Here are 100 books that Vikings of the Sunrise fans have personally recommended if you like
Vikings of the Sunrise.
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My book builds on the foundation laid by my five recommended books (as well as several others). Anuta is a remote Polynesian community in the Solomon Islands. It is one of the few remaining islands where voyaging canoes are still constructed regularly, constitute a part of everyday life, and where inter-island travel in such canoes never ceased. I was first there for a year in 1972–73 and was introduced to Anutan maritime practice. During that visit, I took part in a four-day voyage to Patutaka, an uninhabited island thirty miles away.
In this book, David Lewis—a physician, anthropologist, and world sailor—traveled around the Pacific, consulting with respected navigators from many islands about their understandings and the natural cues on which they relied for inter-island voyaging. Lewis reinforced many of Gladwin’s points and also made me acutely aware of regional variation.
Along the way, he commented that canoes in the “Polynesian Outliers” (islands inhabited by Polynesian people but located in territory commonly identified as “Melanesia” or “Micronesia”) are built with an interchangeable bow and stern. That was not true on Anuta, the Polynesian Outlier on which I had conducted my doctoral research, and I thought the discrepancy was worth a brief comment in a professional journal. I began writing, and by the time I was done, I had a first draft of my book on Anutan seafaring.
This new edition includes a discussion of theories about traditional methods of navigation developed during recent decades, the story of the renaissance of star navigation throughout the Pacific, and material about navigation systems in Indonesia, Siberia, and the Indian Ocean.
My book builds on the foundation laid by my five recommended books (as well as several others). Anuta is a remote Polynesian community in the Solomon Islands. It is one of the few remaining islands where voyaging canoes are still constructed regularly, constitute a part of everyday life, and where inter-island travel in such canoes never ceased. I was first there for a year in 1972–73 and was introduced to Anutan maritime practice. During that visit, I took part in a four-day voyage to Patutaka, an uninhabited island thirty miles away.
This book was the first systematic, book-length effort to explain how Pacific voyagers found their way across thousands of miles of open sea without such navigational instruments as a sextant or magnetic compass.
The author, Thomas Gladwin, conducted research on Puluwat Atoll (now usually written as “Polowat”) in what is currently the Federated States of Micronesia. By working with skilled navigators, he documented the complex understanding of astronomic phenomena, wind patterns, currents, and waves that Micronesian wayfinders used to travel to small islands across immense expanses of open sea.
This work inspired me to ask respected sailors on the islands where I conducted research about the techniques on which they rely.
Puluwat Atoll in Micronesia, with a population of only a few hundred proud seafaring people, can fulfill anyone's romantic daydream of the South Seas. Thomas Gladwin has written a beautiful and perceptive book which describes the complex navigational systems of the Puluwat natives, yet has done so principally to provide new insights into the effects of poverty in Western cultures.
The cognitive system which enables the Puluwatans to sail their canoes without instruments over trackless expanses of the Pacific Ocean is sophisticated and complex, yet the Puluwat native would score low on a standardized intelligence test. The author relates this…
My book builds on the foundation laid by my five recommended books (as well as several others). Anuta is a remote Polynesian community in the Solomon Islands. It is one of the few remaining islands where voyaging canoes are still constructed regularly, constitute a part of everyday life, and where inter-island travel in such canoes never ceased. I was first there for a year in 1972–73 and was introduced to Anutan maritime practice. During that visit, I took part in a four-day voyage to Patutaka, an uninhabited island thirty miles away.
Ben Finney was a surfer, sailor, and anthropologist who spent his career at the University of Hawai‘i and was a founder of the Polynesian Voyaging Society (PVS). The PVS built Hōkūle‘a, a double-hulled sailing canoe modeled on a traditional Hawaiian design but constructed of modern materials.
Finney, then, was part of a team that sailed from Hawai‘i to Tahiti in 1976 without instruments under the leadership of Pius “Mau” Piailug, a renowned navigator from the Micronesian island of Satawal. This book is Finney’s account of that journey and its many challenges.
Hōkūle‘a and the PVS’s experience helped inspire me to write my volume on Anutan seamanship, and Finney wrote the foreword. Later, in 2007, he joined me in a study of Taumako voyaging.
Dust Jacket: "In 1976 there occurred one of the most daring and unusual voyages of modern times - the sailing of a reconstruction of an ancient double-hull Polynesian canoe with a full crew aboard from Hawaii to Tahiti and return, covering a distance of almost 6000 miles. A dedicated group of scientists, sailors, and other volunteers, led by the author, had for years worked on this project, the object of which was to retrace the legendary voyages that once linked those far-flung islands and in doing so demonstrate to skeptics that the ancient Polynesians could have intentionally sailed across vast…
My book builds on the foundation laid by my five recommended books (as well as several others). Anuta is a remote Polynesian community in the Solomon Islands. It is one of the few remaining islands where voyaging canoes are still constructed regularly, constitute a part of everyday life, and where inter-island travel in such canoes never ceased. I was first there for a year in 1972–73 and was introduced to Anutan maritime practice. During that visit, I took part in a four-day voyage to Patutaka, an uninhabited island thirty miles away.
