Here are 100 books that Joan of Arc fans have personally recommended if you like
Joan of Arc.
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I’m an academic, writer, and broadcaster, and I’ve always been fascinated by the big questions of who fights wars and why. A puzzle caught my eye: the only profession (short of maybe priest) where women were actively banned in the 1980s and as late as the 2010s, was combat. How could Western democracies ban women from an entire profession? This was especially odd, given that the plentiful historical evidence that women were perfectly capable of combat. So I wrote a book explaining how women in combat fit into the broader sweep of military history, and how the suppression and dismissal of their stories has had a profound social and cultural impact.
The stories of women spies during World War II are not as well known as they should be – especially because these women were highly trained, incredibly brave, and trained in all kinds of combat techniques.
I find them fascinating because they demonstrate that ordinary women are capable of the greatest feats of physical bravery – these women were not recruited because they were muscle-bound or could shoot a bullseye from a great distance.
They were usually just regular women who happened to speak a European language fluently. Krystyna Skarbek, brilliantly written about in this exciting biography by Clare Mulley, was one such woman – her adventures, including crucial organization of French resistance fighters and rescuing her colleagues from the Nazis – make for irresistible reading.
In June 1952, a woman was murdered by an obsessed colleague in a hotel in South Kensington. Her name was Christine Granville. That she died young was perhaps unsurprising, but that she had survived the Second World War was remarkable. The daughter of a feckless Polish aristocrat and his wealthy Jewish wife, she would become one of Britain's most daring and highly decorated special agents. Having fled to Britain on the outbreak of war, she was recruited by the intelligence services long before the establishment of the SOE, and took on mission after mission. She skied into occupied Poland, served…
I made up Faythe of North Hinkapee by being a jerk! I was ranting about
how bad a "best seller" book I had read was. My wife looked at me and
said, "So, could you write a bestseller?" I was challenged, and then,
somehow, this book just tumbled out. It was about a girl in Colonial
Times—her family burned as witches—vowing vengeance and how she gets
it. My wife looked at me and said: “My God, that could be a bestseller!’ My kids also loved the story. For about twenty years, I
planned to write it, and after a ton of work, I finally finished.
Any time Kate Quinn writes a book, I grab it immediately. Her characters are always amazing women doing amazing things. This one is, I think, her best.
The character of Nina is possibly the most interesting single character I have ever read about. I can’t describe Nina as words just fail me. I will never forget her. Nor will I forget the evil huntress either.
This is World War II historical fiction at its absolute best, as Ms. Quinn does super solid research.
From the author of the New York Times and USA Today bestselling novel, THE ALICE NETWORK, comes another fascinating historical novel about a battle-haunted English journalist and a Russian female bomber pilot who join forces to track the Huntress, a Nazi war criminal gone to ground in America.
In the aftermath of war, the hunter becomes the hunted...
Bold and fearless, Nina Markova always dreamed of flying. When the Nazis attack the Soviet Union, she risks everything to join the legendary Night Witches, an all-female night bomber regiment wreaking havoc on the invading Germans. When she is stranded behind enemy…
I’m an academic, writer, and broadcaster, and I’ve always been fascinated by the big questions of who fights wars and why. A puzzle caught my eye: the only profession (short of maybe priest) where women were actively banned in the 1980s and as late as the 2010s, was combat. How could Western democracies ban women from an entire profession? This was especially odd, given that the plentiful historical evidence that women were perfectly capable of combat. So I wrote a book explaining how women in combat fit into the broader sweep of military history, and how the suppression and dismissal of their stories has had a profound social and cultural impact.
If you didn’t know that between 800,000 and a million Soviet women fought in combat during World War II, this book will blow your mind.
Even for those aware of the history of Soviet female combatants – Soviet women fought in every imaginable military role, from fighter pilots to snipers to tank units – Alexievich’s astonishing oral history brings their stories to life. It’s especially profound to hear from the women themselves because after the war was over, women were told to never speak of their military service and got very little recognition for it.
By the time Alexievich recorded their stories, these women were getting old – and without her work many of these stories would have been lost.
'It would be hard to find a book that feels more important or original' - Viv Groskop, Observer
Extraordinary stories from Soviet women who fought in the Second World War - from the winner of the Nobel Prize in Literature
"Why, having stood up for and held their own place in a once absolutely male world, have women not stood up for their history? Their words and feelings? A whole world is hidden from us. Their war remains unknown... I want to write the history of that war. A women's history."
