94 books like Age of Bronze Volume 1

I loved this book as much for the writing itself as the story. Miller creates a lush world of numinous magic.

I could not stop listening to this retelling of the life of Circe. She was the daughter of the sun god and the most feared sorceress of her time. She was given a bad rap by history, but I felt like I understood her and could see into her heart and mind.

In addition, the worldbuilding is wonderful. I felt like I was taken to ancient Greece. 

The challenge of writing historical fiction set in the distant past is bridging the vast gap between our modern understanding of the world and that of our distant forebears, since even our most basic assumptions and values undergo enormous changes over time. Those who love Renault’s works about classical antiquity relish the ability of her novels to truly carry us into another world, to make it felt and intelligible. This novel follows the fortunes of the mythic hero Theseus, from his origins in Troizen to his departure for Athens to find his father, his achievement of the kingship of Eleusis, his voluntary enslavement in Crete as a bull-dancer, an acrobat who vaults over living animals for spectacle, his confrontation with the minotaur and his eventual return home, older and more baffled by existence. It gives dimension to the mythic hero, a complexity that is at once familiar and profoundly, unsettlingly… show more.

Hand of Fire was one of the first books to truly win me over on Achilles as a real hero worthy of romanticism and admiration. Starkston’s exploration of Briseis’s character and her relationship to and with Achilles is so well-wrought, pulling both from the Hittites (the empire in which Briseis was born) and the Greek mythology and archeology. The way she weaves the two cultures together to create this story, priming Briseis for Achilles’s arrival to create a narrative that gives Briseis both power and agency is absolutely masterful. I loved that Starkston didn’t shy away from the supernatural hallmarks of the Iliad, either, allowing the gods and their direct influence to breathe inside her retelling of the Trojan War.

This one hooked me from the first words: “Sing, Muse.”

I always enjoy the wit Haynes brings to her work. And I love how this book pulls the reader into so many different points of view, creating a sweeping narrative. The craft of this one left me a bit stunned.

Plus, war is so often told as a man’s adventure. Here, Haynes shows the cost to women who are abandoned, enslaved, and widowed. As retellings go, this is a unique and clever reimagining. 

Carosella offers another, refreshing take on Helen. This Helen takes control of her life and tries to defy fate (and the gods do their darndest, as usual in Greek mythology, to make her and everyone else miserable). Carosella’s engaging novel develops the characters’ jealousies, passions, and loyalties, as well as bringing the reader directly into the ancient Greek world. I enjoyed the sense of interconnectedness between different parts of this Greek and Mediterranean world, Troy, Sparta, Egypt, Mycenae, and Athens. This accurately reflects the current understanding of this exotic world. I appreciate a flexible view of all the legendary mythology surrounding this iconic war, and Carosella has flexed some impressive muscle.

The Iliad is not a book on strategy. Nor on tactics, nor on logistics, nor on command and control, nor on any other individual aspect of warfare about which any number of lesser authors have written. An epic poem, it provides an unparalleled panorama of men (and, playing a secondary yet crucially important role, a few women) at war: the hope, the despair, the fear, the elation, the kindness, the rage, the horror, the love and the sex (which both increases the horror and to some extent makes up for it). All intertwined, and all pulsating along with the human heart. Probably written down around 750 BCE, but making use of much older material, for almost three millennia now it has been regarded not just as a classic but as the greatest classic of all. Unquestionably it will continue doing so for millennia more. 

I loved this book. It tells Odysseus’ story from the viewpoint of his loyal dog Argos. Intended for readers aged 8-12, it can awaken the child in all of us. We knew from The Odyssey how loyal a dog Argos was. But hearing in Argos’s own words how he protected Penelope, Telemachus, and the hall of Odysseus in his master’s absence makes absolutely clear that Argos is formidable indeed. In fact, he shares many of his master’s characteristics. He can plan, trick his opponents, and use his wits to overcome any challenge in service to Odysseus. He learns of Odysseus’ movements by speaking to birds who have come from the islands where Odysseus is struggling to return home from Troy. Although Argos dies of old age when he finally sees Odysseus, he has had a son who, loyal like his father, stands beside Odysseus and Telemachus and witnesses their slaughter… show more.

“Mythology, Shakespeare, Cthulhu, oh my!” Not as well-known as his most famous sci-fi work, Hyperion, Dan Simmon’s Ilium is just as impressive. The book bounces back and forth between characters of Greek myth reenacting the events of the Trojan War on the Martian plains, humans reawakening to their purpose on a post-apocalyptic Earth, and a pair of philosophizing robots, all in the shadow of a dark god coming to devour them all. The first in a duology, Ilium weaves its disparate storylines to a climax where readers solve the riddle of how it is that Lovecraft’s monsters are living alongside Shakespeare’s characters and Homer’s epic poem in a world that has suffered a mysterious cataclysm. Any reader of mythology and literary allusion in their speculative fiction will hungrily devour this book. 

Margaret George is a preeminent writer of historical fiction—big, authoritative novels focusing on remarkable, famous people, as her 2006 Helen of Troy demonstrates. She covers Helen’s life from girlhood through the Trojan War and back to Sparta. She builds a full depiction of ancient Greek life, which always makes me happy, but George is most compelling with her characters. George’s interpretations often break with tradition, and that is true for Helen and Paris. Helen disdains her extraordinary beauty and must grow into visionary insights and outsized passions with guidance from the gods. If you want a genuinely heroic Paris (not his usual wimpiness) and a couple who cleave to each other to the end, this is the Helen book for you. George’s skill holds your attention through it all.

As a historian I have often felt the need to get to grips with the basis of western mythical-historical writing, meaning—Homer. After reading Mythos, I couldn’t resist reading Fry’s second book of his Greek mythology trilogy, and I was rewarded! Despite the often-confusing flood of Greek names of gods, Titans, divine mortals, etc. you can’t help enjoying this exciting read of Paris’ abduction of Helen of Sparta. As usual, Fry’s erudition is combined with side-splitting humor and wit. He has the brilliance to bring alive the ancient classical Homer’s Iliad to a modern-day audience.