This book is Thor Heyerdahl’s account of a 4,000-mile voyage, in 1947, on a balsa-wood raft from Peru to French Polynesia. Heyerdahl hypothesized that Polynesia was originally settled from the Americas. When supposed experts responded that Indigenous people lacked the technology to make such a voyage, he set out to prove them wrong. Evidence now makes it clear that Oceania was populated from Asia rather than lands to the east. Nonetheless, Heyerdahl demonstrated that humans can safely traverse the open sea using small craft built from natural materials.
Heyerdahl’s book sold millions of copies, was translated into dozens of languages, and led to an award-winning film. It stimulated interest in indigenous seafaring and inspired generations of researchers to sail with mariners from small, remote island communities and to document their exploits. I count myself among those so inspired.
I am a historian fascinated with maps and geography, I have produced historical atlases on the world, Britain, war, cities, naval history, fortifications, and World War Two, as well as books on geopolitics and maps. I am an Emeritus Professor of History at the University of Exeter and a Senior Fellow of the Foreign Policy Research Institute and of Policy Exchange.
A blockbuster of a reference work, but also a vital tool for all those interested the history of maps and mapping. Part of a series that is at once majestic, handsome, and full of the detailed knowledge of scholarship.
For more than thirty years, the History of Cartography Project has charted the course for scholarship on cartography, bringing together research from a variety of disciplines on the creation, dissemination, and use of maps. Volume 6, Cartography in the Twentieth Century, continues this tradition with a groundbreaking survey of the century just ended and a new full-color, encyclopedic format. The twentieth century is a pivotal period in map history. The transition from paper to digital formats led to previously unimaginable dynamic and interactive maps. Geographic information systems radically altered cartographic institutions and reduced the skill required to create maps. Satellite…
As a writer from Aotearoa New Zealand who cares deeply about social issues and human rights, I believe fiction has the power to change hearts and minds and bring us all together with greater compassion and understanding. When I was growing up here, there were few books published by Pacific or Māori writers and we were taught little about their customs or mythologies. I’ve loved watching this change over the last forty-odd years (and particularly the last ten years) and can see how access to these stories has not only empowered Māori and Pacific youth and brought them closer to their culture but enriched everyone who lives in our pacific paradise!
This trilogy, grounded in Sāmoan mythology, has been called ‘the pacific Twilight.’ It is a thrilling dive into the world of Sāmoan magic and mystery, with an exciting adventure, a compelling love story and it vividly brings Sāmoa’s exotic beauty alive with a supernatural twist. It’s claimed to be ‘the first ever YA novel with an all-Pasifika cast, set in Sāmoa and around the Pacific'. Push out your boundaries and enter Lani Wendt Young’s wonderful imagination . . .
An island of secrets. A girl on fire. An epic battle of the elements. Can love truly conquer all? A thrilling love story inspired by Pacific mythology, featuring a sinister sisterhood with an environmental agenda and a fiery yet vulnerable young woman who must master her gifts - before they destroy her and all those she cares about. Leila Folger escapes the stifling misery of life with her American grandmother and goes to Samoa searching to connect with her mother's family. All her efforts to learn more about the mother she never knew are met with hostility. What really happened…
I discovered Saipan, Commonwealth of the Northern Mariana Islands, on one December night in 2005 through my friend, Ken, who had visited the island for business and raved about his experience. Two months later, I was on an 8,000-mile, one-way flight to escape the NY rat race and live out my dream life in this tropical Pacific paradise! It's been one of the best decisions of my life! I've since fallen in love with the lifestyle, people, culture, and history of the islands. These authors are people I've met or have seen around the island. Their books offer a unique peek inside life on the islands of this little-known US commonwealth!
Lino Olopai is a Carolinian elder in the community and also a friend. In fact, I ran into him this morning (the very day I write this summary) at about 6:30 am while I was jogging on the beach. The beachfront land beneath Lino's simple home has been in his family for generations, and because of that, he has refused to sell despite offers from corporate concerns and developers. Lino is also of a lineage with privileged knowledge of celestial navigation. He could set sail on nothing but a raft and—using the stars, waves, and movement of sea creatures as signposts—navigate hundreds of miles over the vast Pacific ocean to other islands! TheRope of Tradition is an account and knowledge that must be shared and preserved.
