Here are 100 books that Metamorphoses fans have personally recommended if you like
Metamorphoses.
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We all read (or write) fiction for a bit of escapism, don’t we? To come face-to-face with the good, the bad, and the ugly of bygone days… The ancient Mediterranean is the place I would most love to visit in a time machine (albeit fully armed and in a hazmat suit), and these writers are – for me – the best at transporting readers there from the comfort of a sofa. I’ve tried plenty of historical fiction set in other times and places - much of it very good, but the smell of olive groves, the chirruping of cicadas, and the Aegean sun always call me back!
Some authors have an innate faculty for bringing the dim and distant past into such razor-sharp clarity that it’s hard not to believe that they were once present at the time. That’s how it is with Mary Renault (real name Eileen Mary Challans): any number of her books could have made this list.
What I particularly love about this duology (the sequel The Bull From the Sea isn’t quite as strong) is that Renault retold the ancient tale of Theseus and the Minotaur as historical fiction. Though she followed the main beats of the well-known story, she boldly stripped it of gods, monsters, and magic, and the narrative doesn’t suffer at all from it. If anything, it makes it even more compelling because it feels like she has stumbled upon a possible origin to the myth.
Theseus is the grandson of the King of Troizen, but his paternity is shrouded in mystery - can he really be the son of the god Poseidon? When he discovers his father's sword beneath a rock, his mother must reveal his true identity: Theseus is the son of Aegeus, King of Athens, and is his only heir. So begins Theseus's perilous journey to his father's palace to claim his birth right, escaping bandits and ritual king sacrifice in Eleusis, to slaying the Minotaur in Crete. Renault reimagines the Theseus myth, creating an original, exciting story.
I’ve always been fascinated by stories of myth, magic, and ancient cultures. I grew up devouring everything I could get my hands on, but it seemed like voices were missing in so many myths and legends. Persephone isn’t even the main character in her own myth. Aphrodite, Helen, and countless other women were painted with the same depthless brush. I wanted to know their stories, and as I grew older, I realized I wanted to tell them. The authors of the books in this list are kindred spirits. Countless hours of research and reading went into these stories, and their love for the subject shines through the text.
Ever since reading this book, I *can’t* think of the original version of the Iliad without referencing his haunting retelling from Patroclus’ perspective. Miller did such an incredible job putting me in the story and making the characters so real that I actively missed them when I put the book down.
It doesn’t hurt that it has some of the most beautiful poetic language I’ve encountered in story form. Helen is more of a background character playing her classic role, but I was still fascinated because Miller plays on the demigod aspect of both Helen and Achilles in a way that makes them steal any scene they’re in. There’s a quiet power to them that transcends the page.
**OVER 1.5 MILLION COPIES SOLD** **A 10th ANNIVERSARY SPECIAL EDITION, FEATURING A NEW FOREWORD BY THE AUTHOR**
WINNER OF THE ORANGE WOMEN'S PRIZE FOR FICTION THE INTERNATIONAL SENSATION A SUNDAY TIMES AND NEW YORK TIMES BESTSELLER
'Captivating' DONNA TARTT 'I loved it' J K ROWLING 'Ravishingly vivid' EMMA DONOGHUE
Greece in the age of heroes. Patroclus, an awkward young prince, has been exiled to the court of King Peleus and his perfect son Achilles. Despite their differences, Achilles befriends the shamed prince, and as they grow into young men skilled in the arts of war and medicine, their bond blossoms…
I am a scientist in the field of medicine, and I like to read books that provide a surprising insight into our thinking and decision-making with a scientific basis. It is special how we think we are acting rationally while much of our action is influenced by the environment and news that comes our way. Some of the books in my list provide special insights that are refreshing and hold a mirror up to us.
I never thought I would enjoy reading Greek mythology. But how Fry wrote it is really amazing. Now, when I go to a museum and see an ancient painting depicting Greek Mythology, I am often able to explain what is visualised in the artwork.
In the book, Zeus and the other Gods get a true character and the fights they have are depicted in a way that you still want to read it till the end, even if you know what the end will look like.
STEP INTO ANOTHER WORLD - OF MAGIC, MAYHEM, MONSTERS AND MANIACAL GODS - IN STEPHEN FRY'S MOMENTOUS SUNDAY TIMES BESTSELLER, MYTHOS
'A romp through the lives of ancient Greek gods. Fry is at his story-telling best . . . the gods will be pleased' Times ___________
No one loves and quarrels, desires and deceives as boldly or brilliantly as Greek gods and goddesses.
