S. Byatt.
In Iceland, the age of the Vikings is also known as the Saga Age. A unique body of medieval literature, the Sagas rank with the world's great literary treasures - as epic as Homer, as deep in tragedy as Sophocles, as engagingly human as Shakespeare. Set around the turn of the last millennium, these stories depict with an astonishingly modern realism the lives and deeds of the Norse men and women who first settled in Iceland and of their descendants, who ventured farther west to Greenland and, ultimately, North America. Sailing as far from the archetypal heroic adventure as the…
There’s nothing like personal experience. You have to read the literature, it’s true. That’s how we’ve all met here at Shepherd. But you have to roll up your sleeves and get down to visiting, too, if you want to write about travel. I first approached the Arctic in 1991 and I return above sixty degrees north every year, although I must confess to a secret advantage; I married a Finn. We spend summers at a little cabin north of Helsinki. I know the region personally, I keep coming back, and I invite you, whenever you can, to come up and join us!
Iceland is one of the first off-the-beaten-track places I visited as an aspiring young travel writer and I arrived with the onset of the first Gulf War - the one against Saddam Hussein.
I visited with three other people. We immediately met a man in Reykjavik who introduced us to his diplomat friend, and before it was all said and done we spent most of that trip with the Icelander and the Frenchman in front of a much more rudimentary CNN, watching the war.
While I’ve been back to Iceland a number of times since, that first trip, the instant friendships, and the very odd experience of watching war in the desert from up at the Arctic Circle, sealed the deal for me about visiting the far north, and indirectly led to my own later book.
Halldor Laxness is the greatest of Icelandic authors and Independent People is very nearly…
Mostly, I’m a writer of (hopefully) humorous books and articles largely focused on Vikings and Norse mythology, but I also write non-fiction articles about Scandinavian history, art, and culture. I’ve always been fascinated with the Viking Age, and read as much fiction and non-fiction on the subject as I am able. I’ve discovered many great novels dealing with the “whole Northern thing” (W.H. Auden’s term for Tolkien’s fascination) ranging from realistic historic fiction to highly original urban fantasy that utilizes the standard Norse tropes, but truly imaginative retellings that remain faithfully grounded in the plot points of the ancient stories are rarer. These are my favorites.
Tony Williams is a writer living in the United Kingdom and his novel, Nutcase, is the most recent one on my list. Nutcase is a faithful retelling of The Saga of Grettir the Strong, only set in a slum in modern-day northern England. The transposition of a story originating in medieval Iceland to this present-day context makes it one of the most bizarre and unique novels I’ve ever read (in a good way). The story stays true to the saga’s plot and characters while bringing them to their new context in a very believable manner. The book is a wild ride and full of all sorts of English slang and colloquialisms which I enjoyed immensely in their own right.
In this darkly hilarious and seriously horrifying book Williams tells the story of Aidan, a vigilante and young offender from one of Sheffield's roughest estates.
At breakneck speed, we see Aidan's world unravel as he goes from hero to outlaw, fighting against all-comers and the circumstances he can't escape. But is he a victim or architect of his own demise?
A brutal and breathtaking account of living with violence in the English city.
There are lots of crime novels, but Nutcase is something…