From back cover of book: [Topic of book:] "Indigenous Micronesian cultures and the issues and challenges confronting cultural preservation in the face of rapid globalization.' . . . "Indigenous cultures throughout Micronesia have undergone major changes over the six decades since the end of World War II, a situation that has been particularly acute on Saipan, the capital island in the Commonwealth of the Northern Mariana Islands. "The Rope of Tradition," written by Saipan Carolinian Lino M. Olopai with the assistance of cultural anthropologist Dr. Juliana Flinn, describes Mr. Olopai's longstanding efforts to document and better understand his rich cultural…
I was an avid reader from the age of six. Books inspired me and, as a shy girl, stories helped me find the confidence to be myself. I felt amazed and inspired by reading – finding out about parts of the world I had never been to. Especially as an adult, I’ve been blessed with wonderful, female friends. These are the themes I explore now in my books. I hope to inspire young readers to be themselves and celebrate friendship. I love travelling and nature. I've lived in various parts of the US and England. Through my writing, I hope to share the wonder of different cultures and natural settings.
I love the ocean, and love stories about strong, ground-breaking young women. This tale is beautifully set in a coastal town in New Zealand. Kahu, a young girl from a lineage of Maori leaders, can communicate with whales. Her grandfather does not expect this and rejects her because of her gender. Kahu proves without a doubt that she is a competent and natural leader. I love how Kahu prevails. She is strong in herself, and she never shies away from the truth – that she is the natural leader and a whale rider like her ancestor.
Eight-year-old Kahu craves her great-grandfather's love and attention. But he is focused on his duties as chief of a Maori tribe in Whangara, on the East Coast of New Zealand - a tribe that claims descent from the legendary 'whale rider'. In every generation since the whale rider, a male has inherited the title of chief. But now there is no male heir - there's only Kahu. She should be the next in line for the title, but her great-grandfather is blinded by tradition and sees no use for a girl. Kahu will not be ignored. And in her struggle…
As a writer from Aotearoa New Zealand who cares deeply about social issues and human rights, I believe fiction has the power to change hearts and minds and bring us all together with greater compassion and understanding. When I was growing up here, there were few books published by Pacific or Māori writers and we were taught little about their customs or mythologies. I’ve loved watching this change over the last forty-odd years (and particularly the last ten years) and can see how access to these stories has not only empowered Māori and Pacific youth and brought them closer to their culture but enriched everyone who lives in our pacific paradise!
A book about conquering bullying and standing up for what you believe in, the Māori word ‘pōrangi’ in title means mentally ill. It tells the story of Niko, who lives in a small, rural Aotearoa New Zealand town with a sacred hot spring—and a taniwha (a water monster of Māori legend) named Taukere. When his grandfather dies, Niko must bring the townsfolk together to stop a prison being built on sacred land and convince them the taniwha is real.
Twelve-year-old Niko lives in Pohe Bay, a small, rural town with a sacred hot spring and a taniwha named Taukere. The government wants to build a prison over the home of the taniwha, and Niko's grandfather is busy protesting. People call him porangi, crazy, but when he dies, it's up to Niko to convince his community that the taniwha is real and stop the prison from being built. With help from his friend Wai, Niko must unite his whanau, honour his grandfather and stand up to his childhood bully.
I come from the Dusun hilltribes of Indigenous Borneo. My mountain is Kinabalu, and my river is Kiulu. My upbringing gives me a new way to talk about the world. I have participated in ongoing rituals, witnessed the loss of once-abundant wilderness, and shared in stories that are filled with ancient wisdom. My Elders’ knowledge about the land, sea, and sky is etched in my memory, grounding me to cultural roots and prompting reflection on life’s essential questions. In my travels, I have found that these universal questions intersect with the stories and experiences of Indigenous communities worldwide. This worldview urges me to not let these stories fade.
Drawing both tears and laugh-out-loud laughter, this compilation of short stories by Māori writers from Aotearoa transported me to magical worlds and ideas.
It’s a gem on my recommendation list, uncovering endless nuggets of golden meaning and messages. I especially relish the humor unique to Māori storytelling.
I respect the simplicity and significance of short stories for their ability to offer a quick read before bedtime or as a morning indulgence. I found great pleasure in diving into any story on any page on any given day or night (when I almost forgot to go to sleep), like enjoying good poetry, the words dance, sing, and linger long long after.
Hiwa is a vibrant, essential collection of contemporary Maori short stories, featuring twenty-seven writers working in English or te reo Maori. The writers range from famous names and award winners - Patricia Grace, Witi Ihimaera, Whiti Hereaka, Becky Manawatu, Zeb Nicklin - to emerging voices like Shelley Burne-Field, Jack Remiel Cottrell, Anthony Lapwood and Colleen Maria Lenihan.
A showcase of contemporary talent, Hiwa includes biographical introductions for each writer's work, and explores the range of styles and subjects in the flourishing world of Maori fiction.
Named for Hiwa-i-te-rangi, the ninth star of Matariki, signifying vigorous growth and dreams of the…