I’m an academic, writer, and broadcaster, and I’ve always been fascinated by the big questions of who fights wars and why. A puzzle caught my eye: the only profession (short of maybe priest) where women were actively banned in the 1980s and as late as the 2010s, was combat. How could Western democracies ban women from an entire profession? This was especially odd, given that the plentiful historical evidence that women were perfectly capable of combat. So I wrote a book explaining how women in combat fit into the broader sweep of military history, and how the suppression and dismissal of their stories has had a profound social and cultural impact.
World War I, to many, seems like the quintessential all-male war. After all, the experiences of men fighting alongside each other in the trenches are one of the definitive cultural touchstones of the 20th century and beyond.
That’s why I find Flora Sandes’ story so intriguing. Flora was yet another ordinary woman who went on to great military exploits. A clergyman’s daughter, she was rejected for nursing service on the Western front so she ended up driving an ambulance in Serbia, and through some twists and turns ended up as a corporal in the Serbian army.
Conditions on the Eastern front were brutal, and Flora fought through them all – her memories are extraordinary, and she’s also funny and honest.
English, Pages 233. Reprinted in 2013 with the help of original edition published long back. This book is in black & white, Hardcover, sewing binding for longer life with Matt laminated multi-Colour Dust Cover, Printed on high quality Paper, re-sized as per Current standards, professionally processed without changing its contents. As these are old books, there may be some pages which are blur or missing or black spots. If it is multi volume set, then it is only single volume. We expect that you will understand our compulsion in these books. We found this book important for the readers who…
As Rebecca Roberts in Apocalypse was an ancestor whose achievements have been largely ignored-maybe because of gender-it seemed to be time to redress the balance. A female author may have done the job better, but none stepped forward at the time and Hollywood screenwriter K.Lewis was keen to write a screenplay, requiring a concept screenplay outline as a guide. It was that which later became the 1st Edition of Apocalypse.
Although written as a play, it has a foreword detailing its subject—the life of Joan of Arc. Joan was the inspiration and much-admired heroine of Rebecca Roberts in my own book. Based closely on the Inquisition records, it has very moving moments, whether read or performed as a play.
'What other judgment can I judge by but my own?' Charting the meteoric rise and fall of Joan of Arc and her mission to drive the English from France, Shaw's Saint Joan draws directly on the medieval records to cut through the sentiment that characterized previous literary treatments of her story. A powerful example of a new kind of history play, its staging of dissent and social constraint, personal responsibility and female assertion, as well as fervent adherence to a cause, gave it a powerful modernity in its own day and continuing resonance in ours. Acclaimed internationally, this instant modern…
I am a poet and author living and writing in Northern Colorado. I love reading (and writing) novels in verse because they invite the reader into an active relationship with the author-poet. The story is co-created through mutual trust and imagination: the reader has to trust the author to provide enough language to reveal the narrative, and the author has to trust the reader to fill in details left by the white space on the page. Through this mutual effort and creative collaboration, dazzling stories emerge.
In Voices, David Elliott uses formal verse to explore the last hours that Joan of Arc lived. Told from multiple points of view, including the voice of the flame that will burn Joan at the stake, Elliott chooses specific poetic forms to reflect fundamental truths about the different characters. All forms of verse in the book were popular during Joan’s actual lifetime, and Elliott provides an interesting author’s note at the back of the book. Aside from being a poetic tour de force, Voices is a true page-turner, and readers will root for Joan to triumph over her enemies, even as they dread the inevitable outcome.
Told through medieval poetic forms and in the voices of the people and objects in Joan of Arc's life, (including her family and even the trees, clothes, cows, and candles of her childhood), Voices offers an unforgettable perspective on an extraordinary young woman. Along the way it explores timely issues such as gender, misogyny, and the peril of speaking truth to power. Before Joan of Arc became a saint, she was a girl inspired. It is that girl we come to know in Voices.
Sometimes I wonder how I ended up writing so many books about spirituality and religion. I started out in journalism, after all, driven by an endless curiosity about people and the planet. I wanted to tell all the untold stories! Funny thing, chasing those stories deeper and deeper eventually led me to write about spirituality, and ultimately, prayer. I picked up an MA in pastoral ministry, spent a few years editing high school religion textbooks for Saint Mary’s Press, and then started writing my own books. Most of what I write is aimed at helping beginners learn to pray, which is why I made this list.
Let’s take things in a different direction with Story of a Soul, the spiritual autobiography of a French nun who died in cloistered obscurity in 1897 at the age of 24. Like a lot of people, I was initially skeptical about what wisdom this sheltered, middle-class young woman would have to offer; at first blush, her piety seemed conventional and old-fashioned. But the more I read, the more she won me over: underneath the sometimes-flowery language I discovered a fierce passion (all those exclamation marks!), a refreshing forthrightness, and cunning wisdom that actually subverts conventional piety with its “littleness.” Story of a Soul isn’t an instruction manual; rather, it’s the very personal, joyful account of one young woman’s “little way” to Jesus—a way so simple, anyone can follow it.