In Stephen Fry's vivid retelling, we gaze in wonder as wise Athena is born from the cracking open of the great head of Zeus and follow doomed Persephone into the dark and lonely realm of the Underworld.…
I’ve been fascinated by Marie Antoinette since I watched Sofia Coppola’s film about her as a teenager. Pair that with a Les Miserables musical obsession and a Francophile dad that loved history, and I became fascinated with the French Revolution. My interest was re-ignited years later after I visited Versailles and wandered the foggy gardens where I must have gotten haunted by a French ghost because the idea for Cake Eater struck me after I returned home. I was in a bit of a writing slump at the time, but the idea took hold of me and wouldn’t let go. I drafted Cake Eater for Nanowrimo and it became my debut novel.
This totally unique retelling blends Greek mythology with World War I and II history in a beautiful way that stuck with me long after I finished the last page.
There are tons of Greek retellings to choose from, but the added element of the World Wars storyline makes this one stick out from the crowd. Aphrodite strikes a deal on trial and must tell the story of two war-torn couples. The story has a big sweeping feel, full of tragedy and romance.
Lovely War brings to mind Greek epics in its scope and feeling, but the setting gives it a fresh feel. I’ve never read anything quite like it.
A sweeping, multi-layered romance set in the perilous days of World Wars I and II, where gods hold the fates--and the hearts--of four mortals in their hands.
They are Hazel, James, Aubrey, and Colette. A classical pianist from London, a British would-be architect turned soldier, a Harlem-born ragtime genius in the U.S. Army, and a Belgian orphan with a gorgeous voice and a devastating past. Their story, as told by the goddess Aphrodite, who must spin the tale or face judgment on Mount Olympus, is filled with hope and heartbreak, prejudice and passion, and reveals…
"Ut pictura poesis", as goes painting so goes poetry is a pithy phrase that sums up the truth that a picture is mute poetry and poetry is a speaking picture. I have studied the history of this tradition from many angles and I have derived from it the term “lyrical naturalism” which I use to discover what is charming or captivating in the world of plants. As an art historian, well-read in European literature, I regard myself as a member of the environmental humanities which increasingly is the home of many academics eager to participate in the great debate on how to honor the natural world in literature and art before it is too late.
There is no book as rich in tree imagery as Ovid’s Metamorphoses. It is a book of fables many of which are about trees. Best known, I believe, is the story of Apollo and Daphne, in which a nymph is transformed into a laurel tree. The fable that I use in the book is the story of Pan and Syrinx, painted collaboratively by Rubens and Jan Brueghel the Elder. It explains the mythical origins of the sedges and reeds that fringe the riverbanks.
The Metamorphoses - Ovid. A translation into English prose by A. S. Kline. Published in entirety with mythological index and illustrations by Hendrik Goltzius.
In the Metamorphoses Ovid retells stories from the Greek myths, arranging them in roughly chronological order, from the origins of the world to his own times. His charming and graceful versions, full of life and interest, express his humanist approach, his feeling for pathos, and his endless curiosity and delight in human affairs. Each tale involves a transformation of some kind, and the whole collection provided a potent source of motifs and images for later art,…
I’ve been fascinated by Greek Mythology since I read a book about it in childhood. There was a popular graphic novel series about Greek and Roman Mythology in Korea, and I was one of many kids obsessed with these books. That passion continued and became stronger when I moved to New York. It had various mythology books, including novels and picture books, and there were tons of references, such as paintings, sculptures, and authentic vases. I hope you enjoy the books on the list and feel the same thrill I felt!
I can see that I tend to choose books with nice illustrations that emphasize the story more. This was the most recent reading I did. These dreamy, whimsical illustrations caught my eye when I browsed in the local bookstore.
I’m glad I came across this book at the beginning of summer when it is much easier for our minds to fall in love. Before the weather gets colder, I plan to bring this book to a picnic and enjoy it fully outside.
A landmark illustrated anthology of queer Greek and Roman love stories that reclaim and celebrate homosexual love and sensuality, from artist Luke Edward Hall and award-winning poet Seán Hewitt.
For centuries, evidence of queer love in the ancient world has either been ignored or suppressed. Even today, only a few narratives are widely known: the wild romance of Achilles and Patroclus; the yearning love of Sappho's lyrics; and the three genders introduced in Plato's Symposium. Yet there is a rich literary tradition of queer Greek and Roman love that extends far beyond the prudish translations of these familiar handful of…
Let’s face it – the Greek gods are a self-centered, quick-tempered, jealous, prideful, and insatiable bunch. Even the all-powerful Zeus falls victim to his overactive libido and vengeful wife! While superpowers are enticing, it’s the gods’ faults and weaknesses –their humanqualities – that make them so irresistible to me. As a writer, I love poking at my characters’ soft underbelly. Where are they vulnerable? What can they not bear to lose? Can they recognize their mistakes and grow? And this question pulled me down Cupid’s Fall rabbit hole: What if the God of Love got a dose of his own medicine?