Pope Benedict XVI Encourages Reading "Story of a Soul"
The Story of a Soul conveys St Therese of Liseux's "Little Way" of spiritual childhood - her "elevator" to Heaven, as she called it. This method was approved by Pope Pius XI as a way for all to grow in holiness through unfailing confidence and childlike delight in God's merciful love.
Again and again in this book, St. Therese shows us how her "Little Way" of love and trust comes straight from Sacred Scripture.
This book belongs in every Catholic home, for Pope St Pius X stated St. Therese of Liseux…
I’ve been interested in exploring the characteristics and meaning of heroines in history since I met two fellow travelers in Nova Scotia in 1990 who introduced me to the work of Joseph Campbell and his The Hero with a Thousand Faces. As a history professor I am interested in women’s changing place in society and the history of heroines is an excellent way to explore this. I am passionate about moving beyond individual, celebratory stories to instead explore themes for a dynamic modern archetype of a heroine across time and cultures. I like to imagine a time when all humans can be heroes without the feminine suffix.
This superbly researched book breaks new ground about the relationship between image and reality for heroines in history.
Warner manages to both bring Joan of Arc alive as an historical actor, and also show how her image has been invented and reinvented through history. Warner taught me that when it comes to heroines, there is often an important blurred relationship between fact and fiction. Importantly, gender and sexuality are also at the heart of Warner’s interpretations.
Warner captures the story of a truly amazing heroine and also reveals Joan’s incredible significance.
Joan has a unique role in Western imagination - she is one of the few true female heroes. Marina Warner uses her superb historical and literary skills to move beyond conventional biography and to capture the essence of "Joan of Arc", both as she lived in her own time and as she has 'grown' in the human imagination over the five centuries since her death. She has examined the court documents from Joan of Arc's 1431 Inquisition trial for heresy and woven the facts together with an analysis of the histories, biographies, plays, and paintings and sculptures that have appeared…
As a teenager, I began to question the myths my parents told about our family, but when saying so caused trouble, I confided my stories to paper instead. That’s how I became a writer. My first love has always been fiction, but I broke into print writing history—about quirky subjects in which I find deep meaning, like the potato’s revolutionary influence on the Western world, or how the invasion and occupation of Belgium in 1914 foretold Nazi Europe. My fascination with subversion shapes my novels too—my quiet, lonely protagonists would never storm the barricades yet appear radical because of how they live, a circumstance I know well.
I love stories about iconoclasts, and Joan of Arc fits that description, if anyone ever has.
The hard reality of this retelling draws me in: Joan’s a secular military leader who grew up toughened from her father’s blows rather than a pious young woman who hears voices. That skeptical take may offend some readers, but the history, politics, and personalities come vividly to life and seem real to me.
Chen’s seductive prose makes me wish I could write like her, and her novel lets me feel the tragedy and uplift of a great historical figure.
A stunning feminist reimagining of the life of Joan of Arc - perfect for fans of Cecily, Ariadne and Matrix
'It is as if the author has crept inside a statue and breathed a soul into it, re-creating Joan of Arc as a woman for our time' Hilary Mantel, twice Booker Prize-winning author of The Mirror & the Light
'A glorious, sweeping novel . . . Richly imagined, poignant and inspiring' Jennifer Saint, author of Ariadne
'Chen earns the comparison [to Mantel] thanks to her vivid, visceral and boldly immediate storytelling . . . a hypnotic heroine for our time'…
I am a historian with wide-ranging interests and publications, including, in European history, histories of Italy, Spain, Portugal, the Mediterranean, eighteenth-century Europe, Europe 1550-1800, Europe since 1945, and European warfare.
A scholarly account of the family that ruled France from 1328 to 1589. Knecht concentrates on the high politics, but his book is a valuable linkage of the Middle Ages and the early-modern age, taking readers from the Hundred Years’ War to the French Wars of Religion. France’s bloody history emerges clearly.
The house of Valois ruled France for 250 years, playing a crucial role in its establishment as a major European power. When Philip VI came to the throne, in 1328, France was a weak country, with much of its modern area under English rule. Victory in the Hundred Years' War, and the acquisition of Brittany and much of Burgundy, combined with a large population and taxable wealth, made the France of Francis I the only power in Europe capable of rivalling the empire of Charles V. Francis displayed his power by spectacular artistic patronage and aggressive foreign wars. Following the…
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