I was originally attracted to this book because the gods are alive and well and living among us mortals in modern times – I hope that sounds familiar! These gods have fallen on rough times. They’re crammed together into a London townhouse and forced to get (gasp!) day jobs. Aphrodite is a sex worker. Apollo is a TV psychic. Eros is considering the priesthood. (Double gasp!) Even more alarming, the gods’ powers are waning, and they’ll need mortals to save them. This charming book will warm your heart and make you laugh out loud more than once.
Being immortal isn't all it's cracked up to be. Life's hard for a Greek god in the 21st century: nobody believes in you any more, even your own family doesn't respect you, and you're stuck in a delapidated hovel in north London with too many siblings and not enough hot water. But for Artemis (goddess of hunting, professional dog walker), Aphrodite (goddess of beauty, telephone sex operator) and Apollo (god of the sun, TV psychic) there's no way out... Until a meek cleaner and her would-be boyfriend come into their lives, and turn the world literally upside down.
When I tell people I think about Greek myths for a living, they tend not to believe me. But I’ve never considered Greek myths to be at all odd or mysterious. After all, telling stories is a very normal human activity. Most recently I’ve been working to better understand how ancient communities attached stories to the places they lived in and this has resulted in MANTO, a huge mapping project, which anyone can look at here: https://www.manto-myth.org/manto
This book is all you could ever have wanted to know about the monsters of Greek myth and the impact they have had on our imaginations. It’s a collaboration resulting in 40 articles that range across various monsters, monster theory, and the strange borders between the real and the imaginary.
The Oxford Handbook of Monsters in Classical Myth presents forty chapters about the unique and terrifying creatures from myths of the long-ago Near East and Mediterranean world, featuring authoritative contributions by many of the top international experts on ancient monsters and the monstrous. The first part provides original studies of individual monsters such as the Chimaera, Cerberus, the Hydra, and the Minotaur, and of monster groups such as dragons, centaurs, sirens, and Cyclopes. This section also explores their encounters with the major heroes of classical myth, including Perseus, Jason, Heracles, and Odysseus. The second part examines monsters of ancient folklore…
I had a lot of troubles as a kid, and my favorite escape was getting lost in fairy tales and mythology. For me, those stories were a window into ancient worlds full of strange rules and powers, where magic was real and nothing was outside the bounds of possibility. As an author, I get to build my own stories and worlds inspired by the tales I loved so much as a kid, and I’ve loved reading about new heroes and heroines whose tales are rooted in the powerful traditions of peoples from all over the globe. I’m happy to be sharing some of my recent favorite mythology-inspired books!
An absolutely unique story that takes the mythology of the Greek underworld and gives it a twist (or two). Clo only has her Dad. He’s always been a little different—as has she—but when he disappears and leaves her a ticket for half-passage across the sea, Clo finds herself stranded on a mysterious island with a weaver, a cat, and an odd little boy—Cary, who has secrets of his own.
I loved the stunning and strange machinations of Clo’s days on the island and working to unravel its hidden truths alongside her. She feels like a friend, and her dawning need to protect Cary is touching and relatable. The writing is beautiful, the imagery haunting, and Clo’s need to understand—and escape, is somehow both urgent and dream-like. Deep thinkers will love this book.
A spellbinding middle grade fantasy inspired by Greek mythology, for fans of The Girl Who Drank the Moon and The Book of Boy.
Clothilde has lived her whole life in the shadows with her (sometimes) thieving and (always) ailing father. But when he fails to meet her one morning, sending her instead a mysterious ticket of "half-paffage," Clo finds herself journeying across the sea to reunite with him. The ticket, however, leaves her on a sunless island populated only by creaking fishermen, a rumpled old woman, a piggish cat, and a moon-cheeked boy named Cary.
I struggled a lot with reading as a kid, I would not call myself a natural reader at all. When I was young, fantasy and magic stories were one of the few genres that could grip me enough to make me actually focus and attempt to read but I always hated the ones that took themselves too seriously (they always felt impossibly long to get through). Now, as a children’s author, myself, it’s my hope and passion to serve fellow young-readers-who-don’t-consider-themselves-readers with fun accessible stories. I hope you enjoy!
A school drama with a dash of Greek Mythology when Helen of Troy’s amulet gets into a young girl's hands.
Juliet is suddenly doused with attention and does her best to navigate it. The story is very funny and lighthearted, this was another one of my favorite school reads.
Juliet Dove is a girl who doesn't like to be noticed. But though she may be shy, she has a wickedly sharp wit. Whenever someone does take notice of her, she tears into the person with a savagery that's earned her the nickname Killer. Juliet ends up leaving Mr. Elives' magic shop with Helen of Troy's amulet--that is, a virtual man magnet. Juliet doesn't know what she's got, but the boys in her class do--they start to notice her. Soon every boy in town is swoony for her. Yet, much as she'd like to lose all the unwanted attention, she…
